ATTACHMENT NO. 4 HERITAGE PROPERTY RESEARCH AND EVALUATION REPORT

PRINCESS OF WALES THEATRE 300 WEST,

Prepared by:

Heritage Preservation Services City Planning Division City of Toronto

July 2014

1. DESCRIPTION

Above: main (south) entrance and marquee; cover: view of south facade of the Princess of Wales Theatre from the south side of King Street West (Heritage Preservation Services, June 2014)

300 King Street West: Princess of Wales Theatre ADDRESS 300 King Street West (north side, east of John Street) WARD Ward 20 (Trinity-Spadina) LEGAL DESCRIPTION Plan 216E, Part Block A NEIGHBOURHOOD/COMMUNITY King-Spadina HISTORICAL NAME Princess of Wales Theatre CONSTRUCTION DATE 1993 (completed) ORIGINAL OWNER Enterprises ORIGINAL USE Commercial (theatre) CURRENT USE* Commercial (theatre) * This does not refer to permitted use(s) as defined by the Zoning By-law ARCHITECT/BUILDER/DESIGNER Lett/Smith Architects, architect DESIGN/CONSTRUCTION/MATERIALS Stone, brick, glass and metals ARCHITECTURAL STYLE See Section 2.iii ADDITIONS/ALTERATIONS See Section 2.iii CRITERIA Design/Physical, Historical/Associative & Contextual HERITAGE STATUS Cultural Heritage Evaluation RECORDER Heritage Preservation Services: Kathryn Anderson REPORT DATE July 2014

Intention to Designate, 300 King Street West, and HEA Authority - 260, 284 & 322 King Street West Attachment No. 4

2. BACKGROUND

This research and evaluation report describes the history, architecture and context of the property at 300 King Street West, and applies evaluation criteria to determine whether it merits designation under Part IV, Section 29 of the Heritage Act. The conclusions of the research and evaluation are found in Section 4 (Summary).

i. HISTORICAL TIMELINE

Key Date Historical Event 1832 opens its campus on Russell Square, remaining until 1891 1902 Jan Trustees of the register Plan 216E on part of Russell Square 1909 Jan The Gold Medal Furniture Manufacturing Company acquires part of Block A with 55' frontage on King Street West for $8525, selling it for $19,250 three months later1 1912 May Standard Chemicals (which acquires the site after a series of agreements) sells the property to Alexander and Andrew Wilson for $24,750 1912 The revisions to the 1910 Goad's Atlas illustrate the vacant site at present-day 300 King, with the Eclipse Whitewear Building (now 322 King) in place directly west 1923 Jan Andrew Wilson becomes the sole owner of the 55' tract for $70,000 1923 The last update to Goad's Atlas shows the vacant property, with structures on either side, including the Anderson Building at 284 King 1950 Wilson conveys the property to the Canadian General Electric Company, at the same time as the latter business acquires the adjoining vacant site with 103' frontage on King Street from the Trustees of the University of Toronto 1950 When information is compiled in 1950 for the directory published the next year, the subject property is numbered #320 and contains a parking lot 1964 An update to the Underwriters' Survey Bureau atlas illustrates the vacant site 1975 Canadian General Electric Company conveys its parcel with 158' frontage on King Street West to Ed Mirvish Enterprises; the land continues to be used for parking 1993 The Princess of Wales Theatre officially opens at 300 King Street West

ii. HISTORICAL BACKGROUND

King-Spadina Neighbourhood

The property at 300 King Street West is part of the King-Spadina Neighbourhood, the area that developed north of Front Street West between Simcoe and Bathurst Streets with King Street West and Spadina Avenue forming the main cross-roads. After the founding of the Town of York (Toronto) in 1793, the area west of the townsite was reserved for the military. However, the rapid growth of the community led to its westward expansion as

1 While the increase in value would suggest that the property had been built on, Goad's Atlases and other archival documents indicate that it remained vacant Intention to Designate, 300 King Street West, and HEA Authority - 260, 284 & 322 King Street West Attachment No. 4

New Town where the section between present-day Simcoe and Peter Streets became an important institutional enclave in the early 1800s. As illustrated on the historical maps in Section 6 (Images 2 and 3), the original Toronto General Hospital opened at King and John Streets, followed by the relocation of the Provincial Legislative (Third Parliament Buildings) to Simcoe Square on Wellington Street West. In 1831, Upper Canada College (founded in 1829) unveiled its expansive campus on Russell Square, the tract on the north side of King Street West, west of Simcoe Street (Image 7). The private boys’ school moved to its present site in Deer Park in 1891, leaving representatives of the University of Toronto (comprising the College’s Board of Governors) to organize the subdivision and sale of the Russell Square property.

After 1900, part of the Russell Square was acquired by a syndicate headed by Cawthra Mulock, known as "Canada's youngest millionaire", which commissioned the . Despite the presence of the first industrial warehouses along this section of King Street West, the location was chosen for its proximity to Government House, the Lieutenant-Governor's official residence that remained on the southwest corner of King and Simcoe until 1915 (Image 11).2 Ironically, the opening of the theatre followed the Great Fire of 1904, which destroyed Toronto's primary manufacturing district near Front and Bay Streets and resulted in its relocation to King-Spadina. Prior to World War I, King Street West adjoining the Royal Alexandra Theatre and the neighbouring streets were filled with large-scale commercial warehouses employing workers who reached the area by streetcar, and commissioned by companies attracted by the proximity to the financial district and the shipping offered by the steam railways whose spur lines transected the area. King-Spadina remained a vibrant industrial centre until the post-World War II era when manufacturers were drawn to the large tracts of land, lower taxes and new highways for truck transport found in Toronto's suburbs. Although the clothing industry continued to anchor King-Spadina (which was known as the Fashion District), restrictive zoning led to high vacancies.3 The development of the neighbourhood during the 20th century is illustrated on the atlases reproduced in Section 6 (Images 4-6).

The revitalization of King Street West in King-Spadina was initiated in the early 1960s when Toronto businessman Edwin "Honest Ed" Mirvish (1914-2007) restored the Royal Alexandra Theatre (1907) and converted many of the neighbouring warehouses into eating establishments serving theatre patrons. opened on the opposite side of King Street West in 1982. The area was dedicated as Toronto's "Entertainment District" in honour of these venues, as well as the Princess of Wales Theatre (1993).

2 Completed in 1870 on the site of Elmsley House, Government House relocated to Rosedale in the World War I era and the property was razed by the Canadian Pacific Railway (its history is described in Dendy (1993), 56-58) 3 In 1996, the former City of Toronto adopted the King-Spadina Part II Plan, which relaxed land-use controls in the neighbourhood Intention to Designate, 300 King Street West, and HEA Authority - 260, 284 & 322 King Street West Attachment No. 4

Princess of Wales Theatre

The property at present-day 300 King Street West occupies part of Block A, the section of Russell Square subdivided under Plan 261E and registered by the University of Toronto's trustees in 1902 (Image 8). Although part of the subject property was sold to the Gold Medal Furniture Manufacturing Company in 1909, it was not developed by that enterprise or the members of the Wilson family who acquired and retained the land until 1950. During the latter year, the Canadian General Electric Company purchased that parcel, as well as the adjoining vacant frontage that extended over 100 feet along King Street. The archival photographs attached as Images 11-13 show the site, which was operated as a parking lot during the second half of the 20th century.

In 1975, Ed Mirvish Enterprises acquired the subject property and, 15 years later Ed Mirvish and his son, David commissioned the Princess of Wales Theatre as the first privately owned and financed theatre in Canada since the unveiling of the Royal Alexandra Theatre nearly a century earlier. Before the construction of purpose-built facilities in Toronto, theatrical performances were organized in public assembly places, including government buildings, hotels, and outdoor recreational facilities.4 The first custom-designed theatre in the city dated to 1848 when John Ritchey commissioned the Royal Lyceum on King Street West near Bay Street. Like many of the edifices that followed, it was destroyed by fire in 1874.5 In 1890, the Academy of Music opened on the south side of King, east of Simcoe Street as purportedly the "first public building to be lighted by electricity and the first theatre to open the drop curtain from the centre".6

At the turn of the 20th century, the Princess Theatre (the name assumed by the Academy of Music in 1895) and the new Royal Alexandra Theatre were regarded as the two sole "legitimate" theatres in Toronto (Images 9 and 10) that offered "high brow" musical and theatrical performances.7 They were distinguished from other venues, including the Elgin and Winter Garden Theatres on Yonge Street that were designed for vaudeville, afterward combined with "moving pictures" and finally converted to movie theatres.8 Interrupted by two World Wars and the Great Depression, the construction of additional purpose-built theatres for live performances was delayed until the late 20th century when

4 Archival sources indicate that Franks' Hotel on present-day Colborne Street hosted theatrical performances in its second-floor assembly rooms in the 1820s and 1830s, while the Theatre Royal (1839) opened in a converted commercial building near King and York Streets where its amenities included tiered seating 5 During the latter decade, Toronto welcomed two purpose-built opera houses, including the Royal Opera House on King near Bay Street. Despite its name, the facility was operated as part of a chain of theatres and hosted ‘low brow’ travelling theatrical productions 6 Baillie, 130 7 Parkhill, 20. Massey (Music) Hall, a gift to the city from Toronto industrialist Hart Massey in 1894, was designed to offer musical performances only (including the inaugural appearances of the Toronto Mendelssohn Choir and the forerunner to the Toronto Symphony Orchestra in 1895 and 1908. Respectively) and lacked the wings and backstage facilities for large-scale theatrical events 8 Baillie, 164. Before the turn of the 20th century, Shea's Theatre opened on Yonge Street near King as Toronto's first vaudeville theatre Intention to Designate, 300 King Street West, and HEA Authority - 260, 284 & 322 King Street West Attachment No. 4

the O'Keefe Centre (1961) and Roy Thomson Hall (1982) were opened.9 When the mega-musical was introduced in the late 20th century, the desired seating capacity and the necessary staging facilities were not available in existing venues in Toronto. As a result, the Pantages Theatre, the former vaudeville and movie theatre on Yonge Street, was restored as the setting for "The Phantom of the Opera".10

The Princess of Wales Theatre was specifically commissioned to accommodate the Canadian debut of "Miss Saigon", the mega-musical requiring an unusually large fly tower for the real helicopter that was a pivotal part of the staging. Commissioned in 1990 and built over 20 months, the theatre officially opened on May 26, 1993. It was named in recognition of Diana, Princess of Wales (1961-97), who consented to the use of her title, while paying homage to the earlier Princess Theatre. Since its debut, the Princess of Wales Theatre has hosted a range of musical events, including in 2006 the world premiere of "The Lord of the Rings," which resulted in the replacement of the original stage with one incorporating interlocking turntables and elevators.

Lett/Smith, Architects

The Princess of Wales Theatre was designed by the architectural partnership of Lett/Smith, which was founded by William Lett, Sr., and Peter J. Smith in 1973. Smith had previously worked for the Thom Partnership during the period when it designed the Shaw Festival Theatre at Niagara-on-the-Lake. As Lett/Smith, the partners specialized in the design of performing arts venues across Canada, including the DuMaurier Centre at Harbourfront (which converted an existing waterfront building) and the purpose-built award-winning Isabel Bader Theatre at Victoria University, University of Toronto.11 The partnership was dissolved amicably in 2004. iii. ARCHITECTURAL DESCRIPTION

Current photographs of the property at 300 King Street West are found on the cover and in Sections 2 and 6 of this report. The Princess of Wales Theatre was designed to complement its setting by adopting "the language of the adjoining warehouses…" so that "the rhythm of piers and openings make the sidewalk experience almost seamless along the entire block".12 It follows the traditional theatre design exhibited in the neighbouring Royal Alexandra Theatre with the three-part organization of the structure into lobby and auxiliary spaces at the front (south), a large auditorium (centre) and an expansive fly tower (north) that is not visible from King Street. On the south elevation above the granite base, limestone cladding is interspersed with glazing and metal detailing. This

9 Constructed with a combination of private and public funding, the O'Keefe Centre (present-day Sony Centre) is the former home of the and National Ballet of Canada, while Roy Thomson Hall became the new venue for the Toronto Mendelssohn Choir and the Toronto Symphony Orchestra 10 Now known as the Canon Theatre, it was acquired by Ed Mirvish Enterprises 11 The Isabel Bader Theatre received the City of Toronto Architecture and Urban Design Award, as well as the Ontario Association of Architects Award for Architectural Excellence 12 The Canadian Architect, April 1993, 17 Intention to Designate, 300 King Street West, and HEA Authority - 260, 284 & 322 King Street West Attachment No. 4

wall features a tripartite organization, with vertical stair towers (mixing glazing and solids) in the outer bays and an extended glazed horizontal centre bay. At its base, the multiple sets of glazed double doors in the first (ground) floor are surmounted by a metal name band and protected by a projecting glass and metal canopy. Directly above, the centre of the wall contains a two-sided sign, while the entire upper storey is set back as a loggia beneath the flat roofline. This format complements the neighbouring Anderson Building at 284 King in particular, where the south elevation is similarly organized in three sections with corner pavilions.

On the Princess of Wales Theatre, the side elevations (east and west) abut the neighbouring structures, while the rear (north) wall has brick cladding and a mural by American artist Frank Stella. Additional artworks (with hand-painted and pixel murals as well as sculpted reliefs) by Stella are found on the interior of the theatre, which is not described in this report. iv. CONTEXT

The property data map attached as Image 1 shows the location of the property at 300 King Street West. It is found on the north side of the street, east of John Street where it faces the Metro Hall complex to the south. The Princess of Wales Theatre is flanked by two early 20th century warehouses, with the Anderson Building (1915) at 284 King on the east and the Eclipse Whitewear Building (1903) at 322 King to the west. Directly east, its neighbours include the Royal Alexandra Theatre at 260 King and Roy Thomson Hall on the southwest corner of King and Simcoe Street. This section of King Street West adjoins the John Street Cultural Corridor connecting the Toronto waterfront and the Art Gallery of Ontario on Dundas Street West land and linking the arts, entertainment and media venues along its length, including the Princess of Wales Theatres.

3. EVALUATION CHECKLIST

The following evaluation applies Ontario Regulation 9/06 made under the Ontario Heritage Act: Criteria for Determining Cultural Heritage Value or Interest. While the criteria are prescribed for municipal designation under Part IV, Section 29 of the Ontario Heritage Act, the City of Toronto uses it when assessing properties for inclusion on the City of Toronto Inventory of Heritage Properties. The evaluation table is marked “N/A” if the criterion is “not applicable” to the property or X if it is applicable, with explanatory text below.

Design or Physical Value i. rare, unique, representative or early example of a style, type, expression, X material or construction method ii. displays high degree of craftsmanship or artistic merit N/A iii. demonstrates high degree of scientific or technical achievement N/A

Example of a Type – The Princess of Wales Theatre is valued for its design as the last large-scale theatre constructed in Toronto during the 20th century. While featuring a Intention to Designate, 300 King Street West, and HEA Authority - 260, 284 & 322 King Street West Attachment No. 4

traditional theatre layout, the tripartite design of the south elevation with its classical references and limestone cladding (along with contemporary materials) pays homage to the adjoining commercial warehouses with heritage status.

Historical or Associative Value i. direct associations with a theme, event, belief, person, activity, organization or X institution that is significant to a community ii. yields, or has the potential to yield, information that contributes to an X understanding of a community or culture iii. demonstrates or reflects the work or ideas of an architect, artist, builder, N/A designer or theorist who is significant to a community

Person – Historically, the value of the Princess of Wales Theatre is intrinsically linked to the Mirvish family, which commissioned it to showcase the inaugural Canadian production of the mega musical "Miss Saigon" and operated it with their other theatrical venues n Toronto and London, England. The famous Toronto entrepreneur, Edwin "Honest Ed" Mirvish (1914-2007) saved and restored the neighbouring Royal Alexandra Theatre (1907) in the 1960s and in association with his son, , contributed to the revitalization of live theatre in the city in the late 20th century. The Mirvishes unveiled the Princess of Wales Theatre as the first privately funded theatre in Toronto since the Royal Alexandra and where it presented internationally famed musicals such as "", "Lord of the Rings" and "War Horse", as well as original Canadian productions.

Community - The cultural heritage value of the property at 300 King Street West also relates to its role in the historical evolution of the King-Spadina community. The neighbourhood along King Street West adjoining John Street was first developed in the early 19th century as an institutional enclave where major civic buildings as well as the original Upper Canada College campus were situated. While the opening of the Royal Alexandra Theatre (1907) announced the importance of King Street as a cultural destination, its appearance coincided with the transition of King-Spadina as Toronto's new manufacturing district after the Great Fire of 1904. This industrial character remained, although the area declined after World War II. The restoration of the Royal Alexandra Theatre in the early 1960s by Ed Mirvish, together with the conversion of the neighbouring warehouses into restaurants for theatre patrons renewed King Street West and was the impetus for its future designation as Toronto's "Entertainment District". By the early 20th century, the Princess of Wales Theatre, Roy Thomson Hall (1982) and the Royal Alexandra Theatre (1907) were joined by TIFF (Toronto International Film Centre headquarters, 2010) on King Street West as key contributors to Toronto's John Street Cultural Corridor.

Contextual Value i. important in defining, maintaining or supporting the character of an area N/A ii. physically, functionally, visually or historically linked to its surroundings X iii. landmark X

Intention to Designate, 300 King Street West, and HEA Authority - 260, 284 & 322 King Street West Attachment No. 4

Surroundings – The value of the property at 300 King Street West relates to the theatre's historical, functional and physical relationship to its setting on the community's "Main Street." The Princess of Wales Theatre complements in scale, setback and historicist detailing the neighbouring early 20th century warehouse long King Street West, specifically the Anderson Building (1915) at 284 King and the Eclipse Whitewear Building (1903) at 322 King at John Street that are recognized heritage properties.

Landmark - The Princess of Wales Theatre is a local landmark in the King-Spadina neighbourhood where is forms a trio of 20th century cultural venues with the Royal Alexandra Theatre, a National Historic Site, and Roy Thomson Hall, which was added to the City's heritage inventory only a decade after its opening.

4. SUMMARY

Following research and evaluation according to Regulation 9/06, it has been determined that the property at 300 King Street West has cultural heritage value. Located on the north side of King Street West between Duncan and John Streets, the Princess of Wales Theatre (1993) has design, associative and contextual values as the last large-scale custom-built theatre constructed in the 20th century that was designed to complement the adjoining commercial warehouses. The site is historically associated with the Mirvish family that commissioned and operated the theatre, as well as to the evolution of the King-Spadina neighbourhood. The Princess of Wales Theatre is a local landmark on King Street West where it is historically, visually, functionally and physically connected to its setting between two early 20th century commercial warehouses that are recognized heritage properties.

5. SOURCES

Archival Sources

Abstract Indices of Deeds, Plan 216E, Part Block A Archival Photographs, City of Toronto Archives, Toronto Historical Board, and Toronto Reference Library (individual citations in Section 6) Building Records, Toronto and East York, 300 King Street West Cane, Topographical Map of the City and Liberties of Toronto, 1842 City of Toronto Directories, 1900 ff. Goad’s Atlases, 1884-1923 Miles, Historical Atlas of the City of Toronto and the County of York, 1878 Underwriters' Survey Bureau Atlas, January 1964

Secondary Sources

Arthur, Eric, Toronto: No mean city, 3rd ed., revised by Stephen A. Otto, 1986 Baillie, Joan Parkhill, Look at the Record: an album of Toronto's Lyric Theatres 1824- 1984, 1985 "Bill Lett, Sr.," profile, www.lett.ca/site/Bill_Lett_ Sr.html

Intention to Designate, 300 King Street West, and HEA Authority - 260, 284 & 322 King Street West Attachment No. 4

Blumenson, John, Ontario Architecture, 1990 "Curtain Call: the Princess of Wales Theatre, Toronto," Canadian Architect, August 1993 Dendy, William, Lost Toronto, 2nd ed., 1993 ------, and William Kilbourn, Toronto Observed, 1986 Hunter, Robert, "Last Performance This Season: the architectural legacy of Canada's 18th and 19th century theatres," SSAC Bulletin, June 1989 Kalman, Harold, A History of Canadian Architecture, Vol. 2, 1993 Kluckner, Michael, Toronto: the way it was, 1988 Maitland, Leslie, Jacqueline Hucker, and Shannon Ricketts, A Guide to Canadian Architectural Styles, 1992 McHugh, Patricia, Toronto Architecture: a city guide, 2nd ed., 1989 "Peter J. Smith,"profile, www.barlowandassociates.com "Royal Treatment," Architectural Record, September 1991 Russell, Hilary, Double Take: the story of the Elgin and Winter Garden Theatres, 1989

Intention to Designate, 300 King Street West, and HEA Authority - 260, 284 & 322 King Street West Attachment No. 4

6. IMAGES - maps and atlases are followed by archival images and current photographs. The arrows mark the subject property at 300 King Street West

1. City of Toronto Property Data Map: showing the location of the property at 300 King Street West on the north side of the street, east of John Street and opposite the Metro Hal complex

Intention to Designate, 300 King Street West, and HEA Authority - 260, 284 & 322 King Street West Attachment No. 4

2. Cane, Topographical Map of the City and Liberties of Toronto, 1842: showing King Street West between Peter and Graves (present-day Simcoe) Streets with the "Hospital", Upper Canada College campus (upper right), Elmsley House (later Government House, centre right) and the Third Parliament Buildings (lower right)

3. Historical Atlas of the City of Toronto and County of York, 1878: showing the site near the end of the 19th century and before the relocation of Upper Canada College to Deer Park

Intention to Designate, 300 King Street West, and HEA Authority - 260, 284 & 322 King Street West Attachment No. 4

4. Goad's Atlases, 1884 (above) and 1910 revised to 1923 (below): showing the subject property when the site was the original campus of Upper Canada College (above), and standing vacant after the first industrial buildings were in place, including the Eclipse Whitewear Building at present-day 322 King Street West adjoining John Street (below, left of the arrow)

Intention to Designate, 300 King Street West, and HEA Authority - 260, 284 & 322 King Street West Attachment No. 4

5. Goad's Atlas, 1910 revised to 1923: showing the subject site that remains vacant, while the adjoining Anderson Building is in place at present-day 284 King Street West ( the unlabelled building to the right of the arrow)

6. Underwriters' Survey Bureau Atlas, January 1964: showing the block where the subject site is vacant and labelled "car parking" Intention to Designate, 300 King Street West, and HEA Authority - 260, 284 & 322 King Street West Attachment No. 4

7. Archival Photograph, Upper Canada College, 1884: showing the King Street West frontage of Russell Square before the private boys' school relocated to Forest Hill (Toronto Reference Library, B12-34b)

8. Plan 216 E, January 1902: showing the partial subdivision of Russell Square with Block A where the subject property is on the north side of King Street West, east of John Street (Toronto Land Registry Office)

Intention to Designate, 300 King Street West, and HEA Authority - 260, 284 & 322 King Street West Attachment No. 4

9. Archival Postcard, Royal Alexandra Theatre, undated: showing the 1907 theatre that was the last privately-owned and financed theatre in Toronto prior to the completion of the Princess of Wales Theatre (http://chuckmanothercollectionvolume5.blogspot.ca/2013/11/postcard-toronto- royal-alexandra.html)

10. Archival Photograph, Princess Theatre, c. 1910: showing the Princess Theatre on the south side of King Street, east of Simcoe Street prior to the 1915 fire that resulted in its reconstruction (Russell, 22)

Intention to Designate, 300 King Street West, and HEA Authority - 260, 284 & 322 King Street West Attachment No. 4

11. Archival Photograph, King Street West, 1912: view from St. Andrew's Presbyterian Church and showing the site of present-day 300 King Street West, which remained undeveloped (Government House with its landscaped grounds and outbuildings stands in the foreground: Toronto Reference Library, Item 1832)

12. Archival Photographs, King Street West, 1978: showing the undeveloped lot between the Eclipse Whitewear Building at 322 King (left) and the Anderson Building at 284 King (right) where the Princess of Wales Theatre was built (Toronto Reference Library, Items rj250-3 and rj250-4)

Intention to Designate, 300 King Street West, and HEA Authority - 260, 284 & 322 King Street West Attachment No. 4

13. Archival Photographs, King Street West: undated image looking west along the north side of King Street and showing the warehouses adjoining the Royal Alexandra Theatre (above), and the subject property in 1991 prior to the construction of the Princess of Wales Theatre with the site flanked by the Anderson Building at 284 King Street West (right) and the Eclipse Whitewear Building at 322 King Street West (left) (below) (Toronto Historical Board)

Intention to Designate, 300 King Street West, and HEA Authority - 260, 284 & 322 King Street West Attachment No. 4

14. Archival Photographs, Princess of Wales Theatre, 1992 and 1993: showing Ed and David Mirvish during construction (above) and the King Street elevation prior to completion (below) (City of Toronto Archives, Fonds 122, Series 3883)

Intention to Designate, 300 King Street West, and HEA Authority - 260, 284 & 322 King Street West Attachment No. 4

15. Current Photographs, 300 King Street West: showing the property on King Street West east of John Street (top), its context west of Duncan Street (centre), and the rear (north) elevation on Pearl Street (bottom) (Heritage Preservation Services, May 2014)

Intention to Designate, 300 King Street West, and HEA Authority - 260, 284 & 322 King Street West Attachment No. 4