How to Study Linguistics: a Guide to Understanding Language
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PRESSEMITTEILUNG 22.05.2015 the GET up KIDS Kommen Im
FKP Scorpio Konzertproduktionen GmbH Große Elbstr. 277 a ∙ 22767 Hamburg Tel. (040) 853 88 888 ∙ www.fkpscorpio.com PRESSEMITTEILUNG 22.05.2015 THE GET UP KIDS kommen im August nach Köln THE GET UP KIDS sind wieder da. Vier Jahre hat es gedauert seit dem letzten Album „There Are Rules“ (das bekanntlich mit den schönen Worten „Das ist sehr gut“ begann) und den Auftritten bei uns. Jetzt haben Matt Pryor, Rob Pope, sein Bruder Ryan, Jim Suptic und James Dewees bestätigt, dass sie wieder gemeinsam unterwegs sein werden. Aber längere Pausen ist man ja gewohnt von den Emo- Helden aus Kansas City. Einerseits wollten auch all die anderen tollen Projekte wie Reggie And The Full Effect, Spoon, My Chemical Romance oder The New Amsterdams, in die die Bandmitglieder verstrickt sind oder waren, vorangetrieben werden. Und natürlich galt es auch, sich an Matt Pryors Soloalben satt zu hören. Jetzt haben THE GET UP KIDS bestätigt, dass 2015 wieder allen gemeinsam gehören soll. Zum Anlass des 20-jährigen Bestehens der Band haben sich die alten Helden wieder zusammengetan und gehen auf Tour, die sie in Deutschland exklusiv nach Köln führt. Das wird eine der seltenen Gelegenheiten sein, dass man die wunderbaren Hooks live erleben darf, die sofort in jeden Song hineinziehen und dieser fast schon „Wohlfühl“- Sound, der sich um den Hörer legt wie eine Decke. Auch weil die Jungs inzwischen auf eine lange und vielfältige Karriere zurückblicken können, weil sie so viel unterschiedliche Musik gespielt haben, weil sie viel gemeinsam und viel getrennt erlebt haben, wird der Jubiläumsauftritt der GET UP KIDS ein absoluter Höhepunkt werden. -
Black Lodge Recording Studio for Sale by David Oakes June 18, 2009
Black Lodge recording studio for sale by David Oakes June 18, 2009 Some of the bands that have recorded at Black Lodge Recording in Eudora have claimed it was haunted. Owners Ed Rose and Ryan and Rob Pope have decided to sell the studio, making it a possibility that the studio could itself become a specter of the regional music scene of which it has been a part for the last 20 or so years. Relocation and relaxation factored heavily into why the trio of owners decided to sell the studio. Ryan and Rob Pope, who form the rhythm section of the band the Get Up Kids, are moving to Portland, Ore. And Rose and Ryan Pope both said they would enjoy the artistic side of creating music a lot more if they didn’t have to deal with the business side of it. “Not having to deal with all the little things that come with owning a recording studio in a 150- year-old building will open up more time for me to spend on the fun part of my job,” said Rose, who also is a sound engineer at the studio. Rose and members of the Get Up Kids purchased the studio when it still was called Red House Studios, which had been around since the early 1990s. Ryan Pope estimated that hundreds of albums by bands such as the Get Up Kids, Motion City Soundtrack, the Appleseed Cast and the Ultimate Fakebook have been recorded at the studio. Jeff Jackson is one of the many people who had spent time recording at Black Lodge. -
Analyzing Popular Music
This page intentionally left blank Analyzing Popular Music Howdowe ‘know’ music? We perform it, we compose it, we sing it in the shower, we cook, sleep and dance to it. Eventually we think and write about it. This book represents the culmination of such shared processes. Each of these essays, written by leading writers on popular music, is analytical in some sense, but none of them treats analysis as an end in itself. The book presents a wide range of genres (rock, dance, TV soundtracks, country, pop, soul, easy listening, Turkish Arabesk) and deals with issues as broad as methodology, modernism, postmodernism, Marxism and communication. It aims to encourage listeners to think more seriously about the ‘social’ consequences of the music they spend time with and is the first collection of such essays to incorporate contextualization in this way. allanf.mooreis Professor of Popular Music and Head of the Department of Music and Sound Recording at the University of Surrey. He is author of Rock: The Primary Text and editor of The Cambridge Companion to Blues and Gospel Music. He is also co-editor of the journals Popular Music and Twentieth- Century Music. Analyzing Popular Music edited by allan f. moore Cambridge, New York, Melbourne, Madrid, Cape Town, Singapore, São Paulo Cambridge University Press The Edinburgh Building, Cambridge , United Kingdom Published in the United States of America by Cambridge University Press, New York www.cambridge.org Information on this title: www.cambridge.org/9780521771207 © Cambridge University Press 2003 This book is in copyright. Subject to statutory exception and to the provision of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. -
Terror Street
Brooklyn’s Real Newspaper BrooklynPaper.com U (718) 834–9350 U Brooklyn, NY U ©2008 BROOKLYN HEIGHTS–DOWNTOWN–NORTH BROOKLYN AWP/14 pages U Vol. 31, No. 27ÊU Saturday, July 14, 2008 U FREE WITH CARROLL GARDENS, COBBLE HILL, BOERUM HILL, FORT GREENE, CLINTON HILL, DUMBO, WILLIAMSBURG, GREENPOINT 5&3303453&&5 Feds to keep Cadman Plaza parking permanently By Sarah Portlock Now the federal government, officials don’t want the public to The Brooklyn Paper courts and U.S. marshals are working know that Cadman Plaza East is The feds giveth and then the with the city Department of Trans- merely a parking lot. feds taketh away. portation to finalize that “temporary” When Sebastian Kahnert, a Four million dollars in federal closure of Cadman Plaza East. Brooklyn Paper photographer, Community leaders are concerned funds to renovate little-used Walt headed out last week to take pic- that their beautiful new park will Whitman Park next to the federal tures for this story, he was harassed become a prisoner behind fortified by a uniformed security officer and courthouse on Cadman Plaza East barricades and a judicial parking have become linked to a separate ordered to delete his pictures as the lot, so Community Board 2 has put security officer watched. federal plan to permanently close aside money to finance a solution, the street to traffic and formalize Kahnert — who grew up in East District Manager Rob Perris said. Germany, where such things could the block’s use as a judicial parking “There are design treatments that happen every day — said the whole lot. -
A Study of Creativity and Cultural Production in Contemporary Australian Children’S Picture Books
True Stories About Tall Tales: A study of creativity and cultural production in contemporary Australian children’s picture books Chloe Killen BArts, BComn (Hons) A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy in Communication & Media, School of Design, Communication and Information Technology, Faculty of Science and Information Technology, University of Newcastle, Australia. February 2016 Statement of Originality The thesis contains no material which has been accepted for the award of any other degree or diploma in any university or other tertiary institution and, to the best of my knowledge and belief, contains no material previously published or written by another person, except where due reference has been made in the text. I give consent to the final version of my thesis being made available worldwide when deposited in the University’s Digital Repository, subject to the provisions of the Copyright Act 1968. Signed: ……………………………… Date: ……………………………… Name: Chloe Greentree Russell Killen Declarations I hereby declare that the work embodied in this thesis generated the following publications. Journal Articles Killen, C. (2011). ‘Investigating creativity in the Production of Australian Children’s Picture Books: A foundation for future research’ in Clifton Evers (Ed.), Altitude: An e-journal of the emerging humanities. Vol 9, 2011. ISSN 14444-1160. Killen, C. (2010). ‘Investigating Creativity in the Production of Australian Children’s Literature: Implications for Teaching and Learning’ in The International Journal of the Book. Vol 7, No 3, 2010. Champaign, Illinois, USA: Common Ground Publishing LLC. Conference Papers (Refereed) Killen, C. (2012). ‘Once upon a time: constructing narrative and the role of storytelling in the (digital) future of Australian children’s picture books’, in C. -
The English Studies Book: an Introduction to Language
THE ENGLISH STUDIES BOOK ‘Innovative, imaginative, resourceful and full of surprises, the second edition of The English Studies Book continues to be an outstanding introduction to all aspects of the study of English literature, language and culture.’ Robert Eaglestone, Royal Holloway, University of London, UK ‘The revisions of the second edition are wholly in spirit with the intent and remarkable achievements of the first edition – to keep all things having to do with English Studies as open-ended as possible, and yet also as practically useful as can be. Doing English and being a part of English Studies has never been more inviting. This is without question the very best text available for the new “gateway” [introductory] courses to the English major.’ David Stacey, Humboldt State University, USA The English Studies Book is designed to support students and teachers working across the full range of language, literature and culture. Combining the functions of study guide, critical dictionary and text anthology, it has rapidly established itself as a core text on a wide variety of degree programmes, nationally and internationally. This new edition takes full account of current changes in the subject while maintaining the authority, accessibility and flexibility so valued by users of the first edition. Revised and updated throughout, features include: ♦ a new prologue addressing changes and challenges in English studies today ♦ substantial entries on over 100 key critical and theoretical terms from author and canon to intertexuality and versification,