Holocaust Survivor Recounts 5 Years of Tragedy Swan Dive
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Songs by Title Karaoke Night with the Patman
Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P. -
Big Hits Karaoke Song Book
Big Hits Karaoke Songs by Artist Karaoke Shack Song Books Title DiscID Title DiscID 3OH!3 Angus & Julia Stone You're Gonna Love This BHK034-11 And The Boys BHK004-03 3OH!3 & Katy Perry Big Jet Plane BHKSFE02-07 Starstruck BHK001-08 Ariana Grande 3OH!3 & Kesha One Last Time BHK062-10 My First Kiss BHK010-01 Ariana Grande & Iggy Azalea 5 Seconds Of Summer Problem BHK053-02 Amnesia BHK055-06 Ariana Grande & Weeknd She Looks So Perfect BHK051-02 Love Me Harder BHK060-10 ABBA Ariana Grande & Zedd Waterloo BHKP001-04 Break Free BHK055-02 Absent Friends Armin Van Buuren I Don't Wanna Be With Nobody But You BHK000-02 This Is What It Feels Like BHK042-06 I Don't Wanna Be With Nobody But You BHKSFE01-02 Augie March AC-DC One Crowded Hour BHKSFE02-06 Long Way To The Top BHKP001-05 Avalanche City You Shook Me All Night Long BHPRC001-05 Love, Love, Love BHK018-13 Adam Lambert Avener Ghost Town BHK064-06 Fade Out Lines BHK060-09 If I Had You BHK010-04 Averil Lavinge Whataya Want From Me BHK007-06 Smile BHK018-03 Adele Avicii Hello BHK068-09 Addicted To You BHK049-06 Rolling In The Deep BHK018-07 Days, The BHK058-01 Rumour Has It BHK026-05 Hey Brother BHK047-06 Set Fire To The Rain BHK021-03 Nights, The BHK061-10 Skyfall BHK036-07 Waiting For Love BHK065-06 Someone Like You BHK017-09 Wake Me Up BHK044-02 Turning Tables BHK030-01 Avicii & Nicky Romero Afrojack & Eva Simons I Could Be The One BHK040-10 Take Over Control BHK016-08 Avril Lavigne Afrojack & Spree Wilson Alice (Underground) BHK006-04 Spark, The BHK049-11 Here's To Never Growing Up BHK042-09 -
STARQUEST INTERNATIONAL REGIONAL PERFORMING ARTS COMPETITION Woodbridge, VA I
STARQUEST INTERNATIONAL REGIONAL PERFORMING ARTS COMPETITION Woodbridge, VA I 16. Road To Royalty [Classic] Friday, February 15, 2019 Syniya Harris Age 13 17. Americano [Classic] Dinah Mckemie Nova/Classic Teen Solo Competition 18. Instruction [Classic, Teen Miss] 4:30 PM Emma Kohstall 19. What Have You Done For Me [Classic] Teen Solo Noelle Watson Character Age 14 20. Hot Like Wow [Classic] Age 12-14 1. Get Back Up Again [Nova] Sionna Williams Elyse Lohmeyer Pointe 2. Playtime [Nova] Age 12-14 Niarra Bell 21. Variation From Grand Pas Classique [Classic] Contemporary Caroline Holmes Age 14 Lyrical 3. The Wisp Sings [Nova] Age 12 Zara Nti-Brew 22. Elastic Heart [Classic] Lyrical Cecilia Qi 23. I Look To You [Classic] Age 12 4. Turn Me Loose [Nova] Elena Wong Madison Lowe 24. If No One Will Listen [Classic] Alivia Augrom Musical Theatre 25. Strangers [Classic] Age 12-14 Addison Harvey 5. King Of New York [Nova] 26. The Voice Within [Classic] R J Ruiz Lauryn McDonald Contemporary Age 13 Age 13 27. All Of Me [Classic] 6. Changes [Classic] Amber Li Yalien Allen 28. Beautiful Things [Classic] 7. Sky Full Of Song [Classic] Lydia Taylor Ellie Grieco 29. Elephant [Classic] Age 14 Julia Shen 8. Longing [Classic] 30. Fear Is A Liar [Classic, Teen Miss] Aliya Hinedi Lilly Kohl 9. Origins [Classic] 31. North [Classic, Teen Miss] Julia Kieler Izzy Proctor 32. Over The Love [Classic] Hip Hop Ava Dresch Age 12-14 Age 14 10. #hats4life [Classic, Teen Miss] 33. Everything Is Lost [Classic] Simone Goldenberg Lucca Muta 11. -
Weather Holds for Fall Fest in Downtown Clinton Last Weekend
A Hamilton College Student Publication, Clinton, NY October 31, 2008 Volume XLIX Number 8 THE SPECTATOR Larcenies of Many Vehicles on Election Campus have Students Concerned Debate by Russ Doubleday ’11 Department to help find the thief (or navigation systems in students’ cars, NEWS WRITER thieves, potentially). Officials do not especially considering the majority of know if the perpetrator (s) are students students did not grow up near the col- Raises Last week, Campus Safety respond- or community residents. lege. These devices need to be placed ed to three thefts from cars parked on It is not uncommon to find GPS see Cars, page 3 various lots on the south side of campus. Awareness These events occurred on Wednesday, by Daniel Steinman ’12 October 22 and Thursday, October 23. NEWS WRITER The first two larcenies took place in the Root Extension parking lot, and the The College Democrats and Col- third incident took place in the upper lege Republicans held a debate on Milbank lot. some of the critical national issues Francis Manfredo, director of cam- voters are considering this election pus safety, noted that the thieves were in the Chapel Wednesday evening. only stealing from certain cars. “The Over the course of an hour, the con- perpetrator(s) have been targeting GPS versation moved from national secu- navigation [systems] and other elec- rity to economic policy, and finally tronic equipment,” explained Manfredo. Supreme Court and judicial policy, “[They] seem to be keying in on vehicles spending about 20 minutes on each that have the suction cup mounts left in subject. -
The Gates ACADEMY of NOTRE DAME DE NAMUR VILLANOVA, PA
The Gates ACADEMY OF NOTRE DAME DE NAMUR VILLANOVA, PA Vol. XLV No. 1 Fall 2010 Neverland at Notre Dame The Mother-Daughter By Kerri DelCollo, ‘13 and Morgan Sanei, ‘13 Picnic On September 25th, Notre Dame was By Haley Curtin, ‘13 transformed into Neverland, complete with The annual Mother-Daughter picnic was a crocodiles and pixie dust. Fifty-one boys and huge success yet again! The picnic is always the best girls from the Gesu School in Philadelphia filled way to open up the new school year and this year the Cuvilly gym, where they received their own was no different. It’s a great chance for new students pair of fairy wings and a Big Sister with whom to get to know each other, and for all of the moms to spend the day. The children, ranging from to meet one another. The DJ played great music and kindergartners to third graders, ran all over cam- students had fun dancing and laughing with their pus participating in various activities. A moon friends. The class of 2011 wowed everyone with their bounce, face painting, and arts and crafts were group dance and managed to stand still long enough just half the fun! In addition to the games, they for a group photo. The Shamrock Shop was stocked received great prizes and a filling lunch, thanks to the donations of the Notre Dame with many new items and the lines in Launfal were community. The kids also enjoyed a visit from Peter Pan and Tinkerbell, who wan- out the door. -
Masculinity in Emo Music a Thesis Submitted to the Faculty of Arts and Social Science in Candi
CARLETON UNIVERSITY FLUID BODIES: MASCULINITY IN EMO MUSIC A THESIS SUBMITTED TO THE FACULTY OF ARTS AND SOCIAL SCIENCE IN CANDIDACY FOR THE DEGREE OF MASTER OF ARTS DEPARTMENT OF MUSIC BY RYAN MACK OTTAWA, ONTARIO MAY 2014 ABSTRACT Emo is a genre of music that typically involves male performers, which evolved out of the punk and hardcore movements in Washington DC during the mid-80s. Scholarly literature on emo has explored its cultural and social contexts in relation to the “crisis” of masculinity—the challenging of the legitimacy of patriarchy through “alternative” forms of masculinity. This thesis builds upon this pioneering work but departs from its perpetuation of strict masculine binaries by conflating hegemonic and subordinate/alternative masculinities into a single subject position, which I call synergistic masculinity. In doing so, I use emo to explicate this vis-à-vis an intertextual analysis that explores the dominant themes in 1) lyrics; 2) the sites of vocal production (head, throat, chest) in conjunction with pitch and timbre; 3) the extensional and intensional intervallic relationships between notes and chords, and the use of dynamics in the musical syntax; 4) the use of public and private spaces, as well as the performative masculine body in music video. I posit that masculine emo performers dissolve these hierarchically organized masculinities, which allows for a deeper musical meaning and the extramusical signification of masculinity. Keywords: emo, synergistic masculinity, performativity, music video, masculinities, lyrics, vocal production, musical syntax, dynamics. ABSTRAIT Emo est un genre musical qui implique typiquement des musiciens de sexe masculine et qui est issu de movement punk et hardcore originaire de Washington DC durant les années 80. -
Albany, NY - March 10-12, 2017 Results Solo Intermediate ~ Mini PLACEMENT ENTRY ROUTINE TITLE STUDIO NAME SCORE
Albany, NY - March 10-12, 2017 Results Solo Intermediate ~ Mini PLACEMENT ENTRY ROUTINE TITLE STUDIO NAME SCORE 9TH 345 OUTSIDE LOOKING IN (ELLIE STIMSON) Leslie School of Dance 237.5 8TH 344 FRIEND LIKE ME (SADIEMAE SCHWALB) The Dance Experience 243 7TH 319 MONEY (SABRINA O'CONNOR) Leslie School of Dance 244 6TH 196 SHINE ON YOUR SHOES (BAILEY KELLER) Eleanor's School of Dance 250 6TH 219 I'M GONNA SIT RIGHT DOWN (ADDISON FURZE) JDC Dance Center 250 Ballet and All That Jazz, 5TH 331 KEEP ON DANCING (SYDNEY GIER) 251 LLC 4TH 211 HONEYBUN (AVA JONES) Eleanor's School of Dance 252 4TH 123 TAKE A LITTLE ONE STEP (EMILY HYE) JDC Dance Center 252 3RD 128 BLAME IT ON THE BOOGIE (SOPHIA JACKSON) JDC Dance Center 252.5 3RD 353 BABY FACE (ASHYTN BARTHELMAS) Class Act Dance 252.5 2ND 221 IT'S A SMALL WORLD (RILEY MARX) JDC Dance Center 262 1ST 356 BORN TO ENTERTAIN (MACIE KUNATH) Class Act Dance 262.5 Solo Intermediate ~ Junior PLACEMENT ENTRY ROUTINE TITLE STUDIO NAME SCORE 10TH 235 MISS INVISIBLE (ARIANNA BENNETT) Class Act Dance 251.5 PARDON MY SOUTHERN ACCENT (ALYSON 9TH 138 JDC Dance Center 252.5 O'CONNOR) Art In Motion Dance 8TH 394 LANDSLIDE (MORGAN HANNAFIN) 253 Academy 7TH 146 UNSTEADY (GRACE CERNIGLIA) The King's Dancers 253.5 Premier Dance Performing 6TH 320 WAKE ME UP (PAYTEN BRETON) 254 Arts Center 5TH 93 MR. PINSTRIPE SUIT (MESKILL AMELIA) Class Act Dance 256 The Isabelle School of 4TH 135 WALKING PAPERS (EMILY MARX) 258.5 Dance Premier Dance Performing 3RD 100 SHOWOFF (KEEGAN ROGERS) 260.5 Arts Center Premier Dance Performing 2ND -
Guitar Magazine Master Spreadsheet
Master 10 Years Through the Iris G1 09/06 10 years Wasteland GW 4/06 311 Love Song GW 7/04 AC/DC Back in Black + lesson GW 12/05 AC/DC Dirty Deeds Done Dirt Cheap G1 1/04 AC/DC For Those About to Rock GW 5/07 AC/DC Girls Got Rhythm G1 3/07 AC/DC Have a Drink On Me GW 12/05 ac/dc hell's bells G1 9/2004 AC/DC hell's Bells G 3/91 AC/DC Hells Bells GW 1/09 AC/DC Let There Be Rock GW 11/06 AC/DC money talks GW 5/91 ac/DC shoot to thrill GW 4/10 AC/DC T.N.T GW 12/07 AC/DC Thunderstruck 1/91 GS AC/DC Thunderstruck GW 7/09 AC/DC Who Made Who GW 1/09 AC/DC Whole Lotta Rosie G1 10/06 AC/DC You Shook Me All Night Long GW 9/07 Accept Balls to the Wall GW 11/07 Aerosmith Back in the Saddle GW 12/98 Aerosmith Dream On GW 3/92 Aerosmith Dream On G1 1/07 Aerosmith Love in an Elevator G 2/91 Aerosmith Train Kept a Rollin’ GW 11/08 AFI Miss Murder GW 9/06 AFI Silver and Cold GW 6/04 Al DiMeola Egyptian Danza G 6/96 Alice Cooper No More Mr. Nice Guy G 9/96 Alice Cooper School's Out G 2/90 alice cooper school’s out for summer GW hol 08 alice in chains Dam That River GW 11/06 Alice in Chains dam that river G1 4/03 Alice In Chains Man in the Box GW 12/09 alice in chains them bones GW 10/04 All That Remains Two Weeks GW 1/09 All-American Rejects Dirty Little Secret GW 6/06 Allman Bros Midnight Rider GW 12/06 Allman Bros Statesboro Blues GW 6/04 Allman Bros Trouble no More (live) GW 4/07 Allman Bros. -
Rising Book Prices Plague Students
THE STUDENT NEWSPAPER OF MERCYHURST COLLEGE SINCE 1929 A&E SPORTS Student-produced Men’s hockey musical ‘Grease’ scores victory opening at the PAC over Team USA Page 5 Page 8 Vol. 79 No. 14 Mercyhurst College 501 E. 38th St. Erie Pa. 16546 February 8, 2006 THE MERCIAD Rising book prices plague students Students should blame their empty wallets on the publishing companies and not the college bookstore book buyback in an effort to make prof- By Jeff Allen its. Some mark their prices up as high as Contributing writer 26 percent. Mercyhurst, however, only charges 20 percent. Many college students across the This means instances arise where nation frequently complain about students are sold books below the sug- buying and selling textbooks. gested retailer price. Many students feel they should get Mercyhurst has a contract with the back a larger amount of money when Follett company for book buyback. they sell their books back. Follett is renowned for being one of When asked about selling back her the largest of six publishing companies. books, junior Ashley Leute said, “I This means it can supply Mercyhurst spend a ton of money buying my books with a large, diverse amount of books. and receive a small amount of cash Follett is also recongized for its con- when I sell them back.” sideration of students and fair pricing. However, book buyback is not a According to Dan Cullen, general simple process. manager of the Mercyhurst bookstore, The supply of textbooks fl uxuates another advantage the students have are frequently. Books are bought and sold teachers who are conscious about book based on the college’s need to supply prices and usage. -
Contwe're ACT
Media contacts for Linkin Park: Dvora Vener Englefield / Michael Moses / Luke Burland (310) 248-6161 / (310) 248-6171 / (615) 214-1490 [email protected] / [email protected] / [email protected] LINKIN PARK ADDS BUSTA RHYMES TO 2008 SUMMER TOUR ACCLAIMED HIP HOP INNOVATOR WILL PERFORM WITH LINKIN PARK, CHRIS CORNELL, THE BRAVERY, ASHES DIVIDE ON PROJEKT REVOLUTION MAIN STAGE REVOLUTION STAGE HEADLINED BY ATREYU AND FEATURING 10 YEARS, HAWTHORNE HEIGHTS, ARMOR FOR SLEEP & STREET DRUM CORPS TOUR BEGINS JULY 16 IN BOSTON Los Angeles, CA (June 3, 2008) – Multi-platinum two-time Grammy-winning rock band Linkin Park has announced that acclaimed hip-hop innovator Busta Rhymes will join their Projekt Revolution 2008 lineup. Rhymes and Linkin Park recently collaborated on “We Made It,” the first single and video from Rhymes’ upcoming album, Blessed. By touring together, Linkin Park & Busta are taking a cue from the chorus of their song: “…we took it on the road…”. As recently pointed out in Rolling Stone’s “Summer Tour Guide,” the tour will see nine acts joining rock superstars Linkin Park, who are also offering concertgoers a digital souvenir pack that includes a recording of the band’s entire set. As the band’s co-lead vocalist Mike Shinoda told the magazine, “That puts extra pressure on us to make sure our set is different every night.” The fifth installation of Linkin Park’s raging road show will see them headlining an all-star bill that features former Soundgarden/Audioslave frontman Chris Cornell, electro-rockers The Bravery and Ashes Divide featuring Billy Howerdel, known for his work with A Perfect Circle. -
Étude De La Normativité Sexuelle Contemporaine Le Cas D’Une Communauté De Pratiques BDSM
Étude de la normativité sexuelle contemporaine Le cas d’une communauté de pratiques BDSM Mémoire Caroline Déry Maîtrise en sociologie Maître ès arts (M.A.) Québec, Canada © Caroline Déry, 2017 Étude de la normativité sexuelle contemporaine Le cas d’une communauté de pratiques BDSM Mémoire Caroline Déry Sous la direction de : Madeleine Pastinelli, directrice de recherche Résumé Afin de cerner la teneur de la normativité sexuelle en contexte contemporain, cette étude prend pour objet les discours de praticien-ne-s de BDSM (bondage, discipline, domination, soumission, sadomasochisme) et la manière dont ces derniers font l’expérience du regard des autres sur leurs pratiques. L’étude montre que le type de rapport au jeu des praticien-ne- s influence leur rapport à la norme. Selon que les praticien-ne-s cherchent ou non à gommer la distance entre leur rôle dans le cadre du jeu et leur identité sociale, ils sont susceptibles de se positionner en rupture ou en continuité vis-à-vis de la normalité sexuelle. Tandis que ceux qui cherchent à quotidianiser leur pratique adoptent une attitude de distinction et conçoivent la sexualité normale comme étant ennuyeuse, les autres qui conçoivent le BDSM comme un jeu circonscrit dans des moments spécifiques sont portés à normaliser leurs pratiques et à les situer dans le prolongement de la normalité sexuelle. Les distinctions entre les deux types de rapport au BDSM (celui des tenant-e-s de la vieille école et des joueurs) portent essentiellement sur leur rapport aux coulisses du jeu et à la distance vis-à- vis des rôles. Les praticien-ne-s ne ressentent que très peu de stigmatisation auprès d’autrui. -
Your Post Has Been Removed
Frederik Stjernfelt & Anne Mette Lauritzen YOUR POST HAS BEEN REMOVED Tech Giants and Freedom of Speech Your Post has been Removed Frederik Stjernfelt Anne Mette Lauritzen Your Post has been Removed Tech Giants and Freedom of Speech Frederik Stjernfelt Anne Mette Lauritzen Humanomics Center, Center for Information and Communication/AAU Bubble Studies Aalborg University University of Copenhagen Copenhagen København S, København SV, København, Denmark København, Denmark ISBN 978-3-030-25967-9 ISBN 978-3-030-25968-6 (eBook) https://doi.org/10.1007/978-3-030-25968-6 © The Editor(s) (if applicable) and The Author(s) 2020. This book is an open access publication. Open Access This book is licensed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/ by/4.0/), which permits use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made. The images or other third party material in this book are included in the book’s Creative Commons license, unless indicated otherwise in a credit line to the material. If material is not included in the book’s Creative Commons license and your intended use is not permitted by statutory regulation or exceeds the permit- ted use, you will need to obtain permission directly from the copyright holder. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use.