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Best Books for Kindergarten Through High School
! ', for kindergarten through high school Revised edition of Books In, Christian Students o Bob Jones University Press ! ®I Greenville, South Carolina 29614 NOTE: The fact that materials produced by other publishers are referred to in this volume does not constitute an endorsement by Bob Jones University Press of the content or theological position of materials produced by such publishers. The position of Bob Jones Univer- sity Press, and the University itself, is well known. Any references and ancillary materials are listed as an aid to the reader and in an attempt to maintain the accepted academic standards of the pub- lishing industry. Best Books Revised edition of Books for Christian Students Compiler: Donna Hess Contributors: June Cates Wade Gladin Connie Collins Carol Goodman Stewart Custer Ronald Horton L. Gene Elliott Janice Joss Lucille Fisher Gloria Repp Edited by Debbie L. Parker Designed by Doug Young Cover designed by Ruth Ann Pearson © 1994 Bob Jones University Press Greenville, South Carolina 29614 Printed in the United States of America All rights reserved ISBN 0-89084-729-0 15 14 13 12 11 10 9 8 7 6 5 4 3 Contents Preface iv Kindergarten-Grade 3 1 Grade 3-Grade 6 89 Grade 6-Grade 8 117 Books for Analysis and Discussion 125 Grade 8-Grade12 129 Books for Analysis and Discussion 136 Biographies and Autobiographies 145 Guidelines for Choosing Books 157 Author and Title Index 167 c Preface "Live always in the best company when you read," said Sydney Smith, a nineteenth-century clergyman. But how does one deter- mine what is "best" when choosing books for young people? Good books, like good companions, should broaden a student's world, encourage him to appreciate what is lovely, and help him discern between truth and falsehood. -
FEDS NAB SCHIZOID CON Sining with ATTORNEY Docs Say RS B« Fl- Man Has 00 Ov Ht :E- In* 24 Faces
JManrltratpr Mpralft ) Manchester — A City of Village Charm Saturday. Nov. 22,1986 30 Cents FEDS NAB SCHIZOID CON SiniNG WITH ATTORNEY Docs say RS b« fl- man has 00 ov ht :E- in* 24 faces •d itM By Richard Cole >€• nt The Associated Press Id, MIAMI — William Milligan, a for )ld dangerous mental hospital esca let pee with up to 24 personalities, let 10* was in federal custody Friday M t after FBI agents nabbed him in a posh Key Biscayne bar as he :R talked with his attorney. nn. Milligan, 31, was found innocent by reason of insanity in 1978 of raping three women in the Ohio State University area in Colum bus. He also had been charged ON with kidnapping and robbing the t I, women. •11 “ We considered him armed and )L* on dangerous, but there was no • d incident and no resistance in fht 9n* connection with the arrest” for Thursday night, Miami FBI spo on TH kesman Paul Miller said Friday. CT "I think he was surprised we found bo & him." of U.S. Magistrate Patricia Kyle •4, on Friday ordered Milligan held ER without bond on a charge of 040 by unlawful flight to avoid confine a t ment. She set a Dec. 1 hearing for his removal to Ohio, but federal i N4 Public Defender Kenneth Swartz said he was trying to work out a way to get Milligan back toOhioas quickly as possible because he A federal agent escorts fugitive William S. Milligan off a bus into federal court APphotb needs treatment. -
View Was Provided by the National Endowment for the Arts
1 Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. JON HENDRICKS NEA Jazz Master (1993) Interviewee: Jon Hendricks (September 16, 1921 – November 22, 2017) and, on August 18, his wife Judith Interviewer: James Zimmerman with recording engineer Ken Kimery Date: August 17-18, 1995 Repository: Archives Center, National Museum of American History, Smithsonian Institution Description: Transcript, 95 pp. Zimmerman: Today is August 17th. We’re in Washington, D.C., at the National Portrait Galley. Today we’re interviewing Mr. Jon Hendricks, composer, lyricist, playwright, singer: the poet laureate of jazz. Jon. Hendricks: Yes. Zimmerman: Would you give us your full name, the birth place, and share with us your familial history. Hendricks: My name is John – J-o-h-n – Carl Hendricks. I was born September 16th, 1921, in Newark, Ohio, the ninth child and the seventh son of Reverend and Mrs. Willie Hendricks. My father was a minister in the African Methodist Episcopal Church, the AME Church. Zimmerman: Who were your brothers and sisters? Hendricks: My brothers and sisters chronologically: Norman Stanley was the oldest. We call him Stanley. William Brooks, WB, was next. My sister, the oldest girl, Florence Hendricks – Florence Missouri Hendricks – whom we called Zuttie, for reasons I never For additional information contact the Archives Center at 202.633.3270 or [email protected] 2 really found out – was next. Then Charles Lancel Hendricks, who is surviving, came next. Stuart Devon Hendricks was next. Then my second sister, Vivian Christina Hendricks, was next. -
The Sam Eskin Collection, 1939-1969, AFC 1999/004
The Sam Eskin Collection, 1939 – 1969 AFC 1999/004 Prepared by Sondra Smolek, Patricia K. Baughman, T. Chris Aplin, Judy Ng, and Mari Isaacs August 2004 Library of Congress American Folklife Center Washington, D. C. Table of Contents Collection Summary Collection Concordance by Format Administrative Information Provenance Processing History Location of Materials Access Restrictions Related Collections Preferred Citation The Collector Key Subjects Subjects Corporate Subjects Music Genres Media Formats Recording Locations Field Recording Performers Correspondents Collectors Scope and Content Note Collection Inventory and Description SERIES I: MANUSCRIPT MATERIAL SERIES II: SOUND RECORDINGS SERIES III: GRAPHIC IMAGES SERIES IV: ELECTRONIC MEDIA Appendices Appendix A: Complete listing of recording locations Appendix B: Complete listing of performers Appendix C: Concordance listing original field recordings, corresponding AFS reference copies, and identification numbers Appendix D: Complete listing of commercial recordings transferred to the Motion Picture, Broadcast, and Recorded Sound Division, Library of Congress 1 Collection Summary Call Number: AFC 1999/004 Creator: Eskin, Sam, 1898-1974 Title: The Sam Eskin Collection, 1938-1969 Contents: 469 containers; 56.5 linear feet; 16,568 items (15,795 manuscripts, 715 sound recordings, and 57 graphic materials) Repository: Archive of Folk Culture, American Folklife Center, Library of Congress, Washington, D.C. Summary: This collection consists of materials gathered and arranged by Sam Eskin, an ethnomusicologist who recorded and transcribed folk music he encountered on his travels across the United States and abroad. From 1938 to 1952, the majority of Eskin’s manuscripts and field recordings document his growing interest in the American folk music revival. From 1953 to 1969, the scope of his audio collection expands to include musical and cultural traditions from Latin America, the British Isles, the Middle East, the Caribbean, and East Asia. -
1Ère Conciergerie De L'immobilier N°10 • PRINTEMPS / ÉTÉ 2019
1ère Conciergerie de l’Immobilier N°10 • PRINTEMPS / ÉTÉ 2019 « 150 ans ! Cela peut paraitre irréel comme si le temps s’était figé C’est mots, de la bouche de mon père, m’ont marqué à jamais. Et c’est dans cette fabrique de fruits confits, ou les gestes se répètent in- animé de cette philosophie que j’ai abordé à mon tour ce beau lassablement au même tempo que nos ancêtres, dans le res-pect métier incarnant la cin-quième génération. des saisons et dans l’attente de la parfaite maturité de ces fruits gorgés de soleil. Ici, on pèle encore les melons à la main, avec le Nourris de cette histoire, de cette tradition familiale, nous avons pu même geste et surement la même dextérité que Marius Lilamand, nous ouvrir à de nouveaux horizons en créant un atelier de calissons, le fondateur. autre fleuron de la confiserie proven-çale, souvent galvaudé, mais qui traité avec la philosophie « Lilamand » réconcilie les amateurs avec Les abricots, ces fameux « Rosés de Provence », si capricieux mais cette douceur en forme de losange. si délicieux à confire, sont toujours traités comme des rois, entre les mains expertes de confiseurs formés par les anciens avec cette Nous avons même replanté des amandiers afin de mai-triser l’en- rigueur et cette doctrine où le temps et le travail bien fait préva- semble des ingrédients essentiels aux calissons d’exception. laient encore sur les con-traintes des dictats économiques. Nous espérons que Marius, Justin et Georges sont fiers du chemin par- couru. Pour ce qui est de Robert, mon père, j’en suis sûr, il me l’a dit -
Child Rearing
Subject: Child Rearing -~----------~----~----~----~------~----~------~--~--- [Addressed to:] Mr. Ebenezer Burr Norfolk Litchfield Co. Conn. [Connecticut] Waukesha (Prairieville) [Wisconsin] Aug. 15 Sab. [Sabbath] eve / 47. My dear Parents, Brothers & Sisters. I do not recollect the date of your last letter to us. but I remember that we received it soon after Joel [Joel Grant] left us. You wished us to write often as consistent — I did not write immediately on the reception of your letter, thinking that Joel seeing you would remove the necessity of it — & I can give no other reason for delaying thus long only that I have been so busily engaged through the week that I have not taken the time. We have been usually well until last Monday when Daniel had a violent attack of chill fever — he went to work <at a> in the morning about half a mile cutting wheat — at noon came home sick I gave him an emetic, soaked his feet put drafts upon them. & he took some cathartic pills — but as the violence of the symptoms did not seem to abate we called a physician Tues. eve of the homopathic order — his medicine seemed to have a very good effect — he has had no chill to day & has set up most of the time — we think if he is careful he will be able to be around in a few days — at work a little — It has been exceedingly dry here this summer & considerable sickness prevails now, fevers of various kinds, mostly bilious & chill & some ague — I take medicine occasionally <to prevent sickness> when I have bad feelings — have felt much better this summer than I did last. -
Bronxville Elementary School Summer Reading Suggestions 2019
Bronxville Elementary School Summer Reading Suggestions 2019 Table of Contents Ideas for Encouraging Reading……………………………………….p. 2 Resource Guide………………………………………………………….……….p. 3 Kindergarten into First Grade…………………………………….….p. 4 First into Second Grade…………………………………………...…….p. 10 Second into Third Grade…………………………….……………..……p. 16 Third, Fourth and Fifth Grade………………………………….……p. 20 Fifth Grade and up…………………………………………….……….……..p. 26 Please note: The listed books are only suggestions. No titles are required for reading and no child will be expected to read from the list. Books listed are chosen from a variety of sources. They include a wide variety of interests and a range of reading levels. Enjoy your summer! IDEAS FOR MAKING YOUR CHILD A LIFE-LONG LOVER OF BOOKS Picking up a book and reading for pleasure makes our minds grow. But some kids struggle with reading and for parents this can be very frustrating. Here are some things to keep in mind on ways to turn a young reader's reluctance into enthusiasm: • Encourage your child to read for fun, let them read books they enjoy. Forcing a child to read books that are either not interesting or too difficult will only discourage them from reading. Use their interests and hobbies as starting points. • Don’t rule out magazines! The short, content-based articles are often written at an easy reading level and will spark their interest in a variety of topics. Most bookstore chains have a huge selection of magazines to appeal to almost every interest. • Read aloud to children of all ages. There is no age cutoff for reading aloud. The pleasure of listening to you read, rather than struggling alone, may restore your child's initial enthusiasm for books and reading. -
Title "Stand by Your Man/There Ain't No Future In
TITLE "STAND BY YOUR MAN/THERE AIN'T NO FUTURE IN THIS" THREE DECADES OF ROMANCE IN COUNTRY MUSIC by S. DIANE WILLIAMS Presented to the American Culture Faculty at the University of Michigan-Flint in partial fulfillment of the requirements for the Master of Liberal Studies in American Culture Date 98 8AUGUST 15 988AUGUST Firs t Reader Second Reader "STAND BY YOUR MAN/THERE AIN'T NO FUTURE IN THIS" THREE DECADES OF ROMANCE IN COUNTRY MUSIC S. DIANE WILLIAMS AUGUST 15, 19SB TABLE OF CONTENTS Preface Introduction - "You Never Called Me By My Name" Page 1 Chapter 1 — "Would Jesus Wear A Rolen" Page 13 Chapter 2 - "You Ain’t Woman Enough To Take My Man./ Stand By Your Man"; Lorrtta Lynn and Tammy Wynette Page 38 Chapter 3 - "Think About Love/Happy Birthday Dear Heartache"; Dolly Parton and Barbara Mandrell Page 53 Chapter 4 - "Do Me With Love/Love Will Find Its Way To You"; Janie Frickie and Reba McEntire F'aqe 70 Chapter 5 - "Hello, Dari in"; Conpempory Male Vocalists Page 90 Conclusion - "If 017 Hank Could Only See Us Now" Page 117 Appendix A - Comparison Of Billboard Chart F'osi t i ons Appendix B - Country Music Industry Awards Appendix C - Index of Songs Works Consulted PREFACE I grew up just outside of Flint, Michigan, not a place generally considered the huh of country music activity. One of the many misconception about country music is that its audience is strictly southern and rural; my northern urban working class family listened exclusively to country music. As a teenager I was was more interested in Motown than Nashville, but by the time I reached my early thirties I had became a serious country music fan. -
The Complete Poetry of James Hearst
The Complete Poetry of James Hearst THE COMPLETE POETRY OF JAMES HEARST Edited by Scott Cawelti Foreword by Nancy Price university of iowa press iowa city University of Iowa Press, Iowa City 52242 Copyright ᭧ 2001 by the University of Iowa Press All rights reserved Printed in the United States of America Design by Sara T. Sauers http://www.uiowa.edu/ϳuipress No part of this book may be reproduced or used in any form or by any means without permission in writing from the publisher. All reasonable steps have been taken to contact copyright holders of material used in this book. The publisher would be pleased to make suitable arrangements with any whom it has not been possible to reach. The publication of this book was generously supported by the University of Iowa Foundation, the College of Humanities and Fine Arts at the University of Northern Iowa, Dr. and Mrs. James McCutcheon, Norman Swanson, and the family of Dr. Robert J. Ward. Permission to print James Hearst’s poetry has been granted by the University of Northern Iowa Foundation, which owns the copyrights to Hearst’s work. Art on page iii by Gary Kelley Printed on acid-free paper Library of Congress Cataloging-in-Publication Data Hearst, James, 1900–1983. [Poems] The complete poetry of James Hearst / edited by Scott Cawelti; foreword by Nancy Price. p. cm. Includes index. isbn 0-87745-756-5 (cloth), isbn 0-87745-757-3 (pbk.) I. Cawelti, G. Scott. II. Title. ps3515.e146 a17 2001 811Ј.52—dc21 00-066997 01 02 03 04 05 c 54321 01 02 03 04 05 p 54321 CONTENTS An Introduction to James Hearst by Nancy Price xxix Editor’s Preface xxxiii A journeyman takes what the journey will bring. -
Mountain Landscape and the Aesthetics of the Sublime in Romantic Narration Paola Giacomoni
Mountain landscape and the aesthetics of the sublime in Romantic narration Paola Giacomoni Any man who observes nature is always inclined to question its precise order. Te analogies and regularities of natural phenomena have ofen suggested a predetermined design, a benign creator, a sublime artist: thus nature appears to be his masterpiece. Te persuasive quality of the so-called physical-theological proof of the existence of God is well known, a theory that perceives the creator’s perfection in the incredible and spectacular workings of the cosmos. Te knowledge gained from the examination of the order and harmony of the universe suggests an aesthetic dimension which, born from the thrill of wonder and amazement, rises to beauty or to the sublime. But even the most convinced supporters of natural theology, which was a particularly popular theory in the seventeenth and eighteenth centuries, used for justifying and singing the praises of the cosmos, cannot fail to see certain incongruities or irregularities, not obvious enough to cause doubt in the unity of nature, but certainly enough to render its reconstruction more complicated. As far as the origins of the universe are concerned, not everything appears to be ascribable to a perfect and conclusive order, to a harmonious and totally regulated cosmos, especially since, in this era, it is understood that nature possesses a history of its own, and it can be viewed as transformation. One of the most difcult issues which comes to the fore in the »earth sciences« is the »unevenness« of the earth’s crust which is visibly recognisable in mountain landscapes. -
Vol. 13, No.2 July 2003
Chantant • Reminiscences • Harmony Music • Promenades • Evesham Andante • Rosemary (That's for Remembrance) • Pastourelle • Virelai • Sevillana • Une Idylle • Griffinesque • Ga Salut d'Amour • Mot d'AmourElgar • Bizarrerie Society • O Happy Eyes • My Dwelt in a Northern Land • Froissart • Spanish Serenade • La Capricieuse • Serenade • The Black Knight • Sursum Corda • T Snow • Fly, Singing Birdournal • From the Bavarian Highlands • The of Life • King Olaf • Imperial March • The Banner of St George Deum and Benedictus • Caractacus • Variations on an Origina Theme (Enigma) • Sea Pictures • Chanson de Nuit • Chanson Matin • Three Characteristic Pieces • The Dream of Gerontius Serenade Lyrique • Pomp and Circumstance • Cockaigne (In London Town) • Concert Allegro • Grania and Diarmid • May S Dream Children • Coronation Ode • Weary Wind of the West • • Offertoire • The Apostles • In The South (Alassio) • Introduct and Allegro • Evening Scene • In Smyrna • The Kingdom • Wan Youth • How Calmly the Evening • Pleading • Go, Song of Mine Elegy • Violin Concerto in B minor • Romance • Symphony No Hearken Thou • Coronation March • Crown of India • Great is t Lord • Cantique • The Music Makers • Falstaff • Carissima • So The Birthright • The Windlass • Death on the Hills • Give Unto Lord • Carillon • Polonia • Une Voix dans le Desert • The Starlig Express • Le Drapeau Belge • The Spirit of England • The Fring the Fleet • The Sanguine Fan • ViolinJULY Sonata 2003 Vol.13, in E minor No.2 • Strin Quartet in E minor • Piano Quintet in A minor • Cello Concerto -
An Anthology
THE UNKNOWN: AN ANTHOLOGY William Gillespie Scott Rettberg Dirk Stratton www.unknownhypertext.com 1 Contents The Unknown The Spy Dirk Stratton L.A. (Auster) Autotowing William Gillespie Iowa That Kind of Couple Scott Rettberg Algren Death of a Rabbit William Gillespie Bungie Hands Scott Rettberg Maine Priest Lake Dirk Stratton The Book of Signs Death of a Collector William Gillespie Dirk Spirit The Thing Scott Rettberg i.e. The Bland Taste Dirk Stratton In Orbit Credo Dirk Stratton Dirk Ad The Well-Tempered Tantrum William Gillespie L.A. (Auster) 3 The Meddlesome Passenger Scott Rettberg Boston (Italicized titles from the collaborative hypertext novel The Unknown, by William Gillespie, Scott Rettberg, and Dirk Stratton) 2 The Unknown Everybody gets told to write about what they know. The trouble with many of us is that at the earlier stages of life we think we know everythingÑor to put it more usefully, we are often unaware of the scope and structure of our ignorance. Ignorance is not just a blank space on a personÕs mental map. It has contours and coherence, and for all I know rules of operation as well. ÑThomas Pynchon When you get right down to it, itÕs all sublime. That is, indescribable. You donÕt stop, though. You keep trying to describe it. Language games become a form of breathing. What you donÕt know can and will hurt you, but not as much as what you already know, which has already hurt you and will continue to bring you pain. This is also the ultimate cause of joy. To what extent is the unknown a function of memory, and to what extent fate? We are frontier-obsessive creatures.