Home Stories Home Stories v There’s no right size for a home, and no correct style. It can be for one or for many; it can be a place to hide from the world or a space to welcome it in; it can be plugged into the network or completely off grid; it can be full of things or almost empty; richly decorated or strictly minimal.

No matter your way of life or what you choose to keep around you, your home has a unique character that belongs to you alone. Con­tem­porary designs, classical treasures, or objects with origins that are lost in time: once something enters your space it becomes part of your story, an element of your distinct collage.

The Vitra Home Collection encompasses the visions and creations of an international team of authors and brings together designers working today and with those of previous decades. Whatever your scale or your sensibility, there is a piece in the Collection that will be perfectly at home in your home.

Dine → 5

Anniversaries → 27

Relax → 31

Vitra Sofa Stories → 41

Live → 45

#VitraOriginal → 73

Work → 77

Vitra Campus → 83

Play → 87

Index → 110 Discover the narrative behind the photos of the Vitra Home Stories.

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Every time I lay a table I am designing something. Ray Eames Eames Ray

Dine “ DINE 6 6 1 5 3 7 HAL Jasper Morrison created HAL (2010/14) with a clean family of chairs as a versatile contemporary look. A wide selection of bases, materials are and colours available seat along with a fixed HAL chairs, for seat covers. cushion or removable HAL Armchair Wood · Jasper Morrison, 2014 Wood HAL Armchair 1941 Solvay · Jean Prouvé, Table Girard,Cat large 1963 · Alexander · George Clock Nelson, 1947/1953 Tripod · Jasper Morrison,Rotary Tray 2014 · Jasper Morrison, 2012 HAL Ply Wood · Jasper Morrison,HAL Ply 2012 Tube Guéridon 1949/1950 · Jean Prouvé, HAL Wood · Jasper Morrison, 2010 HAL Wood Next page: Next 2 3 4 5 6 1 2 3 1 2 4 DINE 3 1 2 HAL

The extensive HAL chair family by Jasper Morrison offers solutions for every requirement: with seat shells in coloured polypropylene, wood or leather, with or without armrests, with 10 different bases, some of which can be stacked, and with seat covers and cushions in a large selection of colours. Which HAL chair would you like?

HAL · Jasper Morrison, 2010/2014

HAL Ply Tube HAL Tube HAL Cantilever

HAL Leather Wood HAL Wood HAL Ply Wood

HAL Wood HAL Armchair Wood HAL Armchair Wood Seat cushion Seat cushion Belleville Chair

The materiality of the seat shell defines the identity of the graceful Belleville Chair: it becomes a plastic chair for indoor and outdoor use, a wooden chair or an upholstered chair covered in fabric or leather – with or without armrests.

Belleville Chair · Ronan & Erwan Bouroullec, 2015 Belleville Armchair · Ronan & Erwan Bouroullec, 2015 Belleville Table · Ronan & Erwan Bouroullec , 2015

Belleville Armchair Plastic Belleville Table (Bistro) Belleville Armchair Wood

Belleville Chair Plastic Belleville Table (Bistro) Belleville Chair Leather

Belleville Table (Dining) Belleville Armchair Fabric 11 2 1 3 Belleville Chair Fabric · Ronan & Erwan · Ronan Bouroullec, Chair Fabric 2015 Belleville & Erwan Leather · Ronan Bouroullec, Armchair 2015 Belleville Belleville Table · Ronan & Erwan · Ronan Bouroullec, 2015 Table Belleville 2 1 3 DINE 5 4 3 2 1 compact dimensions. compact withits superbseatingcomfort offers upholstery, by itssoft defined contours are whosegentle Bouroullec, and Erwan Side Chair (2017)by RonanThe Softshell Softshell SideChair Sunburst Clock · ,1948-1960Sunburst Clock ·George 2004 Family ·JasperMorrison, Cork Table ·JeanProuvé, Solvay 1941 2008 Chair·Ronan Bouroullec, &Erwan Softshell 2017 SideChair·RonanBouroullec, &Erwan Softshell 1 13 4 2 5 3 DINE 6 5 4 3 2 1 full scope of family lifetakesfull scopeoffamily place. It’s the where hosting cocktail parties. as aspacefor doinghomework and Itserves mealshave beenfinished. after thetable,even around gathering long It’sthan justadiningroom. aplacefor Today ismuch more thediningroom Chair Collage Cat large ·Alexander 1963Cat large Girard, Table ·JeanProuvé, Solvay 1941 Van ·Maarten Severen,.03 1998 2016 All PlasticChair·JasperMorrison, SR·JeanProuvé, 1934/1950 Standard HAL Armchair Wood 2014 ·JasperMorrison, 6 1 15 3 2 5 4 DINE 4 1 17 models Standard in robust SP with seat and back plastic and Standard SR with upholstery. Standard The Standard (1934/50) chair Jean Prouvé, by illustrateswhich the flow of forces in the shape and construction of its legs, comes in a classic or in the in wood with seat and back version Standard 1934/1950 Prouvé, SR · Jean 1945 · Jean Prouvé, Flavigny Table & Erwan Bouroullec,Nuage · Ronan 2016 1952-1974 Designers, · Various Classic Trays Standard1934/1950 Prouvé, Jean · Next page: Next 1 2 3 4 1 3 2 DINE 1 1 Standard

The Standard chair (1934/50) by Jean Prouvé, which illustrates the flow of forces in the shape and construction of its legs, comes in a classic version with seat and back in wood or in the models Standard SP with seat and back in robust plastic and Standard SR with upholstery.

Standard SP · Jean Prouvé, 1934/1950 Standard · Jean Prouvé, 1934/1950 Standard SR · Jean Prouvé, 1934/1950

Standard SP Standard SP Standard SP

Standard Standard Standard

Standard SR Standard SR Standard SR Panton Chair Classic

Verner Panton developed the iconic Panton Chair (1959/60) as the first single-piece cantilever chair in plastic. Panton Chair Classic is the original version of the chair with a glossy lacquer finish.

Panton Chair Classic · Verner Panton, 1959/1960

Panton Chair Classic

Panton Chair

In the late 1990s, Verner Panton and Vitra reworked the Panton Classic on the basis of new plastics technology. The result: the Panton Chair made of dyed- through plastic with a lustrous matte surface.

Panton Chair · Verner Panton, 1999

Panton Chair 21 1 Panton Chair · Verner Panton, 1999 Panton, Chair · Verner Panton 1 DINE 2 1 and vital today asever.and vitaltoday aclassicthatlooks asfresh by HansCoray elegance have madetheLandiChair(1938) minimalistforms and understated materials, Technical innovation, optimal useof Landi Chair S-Tidy · Michel Charlot, 2016 ·Michel Charlot, S-Tidy 1938 Landi Chair·Hans Coray, 23 2 1 DINE 7 1 5 6 25

individual mix of classics, favourite pieces and contemporary designs. Chair Collage of the collage: in the concept believe We a vibrant living space is characterised an by All Plastic Chair · Jasper Morrison,Jasper · Chair Plastic All 2016 Standard 1934/1950 Prouvé, · Jean Landi Chair · Hans Coray, 1938 · Jasper Morrison, 2012 HAL Ply Wood 2011 · Edward Barber & Jay Osgerby, Tip Ton 1950 Prouvé, Jean · Table EM 1952-1974 Designers, · Various Classic Trays 1 2 3 4 5 6 7 2 3 4 DINE material. chair by adapting thedesigntoanalternative wooden side ofthetraditional appearance and enhancestheperformance significantly (2016) The AllPlasticChairby JasperMorrison All PlasticChair 1 3 3 2 1 2 O-Tidy · Michel Charlot, 2016 ·Michel Charlot, O-Tidy Belleville Table 2015 ·RonanBouroullec, &Erwan 2016 All PlasticChair·JasperMorrison,

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THE ORIGINAL COMES FROM VITRA. VITRA. FROM FROM COMES COMES ORIGINAL ORIGINAL THE THE

Chair Chair and Panton and Panton and Panton and Panton Cone Chair Chair Chair Cone Cone

Landi Chair, Chair, Landi Landi

Anniversaries Anniversaries Landi Chair, 1938 Hans Coray developed the Landi Chair for the 1939 Swiss National Exhibition (Schweizer Landesausstellung) – commonly known as the “Landi” – in a very short turnaround. Visitors to the legendary exhibition, which lasted several months, were able to relax on 1500 Landi Chairs positioned on the shores of Lake Zurich. Happy birthday Landi Chair!

Throughout his lifetime, HANS CORAY (1906–1991) positioned himself at the intersection of art, design and architecture, attaching great importance to functionality and simplicity. From the 1950s onward, he was primarily active as a painter and sculptor. THE ORIGINAL COMES FROM VITRA. FROM COMES ORIGINAL THE 80 60 29

Cone Chair, 1958 Verner Panton designed the Cone Chair in 1958 to furnish the Danish restaurant “Kom-igen” on the island of Fünen. It had to match an interior concept featuring five shades of red. Considered shockingly revolutionary at the time, the chair takes its shape from the classic geometric figure for which it is named – and offers the same level of exceptional comfort today as ever. Happy birthday Cone Chair! 50 THE ORIGINAL COMES FROM VITRA. FROM COMES ORIGINAL THE

Panton Chair, 1968 Verner Panton developed the idea of a plastic cantilever chair at the end of the 1950s. Many years and countless prototypes later, Vitra first presented the revolutionary chair at the imm furniture exhibition in Cologne in 1968. Happy birthday Panton Chair!

VERNER PANTON was an influential figure in the development of design during the 1960s and ’70s. After moving to Switzerland in the early 1960s, the Danish designer became known for his inventive, novel ideas for furnishings, lighting and textiles. The masterful use of colour was a hall- mark of his work. 31

Charles Eames wasn’t functional?”wasn’t

Relax “Who said that pleasure ever RELAX

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1 33 Grand Repos & OttomanGrand Repos · Antonio Citterio, 2011 1941 Solvay · Jean Prouvé, Tabouret Guéridon 1944 Bas · Jean Prouvé, Ceramic · George Clocks Nelson, 1953 Grand Repos & Ottoman & Ottoman Grand Repos Leather upholstery 1 2 3 4 RELAX

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1 Grand Repos & Ottoman · Antonio Citterio, 2011 Fabric upholstery Petit Repos, Repos & Grand Repos

The elegant swivel-based lounge chairs Repos and Grand Repos (2011) by Antonio Citterio offer supreme comfort thanks to their integrated synchronised mechanism.

The dignified low lounge chair Petit Repos (2013) by Antonio Citterio is distinguished by its high-quality materials, outstanding comfort and contemporary design.

Grand Repos & Ottoman · Antonio Citterio, 2011

Repos & Panchina · Antonio Citterio, 2011 Petit Repos · Antonio Citterio, 2013 Grand Repos & Ottoman · Antonio Citterio, 2011 Leather Premium · 60 smoke blue

Petit Repos, Repos & Grand Repos – Materials

Cosy (contrast seam/cross stitch) Credo Dumet 01 pebble grey 19 lime/curry 21 red melange 09 night blue 01 cream 16 blue/grey

Leather (contrast seam) Leather Natural (contrast seam) Leather Premium (contrast seam) 69 marron 01 caramel 60 smoke blue 71 sand 66 nero 93 brandy 2 37

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Organic Chair 1 Organic Chair · Charles Eames & Eero Saarinen, 1940 2 Eames Elephant (small) · Charles & Ray Eames, 1945 In 1940, Charles Eames and Eero Saarinen created the comfortable Organic Chair for the Museum of Modern Art’s “Organic Design in Home Furnishings” competition. Also available in the Organic Highback version. RELAX

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East River Chair 1 East River Chair · Hella Jongerius, 2014 Leather upholstery With its casual combination of such diverse materials as wood, metal, leather and fabric, the distinctive East River Chair (2014) clearly bears the signature of Dutch designer Hella Jongerius. 1 39

Cité 1 Cité · Jean Prouvé, 1930

With its distinctively dynamic appearance, the comfortable Cité armchair (1930) is an early masterpiece by the French designer and engineer Jean Prouvé. RELAX

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Slow Chair 1 Slow Chair & Ottoman · Ronan & Erwan Bouroullec, 2006

The translucent sling cover of Ronan and Erwan Bouroullec’s Slow Chair (2006) replaces the thick cushions of traditional armchairs, resulting in a generously proportioned armchair that is both lightweight and comfortable. How do you Sofa?

VITRA SOFA STORIES VITRA SOFA STORIES For me a sofa is a support anda “For measofaissupport Vitra design has a horizontal area at at area designhasahorizontal Vitra Vitra design has a horizontal area at at area designhasahorizontal Vitra We and ofatrend canallbecomepart We and ofatrend canallbecomepart you have toallow peopletorefresh.” thinkingabouthow you really are Vitra HomeCollection. HomeCollection. Vitra Vitra systemssystems aswell aswell assofasandarmchairs assofasandarmchairs for for the the table table chairs chairs andoffice andoffice 1985,1985, includingoffice includingoffice since since developingdeveloping togetherwithVitra togetherwithVitra products products anddesignerhasbeen anddesignerhasbeen The Italianarchitect The Italianarchitect Antonio Citterio you are really thinkingabouthow you really are you have toallow peopletorefresh.” the material, so that every tenyears sothatevery the material, the back—a placefor food, orabook, stillonthemarket. that are is to seethemthisway. Thisapproach the back—a placefor food, orabook, is to seethemthisway. Thisapproach the material, so that every tenyears sothatevery the material, stillonthemarket. that are sofas—when you thinkaboutasofa, aplacetoputupyour ‘peninsula’, soft simple, butnotsimplistic.Ihave seen years sofas 45 agoandIsoonbegan simple, butnotsimplistic.Ihave seen years sofas 45 agoandIsoonbegan sofas—when you thinkaboutasofa, aplacetoputupyour ‘peninsula’, soft consumer, like goingtoatailorand cushion. Andacushioniscushion— cushion. Andacushioniscushion— consumer, like goingtoatailorand or so,they have a‘new’ sofa. or laptop. Thisisanotherinnovation, or laptop. Thisisanotherinnovation, or so,they have a‘new’ sofa. It’s important thatpeoplecanchange It’s important picking the fabric for anewpicking thefabric dress. sofashadsomethingsimilar. historical asmany ofatradition but it’s alsopart Mylatest flexibility. tocreate portant people live. Today peoplesitonasofa many changes many changes over theyears, but It’s important thatpeoplecanchange It’s important for anewpicking thefabric dress. sofashadsomethingsimilar. historical asmany ofatradition but it’s alsopart Mylatest flexibility. tocreate portant people live. Today peoplesitonasofa in many different ways, anditis imin many different - it isthecontemporary designing it’s anormalthing.Istarted classicdesigns it isthecontemporary designing it’s anormalthing.Istarted in many different ways, anditis imin many different - legs. Iwas lookingathow peopleused legs. Iwas lookingathow peopleused For me a sofa is a support anda For measofaissupport The fabric isthedecisionof The fabric The fabric isthedecisionof The fabric In thelate1980s, the Iintroduced In thelate1980s, the Iintroduced over theyears, but classicdesigns expressionexpression oflightnessandvariability. oflightnessandvariability. conveying conveying character, character, topographical topographical an an a sofalandscapewithanalmost a sofalandscapewithanalmost range range ments withgapsandviewpoints—ments withgapsandviewpoints— seating ar- seating ar- large large possible toproduce possible toproduce version. version. Thismakes Thismakesor ashortened it or ashortened it afull-lengthbackrest afull-lengthbackrest choosechoose between between Sofà.Consumers Sofà.Consumers can can planes ofGrand planes ofGrand which which emphasisesthehorizontal emphasisesthehorizontal openonthesides, openonthesides, seating elementsare seating elementsare above aboveappear tofloat appear tofloat The The thefloor. thefloor. makingthesofa makingthesofa aluminium baseframe, aluminium baseframe, by bybehind thebackrest abridge-likebehind thebackrest abridge-like and and under eachunder each endoftheseatsurface endoftheseatsurface points points attwo attwo ledge. Itissupported ledge. Itissupported andrearward and rearward cading seat,backrest cading seat,backrest angledtoform angledtoform acas- acas- body isdoubly body isdoubly theslim,fabric-covered theslim,fabric-covered silhouette: silhouette: Sofàhasagraceful Sofàhasagraceful Grand Grand proportions, proportions, Despiteitsexpansive Despiteitsexpansive reclining. reclining. or or for for sitting sitting aspaciousplatform aspaciousplatform create create dimensionedsofaelements dimensionedsofaelements generously generously forms forms ofthe ofthe lines andgeometric lines andgeometric Theclean Theclean the Swisscompanythe Swisscompany Vitra. Vitra. of of andprecision andprecision quality quality trademark trademark and eleganceisunitedwiththeand eleganceisunitedwiththe designer’sdesigner’s for for lightness lightness Italianflair Italianflair design.The design.The and contemporary and contemporary comfort comfort ofluxurious ofluxurious interpretation interpretation SofàisAntonioCitterio’sGrand 43

lounge and hospitality settings. The lounge and hospitalitylounge and hospitalitylounge and hospitalitylounge and hospitalitylounge and hospitality settings. settings. settings. settings. settings. The The The The The in a condensed format. in a condensed format. in a condensed format. form is quite controlled and rectilinear. fabric in that it’s made from made from made from panels that panels that panels that fabricfabricfabric in that it’s in that it’s in that it’s fitfitfitfit together, together, together, together, combining combining combining combining modu l a r modu l a r modu l a r modu l a r ity ity ity ity formformformformform is quite controlledis quite controlledis quite controlledis quite controlledis quite controlled and rectilinear. and rectilinear. and rectilinear. and rectilinear. and rectilinear. now expanded the collection with new expanded now pieces are compact upscale, suited for now expanded the collection the collection the collection the collection the collection with new with new with new with new with new expanded expanded expanded expanded expanded now now now now now pieces arepieces arepieces arepieces arepieces are compact compact compact compact compact upscale, upscale, upscale, upscale, upscale, suited for suited for suited for suited for suited for urban living spaces and for use in use in urban living spaces and for urban living spaces and for use in use in use in use in use in use in urban living spaces and for urban living spaces and for urban living spaces and for urban living spaces and for urban living spaces and for armchair offersarmchair maximum seating an invitingly cosy feel with a modern cosy feel with a modern modern modern modern modern cosy feel with a cosy feel with a cosy feel with a cosy feel with a cosy feel with a an invitingly an invitingly an invitingly an invitingly an invitingly an invitingly and the Mariposaand the Mariposaand the Mariposaand the Mariposaand the Mariposaand the Mariposa Both Both Both Both Both Both Club Armchair. Club Armchair. Club Armchair. Club Armchair. Club Armchair. Club Armchair. offers offers offers offers offersarmchair armchair armchair armchair armchair maximum seating maximum seating maximum seating maximum seating maximum seating come up with something new, but the come up with something new, comfort, while the outer dimensions comfort,comfort,comfort,comfort,comfort, while the outer dimensions while the outer dimensions while the outer dimensions while the outer dimensions while the outer dimensions come up with something new, but the but the but the but the but the come up with something new, come up with something new, come up with something new, come up with something new, come up with something new, sofa is one of them.” sofa is one of them.” slimline body of both the sofa and slimline body of both the sofa and slimline body of both the sofa and slimline body of both the sofa and slimline body of both the sofa and sofa is one of them.” sofa is one of them.” sofa is one of them.” sofa is one of them.” slimline body of both the sofa and slimline body of both the sofa and Barber and Jay Osgerby, VitraBarber and Jay Osgerby, has Barber and Jay Osgerby, Vitra Vitra Vitra Vitra VitraBarber and JayBarber and JayBarber and JayBarber and JayBarber and Jay Osgerby, Osgerby, Osgerby, Osgerby, Osgerby, has has has has has take up limited space. The Mariposa up limited space. The Mariposa up limited space. The Mariposa up limited space. The Mariposa up limited space. The Mariposatake take take take take quality quality qualitythat seeks that seeks that seeks flair flair flair and expressive and expressive and expressive touch. In collaboration In collaboration In collaborationtouch. touch. touch. with Edward with Edward with Edward take up limited space. The Mariposatake that seeks qualitythat seeks flair and expressive touch. In collaborationtouch. with Edward Club epitomises a design philosophy Club epitomises a design philosophy Club epitomises a design philosophy Club epitomises a design philosophy Club epitomises a design philosophy Club epitomises a design philosophy Club epitomises a design philosophy Club epitomises a design philosophy with movement. To that extent, we’ve we’ve we’ve we’ve that extent, that extent, that extent, To To To with movement. with movement. with movement. think the think the think the but I don’t but I don’t but I don’t vation, vation, vation, want inno want inno want inno with movement. To that extent, we’ve we’ve that extent, To with movement. think the but I don’t vation, want inno variations: the Mariposavariations: Club Sofa variations: the Mariposa the Mariposa the Mariposavariations: variations: variations: Club Sofa Club Sofa Club Sofa There are places in life where you The MariposaThe MariposaThe MariposaThe MariposaThe MariposaThe Mariposa family family family family family family of sofas exudes of sofas exudes of sofas exudes of sofas exudes of sofas exudes of sofas exudes ThereThereThereThereThere are are are are are places in life where places in life where places in life where places in life where places in life where you you you you you The MariposaThe Mariposa is the combination of is the combination of The Mariposa is the combination of immediately. We make models out models out models out make make immediately.immediately. We We in a drawing,in a drawing, but when it comes to but when it comes to in a drawing, but when it comes to models out make immediately. We finishingfinishing their emails and then, putting their emails and then, putting fromfrom to cutting to cutting concept concept fabric fabric almost almost first, it’s very veryfirst,first, hard hard it’s it’s to draw. to draw. When you When you finishing their emails and then, putting from to cutting concept fabric almost first, it’s veryfirst, hard it’s to draw. When you rewards you on a Friday on a Friday night, that night, that rewardsrewards you you moving back and sides—and a personal and sides—and a personal back back moving moving were were need, because at the time we need, because at the time we the kind of sofa that the kind of sofa that both looking for both looking for plastic, it’s easy to define easy to define the silhouette the silhouetteplastic, it’s plastic, it’s particularparticular about designing soft about designing soft seating: seating: moving back and sides—and a personal back moving were need, because at the time we the kind of sofa that both looking for on a Friday night, that rewards you plastic, it’s easy to define the silhouetteplastic, it’s particular about designing soft seating: an industrial designer’s response response to to an industrialan industrial designer’s designer’s away swinging roundaway swinging round their computers, their computers, Getting Getting a movie. a movie. cosy, cosy, and watching and watching everyone can pile on to and have a a can pile on to and have can pile on to and have everyone everyone a concept—the idea of a sofa with a idea of a sofa with a a concept—the a concept—the of fabric on a sewing machine—it’s machine—it’s machine—it’s of fabricof fabric on a sewing on a sewing a sofa, it’s like drawing clothing—it’s drawing drawing like like clothing—it’s clothing—it’s a sofa, it’s a sofa, it’s to jump to jump have have almost impossible. You almost impossible. You are working in wood, or metal, or areare or metal, or or metal, or working in wood, working in wood, an industrial designer’s response to an industrial designer’s away swinging round their computers, Getting a movie. cosy, and watching everyone can pile on to and have a can pile on to and have everyone a concept—the idea of a sofa with a a concept—the a sofa, it’s like drawing clothing—it’s drawing like clothing—it’s a sofa, it’s to jump have almost impossible. You machine—it’s of fabric on a sewing are working in wood, or metal, or are or metal, or working in wood, cuddle. We also made it big enough for also made it big enough for also made it big enough for cuddle. We cuddle. We cuddle. We also made it big enough for also made it big enough for cuddle. We that was the ambition. Conceptually it’s the ambition. Conceptually it’s the ambition. Conceptually it’s that was that was two people to lie on, one at each end, end, end, twotwopeople to lie on, one at each people to lie on, one at each the onlythe only to capture to capture way way it. it. that was the ambition. Conceptually it’s the ambition. Conceptually it’s that was two people to lie on, one at each end, end, twopeople to lie on, one at each the only to capture way it. relatively short period. prominent designs have emerged in this this in prominent emerged have designs intensively with Vitraintensively since 2008. Several this this in in prominentprominent emerged emerged have have designs designs relativelyrelatively short short period. period. The BritishThe BritishThe British designer duo has collaborated designer duo has collaborated designer duo has collaborated with Vitra with Vitraintensively intensively since 2008. since 2008. Several Several EdwardEdwardEdwardEdward Barber & Jay Barber & Jay Barber & Jay Barber & Jay Osgerby Osgerby Osgerby Osgerby “There“There“There are are are a number of things that are a number of things that are a number of things that are VITRA SOFA STORIES “Designing soft seating,you have“Designing soft to you start. It’s abstract, you abitmore start. of the Vitra HomeCollection. HomeCollection. of theVitra of theVitra tothedevelopment tothedevelopment contribution contribution made amajor made amajor philosophyphilosophy anddiverse anddiverse have have creations creations since1988. since1988. His“supernormal”design His“supernormal”design Vitra Vitra designer hasworked designer hasworkedThe British The British with with Jasper Morrison you start. It’s abstract, you abitmore start. which cannot easily be defined. Ionce bedefined. which cannoteasily which cannot easily be defined. Ionce bedefined. which cannoteasily zips. It was an interesting concept,zips. Itwas aninteresting zips. It was an interesting concept,zips. Itwas aninteresting tried to create a sofa from a series aseries asofafrom tocreate tried tried to create a sofa from a series aseries asofafrom tocreate tried styrene balls connected togetherwith ballsconnected styrene something that’s dif toputafinger ficult something that’s dif toputafinger ficult to hard haspointedout,very Mendini styrene balls connected togetherwith ballsconnected styrene Mendini has pointed out, very hard to to hard haspointedout,very Mendini of cube-shaped cushions filled with poly-of cube-shapedcushionsfilled but object, expresses itselfinthefinal that sofa-ishfactor on, acertain do well. Agooddesignseemstorequire get yourself intothesofazonebefore get yourself intothesofazonebefore usually less structural and, as Alessandro and,asAlessandro lessstructural usually expresses itself in the final object, but object, expresses itselfinthefinal that sofa-ishfactor on, acertain do well. Agooddesignseemstorequire and,asAlessandro lessstructural usually of cube-shaped cushions filled with poly-of cube-shapedcushionsfilled but not one destined for success. It felt but notonedestinedfor success.Itfelt but not one destined for success. It felt but notonedestinedfor success.Itfelt like onbagsofcement! sitting like onbagsofcement! sitting At its best a sofa has a powerful At itsbestasofahaspowerful At its best a sofa has a powerful At itsbestasofahaspowerful “A andalso sofahastogive comfort ‘Soft Modular Sofa’,becauseIknow Modular that ‘Soft ‘Soft Modular Sofa’,becauseIknow Modular that ‘Soft The Dutch designer has collaborated The Dutch designerhascollaborated The Dutch designer has collaborated The Dutch designerhascollaborated with Vitra as Art Director for the Director asArt Vitra with with Vitra as Art Director for the Director asArt Vitra with Colour & Material Library for the entire for theentire Library Colour &Material Colour & Material Library for the entire for theentire Library Colour &Material Hella Jongerius we hope it will last 10 or 20 more years.we hopeitwill last10or20more we hope it will last 10 or 20 more years.we hopeitwill last10or20more texture, decoration, dryness or dryness decoration, texture, the most important area. Thatiswhat area. the mostimportant ofthesofa—thatis the skin—thefabric tells alotabouttheowner’s character, the most important area. Thatiswhat area. the mostimportant ofthesofa—thatis the skin—thefabric or dryness decoration, texture, tells alotabouttheowner’s character, soft soft en ontheroom ing effect square meters ofyoursquare space,that square meters ofyoursquare space,that soft en ontheroom ing effect product collection since 2008. collection product culture andwarmth towardsculture avisitor, product collection since 2008. collection product character can’t betooloud.For meit’scharacter character can’t betooloud.For meit’scharacter andwarmth towardsculture avisitor, and makes with agoodcontrast gloss. Intermsofshape,therounded on asofawithclothing,addingcolour, like Vitra’sand Ireally own opposite! At homeIhave theVitra designing new togive fabrics itaneven experiment, asketch thatworked outto gives itexpression. ThePolder was an designing new togive fabrics itaneven experiment, asketch thatworked outto gives itexpression. ThePolder was an and makes with agoodcontrast gloss. Intermsofshape,therounded on asofawithclothi like Vitra’sand Ireally own opposite! At homeIhave theVitra ef onaroom’sfect It atmosphere. my oak strip floor. my oakstrip block compo sition hasapleasing but asofacanalsodothecomplete has becomeaclassic. Inupdatingit, for tenyears—ithas beeninproduction ThePolder newI have buttons. created and quality, interesting more better, comfortable, making theseatingmore We’vebecome aproduct. revised it, have a character, butittakeshave somany acharacter, my oak strip floor. my oakstrip block compo sition hasapleasing but asofacanalsodothecomplete has becomeaclassic. Inupdatingit, for tenyears—ithas beeninproduction ThePolder newI have buttons. created and quality, interesting more better, comfortable, making theseatingmore We’vebecome aproduct. revised it, butittakeshave somany acharacter, fabric options—I’dfabric thefabric compare fabric options—I’dfabric thefabric compare it sets a tone of comfort, sophis it setsatoneofcomfort, tication, it’s com well madeandvery for table, it’s com well madeandvery for table, sophis it setsatoneofcomfort, tication, ” ” ng, addingcolour,

And that means you’re more willingto more And thatmeans you’re And ofcourse you the can’t remember And that means you’re more willingto more And thatmeans you’re And ofcourse you the can’t remember with hundreds of fabric samples. offabric with hundreds with hundreds of fabric samples. offabric with hundreds take arisk.” take arisk.” Buying a sofa is very difficult. As a As difficult. Buying asofaisvery so thenyou justchoose black orcream. so thenyou justchoose black orcream. consumer, offering them a small range themasmallrange consumer, offering colour ofyour or your carpet, curtains, consumer you spendmonthschoosing consumer, offering them a small range themasmallrange consumer, offering colour ofyour or your carpet, curtains, consumer you spendmonthschoosing of colours, just six different tones.It’sof colours, justsixdifferent a model, and then you are presented a model,andthenyou presented are of colours, just six different tones.It’sof colours, justsixdifferent a model,andthenyou presented are best because that means the experts best becausethatmeanstheexperts I amsteppingintotheshoesof I amsteppingintotheshoesof best because that means the experts best becausethatmeanstheexperts in the kitchen are helpingyouin thekitchen are tochoose. in the kitchen are helpingyouin thekitchen are tochoose. like a restaurant: a short menuisalways ashort like arestaurant: like a restaurant: a short menuisalways ashort like arestaurant: 45

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A living room is no longer a place to receive A living room is no longer a place that you use in many different ways: ways: different use in many that you to eat to sleep, TV, to watch

free time. A sofa has become a soft surface has become a soft surface A sofa free time. guests, it has become a family room. it has become a family guests,

Antonio Citterio Today living is about relaxing and enjoying Today

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Soft Modular Sofa

1 Soft Modular Sofa · Jasper Morrison, 2016 Two-Seater with Ottoman 2 Rise Table · Jasper Morrison, 2014 3 Greeting Cards · Various Designers, 1965-1971 4 Magnet Dots · Hella Jongerius, 2016 5 Classic Trays · Various Designers, 1952-1974 6 Dot Notebooks · Hella Jongerius, 2016 7 Notebooks · , 1952 4

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Soft Modular Sofa 4 1 Soft Modular Sofa · Jasper Morrison, 2016 Three-Seater with Platform and Ottoman 2 Cork Family · Jasper Morrison, 2004 3 Rise Table · Jasper Morrison, 2014 4 Guéridon Bas · Jean Prouvé, 1944 5 Mother Fish & Child · Alexander Girard, 1952 6 Colour Block Blankets · Hella Jongerius, 2016 LIVE 1

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1 Soft Modular Sofa · Jasper Morrison, 2016 Corner Configuration 2 Hocker · Jacques Herzog & Pierre de Meuron, 2005 3 Plate Table · Jasper Morrison, 2004 Soft Modular Sofa

With carefully balanced proportions, great comfort and a conscious renunciation of decorative details, the Soft Modular Sofa (2016) by Jasper Morrison unites the characteristics of a modular lounge sofa in its purest form.

Soft Modular Sofa Two-Seater H 645 × W 2380 × D 980 Soft Modular Sofa Ottoman H 380 × W 920 × D 980

Soft Modular Sofa Two-Seater with Chaise Longue H 645 × W 2380 × D 1820

Soft Modular Sofa Two-Seater open with Platform H 645 × W 2930 × D 980 Soft Modular Sofa Three-Seater H 645 × W 3300 × D 980

Soft Modular Sofa Three-Seater with Platform H 645 × W 4220 × D 980

Soft Modular Sofa Two-Seater with Platform and Chaise Longue H 645 × W 4220 × D 1820

Soft Modular Sofa Corner Configuration with Central Platform H 645 × W 3910 × D 3090 Suita

Characterised by an elegant technological aesthetic, the Suita Sofa family (2010) by Antonio Citterio comprises many different components. These can be freely combined or also used as independent elements.

Suita Sofa Two-Seater H 885 × W 1880 × D 880

Suita Sofa Three-Seater H 885 × W 2330 × D 880

Suita Sofa Two-Seater open with Chaise Longue H 885 × W 2585 × D 1700 Suita Sofa Four-Seater H 885 × W 3320 × D 880

Suita Sofa Four-Seater with Platform H 885 × W 3320 × D 1735

Suita Sofa Corner Configuration H 885 × W 2330 × D 2540 55

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Suita

1 Suita Sofa · Antonio Citterio, 2010 Three-Seater open 2 Suita Ottoman · Antonio Citterio, 2010 Ottoman 3 Suita Chaise Longue · Antonio Citterio, 2010 Chaise Longue 4 Plate Table · Jasper Morrison, 2004 5 Hocker · Jacques Herzog & Pierre de Meuron, 2005 3

Previous page: 1 Suita · Antonio Citterio, 2010 Three-Seater 2 Occasional Low Table · Jasper Morrison, 2016 3 Guéridon Bas · Jean Prouvé, 1944 1 57

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Grand Sofà

Grand Sofà (2017) is Antonio Citterio’s interpretation of luxurious comfort and contemporary design. The designer’s Italian flair for lightness and elegance is united with the trademark quality and precision of the Swiss company Vitra.

1 Grand Sofà · Antonio Citterio, 2017 3½-Seater full backrest 2 Cité · Jean Prouvé, 1930 3 Plate Table · Jasper Morrison, 2004 5 LIVE

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2 61 Grand Sofà · Antonio Citterio, 2017 3½-Seater full backrest Grand Sofà Cité · Jean Prouvé, 1930Cité · Jean Prouvé, & Erwan · Ronan Bouroullec, 2014 Leather Side Tables 1941 Solvay · Jean Prouvé, Tabouret · George Clock 1948-1960 Nelson, Fan 1 2 3 4 5 LIVE

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1 Grand Sofà · Antonio Citterio, 2017 3½-Seater full backrest 2 Plate Table · Jasper Morrison, 2004 Grand Sofà

Grand Sofà (2017) is Antonio Citterio’s interpretation of luxurious comfort and contemporary design. The designer’s Italian flair for lightness and elegance is united with the trademark quality and precision of the Swiss company Vitra.

Grand Sofà Chaise Longue H 900 × W 2310 × D 1060

Grand Sofà 3-Seater, open on right H 900 × W 2310 × D 1100

Grand Sofà 3-Seater, full backrest H 900 × W 2310 × D 1100 Grand Sofà 3½-Seater, open on left H 900 × W 2710 × D 1100

Grand Sofà 3½-Seater, full backrest H 900 × W 2710 × D 1100

Grand Sofà 3-Seater with Chaise Longue H 900 × W 3370 × D 2310

Grand Sofà 3½-Seater with Chaise Longue H 900 × W 3770 × D 2310 Mariposa Sofa

Pleasantly soft upholstery and side and back panels that can be adjusted to an outward angle of approximately 30° give the Mariposa Sofa (2014) by Edward Barber and Jay Osgerby its extraordinary comfort.

Mariposa Love Seat H 805–875 × W 800–1500 × D 1015–1150

Mariposa 2-Seater H 805–875 × W 1400–2100 × D 1015–1150

Mariposa 2 1/2-Seater H 805–875 × W 1710–2410 × D 1015–1150 Mariposa 3-Seater H 805–875 × W 1980–2680 × D 1015–1150

Mariposa Ottoman large Mariposa Ottoman medium

Mariposa Club

The slimline design of the Mariposa Club Sofa and Armchair (2017) by Edward Barber and Jay Osgerby offers maximum seating comfort, while the compact dimensions take up limited space.

Mariposa Club Armchair H 780 × W 815 × D 875

Mariposa Club Sofa H 780 × W 1945 × D 875 1 2 67

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1 Mariposa 2½-Seater · Edward Barber & Jay Osgerby, 2014 2 Mariposa 2-Seater · Edward Barber & Jay Osgerby, 2014 3 Metal Side Tables · Ronan & Erwan Bouroullec, 2004 4 Eames Elephant · Charles & Ray Eames, 1945 5 LIVE

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Mariposa Club

1 Mariposa Club Sofa · Edward Barber & Jay Osgerby, 2017 2 Mariposa Club Armchair · Edward Barber & Jay Osgerby, 2017 4 3 Plate Table · Jasper Morrison, 2004 4 Wooden Side Tables · Ronan & Erwan Bouroullec, 2015 5 Potence · Jean Prouvé, 1950 2 LIVE

Polder

The word “polder” refers to low-lying flatlands in the Netherlands that have been reclaimed from the sea. With their flat surfaces, low-slung 1 body and horizontal emphasis, both Polder sofas evoke the characteristic features of the polder landscape. The distinctive character of Hella Jongerius’s comfortable Polder Sofa derives from the combination of diverse fabrics and colours, an asymmetrical shape and charming details.

1 Polder Compact · Hella Jongerius, 2015 2 Greeting Cards · Various Designers, 1965-1971 71 2

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Coffee and side tables 1 Guéridon Bas · Jean Prouvé, 1944 2 Rise Table · Jasper Morrison, 2014 Vitra’s large selection of coffee tables and side tables in a 3 Cork Family · Jasper Morrison, 2004 range of different sizes and materials offers countless options 4 Rise Table · Jasper Morrison, 2014 for choosing the perfect companion for any sofa or lounge chair. And due to their distinctive appearance, many models also make a striking solo piece. Your home

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#VITRAORIGINAL #VITRAORIGINAL and share your #VitraOriginal photosonsocialmedia. yourand share #VitraOriginal anditsownTell stories. characteristics your personal story inyour own home,withallofitsspecial this history, Andyou continuetoadd looks back onalonghistory. inyour arrives home,italready product When aVitra 2 3 4 75 8 6 5 Meanwhile in me, this is the best seat in theFor house. 4 2017 – what a year! (Thomas Mandl / (Thomaswhat a year! 6 Mandl – 2017 5 On offer today: the Panton Chair. (Valentin Heinze / / Heinze Chair. (Valentin On offer today: the Panton 2 7 garden own and decoratePlant your your own soul, instead of We love our Wooden Dolls. Each one of them has its own unique one of them unique Dolls. Each its own has love our Wooden We 3 The Bird in good company. (Salama Cormorand / @multicouleur) / The Eames House (Salama Cormorand Bird in good company. as a reminder of wonderfulThe Rotary evening with great Tray people. 7 @nummer.v) character. (Julia Grzegorczyk / @_bylo.jest¬_) @house_of_henry_jones_) / Henry (Lesley And no dogs allowed! (BerryValencia Dijkstra / @berrydijkstra) @thelovelacehotel) waiting for someone to bring you flowers.@pietmoodshop) / (PIETMoodshop 8 (Stef Talboom (Stef / @de.stef) Talboom 1 #VITRAORIGINAL 9 11 Follow www.instagram.com/vitra us onInstagram: (Claudia Klein bagof crisps? the / @claudiakleinphotography Zurich/Berlin) kind of doll gets itsown painting? (JoeMunoz kind ofdollgets / @muni_joe) (Rami Kivistö wall ofart. the like works members hangfrom / @ramkvsto) indiepop.(Raulholding handsand‘80s Zea / @monoespacio) deepconversations, livingroom, the The Eames Elephantloveslongwalks around 9 10 12 12 Now where did she hide didshe hide Now where These green family green These 10 11 What

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Charles Eames each subject leads to the next.”

Work “ a chain reaction, because it’s work We 3 WORK

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Organic Chair 1 Organic Chair · Charles Eames & Eero Saarinen, 1940 2 Hocker · Jacques Herzog & Pierre de Meuron, 2005 In 1940, Charles Eames and Eero Saarinen 3 L’Oiseau · Ronan & Erwan Bouroullec, 2011 created the comfortable Organic Chair for the Museum of Modern Art’s “Organic Design in Home Furnishings” competition. Also available in the Organic Highback version. 79

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Tip Ton 1 Tip Ton · Edward Barber & Jay Osgerby, 2011

Tip Ton (2011), an all-plastic chair with forward- tilt action designed by Edward Barber and Jay Osgerby, comes in various colours. The forward-tilt position lifts and straightens the pelvis and spine. 2 WORK

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Allstar 1 Allstar · Konstantin Grcic, 2014 2 Uten.Silo · Dorothee Becker, 1969 The form of Allstar (2014), designed by Konstantin Grcic, is emblematic and appealing – while containing all of the functions necessary for a fully equipped, ergonomic office chair. 3

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Pacific Chair 1 Pacific Chair · Edward Barber & Jay Osgerby, 2016 2 Map Table · Edward Barber & Jay Osgerby, 2011 Development of the Pacific Chair followed 3 O-Tidy dark grey · Michel Charlot, 2016 the guiding principle “full performance, quiet design” and achieved a harmonious combination of these two characteristics. WORK

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Fauteuil Direction 1 Fauteuil Direction · Jean Prouvé, 1951 2 Compas Direction · Jean Prouvé, 1953 The compact dimensions of the comfortable Fauteuil Direction (1951) by Jean Prouvé enable it to be used as table seating – whether at a dining table or desk. One day at the Vitra Campus

We invite you to visit the Vitra Campus and experience the world of Vitra: discover an unparalleled array of architecture, classic and contemporary furniture designs, showrooms, exhibitions and collections, shops and restaurants – all tucked away in the rolling landscape of Weil am Rhein in the south of Germany.

ONE DAY AT THE VITRA CAMPUS ONE DAY AT THE VITRA THE CAMPUS AT DAY ONE

Your visit could begin, for example, exhibition, why not browse the shop for design, past and present, and examines at the VitraHaus (1) by Herzog & de home accessories, publications and its relationship to architecture, art Meuron, the flagship store of the Vitra designer pieces, before enjoying a little and everyday culture. The museum Home Collection. Explore four floors something from our range of regional hosts several major exhibitions in the packed with inspiration for your own specialities in the VitraHaus Café (2) – main building by Frank Gehry every home and obtain expert advice, or even relax outside in the meadow on a nice year. And the neighbouring Vitra do some shopping. Select your favourite day and admire the fantastic views of Design Museum Gallery looks at current version of the Eames Lounge Chair in the southern Black Forest, all from the positions in the design world. the Lounge Chair Atelier and observe comfort of our own stools and chairs. The Álvaro-Siza-Promenade provides the final steps in the handcrafted The Vitra Design Museum (3) is unexpected views of architecture and fabrication of your own unique piece. situated just opposite. It is dedicated nature, and leads directly to the And after touring the four-storey to the research and presentation of Vitra Slide Tower (4). This installation is the creation of artist Carsten Höller a few steps to the Schaudepot (6). furniture design from 1800 to and is a piece of art, viewing platform This building, designed by Herzog & the present. and slide all in one – enjoy the view de Meuron, opened in 2016 and exhibits After you’ve picked up a few before sliding the 44 m back down part of the Vitra Design Museum gifts in the Schaudepot shop, you can to earth. collection, which with 7000 pieces of stop off at the Depot Deli (7) with its The second part of the Promenade furniture, over 1000 lighting objects, internationally inspired delicacies. leads to the Fire Station (5) by Zaha and numerous archives, as well as the Situated by the spacious plaza, it’s the Hadid. This building was originally built estates of several famous designers perfect place to finish off your day. for the company’s own fire brigade ranks among the most important after a devastating fire, but it is also holdings of furniture design worldwide. We look forward to your visit! the first fully completed construction by The permanent exhibition features www.vitra.com/campus the famed architect. From here, it is just more than 400 key pieces of modern 1

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1 The extraordinary density and quality of the purpose-built structures on this relatively small site have transformed the architectural park on the Vitra Campus in Weil am Rhein into a magnet for architecture enthusiasts from around the globe. Join a guided architectural tour and experience creations by renowned architects such as Frank Gehry, Tadao Ando or Zaha Hadid. 2 During production tours through Frank Gehry’s factory building, you will witness the individual production steps of the Aluminium Chair. Discover the story behind the chair’s creation and learn what innovation, quality and sustainability mean to Vitra. The tour ends with a glimpse into the test centre. 3 “24 Stops” on the Rehberger-Weg. Stretching over five kilometres, the Rehberger-Weg runs between the Vitra Campus in Weil am Rhein in Germany and the Fondation Beyeler in the Swiss town of Riehen. Walkers can follow the path’s “24 Stops” – 24 waymarkers created by the artist Tobias Rehberger – and explore a uniquely diverse natural and cultural landscape, either on their own or as part of a guided tour. 4 Your event on the Vitra Campus Peacefully situated at the base of Tüllinger Hill, the Vitra Campus in Weil am Rhein, near Basel, is the ideal location for events of all kinds. The creative and inspirational environment offers the ideal setting for your private or business reception. We are happy to put together a personalised programme of activities for your time on the campus. [email protected] 87

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The best atmosphere and the The best atmosphere and the

everyday situations. most beauty can be found in most beauty can be found Jasper Morrison

Play “ PLAY Nuage

Nuage vases create an attractive interplay of light and shadow. Designed with precise contours, they can be fitted together to fashion entire “cloud formations”.

Nuage (céramique) Ronan & Erwan Bouroullec, 2016

Nuage Ronan & Erwan Bouroullec, 2016

L’Oiseau

L’Oiseau, an avian figure of archaic simplicity, is reminiscent of the unpretentious artefacts of Nordic folk art. Its sleek form attractively enriches interiors without the cuteness or even tackiness so commonly associated with animal figures.

L’Oiseau Ronan & Erwan Bouroullec, 2011 Eames House Bird & Plywood Mobile

A prized possession of , the House Bird has been a decorative part of the collage-like Eames House interior for decades. The Plywood Mobiles, whose biomorphic shapes are strongly reminiscent of Ray’s artwork and graphics, were hung from the ceiling of the Eameses’ apartment in Los Angeles.

Eames House Bird Plywood Mobile, Model A Plywood Mobile, Model B

Girard Ornaments

The range of motifs does not limit the use of Alexander Girard’s Ornaments to seasonal occasions but some are perfect, for example, for Christmas time.

Girard Ornaments

Eames Quotes Posters

Vitra collaborated with the Eames Office to compile a series of quotes and photographs from Charles and Ray Eames for use as motifs on high-quality posters: the Eames Quotes Posters.

Eames Quotes Posters 91 PLAY Dining Accessories

High Tray Jasper Morrison, 2017

Rotary Tray Jasper Morrison, 2017

Trays Jasper Morrison, 2018

Tablecloths Alexander Girard, 1961 Paper Napkins Classic Trays Charles & Ray Eames, 1947-1961 Charles & Ray Eames, 1947

Coffee Mugs Classic Trays Alexander Girard, 1971 Various Designers, 1952-1974

Candle Holders Alexander Girard, 1963 Coat Dots & Magnet Dots

The Coat Dots by Hella Jongerius (2013) are small and colourful wooden balls that attach to the wall, creating cheerful accents in kitchens and bathrooms, as well as in entrance areas and closets.

set of 3, white set of 3, red set of 3, green

set of 5, bright set of 5, red set of 5, green

Corniches

Whether as a simple storage shelf, a display surface for objects or a large wall installation: Corniches (2012) by Ronan & Erwan Bouroullec are a new way to use the walls in our living spaces.

Corniches (small) Corniches (medium) Corniches (large) Ronan & Erwan Bouroullec, 2012 Ronan & Erwan Bouroullec, 2012 Ronan & Erwan Bouroullec, 2012 Wooden Dolls

Alexander Girard originally created the Wooden Dolls (1953), a whimsical assortment of figures both joyful and grim, for his own home. Today they add a charming touch to any interior.

No. 1 No. 2 No. 3 No. 4 No. 5 No. 6 No. 7

No. 8 No. 9 No. 10 No. 11 No. 12 No. 13 No. 14

No. 15 No. 16 No. 17 No. 18 No. 19 No. 20 No. 21

Little Devil Cat Cat large Dog large Dog Mother Fish & Child 97 PLAY Desk Clocks

The many accessories created for the home by George Nelson include a variety of table clocks. Representing a selection of these classic designs, the Desk Clocks offer a refreshing alternative to conventional clocks. Equipped with high-quality quartz movements, the charm of these decorative timepieces is equalled by their precision.

Ceramic Clocks Night Clock Cone Clock Tripod Clock

Wall Clocks

With his collection of Wall Clocks (1948–1960), George Nelson conceived a wide array of timepieces, some of which have since become icons of 1950s design.

Sunburst Clock · black/brass Sunburst Clock · multicoloured Asterisk Clock

Ball Clock · cherry Ball Clock · multicoloured Fan Clock

Sunflower Clock · birch Eye Clock Wall Panels

Graphic Wall Panel, Metal Wall Relief Arrow Metal Wall Relief Sun Tree of life, black Alexander Girard, 1966 Alexander Girard, 1966 Alexander Girard, 1968

Metal Wall Relief Heart Metal Wall Relief Heart Alexander Girard, 1966 Alexander Girard, 1966

Uten.silo

Uten.Silo II Uten.Silo I Dorothee Becker, 1969 Dorothee Becker, 1969 Embroidered Pillows

In 1957, Alexander Girard designed the interior of the legendary Miller House and decorated the so-called “conversation pit” in the living room with specially embroidered pillow covers. The Embroidered Pillows feature motifs from the vast store of graphic images by Girard.

Embroidered Pillows Alexander Girard, 1952

Graphic Print Pillows

The Graphic Print Pillows by Alexander Girard bring abstract graphic patterns and expressive figurative motifs to life, providing striking accents for a diverse range of interior styles.

Graphic Print Pillows Alexander Girard, 1961

Dot Pillows

A single dot is an ordinary shape. But in a pattern it comes to life, interacting with the surrounding surface and other dots. The Dot Pillows (2016) by Hella Jongerius come in six colors and two different dot layouts.

Dot Pillows Hella Jongerius, 2016 Eames Wool Blanket

The Eames Wool Blanket made of premium Merino lambswool features the “Dot Pattern”, a graphic motif designed by Charles and Ray Eames in conjunction with a 1947 exhibition at the Museum of Modern Art in New York.

Eames Wool Blanket Dot Pattern Charles & Ray Eames, 1947

Colour Block Blankets

The Colour Block Blankets (2016) by Hella Jongerius demonstrate how the overall composition is affected by varying the colors of warp and weft threads: four contrasting color blocks form a decorative overall pattern.

Colour Block Blankets Hella Jongerius, 2016 103 PLAY Home Office & Stationery

Happy Bin Michel Charlot, 2016

S-Tidy yellow O-Tidy sea blue Michel Charlot, 2016 Michel Charlot, 2016

Toolbox Elephant Pad Arik Levy, 2010 Hella Jongerius, 2010

Notebooks Dot Notebooks Alexander Girard, 1952 Hella Jongerius, 2016

Guestbook Key Ring Sun Alexander Girard, 1952 Alexander Girard, 1966 Eames Quotes Greeting Cards Charles & Ray Eames, 1950

Greeting Cards Greeting Cards Greeting Cards small Charles & Ray Eames, 1950 Alexander Girard, 1965-1971 Alexander Girard, 1965-1971

Graphic Boxes Alexander Girard, 1954

Masking Tape Stickers Alexander Girard, 1963 Alexander Girard, 1960

Graphic Bags Alexander Girard, 1961-1971 Miniatures Collection

The Miniatures Collection of the Vitra Design Museum presents the most important classics of modern furniture history on a 1:6 scale and replicates the historic originals down to the smallest detail.

Stool (Model A) DSW RAR DKR “Wire Chair” Organic Armchair Eames, 1960 Eames, 1950 Eames, 1950 Eames, 1951 Eames & Saarinen, 1940

Lounge Chair Standard Chair Landi Chair Heart-shaped LCW & Ottoman Prouvé, 1930 Coray, 1938 Cone Chair Eames, 1945 Eames, 1956 Panton, 1959

Panton Chair Vegetal (set of 3) Tom Vac Chair Butterfly Stool Coconut Chair (set of 5) Bouroullec, 2008 Arad, 1999 Yanagi, 1954 Nelson, 1955 Panton, 1959/60

Plywood Elephant Art. 41 “Paimio” Aluminium Chair La Chaise Wiggle Side Chair Eames, 1945 Aalto, 1930/31 Eames, 1958 Eames, 1948 Gehry, 1972 Small Furniture

Eames Elephant (Plywood) Eames Elephant Charles & Ray Eames, 1945 Charles & Ray Eames, 1945

Eames Elephant small Charles & Ray Eames, 1945

Cork Family Model A Cork Family Model B Cork Family Model C Jasper Morrison, 2004 Jasper Morrison, 2004 Jasper Morrison, 2004

Metal Side Tables Wooden Side Tables Ronan & Erwan Bouroullec, 2004 Ronan & Erwan Bouroullec, 2015 109 PLAY Vitra authors Vitra Index Colour & Material Library Colour &Material Products

→ 118

→ 111

→ 116 111

ALEXANDER GIRARDALEXANDER Candle Holders → 94. Candle Holders → 17, 94. Classic Trays Coffee Mugs → 94. Embroidered → 101. Pillows Girard Ornaments → 90. → 100. Panels Graphic Wall Guestbook →105. Ring Sun → 105. Key → 100. Reliefs Metal Wall → 47, 105.Notebooks 96. Dolls → 75, Wooden The architect and designer one of the leading figureswas in American design during the postwar era. colours, His passion for patterns and textures in the field expression found part a focal was design, which of textile of his oeuvre.

are counted among HANS CORAY HANS Eames Elephant → 37, 67, 76, 108. 76, Eames Elephant → 37, 67, CHARLES AND RAY EAMES CHARLES RAY AND Landi Chair → 23, 25. the most important figures of twentieth-century design. Their work spans the fields of furniture design, filmmaking, and exhibition photography design. Vitra is the sole authorised manufacturer of Eames products Europe for and the Middle product an Eames own made by East. When you it is an original.Vitra, know you Throughout his lifetime, (1906–1991) positioned himself at the himself at positioned (1906–1991) intersection of art, design and architecture, attaching great importance to functionality and simplicity. he onward, From the 1950s primarilywas a painter and as active sculptor. VITRA AUTHORS Panton ChairClassic→20. Panton Chair→20–21, 37. ofhiswork. hallmark useofcolourwas a and textiles. Themasterful his inventive, novel ideasfor furnishings,lighting 1960s, theDanishdesignerbecameknown for moving intheearly toSwitzerland ’70s. After the development the1960s ofdesignduring and PANTON VERNER designer and artist ofJapanese-American The oeuvre Foundation inNew York. withthe editions ofhisdesignsincooperation re- hasproduced Vitra design. Since2002, toindustrial arts thefine from faceted, ranging ISAMU NOGUCHI was an influential figure in wasfigure aninfluential is unusually multi- isunusually Wall Clocks →13,33,61, 99. Desk Clocks →99. Clocks →33,99. Ceramic andtheMiddleEast. markets inEurope designsby Nelsonfor offurniture manufacturer isthesoleauthorised several decades.Vitra over the discourse ondesignandarchitecture hewasdesigner andawriter, aleadingvoice in andexhibition aproduct Active asanarchitect, design. inAmerican figures most important NELSON GEORGE is regarded asoneofthe isregarded 113 ERWAN BOUROULLEC BOUROULLEC ERWAN and , who regarded, who as an himself RONAN live and work in Paris. Their oeuvre ranges and work in Paris. fromlive objectssmall everyday to architectural projects. with Vitra worked since 2000 have They and contributedhave numerous to both the designs office and home collections. Belleville Chair → 10, 11. Belleville → 10, 11, 26. Table Belleville → 95. Corniches → 61. Leather Side Table L'Oiseau → 78, 88-89. 108. → 67, Metal Side Table Nuage → 17, 89. Softshell Side Chair → 13. Softshell → 13. Chair Chair & Ottoman Slow → 40. 108. → 69, Side Table Wooden JEAN JEAN PROUVÉ throughoutengineer the both was his lifetime, manufacturerdesigner and of his product oeuvre,ideas. His unique ranging from a letter fittings, and window opener to door from furniturelighting and to prefabricated houses encompasses building systems, and modular almost anything suited to industrial that is production and construction. Cité → 39, 59, 61. Compas Direction → 82. → 25. EM Table Direction Fauteuil → 82. Guéridon → 7. → 69. Guéridon 55.Bas → 33, 49, Potence 25. Standard SP → 19. Standard → 18–19, Solvay → 7, 13, 15. Table 19. Standard SR → 15–17, Solvay33, 61. → Tabouret The brothers , ANTONIO CITTERIO ANTONIO Grand Repos & OttomanGrand Repos → 32–36. Grand Sofà → 42, 58–64. → 35. Repos Petit → 35. & Panchina Repos Sofa → 53–57. Suita who lives and works in Milan, has collaborated and works who lives have they with Vitra Together since 1988. produced a series of office and various chairs office as products as well the Vitra for systems, Home Collection. The Citterio Collection is constantly being expanded. The architect and designer VITRA AUTHORS success of Vitra’s Office Collection. Collection. success ofVitra’s Office tothe contribution made asignificant oftableshave chairs andavariety this time,hiselegantdesignsfor office since 1994. During together withVitra colleges andinstitutions.Hehasworked Venice atleadingdesign andlectures Milan. Heteaches atIUAV of University MEDA ALBERTO lives andworks in materials to the Vitra Colour & Material Library. Library. Colour&Material totheVitra materials ofcolours and intherealm applied herexpertise buthasalso HomeCollection, expanding Vitra substantial numberofdesignstothecontinually a contributed Sincethen,shehasnotonly in 2004. withVitra studio in1993 andbegancollaborating Shefounded theJongeriuslab works inBerlin. The Dutch designer Allstar →80. andhisworkin2014. Grcic Museum devoted exhibition amonographic to Design(KGID).Industrial Design TheVitra Konstantin own Grcic Munich-based practice, inLondon. In1991 hesetuphis College ofArt designattheRoyal studyingindustrial before cabinetmaker atParnham CollegeinDorset GRCIC KONSTANTIN antDt 7 5 Polder →71. Compact Dots→47,95.Magnet DotPillows →101. Colour Block Blankets →49, 102,103. Dot Notebooks →38,105. Coat Dots→95. ElephantPad →105. East River Chair→38. HELLA JONGERIUS HELLA trained asa trained lives and 115 started studied JAY OSGERBY JAY lives and works in London in London and works lives and MAARTEN VAN SEVEREN VAN MAARTEN architecture as fellow students at the Royal architecture students at the Royal as fellow College of Art in London. Since that time, their work has probedcollaborative the interface between industrial design, furniture design and architecture. .03 → 15. Map Table → 81. Map Table Mariposa Club → 57, 66, 69. Mariposa Sofa → 65–69. Chair → 81. Pacific → 25, 79. Tip Ton The designer JASPER MORRISON JASPER are His designs of the expressions and Tokyo. rather design philosophy: “super normal” than or extravagantseeking unusual results, he often means by solutions breathes into proven life new of reinterpretation, further and development refinement. together with Vitra He has worked on a regular basis since 1989. 25–26. All Plastic Chair → 15, → 47, 94. Classic Trays 72, 108. Cork → 13, 49, Family 25. 15, HAL →7–9, → 93. High Tray → 55. Table Low Occasional 69. → 50, 57, 59, 62, Plate Table → 46, 49. Rise Table → 7, 79, 93.Rotary Tray Soft 58. Modular Sofa → 46–52, EDWARD BARBER creating furniture in the mid-1980s, initially creating furniture in the mid-1980s, producing himself in his Ghent the pieces His designs areworkshop. characterised their by and superb comfort.simple form The collaboration resultingwith Vitra in the Van began in 1996, Collection. Severen COLOUR & MATERIAL LIBRARY “ The Vitra Colour & Material Library primarily consists of textiles and leathers, but also includes solid materials consistsoftextiles andleathers, butalsoincludessolidmaterials primarily Library Colour&Material The Vitra at the heart of the Colour & Material Library. oftheColour&Material at theheart possible,butby ofoptions providing acleardisplay everything distinctive identity. a strong, selection ofuniquefabrics.* selection such asplastics,woods analmostinfinite andmetals.Together, andcolours offer textures surface thesematerials, number of possible combinations. The coherence ofthesystemnumber ofpossiblecombinations.Thecoherence makes collageswith lively interior iteasytocreate Colour &MaterialLibrary The Vitra Colour & Material Library encourages creative freedom and fires theimagination–notby making andfires creative freedom encourages Library Colour&Material The Vitra 01 palebluemelange 01 09 bamboomelange 08 canola 08 03 truffle 03 12 truffle 02 sand 04 dark bluemelange dark 04 10 peppermelange 05 rose quartz 05 rose 13 malachite 13 07 olive 04 sand 04 11 steelbluemelange 11 07 canola melange 07 canola 09 rose quartz 09 rose 08 steelblue 08 04 canola 04 19 indigo This dynamic system is regularly expanded awide Thisdynamicsystem andfeatures isregularly velvety softness. Reed isavailable softness. in19velvety colours. of thelinenyarn. with Reed appearance combinesavibrant lively texture lookthatisaugmentedby theirregular, natural awoven withahand-made, features the fabric structure Designedby Hella blend oflinen,wool andcotton. REED areas. Corsaro isavailable in13colours. Corsaro areas. surface tolarge vibrancy several yarns novelty addparticular shadesinterwoven with andthree-tone Thetwo-tone flair. yarns lookwithaMediterranean thatgive anatural thefabric CORSARO Linho isavailable in10colours. furniture. upholstered looktosoft lendinganatural creases, oflinen,Linhotendstoform elegant to itshighpercentage oflinenyarn. Due thatistypical appearance irregular slightly textile. Ithasthe planttothe finished theflax Belgium –from LINHO ” is an elegant, finely patterned jacquard weave jacquard ina patterned isanelegant,finely , says HellaJongerius. is a high-quality linen fabric manufactured in manufactured linenfabric isahigh-quality is a sophisticated combination of fine andcoarse isasophisticatedcombinationoffine Vitra’s is textile collection Jongerius, Jongerius,

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is a relatively smooth bovine leather is a relatively smooth bovine is a soft, flat woven fabric is a soft, made with chenille flat woven is a cotton blend in a plain weave with a lively is a cottona lively with blend in a plain weave is a durable fabric premium made of woollen IROKO 2 IROKO surface a lively the weave give The piles in the yarn yarn. cotton velvetytexture The fabric’s touch. an inviting, with 2 cooling properties.fibres excellent provide is Iroko in 17 colours. available touch, like a leather glove. Premium in leather is available a leather glove. like touch, 22 colours. DUMET appearance. tones create The natural an elegant mixed look with an Italian flair. Soft and cool to the touch, in 17 colours. Dumet is available LEATHER PREMIUM with a flat grain and fine and top sheen. It is dyed-through lightly pigmented. The semi-aniline leather is soft to the CREDO The two- feel. with a pleasant yarn and three-toneworsted this fabric characteristic a give colours structure and vibrant of an effectiveappearance. for Credo exchange allows heat to ensure comfortable the sitter. for thermal conditions The fabric office can also be used in environments. Credo22 colours. in is available 71 sand 13 nutmeg 16 salmon16 68 chocolate 01 ivory melange 04 brown melange 21 royal blue/elephant 25 mother-of-pearl/black 12 olive 59 jade 75 camel 75 19 lime/curry 14 bordeaux14 16 blue/grey 16 17 sand melange 23 pale rose/dark orange 12 rock 65 granite 22 red stone 02 silver grey 04 light brown 22 emerald/ivy 10 pale rose/beige 06 pebble melange *More information about our textiles and other fabrics and leathers can at www.vitra.com be found Chairs

A number of Vitra chairs were milestones in the history of 20th-century furniture design and have been produced by the company for over fifty years, while other models embody the spirit of contemporary innovation. But all are distinguished by the harmonious interplay of function, form and material.

www.vitra.com/chairs

.03 .05 All Plastic Chair Basel Chair → 15 → 15, 25-26

PRODUCTS Belleville Chair Fauteuil Direction HAL → 10–11 → 82 → 7–9, 15, 25

Landi Chair Organic Conference Panton Chair Panton Chair Classic → 23, 25 → 20, 21, 37 → 20

SIM Softshell Chair Softshell Side Chair → 13 → 13 119 Pacific Chair Pacific → 81 Tabouret Haut Tabouret Wiggle Side Chair Fauteuil DirectionFauteuil Pivotant Standard SR 19 17, → 15, Vegetal → 19 Standard SP AM Chair AM Physix Studio Physix Tom Vac Tom Products without page numbers are not pictured more in this information contact catalogue. For your local dealer or visit www.vitra.com Allstar → 80 Zeb Stool Physix Tip Ton → 25, 79 Standard 25 → 18–19, Tables

The dining table is often the communication centre and heart of the home: this is where a family gathers to eat, entertain, work, play and talk. In addition to dining tables, the diverse Vitra portfolio also includes office tables and desks, standing-height and folding tables, and outdoor tables for the balcony or garden.

www.vitra.com/tables

A-Table Bistro Table Davy Table

PRODUCTS Belleville Table Table Flavigny → 10–11, 26 → 17

EM Table Guéridon Table Solvay → 25 → 8 → 7, 13, 15

Trapèze Super Fold Table Compas Direction → 82 121 Monopod Fauteuil de Salon Fauteuil Cone Stool La Chaise Cone Chair Cone Amoebe Products without page numbers are not pictured more in this information contact catalogue. For your local dealer or visit www.vitra.com Heart Cone Chair East River Chair East River → 38 → 39, 59, 61 Cité .06 people who use them. people who www.vitra.com/loungechairs plated steel, premiumplated steel, fabrics in a broad range softcolours, of in cushions – these are sizes that comprise the elements lounge and many armchairs the Vitra, by and preferences as the needs chairs are which diverse as of the Armchairs and Lounge Chairs Lounge and Armchairs composites, chrome- synthetics and modern The finest and woods, leathers Organic Chair MVS Chaise → 37, 78

Occasional Lounge Chair Petit Repos → 35

PRODUCTS Repos → 35

Grand Repos → 32-36

Slow Chair → 40 123 Mariposa Sofa → 65-69 Grand Sofà Chaise Longue → 63 → 63 GrandSofà 3-Seater Grand 3½-Seater Sofà 64 → 59-62, www.vitra.com/sofas its inhabitants with a cosy place to relax. with a cosy place its inhabitants Vitra offers of a choice extraordinarily comfortable room to various can be adapted sofas that and configuredsizes range to suit a wide preferences. of personal Sofas also provide home, but it should of any The living room is the showcase Products without page numbers are not pictured more in this information contact catalogue. For your local dealer or visit www.vitra.com Mariposa Club → 57, 66, 69

Polder → 71

PRODUCTS Soft Modular Sofa → 46–52, 58

Suita Sofa → 53–57 125 Leather Side Tables → 61 NesTable Rise Table → 46, 49

Guéridon Bas 55→ 33, 49, Prismatic Table Wooden Side Tables Wooden 108 → 69,

Products without page numbers are not pictured more in this information contact catalogue. For your local dealer or visit www.vitra.com Occasional Low Table Occasional Low → 55 Plate Table 69 → 50, 57, 59, 62, → 67, 108 → 67, Metal Side Tables Cork Family 72, 108 → 13, 49, as a solo piece. www.vitra.com/couchandsidetables of different and materials offers sizes choosing for options countless the perfect And due sofa or lounge chair. any piece to accompany appearance,to their distinctive a striking some models also add accent Coffee and side tables side and Coffee large selectionVitra’s of coffee tables in a range tables and side PRODUCTS Storage and partition elements

Vitra offers a wide selection of versatile objects and multi-purpose elements in many different sizes and materials, which help to organise an interior while also providing storage space. This makes it possible to find the right solution for diverse requirements.

www.vitra.com/storage

Kast PRODUCTS

Living Tower 127 Hocker → 50, 57, 78

Visiona Stool Elephant Stool Wiggle Stool → 33, 61 Tabouret Solvay Tabouret Products without page numbers are not pictured more in this information contact catalogue. For your local dealer or visit www.vitra.com Bovist simultaneously accent. a decorative providing www.vitra.com/stools in the history of furniture and are and design in museums found on the Depending institutions. collections private as in as well setting,serve can a stool or bench solution while as an ideal seating Stools and benches and Stools are stools and benches regardedMany of Vitra’s as classics Vitra is represented worldwide. Your local Vitra partner can be found at www.vitra.com/dealers

Vitra International AG, Klünenfeldstrasse 22, 4127 Birsfelden 041 (0)61 377 00 00, [email protected], www.vitra.com

Distribution rights: All of the designs shown in this The design of the Eames Aluminium Chair and All product images from Marc Eggimann with the publication are protected by copyright. Vitra and the Eames name are registered trademarks. exception of pictures on the following pages: → 20 the Vitra Design Museum have been authorised by The design of the Eames Lounge Chair and Hans Hansen. → 94, 99, 107 Andreas Sütterlin. → the owners of the intellectual property rights to the Eames name are registered trademarks. 105, 108 Barbara Sorg. manufacture and distribute these designs and hold The design of the Panton Chair and the the exclusive worldwide rights for their production Panton name are registered trademarks Featured Artek products: → 7 Pendant Light and sale. The following restrictions apply: v® All copyrights and intellectual property A331. → 15 High Chair K65. → 17 Stool E60. → 37 Charles & Ray Eames → Worldwide distribution rights, including trademarks, patents and Pendant Light TW003. → 80 Stool 60. → 81 Bench rights for Organic Chair, La Chaise, Eames copyrights, remain the property of Vitra and 153B. Artek is distributed by Vitra. For more Elephant, Plywood Mobile, Classic Trays, Paper are explicitly reserved. information, visit www.artek.fi Napkins, Greeting Cards, Cover Prints, Eames Quotes Posters, Eames Quotes Greeting Cards, No part of this brochure may be reproduced Set design: → 8, 18, 21, 34, 57, 72, 79, 82, 97, 98, Eames Wool Blankets and for the Miniatures without prior written permission from Vitra. Prices 109 Paolo Bonfini. → 11, 15, 17, 23, 25, 26, 33, 37, 40, Collection; distribution rights for all other furniture subject to change without notice. 47, 49, 55, 59, 61, 62, 72, 81, 88, 91, 104 Filippa designs exclusively for Europe and the Middle East. Egnell. → 39, 50, 71, 78, 80, 103 Leonie von Arx & For other regions, please contact Herman Miller, Inc. Picture credits: Annahita Kamali. → 7, 13, 38, 67, 69, 92 Amaya de Alexander Girard → Worldwide distribution rights, Pattern inside “Bispots”, Alexander Girard, 1961. Toledo. with the exception of the Hexagonal Table, → 37–40 © KEYSTONE / Fotostiftung Schweiz / Environmental Enrichment Panels and Zip Pouches. Hans Baumgartner (image cropped); © Eames Vitra International AG strives to respect the rights Vitra’s rights to these named products are restricted Office, LLC; © Vitra Design Museum Archive. of third parties. to Europe and the Middle East. For other regions, → 41–44 © Anna Kerner. → 73–76 Stef Talboom / please contact Herman Miller, Inc. @de.stef; Valentin Heinze / @nummer.v; Julia If we have inadvertently used material without George Nelson → Worldwide distribution rights Grzegorczyk / @_bylo.jest¬_ ; Lesley Henry / acknowledgement, we will correct the omission for all clocks and the Miniatures Collection; @house_of_henry_jones_; Berry Dijkstra / immediately upon notification. IMPRINT distribution rights for other designs exclusively @berrydijkstra; Thomas Mandl / for Europe and the Middle East. For other regions, @thelovelacehotel; PIET Moodshop / please contact Herman Miller, Inc. @pietmoodshop; Salama Cormorand / Isamu Noguchi → Distribution rights for Akari Light @multicouleur; Raul Zea / @monoespacio; Sculptures restricted to Europe (excluding France) Rami Kivisto / @ramkvsto; Joe Munoz / @muni_joe; and Australia. Distribution rights for the Coffee Claudia Klein / @claudiakleinphotography Zurich/ Table held by Herman Miller Inc. for North Berlin. → 83–85 Bianca Argimon America; distribution rights for the Dining Table → 86 © Vitra; Florian Bohm, Mark Niedermann, held by Knoll Inc. for North America. Dejan Jovanovic. → 111 © Roland Benz; Sori Yanagi → Distribution rights for the Butterfly © Eames Office, LLC. Stool restricted to Europe, Africa and North and → 112 © Vitra Design Museum Archive, South America. © Noguchi Foundation, Panton Design Basel. Classic Pillows and Repeat Pillows → Distribution → 113 © Centre Pompidou – Mnam – Bibliotheque rights for Europe and Japan. For other regions, Kandinsky,© Studio Bouroullec. → 114 © Eduardo please contact Maharam, New York. Perez. → 115 Nicole Bachmann, © The Maarten van Severen Foundation.

Concept, design, art direction: Studio AKFB, Munich

Photography: Florian Böhm, Studio AKFB (unless otherwise listed in picture credits)

Lithography: GZD Media GmbH, Renningen Printing: Karl Grammlich GmbH, Pliezhausen

2018, art. no. 09102340