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Yale SOM Case 14-020 Herman Miller
yale case 14-020 december 15, 2014 (rev. february 10, 2016) Herman Miller Preserving and Leveraging Culture in a Strategic Shift Charles Euchner1 “Inspiring designs to help people do great things” Herman Miller mission statement Approaching his tenth anniversary as CEO of Herman Miller (NASDAQ: MLHR), Brian Walker found himself in a pensive frame of mind, reflecting on what had been accomplished during his tenure and on the future challenges ahead. It was the end of 2014, two and a half years since Walker had announced a major strategic initiative that he called “Shift.” The strategy would take the furniture company far from its roots in rural West Michigan, expand its product line, and develop more direct connections to consumers. Walker knew he was steward to a storied company with a distinctive place in corporate history. Through its emphasis on design, Herman Miller had been in the vanguard of the modernist movement in furniture and had become a leader in providing cutting-edge office fixtures. The company also set audacious goals to protect the environment and established a major institute on facility management. Through it all, the company culture honored the evangelical Christian values of West Michigan—in particular, the Reformed Protestant tradition embraced by its first CEOs from the De Pree family—to create a human resource system that celebrated the whole worker. Still, the furniture industry was subject to the ups and downs of economic cycles. Herman Miller had been hit hard by the recession that began in 2008, requiring layoffs and cutbacks in training that challenged the firm’s values-based, covenantal culture. -
“It Ain't Braggin' If You've Done It.”
“It ain’t braggin’ if you’ve done it.” A Message from Brian Walker, CEO Fiscal Year 2006 L “It ain’t braggin’ if you’ve done it.” L Dear members of the Herman Miller community, Hall of Fame St. Louis Cardinals pitcher Dizzy Dean was a real character. He’s remembered for many brash claims, one of which we’ve paraphrased on the front of this year’s annual report. It may seem a little pushy, but for me, it is an honest reaction to a great year at Herman Miller. Where do I begin to talk about last year? It was full of achievement—and the results of hard work on many people’s parts last year and in previous years. Since I really like saying thank you, I’ll enjoy the next few pages of this letter. I’m addressing “the Herman Miller community,” a group that includes employees, shareholders, customers, designers, salespeople, suppliers, dealers, contractors, and retailers. I’m thanking all of you. Of course the future is full of things we haven’t done yet—we won’t be braggin’ about them, but I will spend some time talking about our plans. Last year we talked to you about our strategy. We’re sticking to it. The bulk of our business lies in creating great places to work. This continues to Y We launched My Studio Environments, designed by Doug Ball for knowledge workers who need both concentration and connection. My be a core strength and extremely important to our future. Add long-standing and Studio took “Best of Competition” and a Gold Award in the Systems category at NeoCon in June 2006. -
Modern Classics 1960 Advertisement Sunset Magazine (February) Ever Wondered How Something Becomes a Classic?
Modern Classics 1960 Advertisement Sunset Magazine (February) Ever wondered how something becomes a classic? We have, and we’d like to share our thoughts with you. We believe furniture becomes classic when it demonstrates a lasting appeal, an original personality, and a simple, innovative beauty and function. Classics are living proof that good things endure; they have a way of evoking a particular time and making time irrelevant. Committees and corporations don’t design classics. Individuals like Charles Eames and George Nelson and Isamu Noguchi do. Their view of modern design lies at the heart of Herman Miller’s collection of modern classics. Eames ® Storage Unit Eames Hang-It-All ® Eames Chaise Eames Soft Pad Management Chair Eames Walnut Stools Nelson TM Swag Leg Desk Eames Aluminum Group Lounge Chair and Ottoman Eames Molded Plywood Dining Chair Eames Sofa Compact The products above are among the original modern classics still manufactured today and available through Herman Miller. 1946 Advertisement Finger’s Furniture Store A 1945 Life magazine article pictured one of George Nelson’s early designs—the Storagewall. Herman Miller founder D.J. De Pree saw the article and journeyed to New York to convince Nelson to serve as the company’s director of design. The warm personal and professional relationship between Nelson and De Pree yielded a stunning range of products, including the platform bench. Introduced in 1946 as part of Nelson’s first collection for Herman Miller, it possesses clean, rectilinear lines that have made it a landmark of modern design. Eames Executive Chair Eames Molded Plastic Side Chair Nelson Swag Leg Chair Goetz TM Sofa Eames Molded Plywood Coffee Table Eames Molded Plywood Lounge Chair Eames Wire Base Table Nelson Platform Bench Nelson Swag Leg Table The products above are among the original modern classics still manufactured today and available through Herman Miller. -
Seating Suites Brochure
z Chairs for Working Y FRONT COVER Aeron® Chair, Sayl® Chair with Upholstered Back, Eames® Molded Wood Side Chair, Mirra® 2 Chair INSIDE FRONT COVER Embody® Chair, Eames Aluminum Group Management Chair, Nelson™ Pedestal Table BACK COVER Eames Wire Side Chair, Eames Soft Pad Chair, Caper® Stacking Chairs, Eames Walnut Stool INSIDE BACK COVER Setu® Chair, Celle® Chair with Suspension Back, Sit Well, Do More Since the 1946 introduction of the Eames Molded Plywood Chair—recognized by Time magazine as the Best Design of the 20th Century—Herman Miller has consistently designed and manufactured the world’s best chairs. Every Herman Miller chair begins with you in mind. We don’t set out to design chairs that are worthy of museum collections, although many of our chairs are. We set out to provide you with a great place to think, to create, to share. We want you to sit well, so you can do more. Aeron Chair with Mineral 8Z Pellicle™ back and seat, Mineral armpads, PostureFit SL™, and Polished Aluminum base. Additional featured product: AGL Table Group™. Designed Around You Our human-centered approach to design starts with a simple premise: When you feel better, you work better. By putting people at the center of every Herman Miller chair design, we help millions of individuals around the world to thrive at work every day. Chairs for Working 5 The evolution of an ergonomic revolution Aeron Designed by Bill Stumpf and Don Chadwick, 1994 Remastered by Don Chadwick, 2016 Since Aeron debuted in 1994, we at Herman Miller have learned a great deal more about how best to support people in the varied postures they adopt throughout the workday. -
Charles and Ray Eames's Multiscreen Exhibitions
CHARLES AND RAY EAMES’S MULTISCREEN EXHIBITIONS: Cybernetic Visions of Computing, Communication, Complexity, and Control [ A Design Primer For Re-“THINK”-ing The American Century ] Cormac Quinn Rada HAVERFORD COLLEGE Department of History April 2017 2 Abstract The American Century denotes a period of U.S. political, economic, and cultural dominance in the twentieth century that reached its height in the middle of the century after World War II and before the Vietnam War. Midcentury America is an artifact in our contemporary time, popularly invoked by politicians and ubiquitous in the vocabularies of contemporary aesthetics. Focusing on the midcentury designers, Charles and Ray Eames, this thesis examines the role of design in articulating, navigating, and reacting the emergence of the Information Age, the Cold War, and the Postmodern condition. Beyond providing the material objects that constituted the midcentury world, Ray and Charles Eames abstracted the problems plaguing twentieth-century America and designed its solutions. The computing and systems revolution that occurred as a result of the war, led to an influx of data, a feeling of complexity, increased specialization, and the development of tools to manage this fracturing. Viewing design as one of those tool, Ray and Charles Eames developed their Multiscreen exhibitions as a new tool for seeing, training viewers to make decisions using methods of designs for abstracting, structuring, and solving increasingly complex problems. The designers’ tools of vision and communication led to a redefinition of the role design historically played. The Eameses multiscreen technology and their three exhibitions – A Sample Lesson (1953), Glimpses of the U.S.A (1959), and Think (1964)- serve as a locus to piece together intersecting histories, exposing the contending ambitions, techniques of vision, and technologies of control and freedom. -
Prescience of Nelson
8 CONSTRUCTS YALE ARCHITECTURE Prescience of Nelson On November 9 and 10, 2012, the School of Architecture held the symposium “George Nelson: Design for Living, American Mid-Century Design and Its Legacy Today” in conjunction with the traveling exhibition George Nelson: Architect, Writer, Designer, and Teacher. This could not be a more propitious time to an American naiveté almost unfathom- reprise and re-appraise the contributions able today. For example, house paint was of George Nelson (B.A.1928; B.F.A. 1931). alleged to withstand the heat of a nuclear Designers, and those who study them, blast. Ad copy for a rhinestone pin, styled are increasingly critical of the limitations after the ellipses of the atomic symbol, read, of market imperatives that admit no other “As daring to wear as dropping the atomic values. As a result, we are seeing other bomb.” Mid-fifties promotional materials models of practice, such as those involved celebrated the ease with which radiation in the creative commons or service design, could be wiped from the flat surfaces of gaining a currency of a different order. These Modernist furniture. alternatives owe a debt to Nelson, a miscast While Gordon stopped short of midcentury Modernist. I say “miscast” suggesting that American Modernists because the dominance of celebrity and profited from the bomb, Donald Albrecht, branding in today’s design culture has had independent curator, pointed out that most the effect of reducing Nelson’s contributions Americans would have been introduced to a shorthand of icons: the Ball Clock (1949), to the modern long before the atomic age. -
Vintage Eames for Herman Miller Square Rolling Side Table
WOW!!! Another icon of mid-century modern design by the famed duo of husband-and-wife team Charles and Ray Eames: The Universal Base Table. This one is small with a 20-inch x 20-inch square top and only 25.5 inches tall. Perfect as a side table or bedside table for your mid-century modern home or in your industrial loft! The Eames Universal Base table was first introduced in 1961. This one is circa 1970s and has the Universal cast aluminum base and feet plus black steel pedestal and vinyl rimmed tabletop, in white laminate! AND… it’s on casters making them very handy indeed. We LOVE this wonderful and ideal side table and know that you do too… just make it yours!! Price: $895 Another icon of mid-century modern design by the famed duo of husband-and-wife team Charles and Ray Eames: The Universal Base Table. This one is small with a 20-inch x 20-inch square top and only 25.5 inches tall. Perfect as a side table or bedside table for your mid-century modern home or in your industrial loft! The Eames Universal Base table was first introduced in 1961. This one is circa 1970s and has the Universal cast aluminum base and feet plus black steel pedestal and vinyl rimmed tabletop, in faux wood grain laminate! AND… it’s on casters making them very handy indeed. We adore this iconic side table and surely you must too. You need to make it yours! Price: $895 The only thing exciting about tomorrows mandatory payroll meeting is THIS CONFERENCE TABLE!!!!! Check it out! This conference/dining table is ENORMOUS and oh-so-stylish! An iconic mid-century modern design by the well-known husband and wife duo Charles and Ray Eames: “The Universal Base Table. -
Herman Miller Healthcare Catalog
Z Healthcare Y 2016–17 Catalog Products to Support Care Environments Table of Contents Introduction 03 Designing for the Continuum of Care Designs for Better Care 06 Clinical Systems 16 Patient and Guest Accommodations 32 Administrative Workstations and Storage Our Complete Product Toolkit for the Continuum of Care 48 Index Designing for the Continuum of Care For more than 40 years, we have invested in a complete portfolio of solutions to address needs across the continuum of care. These solutions—which span the Herman Miller, Geiger, and Nemschoff brands—reflect our commitment to human-centered design. From clinical products to administrative systems, our solutions thoughtfully complement one another to bring the best designs for human interaction to the healthcare enterprise. Introduction 3 Designs for Better Care Herman Miller believes a place of care should be as unique as the people and processes it supports. Our holistic portfolio of solutions reflects this uniqueness and covers the vast challenges of today’s healthcare systems. We hope that you get to know, and further understand, our family of products in the pages that follow. 4 Introduction Introduction 5 Clinical Systems Our adaptive solutions for clinical work are a result of decades of study on the evolving processes, business models, workflows, and human dynamics of caregiving. Procedure and Supply Carts Our tough, durable Procedure and Supply Carts are designed to meet the demands of today and make changes easy as needs change. A modular cart system means universal sizes and easily interchangeable drawers and accessories. Our flexible and adaptive solution expands storage and transport capabilities, saves time and money, and improves efficiency and productivity. -
Walmart's Famous Furniture Reproductions
Walmart’s Famous Furniture Reproductions - 1 - Welcome • First Half: History of Furniture Period Living Magazine has published a list of traditional furniture eras (next slide). An Ancient Era and Early 20th Century eras have been added. • Second Half: Power Rank Walmart Furniture Replicas of famous furniture designs are called reproductions. Participants will be asked to rank reproductions with a score from 1 to 10. - 2 - History: Furniture Eras • Ancient - China, Egypt, Persia, Greece, Rome • Medieval - 15th Century Tudor - 16th Century (not covered) Stuart - 17th Century (not covered) • Early Georgian - early 18th Century • Georgian - mid to late 18th Century • Regency - early 19th Century • Victorian - 19th Century • Arts and Crafts Movement - early 20th Century • Mid-Century Modern - mid 20th Century - 3 - History: Furniture Eras • Archaeological research indicates that furniture is approximately 30,000 years old • Almost half of traditional and about ninety percent of modern furniture design can be traced to ancient China, Egypt, Greece, or Rome - 4 - History: Furniture Eras • Ancient China - Horseshoe Chair Inspired an office chair called the Centripetal Spring Armchair, that in turn, inspired the Herman Miller Aeron Office Chair - 5 - Horseshoe Chair, Zhejiang Province, Centripetal Spring Armchair, Herman Miller Aeron Chair, 1992, China 1849, American inventor Don Chadwick and Bill Stumpf Thomas E. Warren History: Furniture Eras • Ancient China - Horseshoe Chair Inspired an office chair called the Centripetal Spring Armchair, that -
Seating Suites Brochure
FRONT COVER Aeron® Chair, Sayl® Chair with Upholstered Back, Eames® Molded Wood Side Chair, Mirra® 2 Chair INSIDE FRONT COVER Embody® Chair, Eames Aluminum Group Management Chair, Nelson™ Pedestal Table BACK COVER Eames Wire Side Chair, Eames Soft Pad Chair, Caper® Stacking Chairs, Eames Walnut Stool INSIDE BACK COVER Setu® Chair, Celle® Chair with Suspension Back, Sit Well, Do More Since the 1946 introduction of the Eames Molded Plywood Chair—recognized by Time magazine as the Best Design of the 20th Century—Herman Miller has consistently designed and manufactured the world’s best chairs. Every Herman Miller chair begins with you in mind. We don’t set out to design chairs that are worthy of museum collections, although many of our chairs are. We set out to provide you with a great place to think, to create, to share. We want you to sit well, so you can do more. Aeron Chair with Mineral 8Z Pellicle™ back and seat, Mineral armpads, PostureFit SL™, and Polished Aluminum base. Additional featured product: AGL Table Group™. Designed Around You Our human-centered approach to design starts with a simple premise: When you feel better, you work better. By putting people at the center of every Herman Miller chair design, we help millions of individuals around the world to thrive at work every day. Chairs for Working 5 The evolution of an ergonomic revolution Aeron Designed by Bill Stumpf and Don Chadwick, 1994 Remastered by Don Chadwick, 2016 Since Aeron debuted in 1994, we at Herman Miller have learned a great deal more about how best to support people in the varied postures they adopt throughout the workday. -