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JCE41210.1177/0891241611426430Ea 426430stmanJournal of Contemporary Ethnography © The Author(s) 2012 Reprints and permission: sagepub.com/journalsPermissions.nav Journal of Contemporary Ethnography 41(2) 189 –219 Rebel Manhood: © The Author(s) 2012 Reprints and permission: The Hegemonic sagepub.com/journalsPermissions.nav DOI: 10.1177/0891241611426430 Masculinity of the http://jce.sagepub.com Southern Rock Music Revival Jason T. Eastman1 Abstract Southern men occupy a contradictory place in U.S. culture as the rest of the country stereotypes them as backwards and deviant, yet simultaneously cel- ebrates Southern males as quintessential exemplars of American manhood. I explore this contradiction using interviews with musicians, participant observation of concerts, and an ethnographic content analysis of contempo- rary Southern rock lyrics and websites. I find marginalized men embrace a Southern rebel identity to meet hegemonic masculine ideals shared across social classes and geographic regions. Rebels reject the middle class roles and cultural capital most men use to signify their manhood by accruing au- thority and resources through education, career, and family. Instead, southern rebels empower the masculine self by protesting authority figures, dominat- ing women and signifying their independence by drinking, using drugs, and brawling. While rebels define their selves in contrast to middle-class mor- als and practices, dismissing them as deviant and backward overlooks how rebels use the symbolic resources they have at their disposal to meet the hegemonic masculine ideals celebrated throughout the country. Keywords masculinity, class, inequality, gender, Symbolic Interaction 1Coastal Carolina University, Conway, SC, USA Corresponding Author: Jason T. Eastman, Department of Psychology & Sociology, Coastal Carolina University, P.O.
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