1. Exile As Expulsion and Wandering: Joseph Roth, Sholem Aleichem
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Marching Into History
Marching into History: From the Early Novels of Joseph Roth to Radetzkymarsch and Die Kapuzinergruft Kati Tonkin B.A. (Hons), M.A. (Dist.) This thesis is presented for the degree of Doctor of Philosophy of The University of Western Australia School of Humanities German and European Studies February 2005 Acknowledgements I wish to express my gratitude to the Österreichischer Austauschdienst for an Österreich-Stipendium and to the University of Western Australia for a Fay Gale Fellowship. These two awards enabled me to spend the period September 2001 to February 2002 in Vienna conducting the initial research for this thesis. Emeritus Professor Leslie Bodi gave me the benefit of his expertise in Austrian literature and culture in stimulating conversations over a period of several years. I am indebted to him also for providing me with many contacts in Vienna whose assistance in the early stages of my research was invaluable. In Vienna I was fortunate to meet with a number of scholars who have written on the work of Joseph Roth. I would like to thank Professor Moritz Csáky of the Österreichische Akademie der Wissenschaften; Professor Wendelin Schmidt- Dengler from the Universität Wien; and Dr. Heinz Lunzer, director of the Literaturhaus Wien for their interest in my project and their academic advice. Dr. Lutz Musner kindly enabled me to attend lectures at the Internationales Forschungszentrum Kulturwissenschaften of which he is the director. My supervisor, colleague and friend Associate Professor Peter Morgan has been a wonderful mentor and an inspiration since I first attended his classes as an undergraduate. I have greatly appreciated, enjoyed and benefited from our supervision meetings over the years, and I cannot thank him enough for his unfailing support and encouragement while I have been combining work and study. -
Film Essay for “Tevye”
Tevye By J. Hoberman In summer 1939, actor-director Maurice Schwartz began work on his long-delayed “Tevye,” the film he first proposed in 1936 and had publicly announced in January 1938. Schwartz, who based his film on the stories of leading Yiddish author and playwright Sholom Aleichem, created and starred in a stage play of “Tevye” twenty years before. A $70,000 ex- travaganza, the film was produced by Harry Ziskin, co-owner of the largest kosher restaurant in the Times Square area. After three weeks of rehearsal on the stage of the Yiddish Art Theater, shooting began on a 130-acre potato farm near Jericho, Long Island. On August 23, midway through the shoot, Hitler seized Danzig. A Nazi invasion of Poland seemed imminent. Political tensions and the deterioration of the Euro- pean situation were felt on the set of “Tevye.” Many Maurice Schwartz as Tevye the Dairyman. of those involved in the production had family in Poland; some were anxious to return. Actor Leon contrast, “Fiddler on the Roof,” filmed by Norman Liebgold booked passage on a boat leaving for Jewison in 1973, emphasizes the generational gap Poland on August 31. But “Tevye” had fallen behind between Tevye and his daughters and ends with schedule – a number of scenes had been ruined Khave and her Gentile husband leaving for America due to the location’s proximity to Mitchell Airfield. along with Tevye. Although his visa had expired, Liebgold was com- pelled to postpone his departure. The next day, On one hand, Schwartz’s “Tevye” stands apart from the Nazis invaded Poland. -
1 Recherchierte Dokumente
Herr der Bücher: Marcel Reich-Ranicki in seiner Frankfurter Wohnung MONIKA ZUCHT / DER SPIEGEL SPIEGEL-GESPRÄCH „Literatur muss Spaß machen“ Marcel Reich-Ranicki über einen neuen Kanon lesenswerter deutschsprachiger Werke SPIEGEL: Herr Reich-Ranicki, Sie haben für die an der Literatur interessiert sind. Gibt es um die Schule geht, für den Unterricht den SPIEGEL Ihren persönlichen literari- es überhaupt einen Bedarf für eine solche besonders geeigneter Werke. Die Frage, ob schen Kanon zusammengestellt, die Sum- Liste literarischer Pflichtlektüre? wir einen solchen Katalog benöti- me Ihrer Erfahrung als Literaturkritiker – Reich-Ranicki: Ein Kanon ist nicht etwa ein gen, ist mir unverständlich, denn für Schüler, Studenten, Lehrer und dar- Gesetzbuch, sondern eine Liste empfehlens- über hinaus für alle, werter, wichtiger, exemplarischer und, wenn Das Gespräch führte Redakteur Volker Hage. Chronik der deutschen Literatur Marcel Reich-Ranickis Kanon Johann Wolfgang von Goethe, Andreas Gryphius, 1749 –1832 1616 –1664 „Die Leiden des Gedichte jungen Werthers“, Gotthold Ephraim Lessing, „Faust I“, „Aus Walther von der Christian Hofmann Johann Christian 1729 –1781 meinem Leben. Das Nibe- Vogelweide, Martin Luther, von Hofmannswaldau, Günther, „Minna von Barnhelm“, Dichtung und lungenlied ca. 1170 –1230 1483 –1546 1616 –1679 1695 –1723 „Hamburgische Dramaturgie“, Wahrheit“, (um 1200) Gedichte Bibelübersetzung Gedichte Gedichte „Nathan der Weise“ Gedichte MITTELALTER16. JAHRHUNDERT 17. JAHRHUNDERT 18. JAHRHUNDERT 212 der spiegel 25/2001 Titel der Verzicht auf einen Kanon würde den der verfassten Rahmenrichtlinien und und auch die liebe Elke Heidenreich. Be- Rückfall in die Barbarei bedeuten. Ein Lehrpläne für den Deutschunterricht an merkenswert der Lehrplan des Sächsischen Streit darüber, wie der Kanon aussehen den Gymnasien haben einen generellen Staatsministeriums für Kultus: Da werden sollte, kann dagegen sehr nützlich sein. -
Introduction
© Copyright, Princeton University Press. No part of this book may be distributed, posted, or reproduced in any form by digital or mechanical means without prior written permission of the publisher. INTRODUCTION NO NOVELIST has better described the dissolution of the Haps burg empire than Joseph Roth. Of course it did not collapse with a shudder at the death of the emperor and the end of the Great War, but had been rotting away for years, and the rot created its own luster, which Roth captured with an uncanny accuracy. He caught the rustling silks and sword hilts, the gutted nostalgia, the unwritten and impenetrable rules, the aimless ness and hollow laughter, the Prater and masquerades, the military maneuvers and opera boxes. He described it all as a dying candle, flickering, golden, consumed by the very liquid it had created. I lived in the cheerful, carefree company of young aristo crats whose company, second only to that of artists, I loved best under the old Empire. With them I shared a skeptical frivolity, a melancholy curiosity, a wicked insouciance, and the pride of the doomed, all signs of the disintegration which at that time we still did not see coming. Above the ebullient glasses from which we drank, invisible Death was already crossing his bony hands. We swore without malice and blasphemed without thought. Alone and old, distant and at the same time turning into stone, but still close to us all and omnipresent in the great and brilliant pattern of the Empire, lived and ruled the old Emperor, For general queries, contact [email protected] © Copyright, Princeton University Press. -
Course Submission Form
Course Submission Form Instructions: All courses submitted for the Common Core must be liberal arts courses. Courses may be submitted for only one area of the Common Core. All courses must be 3 credits/3 hours unless the college is seeking a waiver for a 4-credit Math or Science course (after having secured approval for sufficient 3-credit/3-hour Math and Science courses). All standard governance procedures for course approval remain in place. College Kingsborough Community College Course Number Yiddish 30 Course Title Yiddish Literature in Translation l Department(s) Foreign Languages Discipline Language and Literature Subject Area Enter one Subject Area from the attached list. Yiddish Credits 3 Contact Hours 3 Pre-requisites English 12 Mode of Instruction Select only one: x In-person Hybrid Fully on-line Course Attribute Select from the following: Freshman Seminar Honors College Quantitative Reasoning Writing Intensive X Other (specify): Liberal Arts/ Gen Ed Catalogue Designed for non-Yiddish speaking students, course consideration is on the emergence of Yiddish writers in the Description modern world. Emphasis is on the main literary personalities and their major contributions. All readings and discussions in English. Syllabus Syllabus must be included with submission, 5 pages max Waivers for 4-credit Math and Science Courses All Common Core courses must be 3 credits and 3 hours. Waivers for 4-credit courses will only be accepted in the required areas of Mathematical and Quantitative Reasoning and Life and Physical Sciences. Such waivers will only be approved after a sufficient number of 3-credit/3-hour math and science courses are approved for these areas. -
Central European Jewish Thought in Joseph Roth's Works Rares G
Purdue University Purdue e-Pubs Purdue University Press Book Previews Purdue University Press 9-2018 The Quest for Redemption: Central European Jewish Thought in Joseph Roth's Works Rares G. Piloiu Follow this and additional works at: https://docs.lib.purdue.edu/purduepress_previews Part of the European Languages and Societies Commons, and the Jewish Studies Commons Recommended Citation Piloiu, Rares G., "The Quest for Redemption: Central European Jewish Thought in Joseph Roth's Works" (2018). Purdue University Press Book Previews. 16. https://docs.lib.purdue.edu/purduepress_previews/16 This document has been made available through Purdue e-Pubs, a service of the Purdue University Libraries. Please contact [email protected] for additional information. The Quest for Redemption Comparative Cultural Studies Ari Ofengenden, Series Editor The series examines how cultural practices, especially contemporary creative media, both shape and themselves are shaped by current global developments such as the digitization of culture, virtual reality, global interconnectedness, increased people flows, transhumanism, environmental degradation, and new forms of subjectivi- ties. We aim to publish manuscripts that cross disciplines and national borders in order to provide deep insights into these issues. The Quest for Redemption: Central European Jewish Thought in Joseph Roth’s Works By Rares G. Piloiu Purdue University Press West Lafayette, Indiana The saint lives in the world. He does not reject it. —Max Brod, Paganism, Christianity, Judaism: A Confession -
Svetozar Borevic, South Slav Habsburg Nationalism, and the First World War
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School 4-17-2021 Fuer Kaiser und Heimat: Svetozar Borevic, South Slav Habsburg Nationalism, and the First World War Sean Krummerich University of South Florida Follow this and additional works at: https://scholarcommons.usf.edu/etd Part of the History Commons Scholar Commons Citation Krummerich, Sean, "Fuer Kaiser und Heimat: Svetozar Borevic, South Slav Habsburg Nationalism, and the First World War" (2021). Graduate Theses and Dissertations. https://scholarcommons.usf.edu/etd/8808 This Dissertation is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Für Kaiser und Heimat: Svetozar Boroević, South Slav Habsburg Nationalism, and the First World War by Sean Krummerich A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Department of History College of Arts & Sciences University of South Florida Major Professor: Kees Boterbloem, Ph.D. Darcie Fontaine, Ph.D. J. Scott Perry, Ph.D. Golfo Alexopoulos, Ph.D. Date of Approval: March 30, 2021 Keywords: Serb, Croat, nationality, identity, Austria-Hungary Copyright © 2021, Sean Krummerich DEDICATION For continually inspiring me to press onward, I dedicate this work to my boys, John Michael and Riley. ACKNOWLEDGEMENTS This dissertation would not have been possible without the support of a score of individuals over more years than I would care to admit. First and foremost, my thanks go to Kees Boterbloem, Darcie Fontaine, Golfo Alexopoulos, and Scott Perry, whose invaluable feedback was crucial in shaping this work into what it is today. -
List of Illustrations Preface
CONTENTS List of Illustrations xiii Preface XV General Introduction 1 PART ONE. BOOMING METROPOLIS 1· The Metropolitan Panorama 9 وإ (Jules Laforgue,Berlin: ế Court and the City (1887 .1 2. Wilhelm Loesche,Berlin North (1890) 16 3. Mark Twain , ằ German Chicago (1892) 17 4. Heinrich Schackow,Berolina : A Metropolitan Aesthetic (1896) 19 5. Alfred Kerr,Berlin and London (1896) 25 6. Alfred Kerr,I Transformation ofPotsdamer Strasse (1895» 1897) 27 7. Max Osborn, I Destruction ofBerliti (1906) 30 8. Werner Sombart, Vienna (1907) 31 وو (Robert falser,Good Morning, Giantess! (1907 .9 10. August Endell,l e Beauty ofthe Great City (1908) 35 11. Oscar Bie,Life Story ofa Street (1908) 41 12. Robert Walser,Friedrichstrasse (1909) 41 13. Max Weber,speechfor a Discussion (1910) 44 14. VorwartSt [Town Hall Tower Panorama】 (1902) 44 15. Ernst Bloch,Berlin, Southern City (1915-16) 46 2· Building and Regulating the Metropolis 49 16. Theodor Goecke,Traffic loroughfares and Residential Streets (1893) 52 17. Rudolf Adickes,l e Need for Spacious Building Programs in City Expansions and the Legal and Technical Means to Accomplish l i s (1895) 18. Vorwärts, [Deforestation around Berlin】 (1908) 57 19. Die Bank, [Speculation in Tempelhof](1910-11) 57 20. p. A. A. [Philip A. Ashworth],Berlin (1911) 59 21. Walter Lewitz, Architectural Notes on the Universal Urban Planning Exhibition, Berlin (1911) 62 22. Various authors, ế Greater Berlin Competition 1910: 1 Prize-Winning Designs with Explanatory Report (1911) 64 ٠ƒ Greater Berlin and The Greater Berlin Cornelius Gurlitt,Review .23 Competition 1910(1911) 69 24. -
Modernity, Horses, and History in Joseph Roth's Radetzkymarsch
This is a repository copy of Modernity, horses, and history in Joseph Roth’s Radetzkymarsch. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/105367/ Version: Accepted Version Article: Niland, R. and Murgatroyd, N.P. (2016) Modernity, horses, and history in Joseph Roth’s Radetzkymarsch. Literature and History, 25 (2). pp. 150-166. ISSN 0306-1973 https://doi.org/10.1177/0306197316667263 Reuse Unless indicated otherwise, fulltext items are protected by copyright with all rights reserved. The copyright exception in section 29 of the Copyright, Designs and Patents Act 1988 allows the making of a single copy solely for the purpose of non-commercial research or private study within the limits of fair dealing. The publisher or other rights-holder may allow further reproduction and re-use of this version - refer to the White Rose Research Online record for this item. Where records identify the publisher as the copyright holder, users can verify any specific terms of use on the publisher’s website. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ Modernity, Horses, and History in Joseph Roth’s Radetzkymarsch In his 1938 sketch ‘Im Bistro nach Mitternacht’ [‘In the Bistro After Midnight’], Joseph Roth, chronicler of the disintegration of the Austro-Hungarian Empire in his best-known novel Radetzkymarsch (1932), wrote of his nocturnal wanderings in the quarters of interwar Paris. -
The Ends of an Empire: Pier Antonio Quarantotti Gambiniʼs Il Cavallo Tripoli and Joseph Rothʼs Radetzkymarsch
7KH(QGVRIDQ(PSLUH3LHU$QWRQLR4XDUDQWRWWL*DPELQLV ,OFDYDOOR7ULSROLDQG-RVHSK5RWKV5DGHW]N\PDUVFK 6DVNLD(OL]DEHWK=LRONRZVNL Comparative Literature Studies, Volume 52, Number 2, 2015, pp. 349-378 (Article) 3XEOLVKHGE\3HQQ6WDWH8QLYHUVLW\3UHVV For additional information about this article http://muse.jhu.edu/journals/cls/summary/v052/52.2.ziolkowski.html Access provided by Duke University Libraries (3 Aug 2015 12:23 GMT) the ends of an empire: pier antonio quarantotti gambini’s IL CAVALLO TRIPOLI and joseph roth’s RADETZKYMARSCH Saskia Elizabeth Ziolkowski abstract Italian Triestine literature tends to be seen as somewhat foreign to the Italian literary tradition and linguistically outside of Austrian (or Austro-Hungarian) literature. Instead of leaving it as “neither nor,” viewing it as “both and” can help shape the critical view of the Italian literary landscape, as well as add to the picture of Austro-Hungarian literature. Joseph Roth’s Radetzkymarsch (Radetzky March) and Pier Antonio Quarantotti Gambini’s novel Il cavallo Tripoli (The Horse Tripoli) depict the experience of loss brought on by the fall of the Austro-Hungarian Empire in similar ways, although they do so from different linguistic and national sides. However, the writings of the Italian author are generally categorized as representing a pro-Italian perspective and those of the Austrian as pro-Austro-Hungarian. This article argues that their novels provide a more nuanced portrayal of the world and identities than just their nationalities or political views do. Because of assumptions about the authors, the complexity of the novels’ representations of layered linguistic and cultural interactions have often been missed, especially those of Il cavallo Tripoli. -
Fiddler on the Roof’
Solihull School Presents 20th - 24th March 2012 Bushell Hall After Tevye leaves, Perchik rejoices his good fortune, admitting to Hodel, “Now I Have Everything.” Confused by the changes taking place in his world, Tevye for the fi rst time asks Golde “Do You Love Me?” Eventually, Hodel’s strong love for Perchik compels her to leave her family and travel “Far from the Home I Love” in order to be with her beloved in Siberia. Chava, the third daughter, secretly begins to see a young Russian gentile, Fyedka. Although Tevye has weathered the unexpected courtships of Tzeitel and Hodel with dignity, he is unable to tolerate this further and more radical defi ance of tradition. Chava’s contemplation of marrying outside of the Jewish faith is a violation of his religious beliefs, and Tevye vehemently forbids her to continue the relationship with Fyedka. When she persists, Tevye, who can bend no farther, banishes her from the family, refusing to acknowledge Chava as his daughter. By this time, the Tsar has ordered that all Jews evacuate their homes, and the village reluctantly begins to pack their belongings. Knowing that she may never see her parents and sisters again, Chava returns briefl y for a fi nal reconciliation, SYNOPSIS explaining that Fyedka and she are also moving away from Anatevka because they cannot remain amongst people who treat others with such callousness. The place is Anatevka, a village in Tsarist Russia. The time is 1905, the eve of the revolution. The musical opens with the Although Golde cannot challenge her husband’s edict to ignore Chava’s overtures, Tzeitel consoles her younger sister by pulling haunting strains of a fi ddler perched precariously on a roof. -
|||GET||| Tevye the Dairyman and Motl the Cantors Son 1St Edition
TEVYE THE DAIRYMAN AND MOTL THE CANTORS SON 1ST EDITION DOWNLOAD FREE Sholem Aleichem | 9780143105602 | | | | | Tevye Dairyman For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. Seller Image. More information about this seller Contact this seller 4. Contains some markings such as highlighting and writing. Sholom Aleichem. Just a moment while we sign you in to your Goodreads account. Seller Rating:. His silliness comes across on the screen in other ways - he tries to assert his dictatorial authority to little effect, and on one occasion looks like a toddler having a tantrum instead. Tevye is a stubborn curmudgeon in many ways who will not see his part in his own undoings and yet he evokes sympathy due to his general good outlook, albeit tinged with a la I thoroughly enjoyed this satirical voyage through the lives of two slightly exaggerated Jewish males. Book category Adult Fiction. About this product. This Sholom Aleichem is amazing -- I've read two of his books in the last couple of months and I laughed and cried and learned so much from each of them. Another of the less pleasant, yet historically interesting, notable features of Motl was child characters learning sexism from adults via cumulative remarks. The guy runs a dairy, after all. Condition: acceptable. Tevye is the lovable, Bible-quoting father of seven daughters, a modern Job whose wisdom, humor, and resilience inspired the lead character in Fiddler on the Roof. In exchange, this guy tutors Tevye's daughters. Pickup not available. Once I'd seen too many pictures Tevye the Dairyman and Motl the Cantors Son 1st edition heaps of dead people's glasses and shoes and they ceased to have an impact.