What Is Existentialism? a Revision of Contemporary Definitions
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Discomfort and Moral Impediment
Discomfort and Moral Impediment Discomfort and Moral Impediment: The Human Situation, Radical Bioethics and Procreation By Julio Cabrera Discomfort and Moral Impediment: The Human Situation, Radical Bioethics and Procreation By Julio Cabrera This book first published 2019 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2019 by Julio Cabrera Copyright © 2016 Editora Universidade de Brasília. All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-1803-5 ISBN (13): 978-1-5275-1803-2 CONTENTS Preface ..................................................................................................... viii Part I: Ethics and the Human Situation Chapter One ................................................................................................ 2 The Minimal Ethical Articulation (MEA) The Role of Feelings and Sympathy in Ethics ...................................... 6 Chapter Two ............................................................................................. 10 Human Life and Discomfort (The Non-Structural Arguments) Chapter Three ........................................................................................... 23 The -
APÉNDICE BIBLIOGRÁFICO1 I. Herederas De Simone De Beauvoir A. Michèle Le Doeuff -Fuentes Primarias Le Sexe Du Savoir, Aubier
APÉNDICE BIBLIOGRÁFICO1 I. Herederas de Simone de Beauvoir A. Michèle Le Doeuff -Fuentes primarias Le sexe du savoir, Aubier, Paris : Aubier, 1998, reedición: Champs Flammarion, Paris, 2000. Traducción inglesa: The Sex of Knowing. Routledge, New-York, 2003. L'Étude et le rouet. Des femmes, de la philosophie, etc. Seueil, Paris, 1989. Tradcción inglesa: Hipparchia's Choice, an essay concerning women, philosophy, etc. Blackwell, Oxford, 1991. Traducción española: El Estudio y la rueca, ed. Catedra, Madrid, 1993. L'Imaginaire Philosophique, Payot, Lausanne, 1980. Traducción inglesa: The Philosophical Imaginary, Athlone, London, 1989. The Philosophical Imaginary ha sido reeditado por Continuum, U. K., 2002. "Women and Philosophy", en Radical Philosophy, Oxford 1977; original francés en Le Doctrinal de Sapience, 1977; texto inglés vuelto a publicar en French Feminist Thought, editado por Toril Moi, Blackwell, Oxford 1987. Ver también L'Imaginaire Philosophique o The Philosophical Imaginary, en una antología dirigida por Mary Evans, Routledge, Londres. "Irons-nous jouer dans l'île?", en Écrit pour Vl. Jankélévitch, Flammarion, Flammarion, 1978. "A woman divided", Ithaca, Cornell Review, 1978. "En torno a la moral de Descartes", en Conocer Descartes 1 Este apéndice bibliográfico incluye las obras de las herederas de Simone de Beauvoir, así como las de Hannah Arendt y Simone Weil, y algunas de las fuentes secundarias más importantes de dichas autoras. Se ha realizado a través de una serie de búsquedas en la Red, por lo que los datos bibliográficos se recogen tal y como, y en el mismo orden con el que se presentan en las diferente páginas visitadas. y su obra, bajo la dirección de Victor Gomez-Pin, Barcelona 1979. -
Narrative and Conversion: Voegelin and Jonas on Freedom in Augustine
Narrative and Conversion: Voegelin and Jonas on Freedom in Augustine Copyright 2002 Fred Lawrence The writings of Augustine analyzed by Voegelin and Jonas have to do with the transformative liberation of the human race from the disorientation and cupidity due to sin through divine grace. Eric Voegelin refers frequently to a myth in St Augustine’s Enarrationes in Psalmos 64(65) that, in its lovely compactness, expresses a complete philosophy (and theology, I might add) of history: Incipit exire qui incipit amare. Exeunt enim multi latenter, et exeuntium pedes sunt cordis affectus; exeunt autem de Babylonia. This passage from On the Psalms takes the form of compact and undifferentiated religious allegory. Hans Jonas’s Augustin und das paulinische Freiheitsproblem: Eine philosophische Studie zum pelagianischen Streit uncovers a mythico‐dogmatic elaboration of elements for a philosophy of the human will’s dialectical freedom. In both cases, the effective freedom of the human race is at issue. Jonas contrasted Augustine’s comments on Romans 7 in a pre‐Pelagian letter to his friend Simplicianus (396) with those written in the context of anti‐Pelagian polemics in the second decade of the fifth century. In these texts, Christian dogmatic concerns about the teaching on saving grace and the need for infant baptism complicate the symbolization of phenomenologically accessible experience, which is itself descriptively thematizable in some measure. These entanglements prompted Jonas to clarify the hermeneutical and methodological issues required to -
1 Plays, Books
PLAYS, BOOKS - WRITTEN, PUBLISHED and PERFORMED; PRIZES. 1950s (Circa) And After Today – play written for amateur drama group ‘The Query Players’ to which A.W belonged. Never performed. Precursor to Chicken Soup with Barley. 1951 The Reed That Bent. A novel. Unpublished but used as the basis for ‘Chips With Everything’. Begun 30 April finished 17 August. The novel itself was drawn from assembled letters written to friends and family during 8 weeks of ‘square bashing’ as an RAF National Service conscript. 1955 Pools. A short story. Begun 16th October, finished following month. 1956 The Kitchen. No date on written MS. Probably begun in this year. Entered for The Observer Play competition in original form of two acts with no Interlude. No prizes. 1957 Life Is Where You Live. Musical written for Primrose Jewish Youth Club of which A.W. was the ‘drama director.’ Fiona Castiglione, the granddaughter of the composer, Rutland Boughton, wrote four or five songs then gave up! June 1957. Chicken Soup With Barley. First notes, circa early October 1957. The play (first entitled ‘When the Wind Blows’) begun 8 October 1957. 1958 Chicken Soup With Barley. First presented at The Belgrade Theatre, Coventry, 7 July for one week, directed by John Dexter. Subsequently at The Royal Court, London on14th July for one week as part of a four week ‘Guest Repertory Season’. Roots. Begun 20th June. 2nd typed draft completed 29 October. I’m Talking About Jerusalem. Begun 9 December. (1st typed draft dated 1st December 1959. 3rd typed draft dated 11th May 1960. Pools. Printed in The Jewish Quarterly, Winter 58/59. -
Spring 2017 Graduate Institute Preceptorial Descriptions Thucydides, History of the Peloponnesian War Hans Jonas, the Phenomenon
Spring 2017 Graduate Institute Preceptorial Descriptions All preceptorials are open to students in either of the spring segments: Philosophy & Theology or Politics & Society. Thucydides, History of the Peloponnesian War This vivid account of the war between Athenian and Spartan-led coalitions brings into question the nature of political power and the effects of that power on both victors and victims. Thucydides’ narrative style makes the war (431-404 BC) happen before our eyes, incorporating breathtaking descriptions of battles, yes, but also analysis of political and strategic motivations. How do we get caught up in violence? What kinds of rhetoric do we employ to exert our power over others? Required Editions: Please use one of these translations— The Landmark Thucydides: A Comprehensive Guide to the Peloponnesian War, Robert B. Strassler (ed.) and Richard Crawley (translator) (Free Press, Touchstone ed. Edition 1998) [ISBN-10: 0684827905; ISBN-13: 978-0684827902]. Thucydides: The War of the Peloponnesians and the Athenians (Cambridge Texts in the History of Political Thought), Jeremy Mynott (translator) (Cambridge University Press, 1st edition) [ISBN-10: 0521612586; ISBN-13: 978-0521612586]. First Assignment: Book 1. Tutor: Ms. Patricia Locke Hans Jonas, The Phenomenon of Life The initial concerns of the preceptorial will be what to make of, and how to account for, a distinction between animate and inanimate forms of existence. To frame our discussion we will look first at some sections of Aristotle’s De Anima for a classical perspective, followed by a reading of Schrödinger’s short, scientifically oriented text, What is Life? With these as background, our main focus will turn to The Phenomenon of Life, subtitled, “Toward a Philosophical Biology.” Following Jonas, our interest will extend to what is distinctive about human life in particular, and the degree to which the associated philosophical questions can be accounted for in biological terms, developed from a phenomenological and existentialist perspective. -
“Reciprocal Legitimation” Between Shakespeare's Works and Manga
Multicultural Shakespeare: Translation, Appropriation and Performance vol. 14 (29), 2016; DOI: 10.1515/mstap-2016-0019 ∗ Yukari Yoshihara Toward “Reciprocal Legitimation” between Shakespeare’s Works and Manga Abstract: In April 2014, Nihon Hoso Kyokai (NHK: Japan Broadcasting Company) aired a short animated film titled “Ophelia, not yet”. Ophelia, in this animation, survives, as she is a backstroke champion. This article will attempt to contextualize the complex negotiations, struggles and challenges between high culture and pop culture, between Western culture and Japanese culture, between authoritative cultural products and radicalized counterculture consumer products (such as animation), to argue that it would be more profitable to think of the relationships between highbrow/lowbrow, Western/non-Western, male versus female, heterosexual versus non-heterosexual, not simply in terms of dichotomies or domination/subordination, but in terms of reciprocal enrichment in a never-ending process of mutual metamorphoses. Keywords: Pop culture, Japan, gender, cultural hierarchy, manga, animation Introduction In April 2014, Nihon Hoso Kyokai (NHK: Japan Broadcasting Company) aired a short animated film (1 min. 30 seconds) titled Ophelia, not yet. The animation visually cites John Everett Millais’s painting of Ophelia (1852) with cheeky twists: in this animation, Ophelia looks like the Ophelia by Millais, but she does not die because she can swim, being a national backstroke champion.1 My garments were pulling me down deep under the water. Suddenly I remembered, I am a national backstroke champion, am I not? Soaked clothes spread wide were dragging me down, but Not yet, not yet, it is not time for a watery death . ∗ University of Tsukuba. -
The Limits of the World
beginnings The limits of the world This is not the book I wanted to write—indeed, perhaps no book whose main subject matter concerns death and disease can be described as a book that someone wants to write—but the circumstances of the world sometimes dic- tate otherwise, and over time stories about the lived experiences and imagina- tive lifeworlds of persons living under the shadow of death began to fill the blank pages. As such, The art of life and death attempts to understand how the world appears to persons who are close to death and who are confronting their own mortality and nonexistence after being diagnosed with a terminal illness— namely, those diagnosed with HIV/AIDS in New York City. The art of life and death also pertains to persons living with other illnesses or under conditions of uncertainty and disruption. When living under such circumstances, the contin- gencies of life and death are made explicit on a frequent, often daily, basis. Many taken-for-granted beliefs and practices are called into question or undergo reevaluation and adaptation as people learn to understand themselves and the workings of their bodies in new, sometimes radically different ways. A typical day may include complex cycles of emotion, hope, doubt, uncertainty, joy, and reflection, together with periods of mundane activity, as people adjust to their new circumstances. Often, the world is seen with a renewed and different in- tensity, as the influential playwright Dennis Potter described when interviewed on live television while he was dying from cancer: “Things are both more trivial 2 THE ART OF LIFE AND DEATH than they ever were, and more important than they ever were, and the difference between the trivial and the important doesn’t seem to matter” (Potter 1994). -
PDF Download Dada and Surrealism for Beginners Kindle
DADA AND SURREALISM FOR BEGINNERS PDF, EPUB, EBOOK Peter Bethanis | 128 pages | 11 Oct 2007 | For Beginners | 9781934389003 | English | United States Dada and Surrealism for Beginners PDF Book An English-language version of the first book was published in by Leviathan Press of San Francisco and Pathfinder Press of New York, to no particularly great impact. Even though Atget had been experimenting with photos of shop windows for a decade, his work would come to prominence in the s. The For Beginners series has its origins in two Spanish-language books, Cuba para principiantes and Marx para principiantes by the Mexican political cartoonist and writer Rius , pocket books which put their content over in a humorous comic book way but with a serious underlying purpose. This book is telling you about Dada. She and Raoul Hausmann were among the first artists to work in photomontage. Categories : Educational comics Historical comics Non-fiction comics Book publishing companies based in Connecticut Comic book publishing companies of the United States Publishing companies established in In the early s questions of control arose after some members of the cooperative sold U. Social Psychology introduces the key concepts of the field through an acclaimed storytelling approach that makes research relevant to students. Ball preferred to use "sound poems" to be performed by Dada stage artists. At times, critics like to pigeonhole certain artists as part of one movement or another. This gives context to later understand those voices. Surrealism and Psychoanalysis The Surrealists were interested in the unconscious as a creative source. Each of the beautiful piles of realistic sushi looking high quality page sticky notepads, sits on its own handmade sushi cardboard table included. -
Is”: Hans Jonas and the Revival of a Teleological Ethical Theory
DERIVING “OUGHT FROM “IS”: HANS JONAS AND THE REVIVAL OF A TELEOLOGICAL ETHICAL THEORY A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy By Joseph M. Farrell August 2010 Examining Committee Members: Lewis Gordon, Advisory Chair, Philosophy Joseph Margolis, Philosophy Jane Gordon, Political Science Joseph Schwartz, External Member, Political Science i © Copyright 2010 by Joseph M. Farrell ii ABSTRACT Hans Jonas ranks among a small but expanding group of recent ethicists who have argued that a robust ethical theory must account for human ontological considerations. He is among those who make claims that such considerations issue from biological foundations. In The Phenomenon of Life , he reclaims elements of the Aristotelian biological ontology of the soul while adjusting this ontology to the theory of evolution. The first problem with Aristotelian biological ontology, one suffering from essentialism, is the confrontation with the biological flux of species, presented in the Darwinian theory of natural selection. The dissertation explains that Jonas was correct in his return to Aristotle, insofar as there are elements of human beings that are natural and universal. The task is to follow Jonas by constructing a robust philosophical anthropology. Jonas’s philosophical anthropology understands human beings as nature’s most magnificent and advanced examples of what he calls “needful freedom.” Jonas’s argument includes a refutation of reductive materialism and epiphenomenalism, one that leaves the possibilities of the human soul/consciousness and freedom in at least as good a position as offered by Kant. His argument is also an attempt to rescue ontology, human nature, and ethics from the relativism of Heideggerian thought. -
Curriculum Vitae Chila Kumari Burman
! ! Curriculum Vitae Chila Kumari Burman Brought up in Liverpool and educated at the Slade School of Art in London, Chila Kumari Burman has worked experimentally across printmaking, painting, sculpture, photography and film since the mid-1980s. She draws on fine and pop art imagery in intricate multi- layered works which explore Asian femininity and her personal family history, and where Bollywood bling merges with childhood memories. The Bindi Girls are a series of female figures composed almost entirely of colourful and glittery bindis, gems and crystals. Meticulously handcrafted and embellished, they suggest a powerful yet playful femininity. From bindis and other fashion accessories to ice cream cones and ice lolly wrappers, Chila often uses everyday materials in her work, giving new meaning to items which others may see as worthless, cheap or kitsch. Ice Cream has a particular significance in her work and references her childhood in Liverpool where her father, who arrived as an immigrant from India in the 1950s, owned an ice cream van and was a popular figure as he drove around selling ice cream for over thirty years. As well as paying homage to her father, her Ice Cream works evoke the awakening of her own creative spirit when as a child she would help out in the ice cream van and became immersed in a world of colour, flavour and materials. Chila Kumari Burman’s work is held in a number of public and private collections including the Victoria and Albert Museum and the Wellcome Trust in London, and the Devi Foundation in New Delhi. -
Shakespeare and Contemporary Adaptation: the Graphic Novel
SHAKESPEARE AND CONTEMPORARY ADAPTATION: THE GRAPHIC NOVEL By MARGARET MARY ROPER A thesis submitted to the University of Birmingham for the degree of Doctor of Philosophy with Integrated Studies The Shakespeare Institute College of Arts and Law The University of Birmingham December 2011 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT This thesis examines the process of adaptation of Shakespeare’s plays into the graphic novel medium. It traces the history of these adaptations from the first comic books produced in the mid-twentieth century to graphic novels produced in the twenty-first century. The editions used for examination have been selected as they are indicative of key developments in the history of adaptation of Shakespeare’s plays into the medium. This thesis explores how the plays are presented and the influences on the styles of presentation. It traces the history of the form and how the adaptations have been received in various periods. It also examines how the combination of illustrations and text and the conventions of the medium produce unique narrative capacities, how these have developed over time and how they used to present the plays. -
Catalog (Author-Sort)
Page 1 6/6/2012 11:00:46 AM Catalog (Author-sort) Publication Author Title Publisher Category Book ID Year Africa: Geography, History, 2005 Prentice Hall Miscellaneous 12.109/1 Culture Africa: Geography, History, 2005 Prentice Hall Miscellaneous 12.109/2 Culture Africa: Geography, History, 2005 Prentice Hall Miscellaneous 12.112 Culture Contemporary Indian 1993 ABS Publications Anthology 2.7.106 English Fiction Criticism & D. H. Lawrence 1964 Critical 2.5.725 Appreciation Criticism & Dimensions, Essays for 1980 Winthrop Publishers Critical 2.5.719 Composition Appreciation Discourse: Concepts in the Theory 2.6.38 Social Sciences Education 02/03 2001 McgrawHill College Social Sciences 11.227 (Education, 20022003) English in the World: Cambridge University Applied Teaching And Learning the 1985 3.4.54/2 Press Linguistics & ELT Language And Literatures English in the World: Cambridge University Applied Teaching And Learning the 1985 3.4.54/1 Press Linguistics & ELT Language And Literatures Essential Russian_English Progress Publishers Dictionary 10.92/2 Dictionary Essential Russian_English Progress Publishers Dictionary 10.92/1 Dictionary Contemprary Learning Film : Annual Editions 2007 Journal 8.22 Series Political Parties The Future of American 1982 PrenticeHall Congresses. 11.169 political parties United States McGrawHill Geography: The World and 2000 Humanities/Social Miscellaneous 12.124/1 Its People Sciences/Languages McGrawHill Geography: The World and 2000 Humanities/Social Miscellaneous 12.124/2 Its People Sciences/Languages McGrawHill Geography: The World and 2000 Humanities/Social Miscellaneous 12.124/3 Its People Sciences/Languages Good News for Modern 1971 American Bible Society Social Sciences 11.145 Man Good News: Bible 1976 United Bible Societies Social Sciences 11.146 Criticism & Guide to English Literature Critical 2.5.760 Appreciation Handbook to Longman 1968 Longman Language Skills 1.2.185/2 Sturctural Readers Printed 6/6/2012 Page 2 Handbook to Longman 1968 Longman Language Skills 1.2.185/1 Sturctural Readers The Heath Introduction To 1975 D.