Panel (Overarching) Presentation Individual Presentation Title First Name Last Name Institution Affiliation Moderator 8 AUGUST - THURSDAY 2-4pm WORKING GROUPS Latin American, Latino/a and Caribbean Studies Lester Tome: [email protected] Dancing the Long Nineteenth Century Olivia Sabee: [email protected] Early Dance Emily Winerock: [email protected] Dance and Music Nona Monahin: [email protected] Dance and Technology Susan Lynn Wiesner: [email protected] Dance History Teachers Kathaleen Boche: [email protected] Diversity Nyama McCarthy-Brown & Takiyah Amin: [email protected], [email protected] Asian and Asian Diaspora Dance Studies Emily Wilcox: [email protected] (New Working Group Exploratory Meeting) Practice as Research Vida Midgelow: [email protected] Popular, Social, and Vernacular Dance Jen Atkins & Cristina Rosa: [email protected], [email protected] Graduate Student Caucus Melissa Melpignano: [email protected] 4:30-6pm OPENING PLENARY, Reservoirs of Movement: Common Flows and Circulation

Karyn Recollet Pallabi Chakravorty Jennifer Harge Harmony Bench Ramsay Burt 6-8pm OPENING RECEPTION 8-10pm EXPLODE Presents Nic Gareiss's Solo DANCE ON FILM SCREENING & PANEL Rosemary Lee's film Common Dance ‘Gather together here’: exploring the common across disciplines in “Finding commonality” British choreographer Rosemary Rosemary Lee’s Common Dance Lee reflects on the making of Common Dance Rosemary Lee C DaRE Coventry University What Brings Us Together: Cultural Trauma, Collective Identity and Touch in Rosemary Lee’s Common Dance Victoria Thoms Centre for Centre for Dance Research, Finding the Commons in the Enclosure Charlotte Waelde Coventry University 9 AUGUST - FRIDAY 8:30-10am Sensing National Commons: and Affects of National Belonging Genealogies: Common Anxieties of National Belonging Rebecca Chaleff UC San Diego Anusha Kedhar Belonging to the US, Belonging to Japan: Itō Michio and the Japanese Immigrant Community in Southern California Tara Rodman University of California, Irvine Promise of the Common Good: Dancing Koreanness in Africa and on the World Stage Soo Ryon Yoon Lingnan University Port de bras and Power Fathers: Fame, Fortune or Family First? David Popalisky Santa Clara University Tara Zahra Post-Soviet Ballet in Ukraine as a Common Property Ania Nikulina UC Riverside BBC Ballet: Televising Dance for Britain’s Social Democratic State Laura Quinton New York University In the Line of Dance: Lived The Intersection of Culture and Psychology in Diasporic Experiences in the Ballroom Pedagogy: “You Have to Hate Yourself if You Industry Want to be Better.” David Outevsky University of Calgary Juliet McMains Common, Basic, and Middlebrow: The Basic Ballroom Bitch Denise Machin Pomona College Russians Rumba-ing in Reno? The Lived Experience of Foreign Ballroom Dancers in the US Ballroom Dance Brigham Young University - Industry Roger Wiblin Idaho California State University, Defining the Commons Questioning the Dance Commons in Higher Education Colleen Dunagan Long Beach Stacy Prickett California State University, Cultivating the Commons (Where it Doesn't Belong) Manuel Macias Long Beach Ethnographic Study of Ponderosa: Practical Modes California State University of Repurposing the Dance Common Erin Reynolds Long Beach Assembling the Dancing Commons: Kinetic Human, Nonhuman, and Posthuman Dancers: Animated Bodies and Kinetic Inhuman Multiplicities Residue Hilary Bergen Concordia University Jessica Rajko Dancing Body Doubles: Flashes of the Posthuman in the Choreographic Assemblages of 'Flashdance' Allison Peacock Concordia University What’s in a Game?: Fortnite, Emotes, and Dance University of Washington (Criticism) in Common Pamela Krayenbuhl Tacoma What We Do Between the Worlds Affects All the Worlds: From A Toppled Place: Perspectives As Witchcraft, Magic, Ritual, and Celia Weiss on Horizontality Healing Michael Morris Denison University Bambara Kissing Drones: Horizontal Relationships with Surveillance Technology Benny Simon The Ohio State University Horizontalist Gestures: Techniques of Protest in Popular Choreography Fenella Kennedy University of Alabama Cultivating Horizontal Socialities: Contact Improvisation and the Ten Principles of Burning Man Kelly Klein Independent Scholar Waldorf School of Orange Ethics of Practicing in Common “The Inoperative Common in Jérôme Bel” Giulia Vittori County Colleen Hooper Marymount Manhattan Stop Poking Me Catherine Cabeen College State University of New York Stop Poking Me Paula Peters at Fredonia Heather "It’s Time to Wave the Napkin!”: Dîner en Blanc, Unison, Rastovac Thinking Through Indigineities and Colonial Performance Alana Gerecke York University Akbarzadeh Re•Vision: The Centre for Art Decolonize Pedagogy: Examining an Embodied, Co- and Social Justice, University creative Process of Building Incommensurable Solidarity Evadne Kelly of Guelph Ted Shawn and Hygienic Commonalities between the Colonial and Indigenous Dancing Body at the Delissaville Aboriginal Reserve, 1947 Averyl Gaylor La Trobe University Palimpsest Bodies, Common Ground and University of California Santa Commonality/Heterogeneity Aesthetics/Ethics of Difference Ruth Hellier-Tinoco Barbara Catherine Cole TranscenDance; The Life of a Dancer, The Language of Dance Ruth Sherman Mills College , Community Membership and Identity at Namasagali College, Uganda Jill Pribyl University of Cape Town Choreographing to Common Music: A Comparison of Music in the Ballet Archives Petipa and Balanchine Settings of Music by Drigo Kara Yoo Leaman Oberlin College Conservatory Hanna Jarvinen Musical Anatomies and Scientistic Ruptures in Stepanov Case Western Reserve Notation Sophie Benn University Relache's Volte-Face Rachana Vajjhala Boston University Dancing Around The Issue: A study on the gender imbalance among professional choreographers working Structural Questions in the fields of classical ballet and . Jessica Teague Dance Europe Jennifer Fisher Performing Entangled British Identities in Policy and Practice Katherine Mueller University of Connecticut Finding the Common: Multi-partner University-Industry Crawford- Collaboration in Dance Higher Education Sally Shepherd Addict Dance Academy Tara Mellowes Addict Dance Academy Dramaturgical Choices and Ethical Dance Dramaturgy as a Common Ground Between Artist Federal University of Considerations and Audience Daniella Aguiar Uberlândia Ariel Neerson The Village on the Stage: A Pan- Dramaturgy Margit Edwards The Graduate Center - CUNY Sensing The City: Case-studying ethics of difference and Centre For Dance Research, belonging in site-responsive dance practice. Dr Natalie Garrett Brown Coventry University, UK University of Central Amy Voris Lancashire It's Less Like an Object and More Like the Weather: John Cage and Dance Library Exhibit (Curator's Talk) Greg MacAyeal Northwestern University 10:30-12pm EXPLODE Presents Marcela Torres' Agentic Mode Training Module with Nola Hanson Awards Panel Acquiring Citizenship: Conditions of Dancing Service, Dancing Citizenship: José Limón in the Difference Army, 1943-1945 Rebekah Kowal The University of Iowa Amanda Graham Jacob’s Pillow Dance Festival and/as the “United Nations Barnard College of Columbia of Dance” Paul Scolieri University Performing Social Citizenship: The embodied politics of Christopher- ‘Insistent Presence’ Rasheem McMillan Un/common Un/grace: Grace and the Grotesque in Early and Modern Beyond the commons of God’s grace: European thought European Dance on the ‘pagan’ as defined by her dance Lindsey Drury Freie Universität Emily Winerock Choreographing the Anti-commons: The Witches' in Macbeth Linda McJannet Bentley University (Emerita) Grace, Ungrace, and the Machine: Historical Intersections of Dance and the Mechanical Alison Moore University of Pittsburgh Disjointed, Out of Sync, Fatigued: Bodies-in-Common Alonetogether: Enacting an Aesthetics of Ethics P Megan Andrews Simon Fraser University Vida Midgelow Shadowboxing in the Dark (and other works) Anike Joyce Sadiq Independent Artist Politics of Fatigue, Aesthetics of Risk: Julie Tolentino’s A True Story About Two People Raegan Truax California College of the Arts Public Space of Dance and The Consciousness Of People's Livelihood Of Today’s The Arts College of Guangxi Livelihood of Society Chinese Dance Yiling Fu University Qingyi Liu Make Friends by dancing and Sharing a World：A New Image of Contemporary Chinese Dance Development Man Li Shanghai Theatre Academy The New Type of Mass Dance Culture in Public Network Space Nan Lin Shanghai Theatre Academy On the Utilization of Public Space Resources in Shanghai City in Dance Aesthetic Education Lin Zhang Shanghai Theatre Academy University of Maryland, Embodied Anti-Racism Workshop Crystal U. Davis College Park McCarthy- Nyama Brown OSU Contemporary Re-embodiments of The De-commoning of Classical Chinese Canons in Asian Identity Edward Lam Dance Theater Kin-Yan Szeto Appalachian State University San San Kwan Gestural (Im)Politics: Activism in Contemporary Indian Dance Nandini Sikand Lafayette College Spatial Creolization: Spatial and Cultural Transverse in Cloud Gate’s Cursive II (2003), and Pichet Klunchun’s Black and White (2011) Tsung-Hsin Lee The Ohio State University Dancing Belonging through Global Dancing Bodies: Palestinian Dance Teachers and Choreographers in The Hebrew University of Global Pedagogies and Belonging Israel Hodel Ophir Jerusalem Elizabeth Schwall School of Arts and Aesthetics, Choreographing Signature: Contextualising 'Ownership' Jawaharlal Nehru University, in the Making of Classical Dance in Contemporary India Amritha Sruthi Radhakrishnan New Delhi, INDIA Aware of the Ignored: Revealing Chinese Tertiary Dance Students’ Untold Stories of Learning with Dancer- Teachers Huan Su Sichuan Normal University xi xiong Sichuan Normal University Towards Sinophone Dance Training: Theorizing the of Rethinking Systems of Training ‘phone’ in Sinophone Elizabeth Chan Singapore James Steichen Glocalized Ballet in South Korea. Common Aesthetic of Expanded Ballet Practice. Su Jin Kim University of Hamburg Complicated Classicism: The Problem of Chinese “Classical” Dance Ziying Cui Temple University Grappling with Experience House Dance, Embodied Cognition, and Empathy Christian Kronsted The University of Memphis Katherine Mezur Spaces of (Un)Common Meaning: Duets for Dancing Bradshaw- Southern Utah University & Language Alexandra Yerby University of Washington Together Dancing: Interrelationality as a Strategy for Rethinking Western Contemporary Dance Technique Robin Conrad Texas Woman's University Land, Location, Identity Common I/lands Claudia Kappenberg University of Brighton Olive McKeon Gaëtan Rusquet and New Materialisms: Bringing non- human actants into theories of the commons kate mattingly University of Utah Steps in Common: The Different Approaches of Three Dance Department, National Indigenous Choreographers in Taiwan Szu-Ching Chang Taiwan University of Sport Shanghai Theatre Academy/Chinese National Dancing Together? What Exactly Is Our Common Body In Dance? Qingyi Liu Academy of Arts Mlondolozi Zondi Dance as Dialogue Jess McCormack University of Bristol Negotiating the Commons: Solidarity Practices in and through Collaboration Stefanie Sachsenmaier Middlesex University Common Forms: Choreographing the Poetic Preface of Historical Specificities Across Time Guglielmo Ebreo's De pratica seu arte tripudii Tamara Hauser The Ohio State University Petri Hoppu Clint Morrison Jr. Ohio State University When baroque dance becomes a contemporary form of Canaveira de choreographic language – what’s its common ground? Alexandra Campos ICNOVA - NOVA FCSH Choreographing the Greek Chorus: Ninette de Valois’s Oresteia of Aeschylus (1926) Gabriela Minden University of Oxford Common Pansies. Queer Traces in the German Dance Sweating Archives Archives Eike Wittrock Universität Hildesheim Joanna Das Common Dance, Uncommon Stories Oral History epistemology for dance Ricardo Viviani FernUniversität in Hagen Orientalist Aesthetics as Common Repertoire: Bugaku, Bowling Green State Cultural Capital, and Critical Reception Angela Ahlgren University 12:30-2pm Moving Commons: Community Dance and Embodied Activation Cara Hagan Appalachian State University Petra Kuppers University of Michigan Annalee Tull Emory and Henry College Charli Brissey University of Michigan Sustainability and Radical Praxis, with Dance as a Decolonizing Process: A Radical Praxis for Butoh Embodiment Tanja Faylene Woloshen Independent Artist/ Educator Rainy Demerson

An Empty Room: Theorizing Butoh and Commons-Based Performance Strategies as Cultural Sustainability Michael Sakamoto Dancing Masculinities: Transnational Performances of Gendered Race and "Now they are just about guapería": Sacred Swagger for University of North Carolina at Kareem Class a “New Man 2.0” Maya Berry Chapel Hill Khubchandani Technologies of Power: Constructing Hegemonic Harshita Brahmin Masculinity in Kuchipudi Dance Mruthinti Kamath Emory University Battle of the Bamboo: The Shadows of Empire in the Kinesthetic Midwest Lorenzo Perillo University of Illinois at Chicago Merce Cunningham In Common: A Centennial Celebration Teaching How Not to Know Carrie Noland University of California, Irvine Gay Morris Sharing the Cunningham Legacy Jennifer Goggans Merce Cunningham Trust 3D Cinema & Choreographer’s “After-Life” Alla Kovgan Independent Artist Communicating and Sharing: Dance The Identity of “Chinese Dama (middle-age women) ”in and Public Culture in China Chinese Square Dance Yu Mu Dance Academy Fangfei Miao Supply and Demand in Chinese Dance Education: Differences and Disparities XIN WANG Beijing Dance Academy The Social Roles of Yanjie Zhang Beijing Dance Academy

The Presentation of Everyday Gestures: Works by Three Beijing Dance Academy, Generations of Contemporary Chinese Choreographers Cui Mao University of Michigan Community Consciousness and the Modern Transformation in Traditional Chinese Rui Xu Beijing Dance Academy

Noyes Group Movements: Improvising Noyes Group Movements: Improvising Towards Collective Middle Tennessee State Towards Collective Choreography Choreography Meg Brooker University Dance and the Maternal: choreographing the Inscribing a Feminist Body “knowledge commons” of breastfeeding women Aoife McGrath Queen's University Belfast MiRi Park Performative Pregnancies Johanna Kirk UCLA The Dance of Birth Efia Dalili Independent Scholar Salvaging Common Ownership and Authenticity: Nigerian Olokodana- Innovation and "Authenticity" Traditional Dance Practice in Focus Oluwatoyin James Cristina Rosa Tales of Chinese Dancers from the Beijing Dance Academy: Authenticity and Performativity in Wang Mei’s Dance Film Jingqiu Guan UCLA When Common Comes to Campus: Preserving the USC Kaufman School of Authenticity of Vernacular Forms in Elite Spaces Sarah Fried-Gintis Dance Glocalities and ¡Urban stomp! The Artistic and Cultural Connections Communities between and Mambo in New York City Derrick Washington Marta Savigliano The (kill)joys of Lindy hop - Discontinuities and Failures in Université de Reading Anaïs Sékiné Montréal/Independent We're All In This Together: From Motown, to Gang University of Maryland, Stackin, to the Detroit Jit Gianina K. Lockley College Park Sisterhood in the City: Creating Community Through Lion Betina (Counter)publics and the Commons Dance Performance in Boston’s Chinatown Casey Avaunt Colgate University Panagiotara

(Re)Thinking Publics: Circulating Danced Idea- Imaginaries Across 17th Century South Asia and Beyond Pallavi Sriram Colorado College The Dance of the Two Worlds: National Identities, Common Goods and Citizenship at the Italian Festival of Alma Mater Studiorum - Spoleto (1958-1965) Giulia Taddeo University of Bologna Orienting Ourselves to See: Mapping Nested Dance Ecologies of Practice Ecosystems as Curatorial Practice in New England Deborah Goffe Hampshire College Wendy Perron Moving ‘Dance’: Independent Dance Institutions and New Performance Aesthetics in Chicago's Shifting Performance Ecology Ira S Murfin Guild Literary Complex Dancing Grannies in China: The Intervention of Female State University of New York Aging Body in Public Space Hui Peng at Buffalo

Who can afford to be emotional?: The cultural politics of Thinking Feeling emotion with practice research in the university context Shantel Ehrenberg University of Surrey Charmaine Wells Experiences as products: the curious case of Tino KU Leuven (University of Sehgal Raf Geenens Leuven, Belgium) Beyond Emotions: An Exploration of the Performer- Tamkang University in New Audience Through Spirit-Dancing Wen-chi Wu Taipei City, Taiwan Theorizing Meaning and Movement in Common: Dancing Protest Legacies of Protest Dance Katherine Mazurok Queen's University Michelle Lavigne Protest, subjection and tele-counter-choreographies Pereira Federal University of Rio de within the precarious legacy of democratic common Sérgio Andrade Janeiro (UFRJ) Heterotopia and Co-Creative Choreographies: Reimagined Space and Relationship in Jeanine Smith College Department of Durning's "To Being" Xan Burley Dance Tourism, Travel, and (Post)colonial Common Rhythms of Berber Dance: A Heterotopian Identity Performance in the Sahara Anna Kimmel Stanford University Janet O'Shea Anisha Rajesh Texas Woman's University Manipuri in the Visual Archives and the Forming of a Repertoire Debanjali Biswas King's College London EXPLODE Presents Marcela Torres, Theatre of the Unexpected 2:30-4pm A Gathering of/for Butoh Commons A Gathering of/for Butoh Commons Bruce Baird UMass Amherst Rosemary Candelario Texas Woman's University Megan Nicely University of San Francisco Publication Panel Jens Giersdorf Decolonizing Dance Discourses: Gathering 1 Cynthia Lee Anurima Banerji Royal Holloway University of Prarthana Purkayastha London Arabella Stanger University of Sussex University of California, María Regina Firmino-Castillo Riverside Jasmine Johnson Brown University Anusha Kedhar UC Riverside Text, Music, and Dance: From Poem to Dance via Music: Departures and Commonalities in Form and Convergences in Jonathan Taylor’s Transfigured Night Kara Yoo Expression. (1980). Nona Monahin Mount Holyoke College Leaman Form Versus Expression: The Common Compositional Task for Arnold Schönberg and Anne Teresa de Keersmaeker Renate Braeuninger Independent Scholar Hermann Bahr Records Duncan’s Expressive California State University, Development, 1902–1903 Chantal Frankenbach Sacramento Artist-Activist-Academics: (Re)thinking Identity through Migration and Performing Presence: Dislocated Roma Claim the Performance Commons in Istanbul, Turkey Danielle Schoon The Ohio State University Meghan Quinlan On Board(hers): Rewriting Female Immigrant Narratives Through Movement Lucille Toth Ohio State University Royal Central School of Crossing Over: Improvised Dance in Detention Jane Munro Speech and Drama

Dance, Sovereignty, and its Afterlives The Dancing Leviathan Ana Isabel Keilson Harvard University Camelia Lenart The Symbolic Bodies of the People: Modernist Gestural Imaginaries Lucia Ruprecht University of Cambridge Political Theology of Modern Dance: Community, Sovereignty, and Law Alexander Schwan Freie Universität Berlin Centre for Comparative Resurrecting the Living: Nijinsky (some remarks on the Studies of Civilisations, choreopolitics of liturgy) Wojciech Klimczyk Jagiellonian University Practices of Punk, Voguing, and Jimenez Embodied Excess Why do we love extravagance and opulence? Marlon Oviedo Brown University Hye Wong Wang Courtney Lau Brown University Dancing the “Star Image” Lailye Weidman Hampshire College What remains common? Translation processes; a path of Caminhos -1998/2017 Luiza Banov USP Sayonara (Sayo) Pereira University São Paulo Dancing a Demand for Space: The Interventions of Sophie Maslow and Pearl Primus in the American University of California, San Jessica Modern "American" Bodies Cultural and Economic Commons at the 92nd Street Y Jessica Friedman Diego Herzogenrath The “Common Body” of Erick Hawkins James Moreno University of Kansas American Document, American Music, American Boston College / Radcliffe Minstrelsy Daniel Callahan Institute Dance Ethnography and its Common Contours: Joann Kealiinohomoku’s (Dis)contents Silhougraphs® and Dance Analysis in Black and White Judith Hamera Princeton University Halifu Osumare Dancing from the sidewalk to the astrodome: An urban ethnography of Sama Bajau choreographic phenomenon in Manila as social action and process of learning Regina Angelica Bautista University of the Philippines Multiply Moving: Un/Common Directions in Dance California State University, Ethnography Christine Sahin San Marcos Fashion Institute of In Conversation with Kiko Mora on Sonidos Negros: On Technology, CUNY Graduate A Spanish Commons? the Blackness of K. Meira Goldberg Center Michelle Clayton In conversation with K. Meira Goldberg on Sonidos Negros: On the Blackness of Flamenco Kiko Mora Universidad de Alicante Instituto de Historia, Consejo Dancing Spanish Commons: La Argentina's Superior de Investigaciones Espagnols Idoia Murga Castro Científicas (CSIC) Translocal Visibility: The Chicago Footwork Circle in Los Funk, Footwork, and the DJ Angeles Benjamin Court UCLA Kat Richter Adrian Piper’s "Funk Lessons": The Politics of the “Social” in Dance and Art Randi Evans UC Berkeley

DJs, Dancers, and the Invisible Commons of Creativity: An Examination of the Influence of Embodied Knowledge on the Development of Hip Hop Technology Kelly Bowker UC Riverside Cognitive and Immersive Systems Laboratory @ Interdisciplinary Partnerships, Movement as Query — retrieving media leveraging EMPAC, Rensselaer Evolving Bodies language-like qualities of movement David Allen Polytechnic Institute Philippa Rothfield Towards Disability-Centric Community-Based Research: The Politics and Making of Vital Affor“Dances” in Dance Kiki Hous of Peaches Science Collaborations James Severson (formerly UCSC) Re-constructing, Re-creating, Re-imagining: Exploring the use of Photography as a Medium for Dance and Disability Interventions Kathryn Stamp Coventry University

Dancin' in the Street Street Urchanism as a Kaleidoscopic Performance Samson Sunday Akapo University of Ibadan Susanne Ravn Dancing On the street: Imagination of the mystical and Sacred Alliances Rachmi Larasati University of Minnesota Hybrid-Future culture research Dancing City?: Role of Dance and Ambilaterality in Urban Institute, SungKyunKwan Regeneration Projects of Seoul City Joohee Kim University 4:40-6pm PLENARY II, Dance Work for the Commons: Actions, Interventions, Innovations

Sarah WIlbur Ramon Rivera-Servera Shamell Bell Rachel Carrico Emily Wilcox 6:30-7:30pm Graduate Student Social Event 8-10pm DANCE ON FILM SCREENING North Carolina State Rippled Memory Autumn Mist Belk University & FAD Collections TCU School for Classical & Secondary Surfaces Redux Nina Martin Contemporary Dance TCU School for Classical & Roma Flowers Contemporary Dance Solidarity in Movement; Labour in Stillness Brendan Fernandes The Good Christian Talia Koylass Escapes and Reservals (Solo) Ginger Krebs 9-11pm EXPLODE! Queer Dance Festival (Ticketed Event, bus leaves hotel at 8pm) 10 Aug - SATURDAY 8:30--10am Graduate Professionalization Panel Graduate Professionalization Panel Melissa Melpignano VK Preston and Transitioning Commonses: Beyond the Institutional Between Deanne Kearney York University Mary Woehrel Joshua Swamy York University Mila Volpe York University Elif Işıközlü University of Toronto Reappropriating the Flames: Challenging State Necro- Reactivating the Common(s): strategies and Proposing Decolonial Mobilities in Performance and Protest Guatemala City’s Central Plaza Kristen Kolenz The Ohio State University Rebecca Chaleff Dandelion Revolutions: Immersive Performance as Transformational Infrastructure Lyndsey Vader The Ohio State University University of North Carolina at Daak: Joining the Struggles for the Common(s) Kaustavi Sarkar Charlotte Sharing Rhythmic (Im)Pulses, Honoring Cultural Specificity: Percussive Dance as Commons, Tapping Common Ground: Fact and Fiction in Percussive Panel 1 Dance Fusions Kat Richter Stockton University Janet Schroeder Hey, We’re Dancing Here!: Percussive Dance as a Site of Identity and Protest Ryan Rockmore UCLA Loose Taps: Finding A Queer Potentiality in Performance John (J.P.) Viernes Independent Researcher On Stage, At Court, and On the Road: Revisiting the Common A Common Dance Repertoire in the Second Half of the Repertoire and Dance Conventions of 18th Century: Country Dancing in the Central German University of Vienna, Austria - Early Modern Europe Provincial Court of the Schönburg-Waldenburg Gerrit Berenike Heiter University of Leipzig, Germany Meira Goldberg Chatham ‘Can virtue hide itself?’: Renaissance Masking University/Shakespeare and Conventions and Much Ado About Nothing Emily Winerock Dance Project 18th Century Itinerant Dance Practices and Performance Repertoire Anne Fiskvik NTNU

Techniques of the Un/Common "Techniques of Imprecision:" Folk Dance and Dissenting Across Contexts Women's Grassroots Activism in Contemporary Turkey Sevi Bayraktar UCLA Soo Ryon Yoon Kurdish as Resistance in Turkey Benjamin Bilgen York University Ceremonial Sambas and Macho Femininities of Bahian Candomblé Mika Lior UCLA Choreographing a progressive politics in Contemporary India: The Re-Circulation of Chandralekha’s Resistive University of California, Los Body in Dance Arushi Singh Angeles Chicago Black Social Culture Map: Notes on a Collaborative Cultural Chicago Black Social Culture Map: Notes on a Heritage Project Collaborative Cultural Heritage Project Meida McNeal Honey Pot Performance Workshop in Abhyas Somatics Navtej Johar Ashoka University, INDIA Diasporic Belonging through Movement Intercollegiate dance competitions in North America Deepa Mahadevan University of California, Davis Evadne Kelly “The Biggest, Largest, and Greatest Competition in the Midwest:” Performing South Asian Identity within Intercollegiate Fusion Dance Competitions Rohini Acharya The Ohio State University Chinese Diaspora and Their Transplanted Multicultural Sense in Contemporary Dance of Malaysia Sang Woo Ha University of Malaya Choreo-graphos: writing the body, dance, feminism and The Politics of Feminist Articulation philosophy Tawny Andersen SSHRC Alana Gerecke Choreo-graphos: writing the body, feminism, dance & philosophy Tina Chanter Kingston University What was the commonality between the writing in New Royal Central School of Dance Magazine and Spare Rib in the 1980's Josephine Leask Speech & Drama researcher Pleasure snare: being-in-common in the work of luciana achugar Biba Bell Wayne State University Robert Farris Thompson’s African dance canons: University of North Carolina, Hip Hop (and) Common Aesthetics reflections on commonalities as epistemology Ana Paula Höfling Greensboro Margit Edwards The Natural Commons of Rennie Harris' Choreography Halifu Osumare University of California, Davis Failure to Catch the Vibe: Missed Connections and the University of California, (Un)Common in the (Non)Communal Lindsay Rapport Riverside Investigating Communities Across Transactional Bodies: Politics, Pedagogies, and University of Wisconsin Time and Space Performance Practices of the San Francisco Bay Area Mair Culbreth Milwaukee Fenella Kennedy A Community in Transition: Downtown Dance in the 1990s Buck Wanner Columbia University Working the Land, Moving the Body: Dance Halls and Migrant Labor Communities in 1930s California Doria Charlson Brown University Liminal Identities Ambivalence in Common: Interpreting Folkloric Dance Corinna Campbell Williams College Michael Morris Questioning the Common: Theorizing the Concept of University of California, Los "Mixed-Race" in Dance Miya Shaffer Angeles Uncommonly queer? As it seems to dissolve into the mainstream, who needs queer tango? Ray Batchelor The Queer Tango Project 10:30-12 EXPLODE! Queer Dance Panel Discussion California State University Life on the Motherside: The Commons of Motherhood in Dance Academia Heather Castillo Channel Islands Shamell Bell UC San Diego/San Diego City Grace Jun College Margaret Paek Lawrence University

MiRi Park UCLA & CSU Channel Islands Power Jade Sotomayor UC San Diego Tria Blu Wakpa UCLA Mixed Bill: A Showing of Practice Research exisiting Alexandra Stilianos Independent Scholar Reagan Truax Through Listening: Improvisation as a Form of Mason Gross School of the Commemoration Ani Javian Arts, Rutgers University Not So Long Ago...Not So Far Away Rainy Demerson UC Riverside Responding to a Knowledge Economy for the Common Good: Blind spots, Roadblocks, and Critical Opportunities in Transdisciplinary Becoming visible: Dance as a site of resistance in digital Collaboration commons Laura Karreman Utrecht University Brandon Shaw Graduate Student & Master Playing with Virtual Realities: Redefining Experiencing in Lecturer, School of Dance, Common (co-author) Nitsan Margaliot The University of the Arts Playing with Virtual Realities: Redefining Experiencing in Common (co-author) Einav Katan-Schmid Independent Knowledge (Mis)Interpretations: Dance in Computational Research Jessica Rajko Arizona State University Commoning the Uncommon The Dancer and the Marionette: Between Autonomy and Modernist Body the Common Nell Andrew University of Georgia Debanjali Biswas “To be picked up and revolved between gingerly fingers”: Rodin’s Nijinsky Juliet Bellow American University "Flexible Forms, Flexible Figures: Spanish Dance and the Commonplace" Michelle Clayton Brown University The Archive: Common Ground from Past-to-Present and There-to-Here Lynn Brooks Franklin & Marshall College Ray Miller

Jenai Cutcher Chicago Dance History Project Jacqueline Sinclair Joel Hall Dancers & Center Imogen Smith Dance/USA But Is it Good for the Jews?: In/Common Identities and Dancing Kinesthetic Peoplehood: Analyzing Dancing in the Jewish Difference Jewish Diaspora Hannah Kosstrin The Ohio State University Rebekah Kowal Dance, Sexuality, and Ethnicity in the Israeli Army: University of California, Los Reassessing the Sabra Body in the 1970s Melissa Melpignano Angeles Holocaust on Ice and Acro-Anne Frank: Representing the Holocaust on Competition Dance Shows Rebecca Rossen University of Texas at Austin "Redressing Power through Hassidic Drag: Julie Weitz in My Golem as the Great Dominatrix" Hannah Schwadron Florida State University Permeable Practices: Improvisation as Method for Researching Place Zena Bibler UCLA Katie Schetlick University of Virginia

Dancing Urban Space in East Asia Mundane Duets: Reclaiming Public Space in Hong Kong Ellen Gerdes UCLA Lorenzo Perillo Improvising a Commons in Urban China? Survival and Navigation in the Troubled Realms of the “Private” and the “Public” Chiayi Seetoo Shanghai Theatre Academy Anticipatory Traditionalism: Experiments in Traditional Dance for University of California, Renaissance Singapore Aparna Nambiar Berkeley Silent Fires Of Insurrection : Dancing the Unveiling of Problematizing Ritual Misogynistic Practices in Widow Rituals Nitya Vedantam University at Buffalo Kate Mattingly Choreographing AIDS Marc Arthur New York University Finding a Shelter: Belonging Through Gaga’s Sensation- based Language Bhumi Patel West Valley College The Revolution is Feminized, Televised, and Black: From Praxis to Activist Theory in Africanist Aesthetics and Black Feminist Praxis in Popular Nyama Mcarthy Action Culture Raquel Monroe Columbia College Chicago Brown Identity Reclamation in the Undercommons of Black, Queer Burlesque Alchemy Thomas Proximity to the Past: Accessing History and Memory in University of California, Santa the Work of Ralph Lemon Marisa Plasencia Barbara Canons and Commons Dancing in Canon / Undoing the Canon Jaime Coan The Graduate Center, CUNY Kin-Yan Szeto Theorizing “Common” versus “Canon” within the dance Sylvanus space of Ghana Kwashie Kuwor Kofi Anthonio Eric Baffour Awuah >Making the canon move< Historical praxeological Folkwang University of the research as a toll to re-write dance history canons Anja K. Arend Arts A Common Aesthetic: The Place of Spectacle in the Stefanie Popular Forms and Publics Chinese Dance Drama Dragon Boat Racing Alissa Elegant Ohio State University Sachsenmaier Activating Archives: Dance Archives Revived, Reclaimed, and Reimagined Alex Springer Smith College “Sending and Receiving: Dance Improvisation with the AUMI” Michelle Hayes University of Kansas Sherrie Tucker Positioning A Popular Commons Positioning the commons Betina Panagiotara Independent Scholar Angela Ahlgren Female Physicality and Ballet Symbolism in Hulu’s The Handmaid’s Tale Jen Atkins Florida State University Agonising Difference: Intercultural Dialogues in ‘Bruk Out’ Dancehall Celena Monteiro Kingston University Longon Reflections by Dance Film Artists Talia Koylass Amy Wilkinson Brendan Fernandes Ginger Krebs 12:30-2pm MEMBERSHIP AND AWARDS LUNCHEON 2:30-4pm EXPLODE Presents Jennifer Harge's fly/drown Decolonizing Dance Discourses: Gathering 2 Clare Croft University of Michigan Royona Mitra Janet O'Shea UCLA Munjulika Tarah Williams College Imani Kai Johnson UC Riverside Anthea Kraut UC Riverside Shanti Pillai Williams College Commons and Canons: Revising Ballet from 1850-1960 Adapting Balanchine’s Ballets for Network Television Megan Race Harvard University Alison Bory Re-envisioning the Corps de Ballet: The Paris Opéra 1856-62 Olivia Sabee Swarthmore College Mobilizing the Masses: Enlightening Soviet Audiences at University of California, the Bolshoi Theater Lee GK Singh Riverside Unofficial Use: Common Harratives, histories of Violence, and the Moving Where the disappeared are forced to roam: Forensic Ramon Rivera- Archive Performances and Common Lies Juan Manuel Aldape Muñoz UC Berkeley Servera On the Common Narrative of Argentine Dance History Universidad de Buenos Aires - and the Possibility of Epistemic Disobedience Eugenia Cadús CONICET Dance, Political Violence, and Ethnography in the Archive Victoria Fortuna Reed College Simple Gifts, March Kings and Dancing Soldiers: Rethinking Common Knowledge about Dance From "March King" to the "Two-Step Queen": The University of Wisconsin- and its Music Feminization of John Philip Sousa Susan C. Cook Madison Kathleen Boche The “Simple Gifts” of Making Appalachian Spring Un- Common Marta Robertson Gettysburg College Dancing in Uniform?: Policing the Military Body in London's World War I Nightclubs Rachel Cowgill University of Huddersfield Wandering: Choreographic Experimentation and Expressions of Post-War American Jewish Identity in Expanding Choreographic Contexts works by Meredith Monk Gillian Lipton Eike Wittrock Interpreting Nigerian Dance Within the Context of Socio- Political and Economic Changes Tijime Awawuer

Affective Ecologies of Practices: Time and the Corporeal Commons Schizosomatics Diego Gil Concordia University Petra Kuppers Université de Montreal, Quebec and University of Dance Anarchives Catherine Lavoie-Marcus Amsterdam Tisch School of the Arts/ Anachoreographies Noémie Solomon Wesleyen From Labour to Life Alanna Thain McGill The City of New York Travels of the Common French Contradance Marcea Daiter Department of Education Sarah Edgar independent scholar Jane Peck none The New York Baroque Catherine Turocy Dance Company The Practice of Listening: Postmodern Dance Improvisation, 1970s and Beyond Improvisation Heidi McFall University of Maryland Ira Murfin The Promise of Common Creation in Contact Improv and Improv Comedy Katherine Profeta Yale School of Drama SoHo: Fertile Ground for Grand Union Wendy Perron New York University Translating Twentieth Century From Slavic Mythology to American Identity: The Embodied Contexts Transformative Power of Firebird Tara Wheelwright Brown University Meg Booker From Loie Fuller and Harald Kreutzberg to Martha Graham: The Un/Common Making of the Romanian State University of New York Modern Dance Camelia Lenart at Albany

Frederick Ashton’s and Benjamin Britten’s “Rimbauderies” Wayne Heisler The College of New Jersey The Ohio State University and Anamaria Repetition, Memory, Decay Decaying Dances: Revitalization through Ownership Ambre Emory-Maier BalletMet Tamayo Duque Decaying Dances: Revitalization through Ownership Valarie Williams The Ohio State University Graduate Institute of Dance, Gadamer’s Transformation into Common Structure and Taipei National University of the Re-creation of Chinese Court Dance Chih-Ai Yu the Arts The Aging Commons: Reclaiming the Embodied Histories of Robert Helpmann’s Legatees. Michael Byrne Cornell Tech Activating the Commons: The Rise of Rural Festivals and Site-Specific Projects in Greece during the Financial National Bodies Crisis Natalie Zervou UW Madison Aoife McGrath Twenty-Five years Post-Riverdance: New Commons for Contemporary Darrah Carr Purchase College Uncommon Dances: Representation, Disidentification and Deconstruction in the Choreography of Melati Suryodarmo Triwi Harjito UCLA Rosemary Addressing Racism and Sexism I'm Woke You're Not: A Masterclass in White Fragility Rebecca Pappas Trinity College Candelario Arches, not Rainbows: Fighting Back in a Post-Apartheid Romeo and Juliet Brandon Shaw Independent Uncommon Practices: One Woman’s Ways of Creating and Establishing a Choreographic Legacy despite a Dance Chronicle and Temple Sexist Milieu Joellen Meglin University The Studio as Transformative Vital entanglements: An exploration of collective effort in Trinity Laban Conservatoire of Commons the dance technique class Jamieson Dryburgh Music and Dance, London Crystal Davis Dance, Memory and Aging: Towards a New Methodological Approach to the Study of Participatory Dance among Seniors Joanna Bosse Michigan State University Seeking the Universal: The Creation of Katherine Christie UMass Amherst and Five Dunham Technique Molly Gonzalez College Dance Puerto Rican Dance Commons: Formal and Social Experimentations Ramon Rivera-Servera Northwestern University Susan Homar University of Puerto Rico University of Puerto Rico/Museum of Contemporary Art – Puerto Lydia Platón Rico Universidad del Sagrado Pastrana Corazón/La Espectacular Nibia Santiago Artist Residency José Alvarez-Colón Northwestern University 4:30-6 Dance, Money, and Race: Critical Private Ownership, Dance Patronage, and the Enclosure Approaches to US Dance Funding in of the Commons: A Study of Glorya Kaufman’s the Twenty-First Century Philanthropy in Los Angeles Olive Mckeon California College of the Arts Sarah Wilbur Commission, Commemoration, and Racial Capitalism: Patterns of Arts Patronage and National Belonging Ariel Nereson University at Buffalo - SUNY Dancing for God and Country: The For-Profit Theatre Industry and the Utopian Performative in “A Perfect Washington University in St. American Town” Joanna Das Louis Collaborative Experiments in the Un-“Common”: Making Room for Multiplicity while Composing Gretchen Alterowitz UNC Charlotte Cara Hagen Amanda Hamp University of New Mexico Alison Bory Davidson College The De-colonial, the Unthought, and the Uncommon: Black Dance and Little in Common: Sello Pesa, Robyn Orlin, and Harshita Mruthinti African Movements Embodied “Negotiations” of Contemporary South Africa Catherine Cole University of Washington Kamath Sizemore- Afriqueering the Commons April Barber Georgetown University “Crisis in the Commons”: The Dissolution of “Relation” in Contemporary Black Dance Mlondolozi Zondi Northwestern University Funding a Dance Commons: Institutional Intentions and A Fierce Kind of Love: A Crip/Queer Choreographic Performative Misfires Commons Amanda DiLodovico University of Pennsylvania Johanna Kirk The Comprehensive Employment Training Act (CETA): Choreographic Excess and the Dance Commons Colleen Hooper Point Park University The Dancemobile: A Diasporic Sense of Living in Common Charmian Wells Temple University On the Expertise of Setting Agency on Hold - a Improvisation and Transdisciplinary phenomenological and enactive analysis of University of Southern approaches) improvisational practices Susanne Ravn Denmark Tommy DeFrantz Improvisation: an ethical way of going about things Vida Midgelow Middlesex University of Southern The Political Force of Australian Indigenous Performance Philipa Rothfield Denmark/La Trobe University UNC Chapel Hill, Carolina Dance Studies in the Commons: Public Dance Scholarship outside the Academy Amanda Graham Performing Arts Arabella Stanger Jennie Scholick San Francisco Ballet San Francisco Conservatory James Steichen of Music Museum of Contemporary Art Tara Willis Chicago EMPAC / Curtis R. Priem Experimental Media and Performing Arts Center at Rensselaer Polytechnic Ashley Ferro-Murray Institute Immersive Sites of Momentary Commons: Dancing Borders, Race, Threat, Defense, and Absence: Ali Moini’s "My Rastovac and Sexuality Paradoxical Knives" and the U.S. Muslim Travel Ban Heather Akbarzadeh University of California, Davis Anusha Kedhar Choreographing Architectures of Public Intimacy in the Hindi Film Cabaret Usha Iyer Stanford University Immersive Dance as Momentary Commons: Lenora Lee Dance on Angel Island SanSan Kwan UC Berkeley “‘Our Giselle is Muscular!’: Femininity, Soft Power, and Cultural Diplomacy in Franco-Soviet Dance Exchanges, University of Wisconsin- Renate Ballet, Representation, and Power 1954-1972” Kayci Harris Madison Brauninger Ballet Choreography and the Great War: Can we get beyond ‘the beautiful death’? Larraine Nicholas University of Roehampton Referencing America: The Common Tópos of Rodeo in and between Aaron Copland, Agnes de Mille, and Justin Peck Michelle LaVigne University of San Francisco From “Afro-Peruvian” to “Cosmic”: Victoria Santa Cruz’s University of California, San Techniques in Corporeal Translation Technique for the Discovery of Internal Rhythm Heidi Feldman Diego Megan Nicely The Bassanda Project: Reclaiming the Commons, One Dance at a Time Nicole Wesley Texas State University The Bassanda Project: Reclaiming the Commons, One Dance at a Time Christopher Smith Texas Tech University An anthropology of kinesthetic diversity: Dancing in The Hebrew University of common across ability-disability lines Gili Hammer Jerusalem Dancing for Justice: Unlocking the Stories of Mobilizing for Justice Incarcerated Girls Emma Davis University of Michigan, Flint Pallabi Sriram California State University, “Come.Unity: Activism in the Virtual Realm” Bernard Brown Sacramento Indigenous Corporeal Presence: Bulareyaung Dance Company and Indigenous Land Rights in the Age of the Taipei National University of Anthropocene Yatin Lin the Arts Performing a New Cultural Commons: K-Pop Dance, Global Pop Moves Gender, and Sexuality Hye-Wong Hwang University of Nebraska-Lincoln Alexandra Harling The Uncommons Fall Out: J-Pop, J-Folk, and Mayan- University of California Mythic Unity Undone Katherine Mezur Berkeley Independent Scholar/ Dancing Reggaeton: Expressing, Challenging and University of Roehampton Reinforcing Cultural Identities Alexandra Quinn Post-Graduate Alumna

Choreographic Constructions in the Commons Lisa Sandlos York University Szu Ching Chang California Polytechnic Rennie Tang University Pomona Dance Across Africa: Through the Collections of the Herskovits Library (Curator's Talk) Amy Swanson Colgate University Esmerlda Kale Northwestern University Kannenberg, Gene Jr. Northwestern University Professor Emerita Dance St. Neoliberalisms, Coloniality, and UCR/ World Arts & Cultures Dance's Economies Neoliberal Tangos, Dancely Commons And Divides Marta Savigliano UCLA Diyah Larasati

Moving Beyond the Neoliberal Critique in Dance Scholarship: Modern Economics for The Common Good Juliet McMains University of Washington Stanford University/Red Peak Cristian Santesteban Economics Consulting On the uncanny feeling that something else is there in the undercommons; so we better hurry up and dance it Fernandes University of Roehampton out, together, till our shared labour produces love cristina Rosa London Pedagogy and Possibility in the Razor Burn: Women’s Dance Majors' Acquisition of Sarah Fried- Undergraduate Classroom Political Identity through Creative Processes Amy Wilkinson Loyola University Chicago Gintis The Frontera Pedagogy: a radical, asset-based pedagogical approach as a responsible act of care Cristina Goletti University of Texas at El Paso Teaching and Learning in Dance History(s) as Community Property Practice Ray Miller Appalachian State University 9-11pm EXPLODE! Queer Dance Festival (Ticketed Event, bus leaves hotel at 8pm) 11 Aug - SUNDAY 8:30--10am

Dancing Jewishness, Race, and When did Jews become White? My Family’s Embodiment Indiana University Interculturalisms of Reform Judaism in the U.S. through Modern Dance Selene Carter Bloomington Naomi Jackson Improvising Coalitions: Jewishness and Africanness in UNC Asheville, CCBdance Motion Celia Weiss Bambara Project HaMapah/The Map: Genealogical Diasporas Adam McKinney Texas Christian University University of California, Dancing Common Ground between Havana and Chicago Elizabeth Schwall Berkeley Building Dance Archives as Commons: Resources, The Dance Library: Access, Collaboration, and Outreach about the Chinese Dance Pedagogy, Resources Collection at the University of Michigan Liangyu Fu University of Michigan Juliet Bellow Scholarly Sight Lines: Toward Unobstructed Access to Graduate Center, City Dance Scholarship Jill Cirasella University of New York Megan Wacha City University of New York Hip-Hop, I Am Not: Street Credibility as a Prerequisite for Jade Power Locating the Popular in the Academy Offering Formal Credentials in Hip-Hop My-Linh Le Arizona State University Sotomayor

Social-Vernacular Dance Pedagogy: Is it ours to teach? Lindsay Viatori Slippery Rock University Jeremy Blair Western Michigan University In Common/ Out of Common: Identity, "Sampling and Remixing 'Sinnerman': Expanding Access, and Control in Popular Definitions of Blackness Through Rhythm Tap Dance The University of Texas at Ana Paula Culture Performance" Michael Love Austin Höfling Re-scripting Indian Dance: Dance Criticism as the Common Archive Priya Raman University of Texas, Austin The University of Texas at Keyword White: Racial Markers in Online Search Results Molly Roy Austin Sharing Rhythmic (Im)Pulses, Honoring Cultural Specificity: Percussive Dance as Commons, Choreographing Ireland: Revising Narratives as Panel 2 Established by the Gaelic League Danielle Enblom Independent Scholar Nic Gareiss The Potentiality (and potential pitfalls) of a Percussive University of North Carolina at Dance Commons Janet Schroeder Charlotte Five Points of Articulation: How 2/4 Plus 6/8 came to be 4/4, or Common Time Brynn Shiovitz Chapman University Possibilities for Bodies in Common: Dance Pedagogy as Normalizing Discourse and Transformative Practice Dance as an Academic Discipline, (un)common ground Melonie Murray University of Utah Mair Culbreth Settling Ourselves: Ecokinetic Approaches to Teaching Boston Conservatory at Dance through Racialized Bodies Mila Thigpen Berklee Emily Wright Independent Scholar Transforming Pedagogies: Immersive and Interdisciplinary Methods in the Postsecondary Choreography Classroom Ali Duffy Texas Tech University Racialized Identities and Movement Celebration in the South Thaddeus Davis University of South Carolina Dahlia Nayar Independent

Tanya Wideman-Davis University of South Carolina Political and artistic re-emergence of folklore in current University of Lodz, Instiute of Alexander Contemporary Folk practice and cultural policy in Eastern Europe Joanna Szymajda Contemporary Culture Schwan What Do These People Have in Common? Verea- Ivanova- Bulgarian Cultural and Chicago Bulgarian Fest and its 500 Attendees Daniela Nyberg Heritage Center of Seattle Oulu University of Applied Folk Dancing Communities Petri Hoppu Sciences Vulnerability and Transformation Dance as Peace Solution:Embodied Peace Experience Wanting Wu Queen's University Belfast Victoria Fortuna The Ancestral Dance: Blurring the Historic in Poor People’s TV Room Danielle Ross Northwestern University Nothing in common: Vulnerability, discomfort and dispossession in Project O’s choreographic practice Daniela Perazzo Domm Kingston University London Choreographing the Irish Borderlands: Claiming Public Choreographing Ambiguous Borders Space in Northern Ireland from the Troubles to Brexit Kathryn Holt Ohio State University Bhumi Patel Against a Wall: Artistic Citizenship and Dance Production in Israel/Palestine Meghan Quinlan Independent Scholar Dancing for a Dream: Florencia de la V and the Struggle for Trans Rights in Argentina Jeffrey Tobin Occidental College Thinking in (un)Common: What American and Chinese Hannah Ways of Seeing Critic’s Reviews on Situation (1990) Tell Us Fangfei Miao UCLA Schwadron Punching Soil and Planting Seeds: Finding Common Ground through Ecologies of Kinesthetic Empathy in Three Adaptations of "The Rite of Spring" Anna Paliy University of Toronto From Spectacle to Intimacy: Fracturing the Binary of Ethical/Unethical Witnessing Kristen Shahverdian Moore College of Art & Design University of Michigan, Penny Tricky Politics in the Mid-Twentieth Little in Common? The Struggles of Interdisciplinary W. Stamps School of Art & Century Engagement in Art and Dance during the Third Reich Susan Funkenstein Design Lucia Ruprecht “The Comfort ” for Japanese Common People during World War II Yukiyo Hoshino Nagoya University A Family Affair? Choreographies of Black Community in Larry Steele’s Smart Affairs Barry Brannum UCLA 10:30-12pm Non-human Interlocutors: Water and VR Collaborative Performance: Increasing Water Awareness Hannah Seidel Grand Valley State University Charli Brissey 22nd Century Riversides: Choreographing in Virtual Reality Elizabeth Alexander Cornell University Michelle Pen University of Northern Un/Common-ing Pedagogies: Teaching Critical Dance and Movement Studies in Divergent Dasha Chapman Five College Dance Laiyle Weidman J. Dellecave Independent Adanna Jones Bowdoin College Harvard University and Tufts Sharon Kivenko University Queen Zabriskie New College of Florida

Mario LaMothe University of Illinois at Chicago Mobilizing (Un)Common Identity: Choreographing Common Values: The Medieval French University of Southern Dance and Poetry Carole Kathryn Dickason California Jennie Scholick Allusion and Embodiment in Ancient Greek Choral Lyric Sarah Olsen Williams College Not a Woman Dancing? Felicia McCarren Tulane University Early Choreographic Commons: Race Dance Steps of the Commons: Un-familiar Movement in and the Longue Durée the 17th C Great Lakes VK Preston University of Toronto Ann Fisvik Barnard College of Columbia Science Fiction Choreography as a Proleptic Technology Seth Williams University Early Dance and the Space of Blackface Seeta Chaganti University of California, Davis University of the Arts Helsinki, Reviewing in Common: Dance Criticism and Scholarship Hanna Järvinen Finland Larraine Nicholas Gay Morris independent scholar Stacey Prickett University of Roehampton Funmi Adewole De Montfort University Pamela “One Singular Sensation?” Unison as Commons in Commercial Screendance Practices Elena Benthaus University of Melbourne Krayenbuhl Elizabeth June Bergman Temple University Alexandra Harlig The Ohio State University Dara Milovanovic University of Nicosia Laura Robinson University of East London The (Un)tethered Body: Communal Memory and Making as Practices of Resistance Crystal Perkins The Ohio State Unviersity Chicago's Dance Archives Sybil Shearer: Canonical Value and Valuation Lizzie Leopold Dance Studies Association Jenai Cutcher Critique and the Archive in “the Dance Hub of America”: Ann Barzel and Dance in Chicago Jessica Herzogenrath Sam Houston State University A Chicago Ballet Alliance: John Alden Carpenter and Adolph Bolm Carolyn Watts Princeton University

Rethinking the Boundaries of Religion Dance as Invented Religion Jennifer Fisher University of California Irvine Hannah Kostrin Dancing the Postsecular: Transforming the Public Sphere Through Embodied Acts of Alliance Building Carolyn Pautz Temple University Venkata Sundara Sani and Her Rasika Jana Manollasini: Establishing a Common Dance Identity Gayathri Iyer Jawaharlal Nehru University The Pedagogy of the Observed: The Panoptic Social Media and Surveillance in 21st Mechanism of Digital Video Surveillance in Commercial Century Dance Dance Studio Education Revisited Tanya Berg University of Toronto Lindsey Drury Dance is for Everyone: Consumption in a Post- Information Age Britt Fishel Bryn Mawr College Moving memorials: performing homage in the age of social media Archer Porter UCLA Space, Place, and the Cultural Disenclosing Dance: Choreographic Thinking as a Commons Knowledge Commons in The Quiet Circus David Brick Headlong Dance Theater Raquel Monroe Laura Vriend Independent Scholar Toward a Cultural Commons Julie Potter ODC Theater Visible Dancing: Dance Studio Architecture as a Beacon for Dance in Communities Jen Peters University of MIchigan Uncommon Nonsense: Dance and Gender in Mary Dancing Stars on Stage and Screen Poppins Kathaleen Boche Independent Scholar Anthea Kraut Posturing the “Performative Commons”: Stadium Screens, Back-Up Dancers and Posturing in Taylor Fogarty Swift’s Reputation Tour Mary Woehrel York University Long Island University Post Jane Avril and the bal des folles: "Alas! I was cured! Cara Gargano Campus Seeking for Commonality: The Transatlantic Transfer of Common Forms in Transition Gruppe Motion Timmy De Laet University of Antwerp Kat Profeta Removing Dance from the Commons: Laura Dean's University of Colorado, Legacy of Impermanence Elliot Gordon Mercer Colorado Springs Toward a Personal Postmodernism: Unfixing Meaning in the Solos of Donna Uchizono and Stephen Petronio Emily Kaniuka The Ohio State University 12:30-2pm

CLOSING PLENARY, The State of the Field

Anamaria Tamayo Duque Yaping Chen Karen Schupp Lena Hammergren Meiver De La Cruz EXPLODE Presents Jennifer Harge's fly/drown , performative closing