Bibliography

Bibliography

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BC Ms 20c Theatre, Baron, Brotherton Collection, University of Leeds. Barranger, Milly S. Margaret Webster: A Life in the Theater . Ann Arbor: Michigan UP, 2004. Baubock, Rainer and Thomas Faist eds. Diaspora and Transnationalism: Concepts, Theories and Methods. Amsterdam: Amsterdam UP, 2010. Bakshy, Alexander. The Path of the Modern Russian Stage and Other Essays. London: Cecil Palmer and Hayward, 1916. Balfour, Michael ed. Theatre and Performance, 1933–1945: Performance in Extremis . New York: Berghahn, 2001. Baring, Maurice. An Outline of Russian Literature. London: Williams and Norgate, 1914. —— What I Saw in Russia. London: William Heinemann, 1927. —— The Puppet Show of Memory. London: William Heinemann, 1922. —— The Grey Stocking and Other Plays . London: Constable and Company, 1911. Barrie, J.M. The Truth About Russian Dancers . New York: Dance Perspectives, 1962. Beachcomber. “Russian Pickwick.” Daily Express , December 17, 1928. BIBLIOGRAPHY 203 Beasley, Rebecca and Philip Ross Bullock eds. Russia in Britain 1880– 1940. Oxford: Oxford UP, 2013. Beasley, Rebecca and Philip Ross Bullock. “Introduction: The Illusion of Transparency.” Translation and Literature , 20 (2011). Bellow, Juliet. Modernism on Stage: The Ballets Russes and the Parisian Avant- Garde . Farnham: Ashgate, 2013. Benedetti, Jean ed. The Moscow Art Theatre Letters . New York: Routledge, 1991. Benedetti, Jean. Stanislavski and the Actor . New York: Routledge, 2013. Bigliazzi, Silvia, Peter Kofl er and Paola Ambrosi. Theatre Translation in Performance. Abingdon: Routledge, 2013. Blanton, Casey. Travel Writing: The Self and the World . New York: Routledge, 2002. Boleslawskaia, Madame. Letter to Basil Dean. October 15, 1926, DEA 1/1/327- 335, Basil Dean Archive. Booth, Michael and Joel Kaplan eds. The Edwardian Theatre: Essays in Performance and the Stage. Cambridge UP, 1996. Borovsky, V.E. A Triptych of Russian Theatre: The Komissarzhevskys. 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Croall, Jonathan. Gielgud: A Theatrical Life . London: Continuum, 2001. Cross, Anthony ed. A People Passing Rude: British Responses to Russian Culture. London: Open Book, 2012. Cummings, E.E. Eimi: A Journey Through Russia . New York: Liveright, 2007. Curtin, Adrian. Avant-Garde Theatre Sound: Staging Sonic Modernity. New York: Palgrave MacMillan, 2014. D’Monté, Rebecca. British Theatre and Performance, 1900–1950. London: Bloomsbury, 2015. Daily Worker . October 19, 1947. Unity Theatre Archive, V&A, THM 9/4/5/54. Dana, H.W.L. “Yellow Rust: The History of a Crime.” New Masses: A Magazine of Workers Art and Literature (April 1930). Davison, Clare. Translation as Collaboration: Virginia Woolf, Katherine Mansfi eld and S.S. Koteliansky. Edinburgh UP, 2014. de Valois, Ninette. Come Dance With Me: A Memoir 1898–1956. Dublin: Lilliput Press, 1992. Dean, Basil. “Address to Nottinghamshire Playgoers Club.” January 1926, DEA 12/1/28, Basil Dean Archive. —— Seven Ages: An Autobiography 1888–1927. London: Hutchinson, 1970. BIBLIOGRAPHY 205 —— Mind’s Eye: An Autobiography 1927–1932 . London: Hutchinson, 1973. —— The Theatre at War. London: Harrap, 1956. —— Letter to Mr [Dmitri] Bogomoloff, January 1926, DEA 1/2/210, Basil Dean Archive. —— “Roast Beef and Caviare [sic]: Refl ections upon the Theatre in England and Russia.” Soviet Union Monthly (May 1926): 90–1, DEA 12/1/31, Basil Dean Archive. —— “The Actor and His Workshop” (lecture presented at the Victoria and Albert Museum During the International Theatre Exhibition, July 1922), DEA 12/1/16, Basil Dean Archive. —— “The Machine Artists: Notes on a Recent Visit to the Russian Theatre.” The Sphere , August 28, 1926, DEA 12/1/35, Basil Dean Archive. —— “My Aims in the Theatre.” November 1928, DEA 12/1/45, Basil Dean Archive. —— “Interview

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