J:11 All That JazzIn 1993 8-11 Classical GoingFor D Genre Breakthrough 12-13

£ 2.95, DM 8, FFr 25, US$ 5 Euro DJs Struggle With Quota Clause Twenty 4 Seven Causes Continue Euro "Decency" Dance Tradition Regulations Uproar In French Radio EUROPE EUROPE FRANCE by Machgiel Bakker being new talent. At presstime which covers SACEM, SNEP by Emmanuel Legrand there were strong indications that So you think US shock jocks and musician's union SFA,in Continental dance music con- this measure would be voted by which the groups called on parlia- can be offensive. Just tune into tinues to hold a strong grip on A last-minute clause introducing the Parliament, although the rate ment to support "the implementa- Rome -based News/Talk net compulsory Francophone quotas could yet be reduced to 30%. tion of an obligation to broadcast RadioRadicale. where it's onallradiostationshasleft Members of two major radio a proportion of at least 40% of wall-to-wallexpletivesthese France's radio industry hot under industrygroups, SRN (which musical works and songs sung in days since the station began a the collar. includes Europe 2, Fun, Nostal- French, created or performed by i protest against uncertainty sur- The subject was raised at a gie, RFM and M40) and SRGP (continues on page 32) rounding Italy's broadcast law. parliamentary debate on the new (RTL, Europe 1, RMC), united Andit'snot some Howard communication law on November to form a lobby in a last-ditch Stern wannabee at the station; 26. when a paragraph was raised effort to kill the changes. everyday Italianlistenersare during the meeting by the deputy The music industry, however, Twenty 4 Seven ; calling in and taking advantage Michel Pelchat calling for a 40% stronglysupportsthemeasure. of thenoveltyof complete quota of French content on all Lobbying came from a statement the Eurochart Hot 100 Sin- access to one of the country's radio stations, with half of those issued by industry group CLIM, gles. With two border -cross- ISnationalcommercialnet- inghitsinglesthisweek, works. Racial slurs. meathead diatribes and strings of swear (continues on page 32) words between northern and Italian Radio Renews southern Italians, different political factions and football supporters make MTV'sBeavi. AudiradioRatings and Butthead sound like Hansel ITALY and radio industry." and Gretel by comparison. 6iMark Dezzani CommentsUPA head of With more freedom comes researchGiovannaMaggiore, moreresponsibility.Defining Italy's radio rating system Audi - "The necessity of a national sur- unacceptable behaviour and radioisunderway once again vey recognised by the advertising language by DJs is difficult at after around 500 stations, includ- industry finally overcame the dif- No. 1 in EUROPE best. say European radio execu- ing state broadcaster RAI, the 15 ficulty of getting all sides to agree tives. and regulations vary from privatenationalnetworksand and participateinfundingthe FIRM FINNISH FAVOURITE European Hit Radio country to country. major regional and local stations, new survey." Warner Music Finland artist BRYAN ADAMS Comments Claudio agreed to subscribe. Audiradio is The results will be published Kaija Koo was presented with Please Forgive Me Astorri. MI) at EHR national the only survey officially recog- in mid -January, and sampling is gold and platinum awards in (A&M) station RTL 102.5 Hit Radio. nised by Italy's advertising indus- already underway. Around 80.000 October for her number one album "Tuulten Viernita." Pic- , "The rules in Italy are not pre- try and is organised by ad associ- calloutsarebeing made with Eurochart Hot 100 Singles tured (l -r) are: (back) Warner cise enough. We need simple ation UPA. The survey had been 20.000 on a national basis for MEAT LOAF Finland sales manager Timo and brief guidelines. We have suspended for two years over dis- RAI and the networks and 60.000 I'd Do Anything For Love Kivinen,promotionassistant for a moredetailedregional (Virgin) no regulatory body similar to agreements aboutfunding and Mii Saraskoski, marketing the Federal Communications methodology (M&M, July 17). breakdown. manager Ari Lohenoja, MD Commission in the US.I am UPA presidentFeliceLioy Eduardo Montefusco, MD of Morita Kaasalainen, accoun- European Top 100 Albums convinced that in the futureit says the survey is taking place Rome -basednational EHR net tant Heikki Savolainen; (front) BRYAN ADAMS iwill he up to the independent "following complicated and Radio Dimensione Suono and Koo and her husband, com- So Far, So Good poser and producer Markku onnnuel on page 31) detailed discussions between the presidentofnationalnetwork (A&M) various sectors of the advertising (continues on page 311 Impia. EAST 17 "IT'S ALRIGHT" Heading for the top 10 in UK and across Europe AVAILABLE NOW

AmericanRadioHistory.Com SLAVE TO THE MUSK

NEW SINGLE: SINGLES CHART POSITIONS AUSTRALIA 61 BELGIUM 10 (NEW ENTRY) DENMARK BELGIUM 60 4 (NEW ENTRY) FRANCE 13 (DANCE) DENMARK (HIGHEST NEW ENTRY) GERMANY 24 HOLLAND HOLLAND 5 PORTUGAL ISRAEL 17 SWEDEN NORWAY 5 (HIGHEST NEW ENTRY) SWEDEN 4 EUROCHART EATURIN EUROCHART 28 (HIGHEST NEW ENTRY) STAYNC AND NANO

ALBUM OUT NOW H INCLUDING THE HITS

SLAVE TO THE MUSIC

& IS IT LOVE

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AmericanRadioHistory.Com BMG AriolaMusik BuysEast EUROPE AT A GLANCE GermanDSB's Catalogue FRANCE: RTL's Renault Appointed Advisor To Culture Ministry Jacques Toubon, minister of culture and Francophony, has appointed for- GERMANY mer RTL head of artistic services Patrick Renault as technical adviser for company of the DDR, and has by Miranda Watson .lorgen Larsen. now president or musical industries, broadcasting and musical creation. Renault worked for faced difficulty transforming the MCA RecordsInternational. RTL from August 1991 to June 1993. prior to which he was in charge of monopolist VEB into l\It asmall, "We havefinancialreasonsfor communications at performing rights society SACEM. At that time, he Ariola Musik has strength- independent and ened its position in the economically selling the catalogue to BMG. It is supported SACEM president Jean -Loup Tournier's call for broadcasting cast Ger- viable record company capable of not true that DSB is closing down quotas for radii, stations. Emmanuel Legrand man music market with thepur- competing with chase of the big. established or being liquidated. We are going pop catalogue of Western firms. through the final stages of restruc- DeutscheSchallplatten FRANCE: SNEP Withdraws From French Chanson Week Berlin Since the acquisition of DSB turing the company which costs a DSB ). With Edel hucing Record industry organisation SNEP has decided to withdraw its support DSB's from the government in September lot of money." classical catalogue Berlin from the "French Chanson Week" presented under the aegis of the ministry Classics '91DSB has been radically Larsen remains a shareholder in the Spring tM&M, May of culture and Francophony, and organised by Jean-Louis Foulquier, host 1St, restructured, cutting the number of ofthecompany.while.102118 of the radio programme "Pollen" on public station France Inter and DSB is now currentlylittle more staff from 220 in '91 to 20 at pre- Knol isstill MD. Larsen says organiser of the Francofolies music festival. The event will take place in than a shell conmany sent.Itisthis restructuring that DSB will be focusing on niche the first week of February, kicking off at MIDEM in Cannes and ending DSB is the legal successor to necessitated the sale of DSB's cat- genresinthefutureincluding with the Victoires de la Musique. EL VEB DeutseherSchallplatten. alogue, says shareholder and for- dance, classical and jazz, and will the formerstate-ownedre,:ord mer managingpartner of DSB become more of a "music produc- GERMANY: PolyGram Germany's Seasonal Gesture tion company." PolyGram Germany is not sending Christmas cards this year: instead the The DSB catalogue includes company is donating the money it has saved to the Nordoff/Robbins Fun Appeals NRJ's Frequency the labels Amiga, Musicando and music therapy fund. Comments president Wolf Gramatke. "Every Christ- Litera with a total of over 2.500 mas card we don't send is a building stone for the furthering of this creative Domination In Burgundy titles(mostly German -language) and artistic music therapy." Miranda Watson by east German pop/rock groups, FRANCE NRJ GM Alain Weill com- as well as schlager and folk music GERMANY: Radio PSR Gets Into The Christmas Spirit by Emmanuel Legrand ments. "We were approached by artists. Pm ate Sachsen station Radio PSR/Leipzig is touring between November Poste 4 this year and were very The acquisition of the DSB 11 - 23 with its two mobile promotion teams through the town providing The process of frequency alloca- interestedintheir proposal. We catalogue follows many years of music for Christmas parties free of charge. The station will be trying to tions in France could undergo a offered them a solution allowing collaboration between BMG and raise money to help children in Leipzig and will be holding a special auc- significant change if an appeal by them to continue their activity by the former VEB Deutsche tion to raise money for the reconstruction of a school for handicapped chil- EHR net Fun Radio to the higher running Cherie FM and by be- Schallplatten through co -produc- dren in Sachsen. MW administrative court the Conseil coming our ad rep in this region." tion contracts. A few months after &Etat is granted. Fun president Benoit Sillard the fall of the Berlin Wall, BMG ITALY: Rush Starts For licence Extensions Fun has appealed to the court declines to comment on the mat- established an east German sales November 30 was the deadline for Italy's estimated 2.500, private radio to overturn a decision by broad- ter, but a source close to the case centre and founded the first inde- stations to file for two-year extensions for their temporary licences. Italy casting authority the CSA autho- suggests that it was impossible for pendent east German label K&P will replace the 1990 Mammi Broadcast Bill, which was suspended fol- rising a local operator in the Bur- Fun to accept NRJ's virtual mono- Music in Berlin with artists City, lowing investigations into bribery allegations at the Ministry of Posts in gundy region to switch its poly in the region. "Fun wanted to Tony Krahl and Fritz Puppel Rome. It is estimated that of the 4.000 stations who registered under the programmestoGold -formatted pull the alarm cord by calling on (K&P signing Keimzeit is current- 1990 Broadcast Bill, only 2.500 will remain following bankruptcies. buy- Cherie FM, operated by NRJ. the CSA to take into account the ly in the German charts and is the outs or failure to comply with existing broadcast law. Mark Dezzani Fun contends that the move con- balance of networks in any area label's first big success). stitutes abuse of a dominant posi- before granting licenceapplica- Head of BMG's sales/market- UNITED KINGDOM: Third National Private To Be News/Talk tion. giving NRJ a virtual mono- tions. It is necessary for the CSA ing base in Berlin. Jorg Stempel. The UK Radio Authority opened bidding for the 51% speech -based third polyin the area. Of a total 53 to take into account the state of will be responsible for the targeted national, independent radio licence. Deadline for applications is March 15. frequencies awarded to FM music competition between the different exploitation of the DSB catalogue. The successful applicant's music content will also be "demonstrably differ- networks in the region. 23 were players." Stempel is a former VEB Deutsch- ent" to Virgin 1215's rock and Classic FM's classic formats. Jeff Clark -N leads given to the NRJ group. while Fun Fun's irritation has been fuelled er Schallplatten employee, well - received only three. by nationwide frequency alloca- versed in the East German music UNITED KINGDOM: PPL Appoints EMI's Andrews As CEO Localradio company Radio tions which leave the stationin scene. Phonographic Performance Limited has its first chief executive, EMI Poste 4. which operates over 10 only 23 of the 35 largest urban Comments BMG Ariola presi- International veteran Charles Andrews. Andrews. who has worked for frequencies in the region. called radio markets, while NRJ is avail- dent GSAterritoriesThomas EMI in a number of territories. including the UK. Belgium and. latterly. off its long-standing contract with able in 34 of them. Stein. "As a German major com- South America, succeeds chairman John Brooks. He reports to nets. non - Fun in July after a tentative trial to A CSA spokesperson says the pany with a high share of national executive chairman Tim Bowen..IC-Si sell-out to Fun was refused by authority sees the issue as nothing product we are very keen to sup- CSA. The operator then received hut the switch of operators, and port east German music. The pur- authorisation from the CSA on that there are no grounds for ap- chase of the DSB catalogue is a October 12 to switch to Cherie FM peal. "It's a conflict between a sup- further important expansion of this programming it,frequen- plier and a local operator and it company's activitiesinthenest cies. doesn't concern us." Biindeslander." Intil Marketing Back To Sony UK Now 14 monthslater.Sony where she was marketing director UNITED KINGDOM _ by Mochgiel Bakker Music UK chairman Paul Burger for the Columbia label.in her feels the time is ripe for the func- new role she will he responsible Sony Music has moved the inter- tion to return. "The UK company for the international marketing and promotion strategies ofall UK nationalmarketing ofits UK - enjoyed its best success when its signed acts hack from the Euro- international department was artists signed to the Epic, closely integrated with the domes- Columbia and S2 (Sony Soho pean headquarterstothe UK Square) labels. She will have two company. The promotion of tic marketing." he says. Tracy Nurse to Sony Music UK "Red Place ISMEIisnota international marketing managers and two promotional co-ordinators VP international marketing signals headquarters environment: its role is to provide strategic direction for reporting to her, the exact set up of die return of an artist marketing BLIND MELON IN ROTTERDAM - US group Blind Melon performed in Rot- affiliates. Theday-to-day which will be announced shortly. function that had been an integral the terdam's Ahoy in November as support act for Lenny Kravitz. The band is development and co-ordination of Itis as yet uncertain who will pan of the domestic company until now in the Dutch Tipporade with their single "No Rain." Pictured(I -r) ore: global marketing plans for our UK replace Nurse at SME and further September lastyear. Under the artists Christopher Thorn. Robert Stevens and Brad Smith, manager Chris roster must rest with the signing announcements are expected from leadership of former Sony Music Jones, Capitol VP artists and development Tom Corson, artists Glen Gra- SME senior VP marketing president Robert country. No headquarters can be international Richard Ogden. In addition. the 1 ham and Shanon Hoon, EMI Holland MD Hennie van Kuijeren. EMI Holland Summer, however, allexploita- closer to the artists and manager, head of international product Connie Kemp and EMI Music Publishing Hol- role of SME VP European reper- tion activities of Sony artists were than the repertoire source." toire Andy Stephens is also likely land MD Arian Witte. grouped together as pan of Sony Nurse will report to Burger and to undergo some changes. l' Music Europe iSME) joinsthe company from SME 3 MUSIC & MEDIA DECEMBER 11,I993

AmericanRadioHistory.Com Commercial BBC Radio 1 Could Cut Private Revenues By £4 M

UNITED KINGDOM Ihr 1 I. h til111, I, in, ii.itional 1,,I l,1,1 ,1,,,isfi,.1,1 pi oh!, Ills III, .11, excluding R \ o111111t 1,I.I1 .1t11,1i 51 IIsee a revenue dtopilio; 1,11111 111.11 ` million to EX million, IZOtotc 1 11. 1 Is Radio %who' it ,,, 1 In poi .II

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The ('entry's sinth , , I\'I IIIt'' Pol.' stationsin Scenario twowould Shined by the Authority and the vary according to their re NON BLONDES GO RA MUM IN GERMANY- 4 Non Biennia* picked 1'155'5 11)11111 1.11111, AssociatlimOfIndependent ol .111 lc) eallc III tin national advertising reYo uR goki tlth14 rhea debut Oseaton concert in Hone Radio Companics t 100 \ \ ith 5'. 111 CommentsAuthority burp ot AO and of OctoberTheir album Ikon POW foster, Motor ana- lysed two possible scenarios for N101011111 onnnrlr dal esecittive Peter Baldwin, isai soled over 700 000 copiesin (»maw. %Ado rho single "Who's Up" VW:, thedevelopmentofthe study highlights the difficulties soma 900 NO 1,opos Fientroci 0.11 as: artists i1,wn Richardson and 11K stationsVirgin1215, Atlantic comineivial radio industry from 252, l'hissic1,11011,1 1NR 3. stoking a halame between I ',10er %rho East Woo C1.444414100I1. Mr) 041.43hill arid artists Linda 1993 to 2002, which 1,1k; Ad, \ from tworequirements.Intl it Scenario one, which mostly national , hart.. ate offers the prospect 111 tneasu

that Radio 1 will remain a non. predicted to take ' share of development for :intim, advertising pubcaster and that the theradioadvertisingcakeh) radio,astheindustrxrite litimbor of commeivial stations 1007. The share for ILR stations, from the deep recession or Top 40 Chart Signs ,111 Increase as envisaged the \ Inch air both national and local 1510 hew Years. The AIRC .15115,that id,th,. ad \ Oktising, will lumina to 7314., always maintained that a.

Based on 1992 prices, national privatised Radio I would have, Deal With Rabo Bank \ 011011k IS all5. 5 101 111dICils III ad \ ,rtising revenue is expected to severe implications for the rest of. ,haiv ofI1' 101.11 C97 million in1997,isIII 111:4 LAND I1' IIIPI') \ low aladkertising:illuminingto thel'ilitt\iustrascotiaiion's director 51.15, \\.111,4011.i' ili"Is IIIlilt' 'l" 110111 million Itrian West maintains the Not - tin' almost 55,- appeal I IO 1s.11111011C0 \',oiding to the report's shoNs. cl,:arhd\w as right. He The Ranch Top 40 chart is to be \\ sermgty 10 trtailco ails,' III,hop 115111 10`1.',shmk of s,c11.111, 1550, Metotalradio comments, "Our opposition to the

lop 40 heginitint: ,o1Pile out chilli in, lo 10' 101' 1,,,altc 01 lesenuc ,.Ike kkould gross to C20 -I idea of a commercialised Radio I tin.` .1 .4e..11111:Itle iii1007 it RadioI heyan was not a knee-jerk resistance to P. V 1, honk to car, The national newcompetition,hutasour 'seal, 111 411 10 Pointer Sisters, Thelma Houston adwitisingrakewouldgrow Green Paper response spelled out, 1 Rahn 111,in6 tI. nom 07 million to el lr million sprang from the fact that existing klIhr,leer_ ,111 c11,,1 txxl Line Up For Diamond Awards \\ 1111 the presenix of a operators do have an acute sense eitptes of the :km w des anunenial Rallis I an increase ofwhat is bearableby the tributes' tw, Rah' Hank .11011,00, BELGIUM 111.,,'111x111111 Ihx i,ll slnxss ;111,1 I Radh, I would take industry and a strong desire loser The chart is now tieing boxstsast byMarc MOOS .1 Isl.III01111Ik'1 11110111,11101131 woe than 1so minion in revenue future (Mikity tkVeltIpMaii. The M prosaic ry station RI!. S anti I \ unsn 111, pit' csisting seek tees Henleyanalysiswillaidthat b\ ,\annienlal 1,K1 h, Hclgauns sok chilli I li.imond s 1115,,1 1,555 kko111,1 111011,,k l'hetypo, 1 development," Radio SSA, Happy flRalik) \kk,ints bestiala \\ ill tv\ iiOlidat .111.1 Holland l''%1 nig as alose toii,11,1, 1111151, slittatoi It Iherei,%1 of dye1 op 411total to, ImeNeoling a hnc tit' di', 0 .1 Newsmakers JatKMIPaul Sebtatoriters. artists. 1.\1111, scheduled 101 10, h, -

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AmericanRadioHistory.Com Under The Same Sun The New Single

* EHR Chartbound 50 stations playlisted

* Already a smash in France No. 8 FM Airplay Chartswith heavy play across the country including: NRJ - Skyrock - Fun -M40

* Live TV appearances including France: 5 majorTV's Belgium: RTB1 Special Italy: RAI 1Telethon Germany: ZDFWetten Dass

* Already charted andclimbing in Belgium Denmark France

AmericanRadioHistory.Com New Releases

terhouse are like a silly childr,,,, ti's about time Leninnheads' inn: Iran If Dando's steady- duet partner is judged on ALBUMS you feelirresponsible for emotional hygiene, then BASIC ELEMENT her own merits. Start with For The Birds. and ferktiff will do. Move Me - EMI the poppy lead track on this IT BEST KISSERS IN THE WORLD EHR/D PRODUCER- StefanAndeisson PET SHOP BOYS DEL THE FUNKYHOMOSAPIEN Futopeanunification worksfastest in I Wouldn't Normally Do This Kind Oi thing No Need For Alarm - Street Knowledge/Elektro music. This typical Euro Porlophaie EHR/D dance song with a PRODUCER: Pet Shop Boys/Beatmasters PRODUCER:Del/Snupe//Cosual/Domino/SDSO's/loi male rapper and a female singer no longer The title can't he refering to the music, Most of the time the flood of words carom needs the Swedish flag to promote it. because this is the kind of intelligent. hyper from rappers' mouthes goes toofilY catchy synth pop thing the boys have been understand, but Del really takes his line Es.JoaK a DAVE ARNOLD on vducing all along. articulate his street lingo. The BPIslciiir May Deod Island A/EHR/D is subsequently rather low, and tti, PRODUCER Arnold 'Cannon THE PHARCYDE of samples quite original. But thci The :honour of Iceland s siren is in the air Ya Mama Delicious Vinyl D/EHR for a "homosapien," the selection troin again. tvauti(tillslloatine:thosesuperb PRODUCER: The Pharcyde classic record on Catch A Bad (s, rhythm irack.Hightof toil. there's noth- Shake the foundations! The main rapper maybe not that strange. ing like this on its; ;miser planet goes wild on a pumping, early '70s funky bassline.butthebackingsingers have ETERNAL PEARO BRYSON & REGINA BELL thought of something different than "take it Always & Forever - EMI D/EHR/ACE A Mae New wad Aladdin's Theme) Cokimbia ACE/Bil to the bridge." Been There - MCA A/R/EHR PRODUCER: N. Lowis/B. Winans/S. Cutler/T. PRODUCER. Walter Afosanieff PRODUCER: John Hanlon Faragher/L. Golden/D. Charles/R. Wilson Millions who'll go to the cinema around SLEEPER Settle in Seattle and "kiss everybody's ass." With their debut single the UK's own "new Christmas to see the Walt Disney block- Alice EP- Indolent A/EHR This band knows how to play it according jill swingers" Easther, Kelle, Louise and buster film "Aladdin" will hear this price- PRODUCER: Anjali Dun to the raintown's rules. First do your thing Vernie have announced their intenation to less duet-a US number I hit in At last the Brits pick up those (pre-)grunge on the critically acclaimed Sub Pop label Stay on the scene. Judging by the rest February-and want radio encores, which soundstoo.ThealternativeAliceIn and then make it big on a major. Without their repertoire-on a par with Whitney IF' they'llgetfrom ACE HunderL6/Berlin Wonderland playsPixies,Breeders and talent, you're out of the game, but these Be There) and En Vogue UVever Go music director Rainer Gruhn. "It has the Nirvana singles. which pays off on this guys have it. Miss Teen U.S.A. positions Give You Up)-they could very well be right feel for the holiday season, and we magnificent EP. them between grunge and Posies' retro pop. right. AI Green's Let's Stay Together hat shan't drop it before the end of the year." Four Letter Name For Lameiscrude already worked for Tina Turner, as theltik, UB40 punkyhardrocklike the Wildhearts. ditional Amazing Graze did for many odtetv Bring Me Your Cup - DEP Int. EHR/ACE Producer Hanlon deserves due credit for Since programmers rule the closest entityte PRODUCER: UB40 providing a perfect guitar wall of sound. paradise. namely the airwaves, the angelic 1993 was the year of the artistic rehabilita- track Just A Step From Heaven is predeter- tion of Birmingham's finest. We probably CONSPIRACY OF NOISE minedly theirs. have to go back to their unemployment Chicks With Dicks And Splatter Flicks - Creation AIR days to find anything as rootsy as this. PRODUCER: Baby Jesus/Ian Shaw GOGH VAN GO Comments EHR BRTN Radio Donna/ Pull the ace of spades and join this sacred Gogh Van Go - Audiogram/Remark A/R/EHR Brussels head of music Marc Deschuyter, congregation of Mothrhead maniacs with PRODUCER: Pierre Marchand "We play a lot of UB40 as it fits our format an industrial tic. Their music is incredibly As colourful as their namesake Vincent. and perfectly. This number is particularly fresh elemental and dangerous, if not demonic. as sparseandinventive asthatother and excellent for the Christmas period." Compared to this, the sounds of the slaugh- male/female pop duo Timbuk 3. that's the latest news from Quebec. This music gets slowly under your skin, front where it be- MUSIC MARKET PLACE gins a journey to the centre of your mind. Tunnel Of Tree has the magic and poetry of BRITTON GOD IS MY CO-PILOT PattiSmithather best. An astonishing Until The Day We Die - Unas (Germany) Tight Like Fist - factory Outlet (CD) (Holland/US) album. Peace Pipe - Columbia R/EHR PRODUCER: Britton PRODUCER: God Is My Co -Pilot PRODUCER: John Custer This Canadian melodic hard rock band 39 Songs in 63 minutes. go check your THE POINTER SISTERS Looking for really had company? Free your deserves to be taken seriously, even by Guinness book of records! In that hour you Only Sisters Con Do That SBK EHR/ACE/D minds. bury,the hatchet and smoke the grungers. The song could become a future can get completely out of your head with PRODUCER: Peter Wolf peacepipewiththisyear'sgrooviest classicofParadiseCityproportions. this music derived from late '70s "no wave" Bearing Neil Young's famous one-liner in American rock band, now touring Europe ContactNick Kadrnkaat tel:(+49) from the big apple. Contact Josh Dorf at mind, one would tend to say that you can't with Robert Plant. 241.509 223: fax: 241.51 1 77 I. tel: (+31)2_0.420 3658: fax: 20.639 2245. teach old dynosaurs a new trick. But what about these "or jill swingers" who have cle- ROGIER VAN DER ERVE MAGICAL VOICES FROM BULGARIA verly urban-ised their production, in order to Give Christmas - Ray's Music ACE/EHR Samen Voortaan - White Label (CD) (Holland) Magical Voices From Bulgaria - BIM (CD) (Belgium) keep up with the new generation. The point PRODUCER. Pol/Belik PRODUCER: Renee Van De Gracif/Rogier Van PRODUCER: Sergio Popovski is that their harmony vocals are still the hest. We know Christmas in various moods: e.g. Der Erve It you say the words Bulgaria and magic in Just put the excellent neo-doowop ballad / Dickens. Crosby. Slade. Lennon... With There are still some diehards around who one breath. then Le Mystere Des Vols. ll 'am Fireworks to the test and admit it. this melody. arrangement and children:. want to defend the Dutch language against Bulgares is the next thing you think of. choir. everything about this song breathes theAnglo-American dominance.Ifthis And you're right. because this Volume out DOUG STONE of the fia/kon Soirrhts series is the follow- More Love - Epic C/ACE/EHR the latter', style. chansonnier gets the Flemish on his side, he'll come a long way. Contact Rogier uptotheworks ofthefemalechoir. PRODUCER: James Stroud/Doug Stone Van Der Erve at lel: 1+31) 2 I 59.3170S. ContactSergioPopiivski altel:(+32) Songs used in films. TV series :Ind com- GABRIELLE 2.412 25(17. mercials have proven to he excellent cata- EHR/D/ACE '.402 MO). I Wish - Got Beat lysts in breaking "unbreakable" acts. Well. FELLI PRODUCER: Jon Douglas then beware of "the Doug," because half oi Peligroso Interbeat (CD) (Italy) THE POETS OF RHYTHM II was only a Jew months ago when 'Ohs the 10 -track set by this country singer are PRODUCER: Luigi Piergiovanni Practice What You PreachSoulciety (CD) "eye patch" was the talk of the town \s iw songs which are featured in the "Gordy" Most Italian productions crossing the hue (Germany) with the third singleill the Find drat, skin film. Rocking Little Sister's Jeans is a song album she's already a more or less estab- ders are very polished. but for its nation's PRODUCER: Soul -Saints standards this nick trio sticks to a surpris- Thebest whitefunkkindsince the looking for a role in the next Levi's 501 TV 11,11,1 ingly basic rock sound true iii the "plug in Average White Band gelsVW VCSI V01111111- ad. As a balladeer Stone proves his great quality by singing Dreamt High, a song co - go" method. Contact Luigi mem there is-litter notes by funk emperor THE JULIANA HATFIELD THREE and world's most underrated WI 6.51)915353: Bobby Byrd. Get down on it! ('oniaLt tel: penned by the EP Mammoth A/EHR Piergiovanniittel: For The Birds t+401) 411,251 2089; fax: 40.251 7637. singer/songwriter Joe Henry. PRODUCER Scott Litt lax: 6.5091 7200.

suitability. Abbreviations used include. EHR, ACE R (Rock) D (Dance), C (Country). J (Jazz),U Wed Olphabot.ully furl, record is recommended for format or programme SonGlee and otwms lectured in N.w Releases ore and/or publishing rights ore A (Alternative), W (World) and M (Metal) Recordsmentioned in Music Market Place are by acts signed to independent labels for which license (Fray listening), NAC (New Adult Contemporary), samples to Robbed Tilli/Muchwel Bakker, Po flax 9027, 1006 AAAmsterdam Holland. accept as noted. Please send your MUSIC & MEDIA DECEMBER 11, 1993 6

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ACOUSTIC ALCHEMY AMERICAN JAZZPHILHARMONIC CARL ANDERSON

PATTI AUSTIN DAVID BENOIT PHILLIP BENT BOB BERG* MICHAEL BRECKER RANDY BRECKER GARY BURTON LARRY CARLTON CHICK COREA EDDIE DANIELS DR JOHN ** ROBBEN FORD* EDDIE GOMEZ* DAVE GRUSIN DON GRUSIN GEORGE HOWARD

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AmericanRadioHistory.Com JAZZ PROGRAMMERS: A LookAt Jazz'sAccomplishments In 1993

M&M's jazz radio reporter fieldis just a sampling of the great varietyof programmesWhich exist in every territory. All nationalpublic radio systems and manyregional and local stations also have jazz programmesor programme jazz sporadically. The varietynot only of jazz formats but of broadcasting modalities ispatent in the following brief survey --fromcable to syndication Jazzfrom dedicated stations to sharedfrequencies or the stray hour, jazz findsits way onto the radio' despite a general lack of support throughout the industry. But just as record companies aredis. covering that a bigger public than ever before is buying jazz, so might radio recognise the poten- tial audience that certainly exists for jazzbut in the main remains uncateredfor. Somepioneers and their station's top 10 list for jazz product in 1993:

Grusin/Mame. 1 Jazz FM/London shirley Horn/Light Ihr, a. Brian Lynch/At The Muir, L rent - it.w.rONN

1(1. Wynton Marsalis/Cili Movement (Griot N.Y. I-

' Stan Irney/Portr.to,. Icht,

Pal Metheney/Thi 1.' 11.11,11 VellOWIOCkebitike l RI11,tiRr Wilhelmina Steyling - producer

Joe McBrlde/Grary. - 101 South Cable: 24 hrs. a day: all styles IP Donald Fagen/kamatiriarl - Reprise "Euro Jazz has had a good year. It's clear now that jazz rad], h,, ' lee Ritenoter/Weshonad - GRP definite future in Europe. We have expanded into Switzerland. ,nd s Joe Henderson/So Neal.. So Far . o. Jan Garbarek/Tive/G. Moon, ECNI can now be received in Zurich, and Berlin will follow next volt. We 10. Kenny (://trraddes.,Anoa have plans to start German -language programming on asecond satellite channel. We are looking at other countries as well. such as Graeme Moreland - producer Austria and Denmark." 24 hours: all styles "I think we've accomplished what we set out to do.which was to cut through the elitist image of jazz by including jazz -related music. We \ Jazz Welle Plus/Munich/Hamburg

definitely. widened the format, and awakened the greater interest of 1. Harold Ashby ion The Sunny Side Of The Street -1.1111CieS, fringe audiences. Our audience is upmarket, and unlike the normal 2. Sidney Bethel/Spirit Of Nor OrleansVogue radio curve, we've discovered that it peaks in the evening, from drive - 3. The Big 181/.ire Echoes Qt. The Swinging Bands - RCA time onwards. In 1994 we will market ourselves more aggressively. In 4. German All StarsIDeursehes .1a.7.11estirat 1553. heir Family 5. Billie Holiday/The Complete B.H. On L,. \ September we hope to start up Jazz FM Northwest. Our potential audi- 6. Dick Hyman/P/ava I'll:A {taller- Rd, ence there is four -five million people.itwill be very similar to the 7. J.J. Johnson. Kai Winding/Jay And fat - London station. with regional differences." s. Charles Lloyd/Notes From Big Sur - ECM Charlie Parker/The Genies, 0:Charlie Parker- San., 10. Ken Peplowski. Howard Alden/Lice At Mavbcet -Coi.ord Radio Monte Carlo/Milan Hans Ruland - producer I. Pat Metheny/The Road 1.,1. u - Geffen Munich 38 hrs per week, Hamburg 24 hrs a day. all styles 2. Oleta Adams/Eva/anon - Fontana I. Fourplaylltroreen The Sheets - Warner Brothers "To run a jazz station means dedication and lots of work -no one 1. Ronny Jordan/The Quiet Recohairm - Island does it to get rich. It takes advertisers some time to gel used to the 5. Dancing Fantasy/Wor/doidc - Innovative Communication idea. but we haven't an upper income audience. and we've opened up o. Danald Fagot/ kamakiriad - Reprise a special market that other stations don't reach. Daneefloor and acid 7. George Benson/Lore Remembers - Warner Brothers 5. Incognito/Positivity - Talkin Loud jazz are very popular now among the youth. Depending on licensing IA Mouth Music/Ma-Di - Triple Earth our Munich hours may expand during the coming year." Pino Daniele/Che Din Ti Benediat - CGD DRS/Zurich Novella Massaro - producer National: 35 hrs. per week, Contemporary. new age. world music I. John Scofieldrit .. Blue Note "We were recently voted one of the top five music shows in Italy by 2. Joe Lovan0/1'116,,,ii l.wreuuec - Blue Note 3. Heiri KanzigtAwakcarrie - Bellaphon the readers of Noi magazine. We're the only show like it on a nation- 4. Ahmad Jamal/Livi In Paris '52 - Binlology al level in Italy. Our audience is enormous, loyal and very enthusias- 5. Joe Henderson/Sr. Near, far- Verve tic. We play a very eclectic blend. We're adding more acid jazz late- h. Bill FriselliHave A Little Faith - Elektra Nonesuch ly. We want our format to include the hippest. newest music." 7. Erskine/Danielsson/Taylor/Km Never Ktio, S. Joshua Redman/e'/sly - Shunter Cassandra %%ikon/Blue Light Dawn - Blue Note Jazz Scene/Oslo 10. Wergo I

I. Jan Garharekr/och. 1/ I 151 Peter Biirli - producer 2. Gonzalo Ruhalcahallor. Blue Note Regional, DRS'_ & DRS3 two hrs. per week: all styles Shirley Horn/Hew', /,, 1c, V'erve "I took over as producer in October. Our Stind:0.-1001 show features 4. Alan Holdsmorth 11o 'icon

i new recordings and live shows, focusing on accessible styles such as 5 The Real thing . , I. 0. jOe Henderson/So Sr ,r,, / rte pop and fusion. The Tuesday show is more adventurous. The majors: 7. The Brecker Brothers/Ken/rat 0 - CiRP make promotional calls more often than before. Due to reductions ill' X Mike Stern/Stark/archAtlantic next year's budget some serious changes may be afoot." v.Jason nelittio/K,,,,,,,e how Novas 111. Nelson Rangell// ram' Heat t (1RP France Musique/Paris David Fishel - producer Syndicated: hours vary according to market, I. Dee the Bridgewater/h., rm.; TraditionVene all styles except avant-garde 2 Man Broadhentil -1/ Recual - Concord 5, I "The show now airs on 38 stations in Norway. plus RadioMaxi- wit th,/,/,./a - st,,,t oletna. HU I I )1 11.1d Phut - NoUs The show will begin air- mum in Moscow. Perm, and Ekaterinburg. s. jun \re, plus ing next year in St. Petersburg. We feature only not, releases. o. Joe Hendersoil s.\r, r.1.. t . \ 'else interviews. The record companies appreciatelierepl.;11.I I Ahmad Jamat ( 'hr ,/e, It becomes ever more obvious that he -hop is here to stay.however X. Ahmad Jamul!! iv.. Ir Wynton Marsalis r 1c. dressed. Its simply the largest influence on contemporyjazz." Ill. Anthony Ortega

Claude Carriere, - producer Euro Jazz/Amsterdam National. two hrs. a %Neck: all sly les 111, ;reeni I11,11', Rrtzlit Ithie Note "There scents to he a younger :ludicnee tor jazz lately, but both Still. 2. Horace iot 10 I4hulk, CO1111111110 dubs turd record companies are silltering from the recession. I Joey DeErancesco// sta. .4/ The S Spat - ('ilunihia there are so many albums Is -leased in the erec,ell Joe Henderson/So Near. So Far- Verve 1 stores. Despnes cuts het,' .Ind there l'elarc the st;uion is very faithful Ahmad Janiad/Chicaeo Retry/red 11 jazz programmes." 1,OM t,I et. Itiitaiouraishound (

MUSIC & MEDIA DECEMBER 111093

AmericanRadioHistory.Com PolyGram Jazz:A CoordinatedCompany by Terry 13v, Illt.iii.il nit .,1now ;WI'Mid IltW W1111111 the Claarfaity. Act' micas include Randy Vestion. Betty Carter, Joe Henderson,Kenny Bar- ear and a 11,111 ron, Abbe) I dumb'. Shirk.) I horn. The Harper Bros. tII:Ite,helnalf,ttizilYz benarcv. ,VIII1, Ili' old Mercury Records catalogue. RecentIV.C;ISCti \ Icing o\ealut Olt:11001 Sian 1;c1i.. dr, for a contlt;int That .Inns, rvirr and SeresihMinor,. Kenny uul C'111"g"" omitI don n Iabilt liarron's Jazz diMVPieti Ilelen /?/,,s con (//..Atury plus inanv reissues. lilt -01010M l'1'1111,1 mrs t,ciinau Lion. OriginalIV only the1,S and Loan had Ina, list'butisith catalogue.Inc Pass, Oscar our lull dos isious, hut both Peterson ,, and pressure Irons pioduct inatiageis made it EVIT (Jazz NInsic Today ,iiiits wen IlVt'tiCti iu 01110r German label whose production company teiritolies as mollIn minks evchisi mith its omit department. and KK Japan. Releases approsiii,.,h 1(1 1,1/z dnsittus begot' ahoot per seat Repertoire owned by PolyGram. Recent release . 11,, Iwl iertitory under the direction ofsentoi piodtivi manage' 111,, IRout Gary Thomas, and ,ially, the international coortImatiou Flashback (hi M -Basewith Steve ..icalcd Coleman, l iissandra Wilson and Greg Oshy. .01 Moil, Polytiram's Austrian 'ai ;11110 Limelight: ler lirector lot mit. mainstream jazz area. as well as American label Music Masters 111.11,1 rd. \nests include Freddie Hubbard, Stanley IIt,Intl thitt.i: we decided to do," says Mullet. 'm anude out Turrentine, Berm in-ter...him I hill. CHOI\ oil the 1114001 label \salmi thegroup." \ III Amadei): \11-.111dulapel deli, eeletnate lit!Stith Near in 1044. "Our °diet labels to Austrian acts. Founded under now Ittitetton undo the Muller's lentil,.it ,Iy(lritin Aiisiria. Vienna Art Orchestra. Wolfgang cite umbrella. It has the largest catalogue, the longest tiadition.and the Muthspiel. suitingest image. It will act as the flagship of 1. ;loin .1a/i." Forecast: I u,wn, pzz hip hop. Art Porter, ,leff Lorber, Incognito. "The second thing we've done is iestruclore "Ill" the Verve World: Brazilian, Argentinian, folk -oriented improvised music. company's international set-up. Weis ill he \sucking In nil 'hive principal Maria Bethania, Calcium) Veins*. repertoire centers.. the US. Japan andbionic for Ftiropc ul )2encral, London MoJazz: pop oriented soul jazz from Motown's jazz division. New will serve as the headquarters where \\ ill coordinate international niar- issues from Eric Reed and Wayne Johnson. ketirtg campaigns when they apply,laz/ festivals on a worlds\ tilelevel, A&M: Jazz re -issues of Horizon and C'I'l productions. George Ben- tours. releases etc." son, Wes Montgomery, Stanley Turrentine, Fredddie Hubbard. In every market there will he at least one person working 1,10:1//. often Sonet: re -issues from the famed Swedish label Sonet will begin next Wolf Muller within the already existing classical divisions. In principle. all territories year. Stan Getz, Art Farmer, Chet Baker, among a host of others. must first offer any new artist to a repertoire center for possible internation- This represents a huge amount of material to market, but Muller iscon- al signing. If interest is not aroused, the label then has the freedom to sign fident that the market remains largely untapped. "We're not even talking yet the artist at a local level. about broadening the market," he says, "but servicing an existing market The PolyGram Jazz group consists primarily of labels that have histori- much better than we did before. Before we just released jazz albums, now cally belonged to the company or its affiliates. Others. like the small hut we really market them, and that has made a great difference." Particular ter- higttegig 41/40:b1 catalogue, came with the recent purchase of that compa- ritories create their own initiatives, such as a magazine aimed at retailers in ny. Emiliikins Muller. "For many years jazz at PolyGram lay dormant. The Germany, or an information phone number for retailers in Norway. advent, eiteDs alerted the company to the riches in their vaults, and toward I he iiist 20 titles have appeared in the new mid -price artist oriented the end of the '80s they began once again signing acts to Verve and buildingcompilation series Verve Jazz Masters, following in the footsteps of the ep,arravides in France and Japan," What follows is a rundown of PolyGram hugely succesful Compact Jazz line which has sold over six million units worldwide. And there will be an huge promotional campaign surrounding Verve: One of the oldest and most prestigious of jazz labels, with an Verve's 50th year, including merchandising, a hook, a re -mastering and re- extensive sod historically important catalogue. Broad re -issue programme. issue programme. and a special celebration at the Montreux Jazz Festival. NEW RELEASES from Lipstick & Jazzline:

After "Ten Songs" guitaristLeni Sternis finally The new Jazz -Singer: hack with her new album on Lipstick - "LikeOne" NORA YORK with the instrumental version of "Every Breath You Vocal jazz w/ strong Take" and her own funky tunes. Recorded with her cross -over potential lie-band from the 93 tour featuring Dennis Chambers. Alain Caron & Bob Malach as well as guests like Didier TO DREAM THE WORLD Lockwood & Russ Ferrante (JL 11135-2)

Coining Jan 15,1994: (Live -Tour Feb/March) GRAFITTI w/ D.Chambers GOOD GROOVE (LIP 89018-2) The title tells the story

Coming Iic on tour in spring..: Leni Stern - LIKEONE Kai I ia id tincl. TV -shows in GER), CarolaGrey , Grafitti, (I IV 89018 1.ent Stern. Tim Weston 11t' Merck Music(:nibll Str19 1 Distribution & local promotion: (ESP). KOMI ,(10111.111 Al) 1..111 Jaz/ (S), Crisis (B/N1...). EFA(GER). 09421), 4)11 HI/ 1" (N), New Note it KI. ; I.R.D. (IT), Musikkdistribusjion 1494210546 Night & Day (F). Union Vertrieb(AU) 0112)63940)1

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AmericanRadioHistory.Com .5 h. Ahmed JIMIRIIChicago ReVithed - TOM 7. Mario Bauza/A/ e Tune Is Now - Messidor Jazztime NUrnberg/Nuremberg R. Steve Coleman/limp Rick - Novo, 9. John AbercrombieForrewel/ - Musidisc 10. Joe Henderson/So Near. So Far - Verve I Rand) '.5 estonil /i5 \

51 alter Sehaetzlein- producer Swedish National Radio/Stockholm lino hrs. per week: all styles Lars-Goran Ulander - producer I he programme is a pan of 'Jazz Studi,, Nurnberg' whichturns all Various weekly programmes in April. We produce a totally non-commeieial festival each Nla. "Jazz hasin some sense again become youth \Ve programme all kinds of jazz front New ( (cleans10 avant-garde. music. The CD revolution has opened up a trea- Wc publish a magazine and sponsor club datesas well." sure house of jazz music. There isdefinitely potential for growth, though of course there will Wear FM/Sunderland never he anything like a real commercial market. Jazz is also becoming important in education, and I IklIt'l Petnweiani/Pnoneniale With Pule 131oe Mae that is a challenge that radio can take up. In the spring we will start a & MOrts,Pidelbo Kati,, - Justice 2monthly show dedicated to free improvised music on record." John Sunuan/fOos, Project - ECM %Mullah Ibrahim/No tear. No Pie - Enja I Itimphrey Lyttellon/Heor Ate Talking - Calligraph Radio Gong/Nuremberg IA, Futures:thee In Concen - No, us mein Bauza/Als I.v Non- - Mr,siaar I. Georgie Fame/Coo/ Cat Blue,Go Jan thin Pullen/Ode To Idle - Blue Note 2. Buck Clayton/The Complete CBS Jam Sessions - Mosaic ''Albert KinWilhie5 Don't Change - Ate 3. Barbara Denerlein/Thais Me - Enja Iii Carla Bley/Steve Swallow/Go Together - Wan 4. Count Basie/En concert deer Europe I - Trema 5. Thilo Berg Big Band/Footing - Mons Records Alan Twelftree - producer 5. Harry Connick Jr/Blite Light. Red Light - Columbia Regional, two hrs. per week, All styles 7. Natalie CnIe/Unforgettable - Elektra 8. Erwin Inhn/40Johre Jazz Inlercord "In order to attract a wider audience I've recently expanded the 9. Stan Kenton//n Hi-Fi - Capitol show's format from purely jazz to about 70% jazz, 30% other styles 10. Rita Reys/Swing rk Sweet - Blue Note such as world music. but nothing too demanding. I've even added a little comedy. The format includes everything from early jazz to new Bob Borrink - producer releases." Local, two hrs. per week; traditional, vocal "Young people have certainly discovered jazz.I try to emphasise Radio Neptune/Brest European musicians because that music has so few outlets. There are enough programmes playing the same round of classics. The audi- Di/dy enure work ence is always surprised to discover a great jazz artist right in their I ommy Flanagan/Eclypso - Enja own backyard. I keep things very up -tempo with lots of rapartee." I twhiko SkiyashilCarriegk Hall - Columbia Django Reinhardt/Oianctdogy - EMI lidos :Merrill/RhIS SI1111 Sum, - EmAre) JAZZ REVIEWS

Jorge Pardo be expected from an ensemble of such calibre. The arrangements Veloz Hacia Su Sino - Nuevos Medios seem designed not only to please but to challenge, and one after another soloists like Arturo Sandoval, Randy Brecker, Gary Bur- w .- , il When jazz moved upriver from New Orleans it ton, Tom Scott and John Patitueci rise to meet it head on. Clar- began a journey toward a series of encounters inetist Eddie Daniels and drummer Dave Weckl are especially with other musicalstyles and traditionsalso notable, the former for his lyric skill. This is big band as tightly searching for renewal. That jazz has constantly wrought unit: but also as wild individualism. Contact Frank Hen- found ways to renew itself while remaining true to dricks at tel: (+441 71.287 2345; fax: 71.734 2902. its expressive rootsit owes precisely to these encounters. This CD is further proof of that. Span- Joe McBride isn t Ian ienco music is in a moment of such expansion. and flute/sax- Grace -101 South

- ' Pardo glad the group of musicians and singers who accom- tave managed an exchange of grace and emotion. Songs A varied CD from Texas pianist and singer McBride that features a lirMas. where Charles Benevent's voice -likebass seems to fine cover of the soul hit Sunny that is picking up airplay in several Aver the questing soprano of Pardo. or the rhythmic Que No territories. Clay & horsy is a straight -ahead tune that allows Texas iero Dinere, are fusions in the best sense of the word-finding tenors James Clay and Marche) lvery to trade choruses while gui- authenticity in the elevation of tradition not in its repetition. tarist Henry Johnson lays down some dazzling lines. The title track Contact Mario Pacheco at [el:1+3411.435 508: fax: 575.2188. is a poised and deftly played ballad, while Get On The Right Track is an urgent and rollicking a -cappella appeal for sanity aided by the Kevin Mahogany unmistakable tenor of Stanley Turrentine. With his move to a Hammond B3 on the finalcutitis obvious thatver.atilityis Double Rainbow - Enja McBride's strong suit and limitations. something he avoids. to our _I Frit toe feel. a ballad penned by Buddy Johnson as sung by great pleasure. Contact Michael Jacoby at tel: 1+49) 221.751 1143: on his debut recording, enters that select group of song fax: 221.251 084. clinlics," and exemplifies what makes this album such a `Lae Johnny Hartman, there is an intimacy and subtle Shirley Horn linging which IS one moment cone ii, Light Out Of Darkness -Verve .tyricaL He is by aims austere. plc.idin, pi:1)1111 utterly convincing. Kenny Barron's srmiuvr !milltitlet1.1 Tribute To Ray CharleA. this is a cool. a articulation and understatement. The is,, SI, uccv collection from Horn that in its spare set-

selection of songs by a veritable painheoli ' rigs ;old quiet passion ;nne is a soullultics5 1=14 and intelligence that call toilylie sophistication that is bothdown-home and Contiwt Matthias Winckelmann ;ittcl uptown. II a melancholy mood prevails its notor want of swing, :Ind a gospel feel to the rap- port between the singer and Gary Bartz whose alto horn plays the role of response to her call. Bye Bye /,,reis GRP All Sky 6'Band returned in this way to its origins. Her treatment of Georesa t hi My Live G Mind is another example of how simplicity and forthrightness lead the bands Initial Audio outing, this straighttotheheart.ContactCers Schram attel:t+311 I. 1 lig-the energy and invention to 2154,19911; fax: 2154.2200.

MUSIC & MEDIA in e Fmk;

AmericanRadioHistory.Com ClassicalBreaking Through GenreBorder

If 1990 crossover materialin the usual sense, its historical and was the year of "the three tenors," Jose Carreras, Luciano artistic implications are sureto attract interest beyond Pavarotti and Placid°Domingo, then 1993 can be seen as the year of the purely musical.And the unusual promotionalcan,. Henryk Gorecki. The Polishcomposer whose "Third Symphony," released paig' n was aimed at,and very definitely drew by Nonesuch in early1992, saw its phenomenal UK success (over 250.000 wider audience thannormal. Press conferences' copies to date) consecrated worldwide. The sombre, redemptive work Paris, Vienna, Berlin,Frankfurt and Madrid, extensiven signals a new benchmark foran industry that is still grappling with the press material, not tomention the huge initial invest. ments for researchand reconstruction of manuscripts, prospects-and problems-raised by such anomalous triumphs. are modelsof how a major project can he supported and the attention they can garner. The project grew out of discoveries made while nonce in that urea. Besides Gorecki, both the Kiri Te planning extensive recordings of Kurt Weill with a by Terry Berne Kanawa/Michel Legrand album Magic as well Decca artist who canbe considered a model of crossover success: UteLemper, whose interpreta- as Sensual ClassicVol. I surpassed the 100.000 such albums as Illu- Optimists spoke of a "breakthrough" following the mark."Ithink what reallysells albums," Letchford tions of Weill, Piaf and others on sions and her two Weill discs has multi -million unit sales of Decca's In Concert tenor asserts, "is not the paid advertise- summit, and of Nigel Kennedy's Four Seasons hit ments, which of course position made her a star. Another Decco broad on EMI that same year Realists were more cautious the product and define its image, artistwho has appeal, remaining strictly within d but fewer in number. It's still an open question whose but daily press coverage of your o vision was better adapted to reality, but one thing is artist or project. A lot of promo- classicalframework,isCecilia for sure: everyone in their own way has been trying to tioniscentred on gettingsuch Bartoli, who seems to be the repeat the success ever since. The search for magic coverage, and once that starts the classical artist of the moment, her formulas, or just for magic, has led to a revitalisation world is at your doorstep." name appearing repeatedly on of sorts within the classical music world, and the Teldec international marketing classicalchartseverywhere as advent of a new generation of consumers, as well as director Franz Christian well as in the non -specialist composers and interpreters, have been the primary Wulff concurs, but stressesthe media. Decca International head beneficiaries. specialeffort theartist must be of marketing Didier de Cottig- This activity-the search for ways to win a broader prepared to make. "Projects like nies is firm in his conviction that audience for a traditionally marginal, though highly these are expensive to produce as hisfidelityto a purely classical respected genre-has inspired a variety of original well as support. You can't simply repertoire disqualifies her from the projects and marketing strategies, collectively known smuggle items like these into the crossover fold."It will be a long bytheinadequate and much argued -overterm marketplace." He also points out time before we do such a project "crossover." While no one agrees that the nature of the marketing with her.Itis unnecessary. She is able to attract a large following by the force of her personality and onjust what the term denotes, KRENEK Jenny pistICauf approach may define something mostagreethathighersales as crossover wheninfactthe voice." should be its result. actual music or interpretation are Decca does have more strictly crossover albums, The success of Henryk not crossover at all. such as Kiri Te Kanawa's On Broadway. But De Cot- Gorecki's symphony does little to Teldec has just released Iwo tigniesinsists on the distinction between crossover resolvethesubtlemysteriesof albums which meet ideal "status" and true crossover. "Even Luciano mass appeal, and in fact tends to crossover criterion:well -respect- Pavarotti has hardly done any real crossover," he complicate the matter. Not even its edartistsperformingpopular notes. "He generally sticks to a tenor's normal reper- most ardent supporters could have material. Jose Carreras' trib- toire, which does include some forms of non -operatic imogined its eventual climb up the uteto Mario Lanza willbe songs." British pop charts. Even given the supported by concerts in several De Cottignies points out that itis not just the com- company's promotional creativity territories, including London and panies that want to find ways of reaching a broader and the efforts of Classic FM on Berlin.Symphonic Baleristhe audience. Often itis the composers themselves. The its behalf-widely credited with the third in a series of Ettore Strat- recently resuscitated Argo label has embarked on a symphony's steady conquest of the tarecordings,followingupon series of contemporary composers who are also pop- UK market-still unresolved is the last year's Symphonic Tango suc- ulists,such as Michael Nyman and American question of just who bought the cess. Michael Torke. album-a public beyond the usual Legrandplays anoriginal Another contemporary showcase, Point Music, confines of classical music buyers? selection of piano works by Erik collaboration with Philips Classics, is enjoying con- Or simply an unusually large num- Satie on his most recent record- siderable success with Philip Glass' Low Symphony, berof habitualclassicalcus- ing from Erato. AndJulia a work based on the famous David Bowie album. torners2 Megenes, whose recording of "Glass is very involved in promoting the work," says The same questionscanbe Bizet's Carmen remains Erato's StefCollignon, A&R representativeofPhilips. posed about other recent classical best-selling album to date, joins "There's a video clip of David and Philip discussing successes, such as the sound track with Lalo Schifrin in a sumptu- the piece which was aired on MTV Europe. So, the French film "Taus Les Matins ous reading of Viennese songs. we've managed to penetrate that particular fortress of *Jonas* or9inally released on Nonesuch continues to record pop music." /Valois, which broke all Gorecki,thistime hisfirst two Also, an expanded version of the Gavin Bryars' Sales records for baroque record stringquartets,played bythe composition Jesus' Blood Never Failed Me Yet, origi- in France and other ternto boundary breaking Kronos nally released on Brian Eno's Obscure label, with While aggressive marketing Quartet. Also from Nonesuch the participationof Tom Waits, hasincredibly promotion obviously play an comes the soundtrack to the just entered the UK singles chart at number 17 and was -important role in the unusual sales premiered film of the "Nutcrack- nominated for a Mercury award. Both Point Music gales of these projects, they are not the whole story. er," whichadvance reviews tout releases have received airplay on The most obvious lessonisthat a special musical as exquisite. Classic FM. As well, Philips CIns- able to enchant a wide variety of people is One of the most interesting and tics continues its association with to manufacture. Or predict important enterprises undertaken John Mauceri and the Holly- sing the possibility of that kind of success is by a classical label in recent years wood Bown Orchestra With attesaver is all about"I take crossover to mean isgaining widespread attention The Great Waltz, provocative an fileuen that virtue of either the music or the artist from general non -specialist media. selection of classic Viennese sells 00 a muchwider audience than usual," says Itis a series of recordings inaugu- waltzes and their20th century :11111100e Clanks GM international marketing gen- rated in April by the release of Hollywood film counterparts. Michael Latchford "Ithappens two verydifferent operas,both As perhaps could be expected, sosiolisso a product that has its ownparticular composed by Viennese during the PolyGram Classic's other creollellity will suddenly achieve something remark period between the wars. Called major label, Deutsche Grant' lisere'e a momentum once you get beyond a "Entartete Musik," the series plans mophon, stays above thefrog torecover and document music preferring, according to seniorV cieritilrithrellsokl that is almost self-perpetuating," ,111 It Lila thresholdisthekey. suppressed for either ideological Aman Pedersen, torely on Of mune reaching that A111.1,N11,s 11111.1tIN fei as well (1S Teldec,and orracialreasonsbythethird artistsandre ertoiretobreak , Warner, which owns(rota to markets Nonesuch iii Europe, hashod recent expo reich. Though this is hardly through, and have no plans

MUSIC & MEDIA DECEMBER 1I 1993

AmericanRadioHistory.Com court wider audiences through specifically designed projects. As to whether their also responsible for 1990s epoch defining triple tenor successful American experiment. the mid -price line-up. MaciAbout... line would appear on this side of the Atlantic, the Christmas In Viennawas recorded and filmed last company had year, and is a mix of classical and holiday songs. The concluded after casualtesting that it would fer well to Europe. As if not trans- first of two Dradi/Sony projects, the concert will be to proverove in a timely way the wisdom of theirconservatism rebroadcast on or before Christmas in several territo- ter's just released Carmen pehntieeredtheGermanMut- ries. The second concert will take place December 21, r:Intansnieahas pop charts at number 71. and will feature the ubiquitous Domingo, plus Rug- Simon Foster, director giero Raimondi and Dionne Warwick. This of classical and jazz for BMG Classics UK, ma,k,esafurther second concert will be released next fall. The concerts distinction in the crossover controversy may become a tradition if success meets expectation. trendhere I would say is for accessible classical Another Wynton Marsalis album On The 20th music,mirh as.opposed to the type of crossover which pairs Century with pianist Judith Lynn Stillman has or melds pop and clas- established itself on the classical charts. Marsalis is sical music. That's goingphenomenon somewhat. out of style here." representativeof a growing interest by jazz musi- Id seem to confirm that cians in classical repertoire, though this interest has viewpoint-still serious and part of the tradition but always existed between the two genres. Names like melodic, accessible and relevanttotiz4itatcotirlitemporary Keith Jarrett, Andre Previn, Michel Legrand, sensibility. He continues, 'w younger and even Art Tatum come to mind, as well as the generation is picking up on thecore classicalreper- recent Sony pairing of vocalist Bobby McFerrin toire-Beethoven.Schubert, Bach, Brahms nde and cellist Yo -Yo Ma on the highly successful Hush try to bring on younger artists in thatarea to attract album. them. But the greatest region ofexpansionisthe "For me crossover is really a bridge between two music of today, which is somethingwe never would distinct musical genres,likeclassical and pop or have said 10 years ago. Then, modern musicwas musical theatre," declares EMI Classics France associated with dry. difficult, academic abstraction. director Alain Lanceron. He sees more and more All that has changed now." need for the potential sales projects such as these can To reflect that change BMG has launched its own generate. "The market is very tough, and we need contemporary composers label, Catalyst. dedicated these sales to support other projects, such as opera, to both the innovative and the accessible. Among the which is becoming more and more costly to record. five inaugural releases is a UK originated recording So-called crossover activity is one solution." In less ofnewworksbyScottish composer James than a month, in collaboration with ACE net RTL, a MacMillan, including Veni Veni Emmanuel, a con- TV -advertisedcompilationofsoprano Barbara certowrittenforpercussionist Evelyn Glennie. Hendricks sold 60.000 units. In the future wants to With a release schedule of a dozen titles per year, the record her singing Duke Ellington compositions label is a major venture into the unknown. like she did at the Montreux Jazz Festival. The addition of this label to the At EMI Classics UK, while the BMG Classics family is also part world awaits the delayed release of a trend among major compa- of the new Nigel Kennedy, now nies to rationalise their structures slated for February, the company and repertoire. As their promo- tries to duplicate its success with tional material for Catalyst indi- the Maria Callas compilation cates inconjunctionwiththe La Divina with a second volume of RCA labels and Deutsch Her- archival material. Kiri Te Kanawa monia Mundi, BMG now cov- Sings Kern can also be qualified ers western classical music from as ahitforthe company. But its prehistory to its future. interesting from a purely market- Other projectsat BMG that ing angle are three collaborations that EMI has done with Classic con beconsideredaimedat ample audiences ore the original t lid FM, the most recent being The Broadway cast album of the Pete Sound of Classic Romance which

A I. has so far sold 30.000 units. All Townsend rock opera TRIBUTE TOMARIO "Tommy", which travelsto Lon- UK companies coincide on the don in the spring; James Gal- importance that Classic FM hos way's Masterpieces, another UK assumed forthe home market. (M&M willpublishaspecial product which sold 85.000 Barbara Hendricks copies worldwide; and the Alan f rot% du riel reportonClassic FMin an upcoming issue). Parsons produced Symphonic Asserts EMI UK classical mar- Music Of Yes featuring the origi- keting manager Patrick Wil- nalgroupwiththeLondon Orchestra, son, "It's my view that the future Philharmonic of crossover projects is particular- supported by late fall tour dates is driven commer- reis- ly strong, as it innorthern Europe. Being cially both by artists, and by the thepopular David suedare extensionofavailablemedia. Palmer orchestrated Symphonic Also, we are coming to under- Tull and Symphonic Genesis. stand better what motivates the "What is crossover?" asks of 'amateur' classical consumer." BrionStewart,director "The normal full price classical communications at marketing fieldis under a lot of pressure," Sony Classics"Isit the reper- it the spirit in which the musicis made? claims Koch International UK MD Klemens toire? Or is Kundratitz, "so itis really concepts which come to The personality itself of theright performer can help much bigger audi- the forefront of our releases more and more. The make the music accessible to a future doesn't lie in re-recording the core repertoire, ence. Whenartistslike Wynton Marsalis and their Baroque Duets their though we will certainly continue to strengthen those Kathleen Battle perform areas." Two concept projects, one proven.the other projectthejoywithwhichthey veryattitudes that's the real key to to be tried, are the AndrewLloyd Weber Essen- approach the music Maybe tials discs, the first volume of which sold some 55.000 copies worldwide, and a two -CDtribute to John crossover." of the principal compo- If charisma is indeed one Cage titled A Chance Operation,due for release then the more charisma you can asdiverseas Frank nents of cross over, the philos- December 1, withartists pock onto a singledisc the better, may he Zappe, Laurie Anderson,Yoko Ono, David three tenors phenomenon,and also ophy behind the The Kronos Quartet and Ryuichi L. Tudor behind Sony's majorfall release: Placido Domin- Sakamoto, among awealthofothers,which .!- and none other than Diana Jose Carreras, should yainer an eclectic audience aswell as many . go, to be released onsix formats Ross, live in Vienna, accolades. and MiniDiscItis no coincidence including loser disc Mario Dradi, that the figurebehind this event is -

13 DECEMBER 1I, 199:4 SIC & MEDIA

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AmericanRadioHistory.Com A&R Managers Look For The DifferenceThey Can Add

genic.' That can be different on individual markets. You Holland's contribution topop history is have to adapt your product to the market you're aimingat. (3 L / a handful qf incidental '70s hits by Special remixes can do the trick." Shocking Blue, Golden Earring, George 0 L tA ND Baker Selection and Focus. The '80s Big International Names were snore like a black spot, but the '90s Polydor's Tekstra responds, "It's the same for all small Lt N D countries; you have to offer more quality. In the right pro- see more and more Dutch acts getting duction you can get that little bit extra needed." Message releases abroad. Urban dance Squad understood, you can conclude after having heard the and Candy Duller inspired their fellow Polydor eye catchers, soulful pop band Lola Lane and 11-1tNDND countrymenBettieServeert and the symphonic rocker Robby Valentine. who got intema- LtAND Cords, who got US deals. The guild of Lj ND Dutch A&R managers is preparing more product, ready for crossborder exploita- 0 LL ND tion. But first things first, and that is still `AND the home market.

tional recognition bylkilibert Tit - fromtheiridols. Prince and Queen's he Dutch would like to see 2 Unlimited as theirs, but apart Brian May respec- from the two front persons. the techno chartbuster is Belgian tively.LotsLane from origin. If it comes to the international "emancipation" has already been of Dutch acts, BMG Holland A&R manager Jan Van taken on an interna- Magatee has been trendsetting. With Urban Dance Squad tional concert tour trod longer with BMG) and Candy Dulfer, the road to transatlantic acceptance by their main man of Dutch product was paved. (who also wrote According to the expert, for some acts you have to take hlRibility of and produced a universal appeal seriously into account day one. Says Va gstee. "The coupof songs on thing is that you has e to close a on't be too di us for both their cious parties. in case you don't succ Iso, yo to lobby wit BMG all -11 - albu while Beatcream isles, because you won't get ational re by just m CDs. It's a Va willget matter of building up good re ips. rt slot in May's upcoming Euro tour. "Before It ally happens. 's a lot o ng betw e- a certain extent, BMG's V.Dingstee agrees with his colleague. "No ment and u artist should fitted ut a lot of time in the project, r how m ch hype there is, a band has worked with internationally and shout to accept remt anged sequencing of the songs or ren 'clans, the only argumentation to get international releas- oily!Allartwo es is the lity of the p II never get deal on mediocrity. Hype and big Adapts moment and a stron utatio is broad roster utch age r, the US sleeve of her second album Sax -A -Go -Go singer Frank Boeijen to rmeurs singi i ch. male punk 4i111 nt Candy than on the regular European packaging. The rockers Las Chicas Del Rock Shine. the ne tal Howe MOON. sexy a matured woman on the American photo. Continues Van mainstay Richard Janssen. Dm.2,tee. " r market. a different perception of the artist. The Americans Holland is definitely too small for Bolton ollan brothers Ro portray her as a 'credible artist.' Our sleeve didn't fit their ideas. Used and Ferdy-the masterminds behind Rock Me Am delis. 986 global hi ti. radio, the single Ton Funky follows a path very dissimilar to by Falco. Remarks co-owner Rob Bolland. "With an Ausiri rapping in Ge man, you couldn't get it more 'Euro' than that. Since then we know that we can Eu, ! at urban, and from there it will work its way up to top 40 rad I, here it has to start on EHR right away." conquer the world with a Euro sound, so that's what we're specialised at. Nuhdor Holland has recently put a musician-Jan Tekstra-in the A&R torically seen, the world has always been our market. Holla was always th position. His MC production job on the current B.B. Queen album Rhythm last to give in. We've seen that happen wit o, and recently wit Religion date m his pre-Polydor days, but now that he is on the job. he is Goddess. She was in the Billboard Hot 100 Si es for eeks with th still in c R for the album. He explains. "They always say B.B. single Sexual, while at home not happened."

nd of R&B Queen appeal. but the album in its present identity is not Euro dance is Bolland's ndise. "A !thou exploitation. We were looking for new opportuni- we can never match t.Ame We're always pie fit wi On My Own. After the right remix that could be a our concept of po da context like To p an affee Club. single here could give it a Robin S touch, so we hired two Normally my brother an songs. but so es r own material,like Amens ns Dennis P. MiteIIof Whitney Houston -fame] and the emselves de who t.the most rocky r stable. With Ahmex Ton) Shi Shop PMtibo s managed to get it done hands Lions like these. In the I or ite together." down Y. NI I increase your s by ad elsewhere it would have been cause eac et w to more their nal Dutch Sound Put *wpm a produc ea manage ry Leasing. Holland, tomorrow the world? After a round -up what moves A by Sophia. R managers, one can conclude that not every - 1100onintodates uct, spearhe this mission. Those who have, however, are driv- all types of m g as you know t rket. If you al, it's up to yourself to make th uct 'photo- ,riginalitylike EMI Holland A&R manager Michael Petersen. "Most of what we get offered is copied frontforeignartists.You'll always lose that battle in the record shop, so we don't want such artists. The nosy popular jazzdancewave drew my attentionata recenttripto New York. I thought. we have a very rich jazz tradition with one of the biggest indoor festi- vals I"North Sea Jazz"] in the world, hut we hardly do any -

(continues on page 19)

I r, h.',

MUSIC & MEDIA I

AmericanRadioHistory.Com HOLLAND'SRADIO_ SITUATION: PublicsRegroupFor NewCommercial Radio Swim Along OrSink much knight I,Vcr rcorgankati,, Last October of 1992, De Jung's of public system was put into place,and broadcasters were ordered to eiiper,, Holland is ,first becoming a with each other and to beginhorizontal programming. One year later, the ett,,n generally considered a success story. Radio level playing field onthe is getting mixed reviews, but is 3, 4 and 5-all of which give themselvesgood marks for having introdue. radio scene. After some 40 less held their own market share horizontal programming-have more or andd 0,0 Ns' years of dominance by public in the case of Radio 1, have even gained. broadcasters, commercial Only MOR Radio 2, which had failed tobring about horizontal program k1 radio is opening up as never ming, lost substantially-more than 50%market share froma year earlier. Di:, "vi horizontally and you become more hr before.Next month, lion - message appears to be clear: broadcast teller friendly. luny!, permanent terrestrial Radio 2 is painfully aware of its imageproblem, and its shoncominv frequencies are expected to be which have cost the publics nearly 10% market share.Says Radio 2 coordini awarded to the private sector for Gerard ()oak, "It's a small problem. Wetried to work with the nine ht.,,, make Radio 2 look for the first time in history. casters on Radio 2 to reach an ideal, and that was to lit, onestation. But there are too many different ideas about what should he doll:, We couldn't reach that ideal, and in the spring of this year, we began to Two again in efforts to come to some agreements." The station's management nevr really accepted De Jong's mandate to ro,1 by Marlene Edmunds ganise.Throughout the system, the reorganisation has resulted in severe col. hacks of personnel. with more than a fifth of the work force expected to lose MEome seven commercial channels in Holland, buoyed by increasingly more their positions. favourable regulations. are now walking away with up to 25% of the total mar- Willem van Beusekom, director of NOS radio, gives the restructure a g ket share, a figure unheard of just five years ago in this tightly regulated coun- report card and says the problems with Radio 2 will be solved. Says V. try. That number could double when tw of regional FM terrestrial Beusekom, "The market share of Radio 2 dropped because of the reorganis frequencies, and at least one AM, are give to the commercial sector in lion and horizontal programming of Radio 3. We've been rather successful f January. Radio I, 3, 4 and 5, but haven't found the right programming formula for The two F being fought tooth and nail. Each Radio 2 yet. We're now trying to find exactly where the weak points are." approximate anal terrest ation. and media analy Aside from Radio 2, in fact, the news is good. News talk Radio I coordina- diet whoeve ce could e ally giv utch mark. er tor Pieter van Tellingen gives the restructure high marks, reporting his station pop channel money. is suffering no identity crisis. To the contrary. Says Van Tellingen. "Before there were nine .arate clubs operating on Radio 1, and the primary loyalty of Preparin the reporter with their own broadcasters. Now there is one club, and In the meantime, t er a year of chaotic top -to -bottom restructuring, reporters concerned with making quality product. And that's a good five public radio channels are regrouping for what is expected to be a thing Tellingen. "P listen to Radio Ihear the news. not to for market share next year. Radio 1 through 5 have scored up- roa NCRV or KRO aga 'n -again. hut generally miserable, ratings over the past year, dipping for first time in history below the 50% mark, considered the "touchstone" The C. versial F Cy ughout Europe for viability on the part of the public stations to justify tax- RadioIha en the centr controversy ayer funding. debates in parliament regardi the a of Dutch fre Up until December of 1991. when Hol- ister D'Ancona gave it H 's only ining national land's media law was changed to comply quency. Public stations complained it wa asted on Radi with EC regulations. the public system been given to a commercial private with a usic format enjoyed a virtual monopoly on broadcast- Van Tellingen defends his station's decision. "We wanted ing. Competition, when it existed, was an .,\M and FM, but the minister told us wad to choose internal affair between some 30 broadcast- 70% of the people listen to F and on 0% to AM, w ers who were hacked by political and spe- rally, we want both," he s ial interest groups. Nine "A" pubcasters D'Ancona plans to give dio quency to itionally cornered most of the air time, lions trigge, bjections by embers wh and nsmitted what they wanted within liappen h peopletravel elgirand the c rder

't I time slots. Dutch media law Gerard Oonk Pieter van Tellingen and in ot be able toh. ne That is peeled to be foode private stations from own - de d e end of the y currently atrl.east one other AM fre- terrestrial frequency. quenc rabs to the pri commercial The result wa using patchwork of programming, with eva Fears, teantime, that the publics could be buried by a commercial music rubbin s and avant garde time slots on the 'tation. avalanche ap to be premature. One of the strongest contenders for the new

Listeners, w er knew t they wer ' '' ' cgan to re early FM bundles is dio 10, whose healthiest station Radio lit Gold is eating up as 1988, w y Radio beams commercii ma - market share like Pat:man. Predictions are if it goes terrestrial with a national',1 lives from o market sh um the pslies. reach, it could double iu current 10% market share within months. The pass edia Law I struck down (he pu NOS head of audieme research Wim Bekkers predicted earlier this year: - monopoly on envies. and e first time in Dutch h !hat Radio 10 Gold could spell trouble tor Radio 3.btu even Radio 10; allowed private co vial channels to o on Dutch soil.It ha en spokesperson Mare Out rolls that a hit exat(geiated. Say, (ha, "I doti't see J, several years, however, for the governme re ma how to actually put Ratio lo ( a, being major threat to Radio 3." available and relatively scarce frequencies on the open market. In May of While IIis 1,00 L',11-1 \to the public ss steliCs restructure, the ministry t)1':. 1992. Dutch minister of culture Hedy D'Ancona awarded temporary licences culture is iciiinicdly nut unhappy with the results of the reOrgankalit,11. Said which allowed private commercial stations Radio 10, Sky Radio and RT1, one "Including the regional stations. the public broadcasters still kr. now called Happy R11,, to broadcast on regional terrestrial Irequen- have a b.,' het shale," tat abase the 50'. liqk Work. mask. NOS's Van licii,okom is also optimistic tes. Those licences arc due to expire in January whenthe new permanent "It's ;Ilk\\ 111011. foran nces are awarded. organisation sloth much more regulation gams:mons which D'Ancona has presented what the pitheasters hake characterised as ciiiit.its- don't have an \There is no reason to think that siccompete, but wedo lit19'11, she has e a public mission to lullil also, I'm sure (hal and often ambiguous...bi policy user the last couple of years. 11 \Se are doing ii sell, we reStructure guru Max de Jong in serve as chairmanof the public Inoad- will he able to hold our market shale in sot,. d sloth shy re;gionul

executive board NOS, with a mandate to change the system flip iu bui- public stations, that puts total 111;11kt:I shalt' '11)1'l\ls::::11111161111;,! Most analu,k in ile inilnik ld compete in the new commercial marketplace.Known as a fierce sup - stations kiimk restnlarkrt place, of the public system, the so-called "media iiiiiiisici" has inthe site linty and that Radio I eau never hope research Ilenk 11111iturkshi:11:- Ip*ip sponsorship and other icyiddnom in plat c s Inch she main 1.:''''''\11.1111::inilt::'.11::LL\1:1;".1111".1:kn't,i'L'isiliii'i'iiI'S::'. titlelIn for the public system to fultil its " j1Litath a new laisset fain: Inarkelplarr than kit it we are litihtvs't o 0'ss ws lihe most ichable kis LI troGording to some criticswiOnn Paull hen- to of S'1711. the ad house fur tlie Inihh,In, a hasters. described lie system (111111111, up. Radio ;1,1rrrcuur e public ,talions ru'e expects) on le ins iii WO million lam pubCaster's attempts iu he wily '.114 ti")15' IS' ntilhnntrop: ing with one aunt tied behind oathat

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AmericanRadioHistory.Com (continued from page 15) thing in that area. Can't we come up with something copies'. You can only realise such sales figures when you understand that asked myself. Logically new, something wild, one arrives at Hans Duller." I there's a whole world east of Amsterdam." Petersen refers to the legendary BMG Ariola Munich is Dino's partner for the GSA territories, which are who has always refused saxophonist-father of Candy-and to record albums, apart from a man regarded as potentially perceptive for this type of music. One of Dino's -point one in the early '70s. At strongest assets is Dutch -language schlager, and the label has blown new life dared to ask himanymore, until Petersen ha Duller Sr. unexpectedly r rve, and into singer Willeke Alberti's career. Resumes Wisse, "On her last albums accepted the o e man is so Lillie the Americans do. He's rum what hefo e joined us, she sounded way too doomy. Her qualities are more on cutting a ) with the night-time radio um now, con ly in tune progr le he p the In' of life, however, so that's the direction we had in mind for her. for lalterna ubcasterl By 4 albums sold, we haven't done such a bad job. Since we don't sell the VPRO. Knowing that he plays us and Ica in the . hour, y big ational stars like Michael Jackson or Madonna, the Alberti's and can imagine what the album wi ike. We ducer in the pe nd a your antic F are a matter of life and death for us." of John Hel Gung Dureco R lndisc's Ruud Van Dulkeaad is an A&R manager in the strictest tanager Rob E swi g to sign anything front hard of the w d. involved in t ole process from discovering the artist to rock to d asit has corn chances. "We are here to sell fin his recent projects was to revitalise the record eed to know ht repertoire. wh career o utch-langua ler Benny Ne, n. "It had been a long arc time since he last h o ingle and album you ave to take a allow hut we t chance on the song aerial. his new album a rhij e hay don't wan another hit altered his style slightly. It'. ger strictly dease cha ms; there's completely. currently very also a charleston piece and eve carnival-esqutune sp the strong active in the cc field, every- international competition. 25.101 units have bee old in t two weeks day 1 getp s of Haddaway and it made the top 10. At the moment the a cuttin ratan version wannabees' on my desk. That's not of the album. while label mate. Gordon. also ma .e big thr h songs in his what I'm looking for because the mother tongue. will probably release an English version of hi. album. people won't take that. Copy cats are Like in Brazil. carnival really means something in the south of Holland. out of the question." and many record companies tie in with the festivities. Vanpulkenraad i. specialist on this territory, each year looking towards numb& one. Although Adjusting A&R To carnival is celebrated at the end of the wintenirite preparati, qi, have been Keep Car -s Going finished by now. Strangely enough the label has t'llreas1\ released its biggest Knowin ,et group is of ace. Pizza Lied. a fun single by land's most popular comedian Andre van course thing all A&R Duin. Van Dulkenraad thin ng will last long enough to b'dge the gap manag or w' interna- up to the carnival al. ng was already a hit hefor ' releas. tiot atio av to be because the peop .w g from his TV ..:.'. W n Van Duin The Prodigal Sons ablet dentify f with your decides to elease a ca which he hasrtine in a long time. you audience.wi rsonal taste in can 's a hit." favour of N Mrs. Joe As cho if that is needed. "Making NR Indi.is also very tri nt with dance acts, of which Twenty 4

records for the . ent majority. ur busin says Di r can boast two Eurochart hi . -Slave To the Music and Is It Love?- Frank Wisse. "There's nothin g with t sides I'm sham b chart entries in the Benelux, France, Germany. Denmark. Norway admit that I like to listen to our ct. We p o have our decorat an n. Main product. however, is sung in Dutch. with golden records. rather than 'ng our on an obscu d. Before Petersen recognises Wisse's and Van Dulkenraad's problems of Christmas we will have sold 100. alb the new Ren r album keepi going. He claims for turnover Dutch -language singers Rob De The Power Of Passion. which is quo ievement in onl en weeks. Nijs, re Hazes, Robert Long and pianist Jan Vayne are his employer's The last one Sweet Hello's And Sad Goodbyes was triple pla 3(X).000 (continues on page 20)

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19 I 1, 1993 MUSK & MEDIA DECEMBER

AmericanRadioHistory.Com (conthmed frompage 19) sis in Dutch A&R policy apparently, as De Wit agrees on in a way. 'That foundation. "Buteven for such successful your A&R policies in order acts you sometimes have to adjust identity is important to get international release commitments. Mathilde Sant! to avoid predictable albums. With Hazes instance, we once launched for log's Sings Randy Newman - Texas Girl & Pretty Boy will soon he outevery a blues album to give his career Since then his sales figures a little bit of a lift. where, because everybody loved her own interpretations. Good songs which rose again, You need to take action when your best sellers is going down, one of everybody can relate to are the key to the international success of Ten Sharp. because otherwise new talent has jackpot first time around." to hit the That's what made a global hit out of You." Taking Risks Time To Ripen Petersen Another explanation for the success was Sony's extreme patience with the sk by signing I live circuit favourite C pop duo, an attitude becoming rare in this world of fast food and quick hits. ('law. wh ver rca d albums for previous labels. Sugar rs Dureco's Ebbers is very explicit in this. "All new signings get two or three sin. album sit the pact. the chart, to singleosie becan p 40 gles build-up time. If they then don't make it. they're out. It's hard, but that's hit. "Wh u really b in a band save to -e the chan ough the name of the game. In general around 75% of all singles in the market place you kn will be battlewiWi -it not lers- flop." who migh tber as a flop. You've got to convince at it will Like wi artists also should be allowed the time to ripen, and Van MD Willia ton is wilful to build up "his boys and girls" gradually. 'We are aware of the fact that nobody can be a million seller from t step by step i ame plan. We sign bands for three CDs on

erage, invest a little mr h ne m: but we do demand artistic p ogress' om them. Hall examp ich has gone th a tremendous year's time, s right onal produce to give them better studi as we've done for the A Mill /v album. B . and we are willing to help t m come true on of continuing growth." In the ongoing progress, the company has recen Istribution deal with BMG Holland, which initially prefe contract Haighton distinguishes a trend of ma acquiring sus ts. but. he wants full artistic fre and to his own mar con- ceps, no more than six alb per year to mit- ment from t elabel. Dutch Jazz Poll chart- buster y, while Hallo ost impact Anot utch band with mational Prodigal B.B. Queen ons,t gship on Muni ster. MD Ben Mattijssen had a d the neo-co ock band for quite a long time with great a profitable business this time. All their old albums were more or I inte aited for their natural development first before signing them. produced: b m with Urban Dance Squad's Magic S e tat, Two ye they were finalist at the Dutch Grand Prix talent contest. and led that p confid finished laas ace, not far away from being the laughing stock of the evening. Other Petersen, eco's Eb tant to Si. ds. He Now they are the hottest band around. Explains Mattijssen, "Both the band analyses the old -f ed A&R g esn't e t anymore. e past and ourselves have been patient. You can't expect a lot from a band which he disco and sin e act. book dio time, and guided cord - only exists a few months like they were at the time. The song writing has ing sessio asap supervisor. y role I want to be su 0 improved sensationally since then, and when VARA DJ Henk Westbroek things befor e act. A good agement, many gigs, o gs kept on playing an exclu- s a commitment not to disband sive radio recording of You on. We can't invest in bands Still Think, we knew their that fall apart at the wrong time." time had come. ART-CON Productions The advantage of solo artists is "The international mar- that they can't split. On the Dureco ketisnever our vantage roster actress/singer Tatjana (new point when we contract a album Feel Good) and roots rocker band. How many Dutch Arthur Ebeling stand fair chances bands really made it on the international market. Ebeling abroad? But then again we is a matter of artist development for realisethattheProdigal Ebbers, who stresses that he collect- Sons should stand afair ed rave reviews on the album Simple chance. We have closed a Man plus a trueradiohitwith sub -publishingdealwith BMG 2 P(iteters and Pen- _ UCC Maria. Sony Music Holland A&R man- nies From Heaven,the ager Pieter De Wit also has some publishing side of concert WISHING OUR prejudice against bands. "The break- promoter Mojo Concerts even point is around 10.000 copies, [Urban Dance Squad and COLLEAGUES IN THE whichishardtoachieve,and Claw Boys Claw a.o.]. By besidesitdoesn't mean anything. joining forces we hope to The kids don't go for hands, but for be stronger on the interna- BENELUX A dance, which records they hardly tional market." buy. The DJ at house parties is the HAPPY star of the show. Pop no longer Radio, Records means juvenile emancipation, but And Airplay NEW YEAR plain entertainment. Bands inthe Ray's Music MD Jan '60s corresponded to the sign of the De Leeuw is concentrating times, and that was why people fol- on the MOR and AOR seg- AND LOOKING lowed them." ments of themarket.In The few bands on the Sony ros- otherwords he is spe- FORWARD TO ANOTHER ter are true household names, with cialisedinso-called FM one exception. funk metal crossover rock:hismain problem. YEAR OF COMBINED outfit Beateream. "We want to he however.isthelackof represented in each genre." adds Dc solid airplay support. With Wit. "which is important when you Anthony (a.k.a. Arjen indiehas BUSINESS EFFORTS run a local roster. The essence ita Lucassen)the record company should alss ay ,he got a hot ace at hand. For picking up talent, from the street the single Best Of Friends the ex -Vengeance guitarist Sweat Recording Productions and developing t helm " Exchange ()I' the big names. the Golden has put his heavy rock gui- Radio New Age Culture asidein Mvour of a Earring has a history that goes hack tar Publisher/Music/Films Beat le-esque Happy Jacks 311 years in time and the Nils arc a romantic Lee Agent Management "one -in -u -million- hand" and interna- melody. +31) 5735.1072 tionally acclaimed for their amis. Tel: (+31) 5735.11)14 Fax:( Icontinue% on page 22) Rene Fnager taken Dutch character --the empha-

1, 1993 MUSIC & MEDIA DECEMBER I

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AmericanRadioHistory.Com 4.,mrinmed In.nr /met 201 the studio.I only show up for some advises concerning the final touch. like De I retro counters the airplay cutting the length of a guitar solo. Only one time we had to break the rule eiltnitage with radio ads "II we don't get play tin n.it,,mai riitxaster air when we sort of 'stole' the unfinished product out of perfectionist Jaap Fuer: Radio 3 or private station Radio 538. rt van radio ionimercials. then we hit> mont's hands, because our British partners were desperately waiting for the Ws the only was to break the radiomonopoly We new Star Sisters single." want to let the audit -ewe know that Rrtl a sure top III hit We select all out ano.t. one crossover potential, Red Bullet has the luxury to run its own studio, an advantage not exactlyon :t we tune to do our 11 sew ork on the financial side. It is a question of the company's right hand having to pay national that knthons rased through [Una* UK. the left hand for its services, as the studio sends the bill to the label. However, we pi, t.4 ant him in lion gain through the hack t Van Hassell wins a lot of time by having the privilege to book unintemipted 1 posh w know let by Sony De Wit. It iA with studio time. It gives him the opportunity to release product much faster than hoe albo Mr I .non ,/fr c had line si time get - nunl of the competitors. 51 rah, 1%111. I IN you could putt mkt. t ,t1111'1', Hui it Lido. iiscit 1,11 what The st Radio Rave hw..uiIi..in u. to it It happen too often that Dutch programmers are unanimously raving me artist, but for Queen -inspired progressive rocker Valensia they e an exception his single Gaiu was put on powerplay at nation hcaster Radio sum, a to the number two slot in the eh ly three weeks. jor talent, pletely dif- feren oach in mind."ays o m Holland Herman Van Der ,wan. "He's thright the right in t the ri me. He's got it all: the talent. the rsonali the looks. In al case you have to invest some ore. Th ilden rule for loitation. however. remains: always do your mework first alive But when - you have international aspirations. you have to ake an album which fulfils those standards. Bring in the finest roducers you., can get." Van Der Zwan has ex enced the s'sated jazz singer Laura Fygi. 'ginal is from the ade it to number 23 in the Bil rd ntempora AI, with the ifewitchealbum. a co inati first two S albu ong with Fyn' led instrument sts ha onica ['Jaye its mans and gust ohnny ark rry had sic the right Iran ental touch. olland, tomo e world'? The question remains the same after th rip along Dutch key players in A&R. Originali- . .1 !kw, Hull, I 1 r. an It ty. g g material. commitment from two sides, home- remain r We're into work on domestic market. adaptations. remixes. guest stag 41' 1,, Bac Basics. an musicians and additional hype plus a lot of luck: those who 0 0" eight lot t' r 11110 ewe. moul a Tower Of combine these elements have the best chances on the inter- r" ,t) I o untie our belie1in this hand. picked national market. them Li) V. hen he songs in the phase. I always leav rest of process in the ahle hands of the nd the producer. I never interfere in sz

DJ's DELIGHT BAPRI TONTRAGER

PONTSTRAAT 2 FELDBRUNNENSTRASSE 50 P.O. Box 23107 20148 HAMBURG 6367 ZJ VOERENDAAL

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TEL: +31 (0) 45.75.27.30 TEL: +49 (0) 40-44.50.86 Fax: +31 (0) 45.75.41.21 FAX: +49 (0) 40-44.32.72

ATTN. CHARLY PRICK ATTN. ROLF BAIERLE

22 MUSK & MEDIA DECEMBER 11, 1993

AmericanRadioHistory.Com MUSIC EUROCHART EDIA HOT 100 H A R NO4 'UOC) SINGLES WWI 35 5 ARTIST COUNTRIES CHARTED 555 ARTIST TITLE COUNTRIES CHARTED 3 3 ARTIST NAL LABEL fRAUSHFR) 8 DUNTRIES CNAVED TITLE - ORiGNAl LA8E1. IPUBUSHER) TITLE - ORsM41 LABEE /Ft/BUSHER) I'd Do Anything For Love (But I Won't Do That) Meat loafVirgin (Lost flocs) Piece Of My Heart A 1) I'll Always Be There 35 Intermission- Blow Up (Warner Chappell) ' Roth Voisin - GM (Ed. Georges Mary) Please Forgive Me Aft 2 IRE UP Bryon Adorns 4&M (Roncior Y.M.C.A. '93 Remix Real Love '93 IRE UK 'Zom ba&) pw'N'N UM, Village People Bell (Scorpio) 70 56 5 lime Frequency- Internal Affairs (Zomba) , Go West A B M SF L IRE NI r l. H Hero IRE 141 UK Pet Shop BoysPadophone (Scorpio) ®Your love 37 24 5 MariahCarey - Columbia (Sony/WC) 110. Fargetta - DJ Movement (Remake/DJ's Gong) Living On My Own A 8 LM SECTIN E S CH Big Time Sensuality Freddie Mercury- Porlophone (Mercury Songs) 72 NailsCrowdIzAtuseFeet IRE UK @ffl.Nark - One Little Indian (PolyGram/WO Capitol (EMI) Love 8DIRENLCHUADA 51Q Said I Loved You...But I Lied DRD.IREUP EltonrueJohn & Kiki Dee Lem-on Rocket (Warner Chappell) 39 39 4 Michael Bolton- Columbia (WC/Mr Bolton/Zomba) #11*U2(Blue Mountain/PolyGram) Got To Get It A DK VD IRE 1 E .5 CH Ulk Wekome To The Pleasure Dome SPIRE P.UK Faces A () 6 Culture BeotDance Pool (Warner Chappell) 65 3 74 72 14 Frankie Goes To Hollywood - ZTT (Perfect) 2 Unlimited - Byte (Decos/MCA) Runaway Train 4. B DK.IRE la S CH UK Life DKINE.CH Soul As um - Columbia (WC/LFR) Lay Down In Your Arms 41 22 18 HaddawayCoconut (A La Carte/ 87 2Belinda Carlisle Offside (EMI/Chip MagicalCot/Shipack/Mudi-0Maric) Maximum Overdrive 8 D IRE NI PS IA Foree IRE UK In Command 8 2 Unlimited - Byte (Pecos/MCA) (991 2 Geeosm- Piall7doBerliGTiesBross/BMG) ©85 2 Rob 'N' Raz DLC- Telegram (WHA/GSF)

The Sign BOTT5EDINSCH AD.NL My Demolition IREUK Ace Of Base - Mega (Megasong) 43 34 18 ItiitKryeeticteRaaniniBn:ilIrsElirgoni Eyes) 77 67 3 M(Argnetic)

A &DK 5 CH The River Of Dreams DKNL5 Let This Feeling DK SFS Billy JoelColumbia (EMI) 44 44 6 CM°Uelrt3h1.,:r- Sidelake (Sidelake/EMI) Simone Angel - A&M (Not Listed)

E, IRE Ni Es CH UK 1 1 Boom! Shake The Room let Me Show You IRE. UK Let Her Down Easy EuE UK Jazzy Jeff & fresh Prince -live (Zomba) 055 2K -Klass - deConstruction (MCA) 84 3 Terence Trent D'Arby - Columbia (EMI) 4 B.DK D IRE NI N S CH Slave To The Music DK SRO Saturday Night 70 16 1216 6 AerOn'CrYisrn ith- Geffen (EMI/MCA) Twenty 4 Seven - lndisc (TBM/BMG 2 P(i)eters) au 812 Whigfield- Ginger Music (Not Listed)

Relax EEDIESED.NLE.5 CH Creep A.N El Gallinero 135 ID Goes To Hollywood - ZTT (Perfect Songs) 4 Radiohead - Parlophone (Warner Chappell) 81 57 10 Ramirez- Expanded (Cameleonte/Actualmusic)

U Got 2 Let The Music AB DK RFD IRE NL 5 CH UK Moments Of Pleasure MEEK ' O life UK 82 63 2 14 Capella - Internal Dance (MCA) 48 38 2 Kate Bush- EMI (Kate Bush/EMI) TheFullWonder Stuff - Polydor (PolyGram)

Don't Be A Stranger IRE UK Keep On Dancing! D.M.CH Luv 4 Luv DIE 15 Dina Carroll - A&M (Really Useful/De-Mix/Rondor) 49 4015 D.J.BoBo - Fresh (Fresh/EAMS) 83 68 19 Robin S- Champion (Champion)

The K The Secret AB D NEE.S.CH Mr. Vain OK ['TRUES Little Fluffy Clouds (REEK 16 '3 21 Urban Cookie Collective- Pulse 8 (Peer) 53 28 Culture Beat - Dance Pool (Warner Chappell) 84 49 Orb -Big Life (Big Life)

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AmericanRadioHistory.Com ler:MUSIC TOP10 SALES MUSIC -MEDIA IN EUROPE "'MEDIA

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DENMARK NORWAY PORTUGAL IW LW Singlet 1W LW Singlos 1W LW Singles FRANCE I I (Oporto Mode - Condemnor]. E.P IBMG Ariolol I I Now loafI'd Do Anything lot Love (Virgin) 1 7 Am 01 Sem The Sion lm9091 2 3 2 Unlimised Manunum Overdrive (Vidiscol Due to a disagreement between 2 2 Bryon AdamsPloose Fargivo Mo IPolyGrom) 7 3 *yen AdornsPlease Forgo.. Me (PolyGrom) 3 4 Captain Hollywood Project losposuble 1Vidiscol 3 4 RadiolmadCreep (EMI) French chart compilers Canal Plus 3 I Moan ledI'd Do Anything For loon (VIrgin) 4 5 Twenty 4 Seven Isll Love 1Vidisco) 7 ClowfingerNigger (MVG) I 4 Nodal. Mowry Lump On My Own (EMI Mielkyl 4 and Europe 1 (M&M September 18), (Warner) 5 N1 John WolkIn Dreams (BMG Ariolal 70 Amy kilf/Ftesh PrinceBoor& Shake )BMG Arrolu) 5 '3 Thome SongHodel Over Vanua! B Bryon AdamsPlease Forgive Mn (PolyGrain) II Guns N' RosenAin't II Fun (HMG' 6 6 II Aloe In ChainsSop (Sony) 6 the production of the national singles 7 Whilney Houslon GI/0011V The Night RIM() Arida) 7 NIAerosmithTr yin' (BMG) / 7 9 Mr. alpW,Id World (Mona) 8 fillFranke Goo, To HollywoodWelcome To. (Warner) and albums charts has been 1Warrier) 8 6 Freddie Mercuryliving On My Own (EMI) 11 7 4 Non Mond. Whar Up efidiscal 9 111 Formlopez (hoodoo biros 9 9 Ace Of Bose Ilio Sign I MN./ temporarilydiscontinued. 9 5 Soul Asyluma. morooy Tn. !Sony) 10 NL Chlt.m Unlorgiven (Wornar) 10 NE Mr. BigWild World (Warner) 10 14 Per Shop Boys Go Wm, (EMI Medley)

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MUSIC & MEDIADECEMBER 11, 199:

AmericanRadioHistory.Com Station Reports

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ran Campbell- CA4,14101 %dual Belbs -Sorel I bed A List. BEE-RR/Brussels G Pam Pkrt Stories that come straight to the point; outspoken U640 Erog Me Yew Ggs AD Agin- Aga. E100. AD Itormillonion- Swear. In WetWei Wet Shed A lea Eultol 5.ernel Serge booboo !hog Div Jahn/Dee Ade Lave nit VCICI,Copenbgen 6 opinions; hot trends; useful background facts. G.O. Cullum No Na Na B lop 140ast la iMe Son U DIG RADIO HOIBM/Hollzodi Gipsy Kings, Exude Me AD Claus. Worship Messiah thendeodome Lori Ajax hog Dir EHE ke MC Tole Away The Colour Michael basun. Gone Too Soon A list Knsln Merlon Musk B Nog Co -ad SAg fiscAsen Nog Dim Infidela En Disgrace Philippe Swan- The Policy AD Celine Elko The Power A list. Plus: Weekly charts and graphics explaining the temper/Menge. Pad. (Amour BGt AD Aerosm1111- Among Power Flay Babyface- Never keeping Solrek Lena Gogh. G. 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EXAMPLE' THIS DAY IN MUSIC for January 8, 1994 BPI ENTERTAINMENT NEWS WIRE from BPI ENTERTAINMENT NEWS WIRE 1993-The U.S. Postal Service issues a postage stamp in the likeness of a 1950s -era Elvis Presley. 1992-Steve Clark of Def Leppard is found dead 1994 "THIS DAY IN MUSIC" at his London home. The coroner rules Clark died of a lethal combination of drugs and alcohol. 1987-No. 1 Billboard Pop Hit: "Walk Like An ALMANAC Egyptian." Bangles. 1979-The Canadian government names Rush "Official Ambassadors of Music." The 1994 version of the This noted reference work is 1974-Kiss is signed to its first recording top daily almanac on pop printed on computer paper, contract. music is available now! and bound in an easy -to -use 1947-David Bowie (David Robert Jones) is born notebook. in London. His two No. 1 songs are "This Day in Music" draws "Fame" and "Let's Dance." from BPI -owned publi- Order the 1994 "This Day in 1935-Elvis Presley is born in Tupelo, Miss. cations including BILL- Music Almanac" TODAY. exclu- Billboard ranks him as top pop recording artist of all time with 17 No. 1 songs. BOARD, MUSIC & MEDIA sively from the BPI Entertain- and MUSICIAN for the most ment News Wire!

authoritative source mate- To order the 1004 "This Day in Music- almanacreport. rial available. please use the attached form.

The 1994 "This Day in Music" 7_ YES. please send me tie 1994 "This Day in Music Almanac provides date -specific pop BPI Name ENTERTAINMENT Simon or Company items for use every day of the ATC10 ress

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28 MUSIC 8, MEDIA DECEMBER 11, 1991

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MUSIC & MEDIA DECEMBER 1 1 , 1993

AmericanRadioHistory.Com Station Reports

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Adult Contemporary Europe European Dance Radio Billboard Singles ACE TOP 25 EDR TOP 25 USA TOP 25

Lobel TW LW WOC Artist/Tide Label TW LW Artist/ Title For week ending December 11M 1993 Lobel KO

1 2 JANET JACKSON/Again Virgin 1 2 6 BRYAN ADAMS./Please Forgive Me (A&M) 1 1 7 CULTURE BEAT/Got To Get It (Dance Pool)

2 1 MEAT LOAF/I'd Do Anything For Love 2 1 6 PHIL GOWNS/Both Sides Of The Story (Virgin/WEA) 2 2 4 URBAN COOKIE COLLECTIVE/Feels like Heaven (Pulse 8) MCA

3 3 8 MR. BIGNifild World (Atlantic) 3 5 4 CAPPELLA/U Got 2 Let The Music (Internal Affair) 3 3 ACE OF BASE/All That She Wants Arista DK

4 5 5 CHRIS REA 'Julia (East West) 4 7 7 SALT-N-PEPA/Shoop ((fir) 4 6 MARIAH CAREY/Hero Columbia

5 4 5 12 2 ELTON JOHN & KIKI DEE/True Love (Rocket) 5 4 12 DE LA SOUL/Breakadown (Tommy Boy) SALT-N-PEPA/Shoop Next Plateau

5 DRS/Gangsto Lean Capitol 6 4 10PAUL YOUNG; Nov I Know What Mode Otis Blue (Columbia) 6 8 13 2 UNLIMITED/Faces (Byte) 6 XSCAPE/Just Kickin' It So So Del 7 7 6 TAKE THAT FEAT. LULU/Relight My Fire (RCA) 7 9 4 XSCAPE/Just Kickin' It (Columbia) 7 7

8 9 TONI BRAXTON/Breathe Again LoFoce 8 6 15UB40/Higher Ground (DEP International) 8 3 16ROBIN S/Luv 4 Luv (Big Beat) 9 8 BRYAN ADAMS /Please Forgive Me A&M 13 5 USA STANSFIELD/So Natural (Arista) 9 24 2 U.S.U.R.A./Tear It Up (Time) (One Little Indian) 10 17 BRYAN ADAMS/ROD STEWART/STING/All For Love A&M 10 11 5 TINA TURNER/Why Must We Wait Until Tonight (Parlophone) 10 11 5 SHAMEN/Comin' On (Byte) 11 10 TEVIN CAMPBELL/ Can We Talk Qwest II 8 17 BILLY JOEL/The River Of Dreams (Columbia) 11 12 3 2 UNLIMITED/Maximum Overdrive (Mango) 12 12 MICHAEL BOLTON/Said I Loved You.. But I LiedColumbia 12 9 9 PET SHOP BOYS/Go West (Parlophone( 12 14 23CHAKA DEMUS & PLIERS/Tease Me (Virgin) JAllY JEFF & FRESH PRINCE/Boom! Shake The Room (Jive) 13 14 2PAC/Keep Yo Head Up Interscope 13 18 3 JANET JACKSON/Again 13 18 9 (Mute) 14 11 TAG TEAM/Whoompl (There It Is) Life 14 10 16MARIAN CAREY/Dream Lover (Columbia) 14 15 10MOBY/Move 15 13 Flavor Unit (Columbia) SNOOP DOGGY DOGG/What's My Name(Interscope) ZHANE Hey Mr. D.J. 15 14 3 MICHAEL BOLTON/Said I Loved You...But I Lied 15 IZI* (Virgin) GURU/No Time To Play (Chrysalis) 16 15 HADDAWAY/What Is Love Arista D 16 16 5 MEAT LOAF/I d Do Anything For Love (But I Won't Do) 16 MO (Funki Dreds) 17 16 MARIAH CAREY/Dreambver Columbia WET WET WET/Shed A Tear (Precious) 17 6 4 SOUL II SOUL/Wish 17 1111 18 19 K7/ Come Baby Come Tommy Boy 18 16 4 GOODMEN/Give It Up (Fresh Fruit) 18 15 13 SOUL ASYWM/Runaway Train (Columbia) 19 22 THE CRANBERRIES/linger Island UK (Polydor) 19 URBAN COOKIE COLLECTIVE/The Key: The Secret(Pulse 8) 19 17 15 BEE GEES/Paying The Price Of Love LEO 20 18 TONY! TONE TONE!/Anniversary Wing (Tug) 20 17 2 NAUGHTY BY NATURE/Hip Hop Hooray(Tommy Boy( 20 23 3 RIGHT SAID FRED/Bumped 21 26 BABYFACE/Never Keeping Secrets Epic (Interscope) 21 19 3 PRODIGY/Everybody In The Place (XL) 21 19 184 NON BLONDES/What's Up 22 20 R. KELLY/Sex Me (Parts I & II) Jive (Po(ydotI 22 13 3 ZHANe/Hey Mr. DJ (Epic) 22 24 2 BEE GEES/For Whom The Bell Tolls 23' 24 COLOR ME BADD/Time And Chance Giant (Copilot) 23 ACE OF BASE/The Sign (Mega/Metronome) 23 20 5 CROWDED HOUSE/Distant Sun fig) 24'32 CULTURE BEAT/Mr. Vain 550 Music D (GolBeat) 24 20 7 FRANKIE GOES TO HOLLYWOOD/Relax (ZTT) 4 GABRIELLE/Gain' Nowhere 24 21 UK? (1st Avenue) 25'25 PHIL COLLINS/Both Sides Of The Story Atlantic PRINZEN/Alles Nut Geklout (Honso) 25 10 6 ETERNAL/Stay 25 11110 - - - Europtan Dante Radio (EOR) top 25 it based an a wyeightedarating ,plan. It a compiled on srtvv3, III ,roomnuoicolions8roodaAl Data Systems and Dosed,. -.n The dart a bond an a villAshlottotoring ow Ettrayrnpotary Europa OCT) top 2$ o , Mu bow of ployliaz ol LO/Of.111 00,10115 pavromorng various slylos At dame constructed by Billboard wrireinne can iniocroation thalvding don collected othipierd Ord Adult /%1.... B0110d1 1.),.b.0 11.44.0SWO,0171proviernrinny hp hop/rap R60 and I3.30 yamddds. Bulthnte 0. during weak dayports Pro,idod 45mnd.. Inc and Broadcast Doh, Systems 'Blvd ulmgeole Songs in °A' ...AAfrontW WI lutihrw durroo box Salo that haw arbitrate, lop 20 thaw m Wirt EHR Top 40 ow regarded as non specific tor EDR 49 yaw olIPIL 'W1111111111' AM, FIV .(1,EU,' ,411 cocoas, , ,r4Ara A.lad am*, =pow. writ fifroAnd pooh Awn d r rt, DPI1.1.1.11111111,

MUSIC & MEDIADECEMBER I1 19 30

AmericanRadioHistory.Com what people can't

liti and, "risk. and ilecencs." Shock Jocks CI ills', Siff' :OW :11 Mr andh abuse 011 likethe Slates. Fach media \nlhnrity din, 1101 1111111110 not 311. Wt.1130t.' .1 004 Its! authority has a set of laws on pro - m hill 14,111110s Ds coin 11110110 ins. MID int'ifilfIt'il 1141,3i1O3',Ifi, glomming basic., whichstations 111,111 fifift'ller, In lilt' radio associaimic is ca1,1 1,1,11111, !limo :Oiler,. to Theresponsibility cam',it national net k plc. \kr, 11',01011,Is k thr idea 51shis1 ill the menlini :mann it)' is to exam- 11 keel, Cif 31,011 hi, 11113.31, 111,`111 \ 1,1,11111 to lay down crnrn,, tot 1 aypr of My of callers to 01111.11l. 0 ine esen% 111(11% which spontaneousself -regulation phone show 'tics In 1111i W111111,1" iffid"'le a Ruffin` for Inds ben.nn 1,innupliiin, 1111i :million 1011CA Itslin' ,3311,81 members.Itwould improve the not a scandal lino.in .1,1\ " bidding II 311fflif,ioni, rou61 lull, l by cInipl,i1111, in? 11lhrl vc 1st' image of radio and do our indus- programme will .1sex, and Arno Niiiller. I'D and mom derogatory 111,:11 try a favour." psycholog i A11111.'111 utdious, ilk' this up to oloissi aid ing show host ar 1101 :\t t. pus pa In Radio Radicale's case, the The fairlylibaai tummy 11111r station 104.6 Kiln Heroin. sa vs ag left -of -centre station recently sus- sty le ot Italian the of shortening the bidden, as well an self-regulating that in his l2 -yearlads, r.aret pendedits noon a period 111 the licence. respected news and radio has so Mr not he's never seen a DJ sued or tired 111411 cal he interpreted currentaffairsprogrammingto singlesanctionagainstabusive Authority. spokesperson Inv the use ot drugs. anti -wild that for something on air. "There arc protestagainsttheuncertainty although most programme Tracey Mullins agrees l)Js. no actual limitations asto what 1,c11,1%,imir and racism over broadcast directors did not hesitate at main decency is a very vague concept. regulations and you can say on air inGermany. ".515111 limn These limits. there artists "It depends on context, on differ- the suspension of its government stream playlistingItalian but there arc so many rules and is a total liec(hmi of language." Marco Masini's recent hit single ing senses of humour and on indi- subsidy-an estimated L20 bil- regulations which cover broad- says Fun president Benoit Sit. lion(app. US$12 million)for tit Fatiersio, loosely translated as vidual attitudes," she comments. casting that almost everything is lard.Even in 990-92-for community stations "Go Bugger Yourself." Though admitting definitions regulated in some way." he says. grammes fi)t.IINilly 1111 seat committed to news coverage. and Yet it was exactly that type of are "all subjective." she adds that "It's a question of how liberal the tent. Sillillff There nev is allowing Italians complete free- language aimedata journalist the Authority did believe Abbot's in each state been any complaints time listen- dom to say what they like for a that landed UK national AOR sta- comments were offensive. The media authority is ers. Authorityreceived 346com- and what the goal of the radio minute each. That freedom could tion Virgin 1215 AM late -night "We have never prove costly, as the network has DJ Nick Abbot in hot water. plaints in 1991 and 315 last year. programme is. "DJs aren't that free as to what anyone. hut we ha received at least five complaints "There's a veryfineline However. these cover both ads ings to some Ws." he and is being investigated by gov- between what's acceptable and and programming, and the pro- they can do on air. They can only bring listeners on air if it's part of was the case a few ernment regulators. what'snot,"saysVirgin 1215 portion of each is not disclosed. when Arthur. at that time Despite Radio Radicale's spokesperson Ellie Smith. "We The UK Association of Inde- a competition or promotion, and morning show. extreme departure frontits nor- want Nick Abbot to he controver- pendent Radio Companies if you have their consent first. If I Fun's a derogatory comments about Mil mal programming, however, there sial.That's the whole point of A1RCi concurs with the Authori- was to say something about are no US -style shock DJs at the having presenters like him, and ty that defining decency is practi- competitor on air, we would get a EHR web NRJ (NRJ sued and eventually won the ease in court). country'sleadingnational and thelistenerswanthimtohe cally impossible. Comments letterfrom theauthorities and local station. slightly dangerous." AIRCdirector Brian West, have to correct what we said. The CSA also flexed its mus- In Italy. the State Guarantor Virgin 1215 accepts, though, "When we debate these things at "Most of the regulations are cles with EHR net Skyroek's pm - For Broadcasting is responsible that Abbot crossed the fine line conferences, there are almost as common sense, and most DJs gramme "Turlututu." a show for monitoring private broadcast- when he retened on air to a jour- many definitions as there are peo- have some of these regulations in whichfeaturespeopletalking ers.There arefewsetguide- nalist who had been critical of the ple in the room." their blood when they go into freelyabout sex land since lines-mainly libel, slander and station asa "hitch" and made Consequently, the organisation radio. You don't blame people on dropped) and Fun's evening pro- right of reply doctrines covered threats to "rip her a new arse." does not issue guidelines toits air and always respect their digni- gramme "Diffooloir." which was byItalianpenal law-although The station suspended Abbot for membership. "It's entirely up to ty. That's the first rule. You can cancelled last October. the Guarantor has the power to a week. He also incurred a £1.001) our members what to broadcast. tease and make fun. but it stops Sillard is not too enthusiastic sanction any broadcaster follow- fine from his employers when, in They are all grown-up people and there." about CSA's recent position of ing his department's own investi- an unconnected incidentlater in we assume theyaregoingto In France, there is no legisla- "guardian of airwaves." Says Sil- gation, with up to 10 days off the the month, he made derogatory abide by the Authority's program- tion regarding outrageous lard, "It is not the job of a regula- air and large fines. Restrictions comments on air about another ming codes," says West. behaviour by Ws. apartfrom tion body to judge what's on the on pornography would now pre- woman. Inthat episode, Abbot In Germany, DJs are moni- common law andpress law air. There are courts for that. If ventthetype of explicitpro- rang London News/Talk station tored by media authorities in each againstlibel and racism. There something is wrong, anyone can grammes made inthe'80s by LBC and asked to be put through state, and there is no official list have been no cases of DJs sus- sue us. The CSA is here to con- porno actress !Ilona Staller (Cic- to the phone-in programme then of objectionable words. pended for obscenity on air. trol, not to judge." ciolina) onlocal Rome station in progress. However, the woman Comments Stefan Sutor, Although broadcast regulator Mark Dezzatti. Miranda Wat- Radio Luna. who took his call recognised him, radio headatBavarian media the CSA has no power to sanction son, Jeff Clark -Meads and AllItalianbroadcastersare declined to connect him to the authoritythe BLM, "We don't radiostations ontheseissues, Emmanuel Legrand contributed currently required to record their studio and promptly ended her actually have a single clear list of operators are very careful because to this report. entire output and file the tapes for on -airconversationwithhim. three months in case any com- Abbot then said. "Front the tone plaintworth investigating is of her voice, she hasn't had sex in Audioradio Ratings are expected before Christmas. ing criticism that their last survey received by the State Guarantor. the whole of her lite." (coluitaied.from page II Meanwhile, Milan's Datame- in July was unreliable (NUM. RNA president Eduardo Smith says that UK stations dia Institute says they are con- August 28). would also welcome and benefit Montefusco. also MD at Rome - associationthe RNA approved tinuing their independent Says Vona. "We accept that net Radio from clear guidance from regula- based EHR national the latest development and partic- Radiobanksurvey. Comments there were problems and have says that tors the Radio Authority as to Dimensione Suono, ipated in discussions to establish Datamedia researcher Giusy adopted a more precise question- current provisions have sofar whatisconsidered decent and methodology andcontrols.He Vona, "We are not worried about naire. We have 400 subscribing proved adequate. "The existing what is not. says, however, that the RNA's the new Audiradio survey: in fact, stations and maintain sanctions are applied mainly to At present, the Authority that own survey is still going ahead. it will help to give a more com- Radiobank is the first choice for ensure the correctness of informa- defines programming parameters "The RNA survey is an internal plete picture of Italy's radio land- regional and local stations who tion content in programmes. under three areas: advertising and qualitative exerciseexamining scape." can obtain more detailed informa- "Most serious operators don't sponsorship,reporting of party advertising effectiveness and to The latest Radiobank survey tion through us than lmiii a global get a better understanding of who will sample almost 410)0 Ital- national sines is listening and what they enjoy ians, and Vona says they have 111111111111111211111111111111111=11111 listening to," he says. The results altered their methodology Wisher and f Phstop X.Alkondor gial Odium bandit Elko Sky Wonkwiro UK boon/ Chief. kg ClarloMoods Ednanal Mary Illanar, Ed. Milan DM, SoN Repko. Miranda Watson, A46/3.6110 Edon Jan Sullivan Saban Ronan ?Sok Kap, C1113n, Ada:, Mori Swam, Oar, Doan.' NW Cairo MUSIC Assoido Rasher 1140 kr* name: Wands- Inn fondant Pk* Markus IUK, &mica, pox kid) Edwin Amok MUSIC & MEDIAat a 1101,4 Aka Dragon lEastorn Dove), G/5/Ai N66art 12adadoor 14491 2301390043. frond. Demob 'Mild 1.331I 4549 MIDEM 1994 29.33, gad d. Sao 1.461 8 609 0540 Bang, 84 Norpao 1.311 2153.13503/16703 USA lob Dathala 1.11 404 5117107, Production Mng Rion Eamon lim-Out PodkroWdonborg WM von lasonbarg Maiming Manager. Amok knosonbeg. Wading Abdo. bay van din Anna n. Noma Subscripbonsi Carry 144 or nark deka Soto 8 Redoich Manugin/Eundle Edam Coda von GodDam A amonich Claim kid Alp do Haan Adminismann Manager. Pak larded AdminatiotionBobb Schcononold. Gomm* StarravoldAntmliqini Momien find, Stand at MIDEM Radio Monoger Jo* Zandman P.. NM Hoag Ofisof BPI Mask Publications President No lank, Insoindiord Editor loiChd Adorn Whig* Stand at the MIDEM Musk Show Musk & Media pulikation d811CminmanimMons 50 a subudiafy of BM Communication, IP 811 Communications CEO Gerold S. Hobbs. President/COO. Mbar A. Kingsbury food,* WO Pionidems 1046, Bobraoli Rabat 1.DklingMoran R. frolio Howard lakn. sonar Vsie Presidonn Pal Co.,.., kin Hobo, Rodeo look '0. Attractive discounts Deakin Goorydna Mobs, Noon Hoffmnon, on subscription and directory rates SabKriptioo Ruin United 1,..ingdom Vitt 135. Goanany DM 399. Benda DA 397. Roo of Europa US$ 149 USAiCanok US$ /70 Rea of Wofid US$188 Cap./Agin 1M VI Colomunionion.88 AA rights aneroid no pan of dos publication may be man/dada in arm him wither ,s Bonus distribution of Music fhe rico wank pomnission al ba pablishor & Media to MIDEM registrants PHONE NUMBER: OH 20.669 1961 Boni accourn mother. AMMO 43.58.31.613 CLOSING ADVERTISING DEADLINE FAX NUMBERS: 1.311 20.669 1941 (General) 1.311 20.669 1811 (Pohl jbed MIDEM ISSUES: 14311 20.669 1951 (Editorial) - 1.311 20.669 1931 (Sales) Issue 5: January 11, 1994 Issue 6: January 18, 1994 MUSIC aMEDIA DECEMBER 11, 1993 31

AmericanRadioHistory.Com Programing Quotas is that this country needs to re- OFF 1(4V/tilted /inn! page I I evaluate the whole musical chain, Polish Radio THE RECORD from the training of musicians to French or Francophone authors. the promotion and marketing of Faces 40-50% I' "VI %IMS( "aid Ftena industn hod\ SNEP's deed. .1,11 withdrav, composers and artists." French acts and the quality of It, ((ippon from the French Chanson Week he eon- ne,:ted with the On the radio lobbying side. concert halls. Radio is just one Programming fact that the organisation is just recovering froma the most aggressive operator was none too -successful part of the problem." "Record Week" in October, which failed to Fun presidentBenoitSillard, Ozannat agrees and wonders ant,, t the attention ot the Quotas industry? who has launched an on -air cam- where the radio stations will find POLAND T KF. THE MONEY paignaskinglistenerstocall, the new talent. "Quotas will not AND RUN: Boy George has reportedly run write to or fax Pelchat or their solve any problems," he says. Ey Steve Wonsiewicz "tt With money lot a concert scheduled in the Latvian capital Riga. localrepresentativeexpressing "The music industry is concen- Alter signing a contract with Radio SWH/Riga to perform for a con- theiropposition.Sillard,who trated in the hands of a limited Frenchradio operatorsaren't cert in the capital of Latvia. the performer cancelled only days before calls Pelchat's move "short-sight- number of multi -national compa- the only ones facing the daunt- the scheduled concert. The station isnow taking George to court to ed,protectionist and xenopho- nies which have a specific strate- ing challenge of programming a the L18.(100 the artist owes the station. Rumour has it that the bic,"saysthatifapproved,it gy which saves them from having high percentage of local talent. 's absence was connected with recent claims in America of would "lead to the death of all the to spendzillionsinproducing Polishbroadcastregulator

an illegitimate son- music stationsplaying rock, new talent." the National Councilfor dance, pop and international vari- Ozannat also fears that France, Radio and Television INCRTI DUTCH STATIONS ALL EARS: Dutch commercial stations begin ety." which currently has one of the voted in new stiff programming a tense period of waiting following the closing on December 2 of Jean-Pierre Ozannat. MD of most diversified ranges of radio quotas for Polish content. The applications for two coveted regional FM frequency bundles. Each Europe 1 and president of SRGP, programmes, will see a uniformi- new law goes into effect Jan- bundle could be put together to form a national net, and the decision says his station has nothing to ty of formats with such quotas. uary I, but full quotas will not could make or break the fortunes of several stations. It's expected to fear about quotas asit already NRJ GM Alain Weill says the be introduced until 1996. come down on January 21 of next year. broadcasts more than 40% of CSA has already fixed percent- Public radiowill have to localtalent.However, he calls ages of French content to radio broadcast 55% Polish content. Pelchat's move "absurd," saying stations applying for frequencies. For private stations, the limits Twenty 4 Seven reactions to the music. In close co- that the radio industry has been He addsthat NRJ had been aresomewhat moreflexible, nty. ,.rn page / I operation with a local record store working for three years with the asking continuously that the same depending on the market. For we've played various album tracks different governments to come up rate should be implemented for networks covering more than Dutch dance duo Twenty 4 Seven for the past four weeks andit's with a law project, and that this stations with similar formats. "If 80% of the country,it's 50%. further pn'se that the movement of likely to sell very well in our area last-minute addition is not wel- rules had been the same for all, I For nets covering an area of ss hat some call "Euro-dance" can perhaps even past the holiday sea- come. don'tthink we wouldhave over three million, it drops to now easily compete with produc- son. "The new law fits us, although reached this situation, but 40% is 45%: forstationsinsmaller tions originated in the UK and US. Following a recentnational it contains some points we are not too much," he says. areas, it's 40%. Originally a four -piece chart entry of "Slave" (currently at entirely happy with." says Ozan- Radio industry sources sug- Comments one programmer, band-including a short member- number 241, German programmers nat. "It took three long years of gest that the move was the result "It's going to be impossible to ship by CaptainHollywood are now starting to dig in to the hit discussions, and suddenly in the of underground "hand -in -hand" do this. Where are we going to -Tuent!, 4 Sewn enjoyed two sounds of the band as well. As last run we see elements that have action in the music industry, run- find the artists?" European hit singles for BCM. Are M&M TrackFaxdatashows, notbeenpreviouslydiscussed ning from independent producers Radio station executives fear iou Dreaming and I Can't Stand It "Slave" is playlisted on EHR sta- that have been added to the text. to industry body SNEP and per- that fewer people will listen to at the beginning of the '90s, but tionslikeEnergy/Berlin,RB Few people understand how radio forming rights society SACEM. radio if they aren't allowed to follow ing the demise of that label. 4/Bremen,Radio Gong 2000/ works and I am always surprised But music industry executives programme theworld's most were subsequently signed to Dutch Munich and OK Radio/Hamburg. when I see people who have not say the radio industry shouldn't popularinternational artists: translates independent CNR/Indiscatthe OK's second head of music Tina been known for their expertise in be too surprised. "Frankly," says andfallingratings end of last year. Their debut on the Busch says, "Slave To The Music this field make decisions like this, onemusicindustryexecutive, into advertising revenue label. Slave To The Rhythm peaked tests really well here. Although the without evaluating its impact and "the pill might be tough to swal- declines, which could negative- at number 36 in the Eurochart six people who participateinthe consequences. You cannot face low. but radio stations got what ly impact the country's strug- weeks ago. while the latest single research can't name the artist or the such dramatic changes without they deserved. For almost two gling new private radio stations. years of discussions, we have To qualify for the NCRT's /sIt Love was highest entry last song, they are really raving about danger." "Polishcontent" regulations. week at 32. Due to new activity in it." Sillard says quotas would also tried to get some understanding from the broadcasters, and they Polish citizens music constitute Germany."Slave" iscurrently With the present European suc- be "suicidal for the music indus- at least two-thirds of the pro- climbing the chart again. An album cess of the band. CNR/Indisc GM try." He adds, "Using radio as a were arguing over increases as duction team, the cost of goods named after the label debut single Leon ten Hengel is now looking scapegoat is an easy solution for small as 1%." Another source, who points and services used for producing has just been released throughout for other deals, with the UK, Italy an industry which doesn't want to out the paradox to see a liberal the programme and purchased Europe and is produced by Ruud and the US asfirstpriorities. acknowledge its own part in the governmentimplementquotas, from foreign companies must van Rijen. "We're talking about a mature act problem.If we don'tproduce says the FM radio networks "shot not exceed one-third of the bud- Twenty 4 Seven's unassuming now. They perform live, there's an artistswhich deliver the same themselves in the foot by not get, and one of the language strand of cheerful pop dance is album out and we've invested in a quality of music than the interna- understanding how crucialthis versions of the programme was now. after some resistance. being video clip. We also believe that this tional acts we play, what are we produced in Polish. is typical crossover top 40 materi- going to programme? The reality issue was for the music industry." embraced by EHR broadcasters. There is one small bright al." They all point to the current popu- spot for radio: in 1994 the quo- larity of (mainland) European -pro- To underline the radio suitabili- success lies in "extremely catchy tas will be reduced by 5%-10%. music with its ty of the material, CNR/Indisc has SR MD Gert Holmfred says duced dance hook lines, a smart and updated younger listeners and Twenty 4 booked an advertising campaign thatthe campaign on the band production and two very profes- Seven fits right into that basket. withcommercialEHRstation started mid -July when the compa- with dance sional people." Making oneself available for Previously dismissed as too club - Radio 538/Hilversum for a run of ny.inco-operation organisation DMC's "TheElite CNR Sweden MD Staffan promotion is something that man- orientedand"radio -unfriendly," 120 20 -second commercials. "On Club", mailed the "Slave" single to Hjort also pointstothe band's ager Charlie Prickstresses as duo's radio popularity has espe- certain hours on 538, the younger club DJs, followed by a proper abilitytoattractradioairplay. being a crucial part of the overall inScandinavia target audience is over -represent- y blossomed "They make good,commercial marketing mix. "For a week long illeaelux but is now also ed," says Ten Hengel, "and that radio mailing. "After we created a sort of hype dance which is not just created for [mid -September[ we did nothing Arm:1y and Spain. makes them ideal for our purpos- ontheband,"saysHolmfred, the dancetloor. That makes them butpromotioninScandinavia. Maa Hying, much wider in their appeal." including 30 radios and three TV SIR Radio As usual with dance singles, "radio jumped right in and "Slave" the majority of sales are achieved became a powerplay on nearly all Currently. the label is hoping shows in Sweden". A second tour sounds up mid - through inclusion on compilation stations on M&M's rosterfin for anentry in the popular for Denmark was set PoPular they,.1to to 22 albums, of which some three mil- Denmark]. They didn't come over "Tracks" programme produced by November and similar promotion for promotion untillast week, so Kaj Kindvall for puhcaster SR P3 efforts were recently made in Ger- old. Wt prograrsune it mainly lion. featuring "Slave", have our current success is just based on and based on listeners votes. many with licensee Zyx. the afternoons and early already been sold. airplay and support tom the clubs." Album pre -orders in Sweden Prick describes "'Verity 4 Seven single escapes Apart from the Benelux, the Singles sales have exceeded 5.000 arcparticularlypromisingand as a typical "teeny crossover act ng as. says Ehring. "the first !make( where Twenty 4 Seven impact was copies, impressive for Denmark's amount to17.000 copies, higher who have an enormous appeal on listeners aren't exactly crazy started to make full I loltufred than numbers reached in the home stage. They reach the kids that still Denmark, where Scandinavia weaksinglesmarket. Records (SR) handles the project. emphasises, however, that the label market Benelux. Combined with buy singles." Voice Nordlyl- The profited from the original basis that radio/press interviews, the group Additional reporting by PD Dennis Kron- SR was founded by executives Mega already laid at the beginning also did some club dates in Stock- Cairn dust the band will from 1)511,'IliCo International and ('NR Denmark in January of of the '90s. holm and performed for the nation- successful us Culture He feels the secret of the baud's al Friday evening chart show. excellent this year M&M May 11.

MUSIC & MEDIA DECEMBER 1I, 1993

AmericanRadioHistory.Com week 50/93 EHR TOP 40

New Original Total Rotation 1W LW WOCArtist/Title Adds Label Stations A B 27 7 2 8 BRYAN ADAMS/Please Forgive Me (A&M) 148121 Adams Outshines All 139 10534 4 2 1 8 PHIL COLLINS/Both Sides Of The Story (Virgin/WEA) After a five -week newt ewII (Virgin) 115 102 13 3 3 3 9 MEAT LOAF 'I'd Do Anything For Love (But I Won'tDo That) replaced at the top by Begingi., 104 72 32 5 4 6 5 JANET JACKSON/Again (Virgin) adds and eight upward coat 92 56 36 0 inhis eighth dtarlins 5 5 9 TAKE THAT FEAT. LULU/Relight My Fire (RCA) rotation) rocker, who hail been sticking kV (Columbia) 86 62 24 12 6 10 4 MARIAN CAREY/Hero position for three weeks, had already 34 2 7 4 10 MR. BIG/Wild World (Atlantic) 88 54 terms of "A" list reports. but nowaim* 60 30 8 time record of total stations as v,,.! t r With 8 7 6 CHRIS REA/Julio (East West) 90 148 stations reporting his song sit I t. otUab 87 59 28 9 9 9 5 MICHAEL BOLTON/Said I Loved You...But ILied (Columbia) record of two weeks ago (147 supporta* 21 14 10 13 3 ELTON JOHN & KIKI DEE/True Love (Rocket) 87 66 improved by one, while the 117 heavy 2 11 8 12 PET SHOP BOYS/Go West (Parlophone) 85 61 24 collected by the 4 Non Blondes' What's Up P and 37 now have to stand in the shadow of 12 (Columbia) 74 51 23 0 11 19 SOUL ASYLUM/Runaway Train pressive number of 121. achieved by Adams this 2 13 12 10 M PEOPLE/Moving On Up (deConstruction) 69 44 25 Please Forgive Me is best played in the UK. 10 Portugal.Sweden 14 34 2 U2/Stay (Faraway So Close) (Island) 55 33 22 Belgium.Austria.Finland, Switzerland (80-100% penetration in those committal, 71 61 10 16 15 26 2 ACE OF BASE/The Sign (Mega/Metronome) followed by Denmark. France. Germany and Greece 16 14 5 WHITNEY HOUSTON/Queen Of The Night (Arista) 64 40 24 1 (70-80%). Spain. Poland. Norway and Holland show 17 17 6 RIGHT SAID FRED/Bumped (Tug) 64 38 26 5 figures between 55 and 70(4-all in all. 21 countries are contributing to the song's EHR victory. 66 40 26 1 18 15 12 PAUL YOUNG/Now I Know What Made Otis Blue (Columbia) Although Elton John & Kiki Dee are mating 19 32 4 BILLY JOEL/All About Soul (Columbia) 63 40 23 11 forward steadily on EHR, now landing in the top 10. 20 20 7 LISA STANSFIELD/So Natural (Arista) 63 35 28 3 their duet True Love proves to have even bigger inipaa on ACE. where it is already top 5. The single is played (Interscope) 61 35 26 4 21 21 6 4 NON BLONDES/Spaceman best in the lowlands, as shown by its chart reign in the 22 22 3 WET WET WET/Shed A Tear (Precious) 48 32 16 7 West Central as of this week. 23 23 5 CULTURE BEAT/Got To Get It (Dance Pool) 52 39 13 2 U2 perform this week's fastest move (chart points gain) as well as the highest jump as they advance 2(1 20 BILLY JOEL/The River Of Dreams (Columbia) 52 35 17 0 24 18 places from number 34 to14. "Stay" continues to he 30 3 HEART/Will You Be There (In The Morning) (Capitol) 58 42 16 4 especially popular with M&M's platinum and gold 26 19 9 GABRIELLE/Goin' Nowhere (Go!Beat) 52 21 31 0 stations, who still make up almost 80% of U2's roster. but silver and bronze stations are increasingly joining in. 27 16 7 TINA TURNER/Why Must We Wait Until Tonight (Parlophone) 55 27 28 The song has reached 100% penetration in Holland now: 'Z8 GOP. BEE GEES/For Whom The Bell Tolls (Polydor) 60 36 24 17 the UK, Sweden and Poland form the second league 29 25 18 FREDDIE MERCURY/Living On My Own (Parlophone) 50 35 15 0 with acceptance ranging from 54 to 62q U2's singer Bono also enters the chart with a duct PAUL YOUNG/Hope In A Hopeless World (Columbia) 47 33 14 19 '30 ME* version ofI've Got You Under My Skmwith Frank 31 24 6 ETERNAL/Stay (1st Avenue) 52 27 25 2 Sinatra, taken from Sinatra's recently released Die, Ti 32 31 16 UB40/Higher Ground (DEP International) 40 22 18 0 Coincidentally. the title of that album is the same as Elton John's late longplay offering. while both their FRANK SINATRA & BONO/I've Got You Under My Skin (Capitol) 40 26 14 8 (3-3 GM* current singles happen to be Cole Porter songs. The 34 27 15 SWV/Right Here/Human Nature (RCA) 44 23 21 0 Sinatra/Bono coupling is best appreciated by Italian pro- GE3111. URBAN COOKIE COLLECTIVE/Feels Like Heaven (Pulse 8) 40 23 17 10 grammers (67(i. penetration). In Switzerland. Austria, Poland. Belgium, Spain and the UK. a handful of CROWDED HOUSE/Nails In My Feet (Capitol) 42 29 13 10 36 40 2 stations have also started to explore this recording. 37 PET SHOP BOYS/I Wouldn't Normally Do This Kind Of Thing(Parlophone) 35 29 6 12 For Whom TheHell Mils books this week's highest 38 28 23 4 NON BLONDES/What's Up lnterscope) 49 30 19 0 new entry in the EHR Top 40 (28). It is the third EHR hit tar the Bee Gees, this three -year -old chart not has ing 39 MO' PAULINE HENRY/Feel Like Making Love (Sony Soho Square) 35 24 11 4 been able to cover these pop %eter,ins' earlier victories ' 40 39 2 DINA CARROLL/Don't Be A Stranger (A&M) 40 27 13 -199I's Secret L01e did best, while peaking at number Songs some Vannby achieving °Opttowt1.46107's ENR /voting PotHank Mat row 12.34 ,ear,old loom. mbS- contemporary MOW 3 for four weeks. As yet, the hest supporters of the new the EHR lop AO ewer is based on a weighlad-uoning swam CO dumpmap o do,,orfs Songs 'A mronon am*, rect., more points Mon ohosa Prot/Iron or more mop exposure. Stations am waplMfd by mocker size ond by the numb* ol howl par west conwnined lo /he singlearethe UK. Belgium. Switzerland.Austria. HP1 CommunIcailmis Ht Denmark and Poland (46-67% penetration). The most added single on EHR this week, Hadda- CHARTBOUND way's ballad I Miss You, tops the Chartbotutd section with a roster of 46 early believers. 22 of which are (Coconut) 46/22 INCOGNITO/Givin' It Up (Tolkin' Loud)29/9 HADDAWAY/I Miss You playlisting the song for the first time. With a 15-..-ountry (Bludgeon Riffola/Phonogram)41/5 SALT-N-PEPA/Shoop (ffrr) 29/3 DEF LEPPARD/Two Steps... roster at this stage. Had assay is clearly heading for a 41/3 SCORPIONS/Under The Same Sun (Mercury) CAPPELLA/U Got 2 Let The Music (Internal Affair)28/9 NO chart cunt n.st stcek Pieter it,y), (Geffen) 39/5 POINTER SISTERS/Don't Walk Away (Capitol) 28/0 AEROSMITH/Cryin' (RCA)38/8 10,000 MANIACS/Because The Night' (Elektra) RICK ASTLEY/Hopelessly 27/8 MOST ADDED Janes Lost Dance (MCA)38/0 PEABO BRYSON/REGINA BEUI/A Whole New World'(Columbia) 27/4 11AllOAWAI TOM PETTY/HEARTBREAKERS/Mary

I (Mercury) 35/5 KATE BUSH/Moments Of Pleasure' 11140/66mp Ma Vow Cup INXS/The Gift (EMI) 26/8 IMP Inkomakormil 16 35/2 LISA STANSFIELD/Little Bit Of Heaven' TONI BRAXTON/Another Sad LoveSong (LaFace/Arista) (Arista)25/9 Overdrive (Byte) 33/ I I BJORK/ARNOLD/Play Dead (Island) 25/6 2 UNLIMITED/Maximum *Ri* MUTTON PONOWTESNCI Easy (Columbia)33/8 GIPSY KINGS/Escucha Me (P.E.M.) 25/3 TERENCE TRENT D'ARBY/Let Her Down VOIR DARYL 11ALL, Mop L..muy, him Slop I.momj (deConstruction)32/9 JOHN MELLENCAMP/Human Wheels (Mercury) 141.0 Further 25/1 PEI SHOD 6011/1 Wouldn'i Mumma, 1'- v M PEOPLE/Don't Look Any INukr h.,41 (Capitol) 31/3 ALEXANDER O'NEAL/Since I've Been Loving You PRANKSGOES 10 11011YV4006, KA, BLIND MELON/No Rain (Tabu) 25/1 .91) 30/18 DARYL HALL/Stop Loving Me, Stop Loving You' UB40/Bring Me Your Cup' (DEP International) (Epic)24/16 (Island) 30/10 BELINDA CARLISLE/Lay Down Your Arms' CHRISTIANS/The Perfect Moment (Offside)24/7 L_ NEW TOP 70 CONTENDERS (Geffen) 30/6 LENNY KRAVITZ/Is There Any Love...' )Virgin)23/9 MANIA,1 Itlikol GUNS N' ROSES/Ain't It Fun 15A1101111T50.4 & wm41(....SM. a Hr..] liokumlmal V ham ...ph aapky 'oak 11), total number of EHR mp..10 nw (4.1 VI timmx1" dart la /or M. udi Im &hood ho-* Mu do, "7:7Z16,7,,,:p= the nerd it to AWN kw Om fist am.

Morita r)FCEMBER 11, 1993 11111111,11,11.11.ut

AmericanRadioHistory.Com week 50/93 REGIONALCROSSOVER Trackingthe cross -regional impact ofproduct

BORDERBREAKERS

Mainland European records breaking out of their region ofsigning

- - 1 1 13 Original Label Region Of Signing 2 CULTURE BEAT/Got ToGet It Crossover Regions Total Station; 2 4 Dance Pool 3 ACE OF BASE/The Sign CENTRAL WC.W.NW.N.S.SE 6 7 Mega 58 4 CAPPELLA U Got 2 Let TheMusic NORTH WC.EC.C.S.SE 49 5 16 Internal Affair SOUTH 5 EROS RAMAZZOTT1/Un'Altra WC.EC.C.NW.N.SE 30 11 2 Te/Otra Como Tu DDD HADDAWAY/I Miss You SOUTH WC.EC.W.C.N 27 6 7 Coconut CENTRAL 4 GIPSY KINGS/Escucho Me WC.EC.NW.N S 39 7 9 P.E.M. WEST 5 2 UNLIMITED/Maximum Overdrive WC.EC.C.N.S.SW 27 8 3 Byte 16 HADDAWAY/Life WEST CENTRAL C.NW.N.S.SE 24 9 4 CoconutCENTRAL 16 ACE OF BASE/Happy Nation W.N.S.SE 32 10 Mega NORTH 8 16 STAKKA BO 'Here We Go W.C.SW 17 11 10 Stockholm NORTH 16 CULTURE BEAT/Mr. Vain C.S.SW 15 12 Dance PoolCENTRAL 14 3 STAKKA BO Down The Drain W.N.S.SW.SE 16 13 Stockholm NORTH 12 6 ALAN PARSONS/Turn It Up WC.C.NW 15 Arista 14 16 4 CENTRAL EC.W.S.SW 12 GOODMEN Give It Up Fresh Fruit 15 - RE WEST CENTRAL NW.S 9 TWENTY 4 SEVEN/Slave To The Music Indisc 16 13 15 2 UNLIMITED/Faces WEST CENTRAL C.N.SW 11 Byte WEST CENTRAL 17 - NE ENIGMA/Return To Innocence W.C.N 13 Virgin CENTRAL 18 18 3 MAGGIE REILLY/Every Single Heartbeat N.SW 7 Electrola CENTRAL 19 NE JORDY It's Christmas, C'est Noel WC.N 17 - Columbia WEST 20 21 7 NW.S.SW 5 CLOUSEAU/Take Me Down EMI WEST CENTRAL 21 23 3 LAURA PAUSINI/Lo Solitudine C 9 CGD SOUTH 22 17 5 WC.0 7 ROCH VOISINE/I'll Always Be There GM WEST 23 NE WC.C.N 11 CAPTAIN HOLLYWOOD PROJECT/Impossible Blow Up CENTRAL 24 15 12 WC.N 11 MAGGIE REILLY/Follow The Midnight Sun Electrola CENTRAL N.S 25 22 12 12 MARLA GLEN/The Cost Of Freedom Vogue WEST C

CHANNELCROSSOVERS The top-playlisted UK/Irish records on mainland European radio As expected. Dutch duo Twenty 4 INN wOC Original Label Crossover Regions Total Stations Seven re-enter the 1 8 PHIL COWNS/Both Sides Of The Story Virgin WC.EC.W.C.N.S.SW.SE 160 Border Breakers 2 2 8 TAKE THAT FEAT. LULU/Relight My Fire RCA WC.EC.W.C.N.S.SW.SE 112 chart with Stove To 3 3 6 CHRIS REA/Julia East West WC.EC.W.C.N.S.SW.SE 113 The'Rhythm, due to 4 4 12 PET SHOP BOYS/Go West Parlophone WC.EC.W.C.N.S.SW.SE 105 5 6 4 ELTON JOHN & KIKI DEE/True Love Rocket WC.EC.W.C.N.S.SW.SE 93 new airplay activity 6 7 7 USA STANSFIELD/So Natural Arista WC.EC.W.C.N.S.SW 85 in Germany and 7 5 12 PAUL YOUNG; Now I Know What Made Otis Blue Columbia WC.EC.W.C.N.S.SW 86 Spain. The single 8 10 8 M PEOPLE. Moving On Up deConstruction WC.EC.W.C.N.S.SE 75 already peaked at 9 8 6 RIGHT SAID FRED/Bumped Tug WC.EC.W.C.N.S 78 number 36 in the 10 11 16 UB40 Higher Ground DEP International W.C.N.SW 50 11 9 9 GABRIELLE/Goin' Nowhere Gol Beat EC.W.C.N.S.SE 63 Eurochart Hot WO Singles six weeks ago and has 12 17 2 U2 Sra,, (Faraway So Close) Island WC.EC.W.C.N.S.SW.SE 53 now climbed to number 46. See the frontpage of 13 12 16 FREDDIE MERCURY/Living On My Own Parlophone W.C.N.S 54 this week's issue of M&M for more details on this 14 15 3 WET WET WET/Shed A Tear Precious WC.W.C.N.S.SW.SE 52 CNR/Indisc-signed act. Polydor WC.EC.W.C.N.S.SW 61 15 21 3 BEE GEES, For Whom The Bell Tolls Second -highest entry for the new single of 16 16 8 DEF LEPPARD/Two Steps Behind Bludgeon RiFfola WC.W.C.N.S.SW 51 17 13 6 BEE GEES Paying The Price Of Love Polydor W.C.N.S 44 German producer Michael Cretu's Enigma 18 14 5 ETERNAL Stay 1st Avenue WC.EC.C.N.S.SE 52 project,Return To hmotmice. The track is picking 44 19 18 4 SOUL II SOUL Wish Funki Dreds EC.W.C.N.S.SW.SE up promising cross -regional airplay in the 38 20 19 12 OLETA ADAMS:Window Of Hope Fontana WC.C.N.S 32 Scandinavian territories as well as in Italy. Virgin 20 7 CHAKA DEMUS & PUERS/She Don't Let Nobody Mango WC.C.N 21 46 has just released Enigma's second album entitled 22 - NE RICK ASTLEY RCA WC.EC.W.C.N.S Brilliant WC.W.C.N.S 33 Enigma 2 The Cross Of Changesand worldwide 23 RE BITTY MCLEAN eeps Rainin' (Tears From My Eyes) - WC.EC.W N.S 28 24 NE 8JORK & DAVID ARNOW/Ploy Dead Island pre -orders have already exceeded the 1.5 million - WC.EC.W.C.N.S.SW 34 25 22 9 BEVERLEY CRAVEN/Love Scenes Epic mark, including 200.000 copies in Germany. tr,peoring on th-, chart the Region Of Signing isNorthwest. Enigma's debut album MCWCC a.D. sold .even million copies worldwide. Following the European novelty smashOur Dur radio ATLANTIC CROSSOVERS The top-playlisted North -American records on European D'Etre Ikhe.French toddler Jordy is back with the seasonal single Christmas, CentNoel.Taken Original Label Crossover Regions Total Stations TW LW WOC Artist/Title from the second albumPotion Magigiqueand A&M WC.EC.W.C.NW.N.S.SW.SE 187 included in the motion picture "Look Who's 1 1 8 BRYAN ADAMS/Please Forgive Me 137 MEAT LOAF/I'd Do Anything For Love (But I Won'tDo Virgin WC.EC.W.C.NW.N.S.SW.SE Talking Noss". the track is now getting playlist 2 2 10 Virgin WC.EC.W.C.NW.N.S.SW.SE 132 JANET JACKSON/Again reports from Italian and Spanish stations (including 3 4 5 Atlantic WC.EC.W.C.NW.N.S.SW.SE 117 4 3 10 MR. BIG/Wild World Columbia WC.EC.W.C.NW.N.S.SW.SE 106 an add on Cadent' 40 Principales/Madrick MARIAH CAREY/Hero 108 5 8 5 Columbia WC.EC.W.C.NW.N.S.SW.SE MachgielBakker MICHAEL BOLTON/Said I Loved You...ButI Lied 92 6 5 5 Columbia WC.EC.W.C.NW.N S.SE 7 6 16 SOUL ASYLUM/Runaway Train Arista WC.EC.W.C.NW.N.S.SW.SE 78 WHITNEY HOUSTON/Queen Of TheNight 71 8 7 6 Parlophone EC.W C.NW.N.S.SW TINA TURNER/ Why Must We WaitUntil Tonight 74 9 9 7 Capitol EC.C.NW.N.S.SE HEART/Will You Be There (In The Morning/ 72 The Regional Crossover charts track the cross -regional movement of 10 13 5 Interscope WC.EC.W.C.N.S.SW product. The Border Breakers chart ranks the 25 most successful 7 4 NON BLONDES/Spaceman 76 11 11 Columbia WC.EC.W.C.NW.N.S.SW.SE Continental European records making airplay impact outside their BILLY JOEL/All About Soul 61 12 16 6 Columbia WC.EC.W.C.N.S.SW snoluded 54 region of signing loirploy achieved in the original region is 13 10 16 BILLY JOEL/The River Of Dreams Columbia WC.EC.W.C.N.S 48 Tram the calculations). 14 12 16 MARIAH CAREY/Dream Lover Capitol WC.EC.W.C.NW.N.S.SW Got You Under My Skin 49 The second chart. Channel Crossovers, registers the 004 e+". 15 23 3 FRANK SINATRA & BONO/I've RCA WC.EC.W.C.NW.N.S.SW third kw 49 tration of UKisigned artists in nvoiniond Europe. while the 16 14 16 SWV/Right Here/Human Nature Geff WC.EC.W.C.NW.N.S.SW.SE Nall' 50 25, the Atlantic Crossover chart, ranks the most successful 17 19 7 AEROSMITH/Cryin' Capitol WC.EC.W.NW.N 52 American artists according to regional airplay impod m Eva** Interscope EC.W.C.N.S.SW.SE not 52 All three charts are norvfomnot specific 'Region Of Origin' is 19 15 16 4 NON BLONDES/What'sHEARTBREAKERS/Mary UP Jane's Last DanceMCA WC.EC.W.C.N,S.SW 54 necessarily on indication of when* the alto comes from but. mar Sr 21 3 TOM PETTY & THE Capitol EC.W.C.N.S.SW ol notional 20 Sun 50 'Aced y where he,' she ix signed An increasing number 11 CROWDED HOUSE/Distant WC.EC.W.C.N.S.SW aim...WV 21 17 SCORPIONS/Under The Same S 45 artists are signed so %reign' labels and WM moots to 4 Offside EC.C.NW.N.S.SW 22 20 Animal 41 the crossover impact of such deals Capitol WC.EC.C.NW.N.S.SW ceder of PO 34 far each record. "Crossover Regions' are Wed in 2 BUND MELON/No Rain (Aladdin's Theme) Columbia WC.C.NW.N.S 24 25 BEILE/A Whole New World lime airplay appearance 25 -- NE PEABO BRYSON & REGINA Of Signing is North Americo. this chart, the Region For all artists appearing on 1993 MUSIC & MEDIA DECEMBER 11,

AmericanRadioHistory.Com REGIONALAIRPLAY week 50/93

formats),listed by region The top-playlisted records on Europeanmusic radio (all WEST

111111114°111.11111111 --ows, Ir1.0. Mow [SW IS 4 I MS 1W IOU wcot xdiariov 1W LW W,N1 Orvassol to ROM. NA. '0=1Syr 0 044, 42 Lobel Syr A B Adds 1W IW wOC ANONSB BRYAN ADAMS/Please Forgive Me O&M 20 16 4 6 1 3 0 1 2 4 (Virgin/WEA) 39 32 70 (krirgin/WEA) 20 17 JANET JACKSON/ Again I 7 PHIL COWNS/Both Sides (Virgin) 26 23 3 0 1 1 6 PHIL COWNS/Bolh Sides 2 2 I 7 (Rost West) 35 26 9 3 19olytior)15 13 2 0 BRYAN ADAMS:Eieose Forgive Me 9 BEE GEES/Raying The Price Of key (A&M) 25 22 3 0 2 5 5 CHRIS REA/Julia 3 2 2 0 3 9 2 M PEOPLE/Don't Look (RCA) 34 2212 0 SWV/Right Here/Human Nature IRGAI 12 10 2 8 TAKE THAT FEAT. WLU/Relight My Fire 4 7 4 4 (deConstruction) 25 21 4 5 3 5 0 (Atlantic)15 9 6 0 3 7 MEAT LOAF/1'd Do Anything (A&M) 35 30 MR. BIG/Wild World (Virgin) 23 20 3 0 4 6 5 BRYAN ADAMS/Herne Forgive Me 5 8 6 5 4 9 (Parlophonel 34 29 5 0 (Columba)I 4 9 5 0 DINA CARROLL/Don't Be A Stranger 5 3 10 PET SHOP BOYS/Go West 6 6 13 MARIAN CAREY/Dtearn Luny 6 (A&M) 2121 0 0 11 0 (Columbia/ 109 I 4 - NE PET SHOP BOY5/I Wouldn't Normally (Allonlic) 33 22 FREDER/GOLDMANAIONES/Rouge (Parlophone) 22 17 5 9 6 4 8 MR. BIG/Wild World 7 - NE 7 7 5 (Virgin) 31 26 5 2 PAUL YOUNG/Now I Know What (Columbia) 16 11 5 I PAUUNE HENRY/Feel Like Making Love (Sony Soho Square) 0 7 8 5 MEAT LOAF/I'd Do Anything 8 5 7 8 20 15 5 12 0 4 0 5 5 MARIAN CAREY/Hero (DEP International) 29 17 U840/Higher Ground PEP Internotianall 106 (Columbia( 19 17 2 0 8 7 13 UB40/Higher Ground 9 3 7 9 - NE U840 Bring Me Your Cup (Mega/Metronome) 26 20 6 4 ROCH VOISINE/I'll Alwoys Be There IGM) 13 10 3 I (DEP International)19 12 7 8 9 17 3 ACE OF BASE/The Sign 10 12 4 10 17 3 (deConstruction) 24 18 6 I 7 5 0 URBAN COOKIE/Feels Like Heaven M PEOPLE/Moving On Up WHITNEY HOUSTON/amen Of The Night(Arian) 12 (Pulse 8)18 12 6 1 10 12 3 II 14 3 11 12 4 CULTURE BEAT/Got To Get II (Columbia) 25 1510 I iPorloyhone)14 II 3 1 (Dance Pool)16 13 3 0 11 13 8 PAUL YOUNG/Now !Know What 12 13 5 PET SHOP BOYS/Go West 12 9 1 9 2 0 6 3 CROWDED HOUSE/Nails In My Feet PRINZEN/All. Nur Geklaul (Homo) 24 15 BILLY JOEL/The River Of Dreams (Coker/5.1 11 (Capitol) 20 13 7 I 12 14 7 13 9 9 13 18 2 GABRIELLE/I Wish (Porlophone) 22 16 6 0 (Virgin)13 12 I 2 Kro!Beat) 18 16 2 I 13 11 14 FREDDIE MERCURY/Living On 14 11 7 ALAIN SOUCY:ION/Facile Sentimentole 14 I 15 4 (GolBeat) 23 1310 1 1 ELTON JOHN & KIKI DEE/True Love (Rocket) GABRIEUE/Goin' Nowhere (Warner Brothers) 98 19 18 I I 14 18 4 15 18 3 R,E.ht/Everybody Hurts 15 I - NE U2/Stay (Faraway So Close) (Tug) 22 1210 (Poly:dor)13 9 4 4 (Island) 17 10 7 3 15 20 2 RIGHT SAID FRED/Bumped 16 - NE LEMPER/MENGO/Poder D'Amour 16 11 3 SOUL ASYLUM/Runaway Train (Columbia) 25 1510 0 00 (Columbia) 19 15 0 16 16 15 SOUL ASYLUM/Runaway Train GABRIELLE/Dreams IG018eat) 10 10 17 4 17 16 13 20 2 BEUNDA CARLISLE/Loy Down (Interscope) 20 1010 0 (keep) 128 4 I (Offside) 17 11 6 2 17 10 21 4 NON BLONDES/What's Up 18 20 2 MARC LAVCNNE/Je Me Suffiros 18 - NE BILLY JOEL/The River Of Dreams (Columbia) 20 17 3 0 (Porlciabortel12 10 2 0 DOOBIE BROS/Long Troin Rennin' (Warner Brothers) 19 17 2 3 18 9 18 19 10 13 FREDDIE MERCURY/Irving On 19 16 3 (Interscopel 23 16 7 0 3 I MICHAEL BOLTON/Said I Loved 2 4 NON BLONDES/Spocenon )Done Pool) 11 8 (Columbia)19 16 3 1 19 19 20 - NE CULTURE BEAT/Got To Get It 20 t- NE USA STANSFIELD/Little Bit (Electrolo) 21 912 0 (Arista)16 12 4 6 20 15 8 HERBERT GRONEMEYER/Land Unto:

MOST ADDED MOST ADDED MOST ADDED CHRISTIANS/The Perfect Moment II) R.E.M./Find The River (Virgin) (Warner Brothers) ENIGMA/Return To Innocence UTE TEMPER & ART MENGO/Poder D'Amour INTdad CHAKA DEMUS & PUERS/Twist And Shout (Bludgeon Riffola) (Mong.) DEF LEPPARD/Two Steps Behind STEPHAN EICHER/Rivore (Bordayl PET SHOP BOYS/I Wouldn't Normally Do This Kind Of Thing (Coconut) (Porlophone) HADDAWAY/I Miss You RDA MITSOUKO/V'o D'16 Home fDekiseJ1 U1140/Bring Me Your Cup (Columbio/ (DEP Intemotional) MICHAEL BOLTON/Said I Loved You...Bul ILied FREDERICKS, GOLDMAN & JONES,' Rouge (Columba) LISA STANSFIELD/Little Bit Of Heaven (Arista) ACE OF BASE/The Sign (Mega/Metronome)

NORTH WEST CENTRAL SOUTH

.Assatw W Rows w. 0,nolto Boas. Ned Orwasoi Toran NA. A B add Lobel SyrRow B Adds rw LW WC< Arno', Lai 5s LW LobelSo A 8 Adds iw LW WOO MiVROa

20 le 6 1 (Rocket)14 10 4 2 1 1 8 PHIL COWNS Both Sid. (Virgin/WEA 1 1 7 BRYAN ADAMS/Please Forgive Me )ABM) 44 37 7 1 1 2 4 ELTON JOHN 8 KIK1 DEE/True Love 8 BRYAN ADAMS Please Forgive Me (.5124.5 19 13 Al 6 1 2 3 2 2 4 ACE OF BASE/The Sign (Mego/Metronome) 45 42 3 3 2 9 5 JANET JACKSON/Again (Virgin)14 8 9 6 7 3 2 8 USA STANSFIELD/So Natural lAnsto15 0 3 5 4 JANET JACKSON/Again (Virgin) 38 2513 2 3 8 2 MARIAH CAREY/Hero (Columbia) 12 5 3 9 5 0 (A&M) 15 11 4 0 4 5 5 FRANK SINATRA & BONO/P. Got You (Capitol 14 4 3 10 MEAT LOAF/I'd Do Anything (Virgin) 32 26 6 O 4 1 6 BRYAN ADAMS/Please Forgive Me 7 1 5 7 3 FRANCESCO BACCINI Ho Voglia ICGD 9 2 5 4 8 PHIL COWNS/Bont Sides (Virgin/WEA) 37 26 11 O 5 4 7 PHIL COLUNS/Both Sides (Virgin/Vv'EA(16 12 4 I 5 8 / 4 I 6 9 6 TAKE THAT FEAT. LUW : Relight My Fire (RCN 13 6 11 3 MARIAN CAREY/Hero (Columbia) 31 24 7 2 6 7 5 VALENSIA/Goia (Mercury)10 6 7 12 4 MICHAEL BOLTON/ Sold I Loved )Columba14 9 5 1 7 7 5 HEART/Will You Be There (Capitol) 31 18 13 0 7 5 6 TINA TURNER/Disco Inferno (Parlophonel 129 3 0 8 4 0 8 8 6 INXS/The Gift (Money ICI 3 7 0 8 9 6 CHRIS REA/Julia (East West) 31 24 7 0 8 15 8 M PEOPLE/Moving On Up (deConstruction) 12 (VirginIA 12 2 2 10 1 0 9 14 2 MEAT LOAF/I'd Do Anything 9 6 10 MR. BIG/Wild World (Adontic) 28 1810 1 9 13 11 PET SHOP BOYS/Go West (Porlophonel 11 9 3 0 10 11 3 STADIO1Un Disperoto Bisogno D'Amore (EMI 8 5 3 0 10 10 4 RIGHT SAID FRED/Bumped (Tug) 30 19 11 3 10 3 6 MEAT LOAF/I'd Do Anything (Virgin)12 7 7 O 3 5 4 1 11 NE JOVANOTD/Penso Positivo )Merory 11 8 8 TAKE THAT FEAT. WW/Relight My Fire (RCA) 27 1413 O 11 - RE CHAKA DEMUS & PUERS/She Don't (Mango) 9 - 7 6 I I 8 5 3 2 12 17 3 CULTURE BEAT/Got To Get It (Decree Pool13 12 14 3 MICHAEL BOLTON/Said I Loved (Columbia) 27 18 9 12 14 U2/Stay (Faraway So Close) (Islond) 13 6 9 MR. BIG/Wild World Wore.) 10 3 7 0 13 13 6 M.LT.R./Wild Women (EMI Medley) 28 1810 I 13 -- NE2 WORK/ARNOLD/Nay Dead (blond' 6 6 0 4 3 8 0 1 BILLY JOEL/All About Soul 9 4 5 2 14 4 8 GABRIELLE/Gain' Nowhere *0240 I1 14 15 4 ETERNAL/Stay (EMI) 24 1410 14 - NE (Columbia) 3 7 4 0 15 NE SOUL II SOUL/Wish 15 - NE (Geffen) 17 11 6 15 10 10 SOUL ASYLUM/Runaway Trod (Columbia) 11 , 9 1 16 16 2 WHITNEY HOUSTON/Ou.n Of The Night (Arista)11 9 2 0 16 10 12 PAUL YOUNG/Now I Know What (Columbia) 12 8 4 0 16 12 3 ORUP/Vid MM Faders Grav (Metronome) 24 15 (Porlophone) 22 11 11 0 17 6 5 TOM PETTY/Mory Jane's (MCA) 8 2 6 0 17 r- NE ADAMS/SIEWART/51114G/A8 For lam (Haywood) 77 0 17 18 12 PET SHOP BOYS/Go West (Rocket) 24 17 7 3 18 - NE BEE GEES/For Who The Bell Tolls (Polydor)10 5 5 2 18 -- NE PRINCE Pn, :L,Ownpre (Paisley Pork) 6 4 2 18 - NE ELTON JOHN Si KIK1 DEE/True Love IdeConstruction) 19 11 8 0 19 - RE ROBBIE VALENNE/Megamon (Polydor) 6 3 3 0 19 19 6 FRANCO BATTlATO/Coffe' De Lo Pain (EMS) 10 4 6 19 17 9 M PEOPLE/Moving On Up (Cdumbio) 19 10 9 0 20 19 3 RENe FROGER/Colling Out (Dino) 8 5 3 0 20 16 2 4 NON BLONDES: Spocernon Ilreerscope) 96 3 0 20 16 12 PAUL YOUNG/Now I Know What

MOST ADDED MOST ADDED MOST ADDED ROBIN s/whor I Do Best PAUL YOUNG/Hope In A Hopeless World (Columbia( (Big Beat) BRYAN ADAMS, ROD STEWART & STING/All Far love ilicarecod) (RCA) BlORK & DAVID ARNOLD/Play Dead (Island) SOUL II SOUL:Wish (Fuld Dreds) LIS SORENSEN/Forvandling (Eleldro) ACE OF BASE/The Sign (Mega/Metronome) JOVANOTT1 Rositivo 10,000 MANIACS/Because The Night (Mercury' (Pulse 8) MARIAH CAREY/Hero DAVID BOWIE URBAN COOKIE COLLECINE/Feels Like Heaven (Columbia) -rho OF Suburbs (Aruba) ica,mbio) HADDAWAY/I Miss You (Coconut( CHRIS REA BILLY JOEL/All About Soul Tog WWI

EAST CENTRAL -1 Onginol los Rworion NoBs So A 8 Adis 1obe1 WV LW WOC Ariv(Tot. Ss6 6eldb (Virgin/WEA) 108 2 1 1 1 7 MEAT LOAF I'd Do Ansll, - _, 1 8 PHIL COWNS/Both Sides II 7 4 0 1 5 3 1 (Vv9iel BRYAN ADAMS/Please Forgive Me )A&M) 8 2 6 6 PHIL COLLINS' Both Sick, 2 2 5 (Veg./WEN1310 3 0 7 6 1 1 ELTON JOHN 8 KIK1 DEE/True Love (Rocket) 3 - NE ELTON JOHN & KNO DEE..InJe Love 3 4 3 )Rocket)107 3 5 (Epic) 5 4 I 3 4 GLORIA ESTEFAN/Ayer 7 6 BILLY JOEL, All About Soul (Columbia)II 9 2 0 - NE (Columbia) 6 2 4 1 5 2 5 BRYAN ADAMS/Pease Forgive Me 5 9 2 MANUEL ILLAN/Resistire 0 (A&M)1310 3 0 COMPLICES/Pintar De Arco Iris (RCA)6 3 3 6 4 5 JANET JACKSON/Agora 11 6 7 4 8 2 6 0 (Vil.) 5 0 ICopitol) 7 5 CROWDED HOUSE/Distant Sun 5 MARIAhl CAREY/Hero ((Jumbo)13 7 - RE 5 3 2 0 6 7 0 (EMI) 8 3 4 CHRIS REA 'Ado EL ULTIMO DE LA FILA/Mar Antigun (Boa VAN 11 7 5 5 4 (Interscope) 7 3 4 2 0 9 20 2 MICHAEL BOLTON/Said I Loved I1 2 4 NON BLONDES/Spocemon 0 (Columbia) 95 4 3 9 1P9r6Phonel 8 3 5 10 TINA TURNER/Why Must We 13 5 TAKE THAT FEAT. WW/Relight My fire (RCA) 9 10 8 7 (Columbia) 6 3 3 0 8 1 0 MICHAEL BOLTON/Sold I Loved 11 ii.. NE HEART/Will You Be There 11 13 3 (Island) 6 2 4 1 (Caplan 65 1 2 12 10 4 WHITNEY HOUSTON/Queen Of The Night 12 6 11 (EMI) 6 3 3 0 (Ansel) 97 2 0 AMISTADES PELJGROSAS/Me Hoc. 13 - NE WONDER STUFF/Tull Of Life 13 20 S (Porlophonel 5 2 3 0 95 4 PAUL MCCARTNEY/Biker Like 14 15 5 INKS.oYhe Gik 14 15 2 (DGC) 5 2 3 2 (Meecury) 9 6 3 1 NIRVANA/Rape Me 15 t- NE TOM PETTY/Mary Jone's 15 - NE (DRO) 5 2 3 1 IMCA/ 6 5 1 0 CELTAS CORTOS/Tranquilo Mojete 16 B 5 USA ST/WS/ED/So NoMal NE (EMI) 4 2 2 0 (Aram)10 6 4 0 16 Varodo 17 NE HEROES DEL SILENCIO/La Sirens 2 2 - GUNS N' ROSES/Ain't It Fun 17 18 3 (Columbia) 5 3 6 2 4 3 18 = NE *) 18 NE MARIAN CAREY/Hero (Epic) 4 0 4 0 PAUL YOUNG/Hope In A (Columbia) 7 3 REBELDES/La Roo 0 Lo Cruz 19 9 4 1 4 1 MIDNIGHT 011./In 11ke Valley. 19 RE (Mercury) 6 2 (Columba/ 6 4 2 0 INXS/The Gift 20 12 3 RIGHT SAID FRED/Bumped 20 19 6 (Tagil 6 4 2 0 MOST ADDED MOST ADDED (Epic) (Reprise) WONDER STUFF/Full Of Life GLORIA ESTEFAN/Ayer (Folydor) ELTON JOHN & KJKI DEE/1rue Lune ERIC CLAPTON/Stone Free IDGCI (Rocket) (Columbia) BEE GEES/For When The Boll To% NIRVANA/Rope Me 19olydor) (Interscope) HADDAWAY/I Miss You MARIAN CAREY/Hero (Coconut) BEUNDA CARUS1E/Lay Down Your Arms 4 NON BLONDES/Spoceman 10111*

N = NORTH: Scandinavia British Isles (Sweden, Denmork, Norway, Iceland, Finland). SW = SOUTHWEST: Iberia (Sonia, P9'1,991) NW = NORTHWEST: - Ireland). WC = WEST CENTRAL Dutch -Language areas EC = EAST CENTRAL: East Central area (United Kingdom, -Language areas (Holland, Flanders/Belgium) (Czech Republic, Slovakia. Hungary, Poland) Luxembourg). C = CENTRAL: Germanparts of Switzerland, = SOUTH: Italian -Language areas (Germany, Austria, SE := SOUTHEAST. Balkan loo chart compiled yet). (Italy, Ticino/Switzerland, Malta) NE = NORTHEAST: Baltic area (no chart compiled Francophone areas yet) (F = WEST: of Switzerland, Monaco). E = EAST Eastern area (no

11, 1993 MEDIA DECEMBER MUSIC & 35

AmericanRadioHistory.Com Laura Fygi eAztideteci,

THIELEMANS I HARMONICA .11b. JOHNNY GRIFFII TENOR SAXOPHONE CLARK TERRY s .11 TRUMPET, FLUGELHORN THE LONDON STUDIO SYMPHONY ORCHESTRA,

Not since Natalie Cole'slush masterpiece Unforgettable havea group of standards claimed such a worthy messengeras Dutch chanteuse Laura Fygi, and a keenobserver might even find a higher degree ofauthen- ticity in Fygi's U.S. debut, Bewitched,than the Grammy stormer. This perfectlycaressed collection of Tin Pan Alley classicsincludes not only the Billie Holiday clutchof 'Good Morning Heartache but 'I OnlyHave Eyes For You', where Laura whispersas though she's wearing Sade's pajamas.Fygi sings a class of music that has beensuspiciously missing sincethe period 30 or soyears ago when women ruled thecabarets, musicals, and soul. iJazziz- September '93)

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