MARNI SHINDELMAN [email protected]
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
July 1, 2012–June 30, 2013 FY13: a LOOK BACK
Georgia Museum of Art Annual Report July 1, 2012–June 30, 2013 FY13: A LOOK BACK One of the brightest spots of FY13 was the On October 22, the museum celebrated inaugural UGA Spotlight on the Arts, a nine-day its official reaccreditation by the American festival held November 3–11, highlighting visual, Alliance of Museums (formerly the American performing, and literary arts all over campus, Association of Museums). Although the in which the museum participated eagerly. The museum is usually closed on Mondays, it was vision of vice-provost Libby Morris, the festival open to the public for the day. AAM director was planned by the UGA Arts Council, of which Ford Bell attended the event and spoke about museum director William U. Eiland is a member, the museum, followed by an ice cream social. and its subsidiary public relations arm (at Less than 5 percent of American museums are which Michael Lachowski and Hillary Brown accredited, and the process is not a simple one. represented the museum). The festival attracted Reaccreditation is a lengthy process, involving great attendance, especially from students, and a self-study that the museum worked on for demonstrated the administration’s commitment several years and a site visit lasting several days, to making the arts an essential part of the during which AAM representatives toured the university experience. Later in the fiscal year, the facility from top to bottom, met with university Arts Council began working on a strategic plan, upper administration, and interviewed staff with brainstorming meetings held by both the members, volunteers, students, and patrons of executive and PR committees in the museum’s the museum. -
The Artistic Journey of Julia Elizabeth Tolbert
Wofford College Digital Commons @ Wofford Student Scholarship 5-2018 Art for All: The Artistic Journey of Julia Elizabeth Tolbert Julie L. Woodson Wofford College Follow this and additional works at: https://digitalcommons.wofford.edu/studentpubs Part of the American Art and Architecture Commons, and the Painting Commons Recommended Citation Woodson, Julie L., "Art for All: The Artistic Journey of Julia Elizabeth Tolbert" (2018). Student Scholarship. 18. https://digitalcommons.wofford.edu/studentpubs/18 This Honors Thesis is brought to you for free and open access by Digital Commons @ Wofford. It has been accepted for inclusion in Student Scholarship by an authorized administrator of Digital Commons @ Wofford. For more information, please contact [email protected]. ART FOR ALL: THE ARTISTIC JOURNEY OF JULIA ELIZABETH TOLBERT By Julie Woodson Art History Honors Thesis 2017-2018 Wofford College 1 Table of Contents INTRODUCTION & ACKNOWLEDGEMENTS……………………………………………......2 I. THE EARLY YEARS: Greenwood County……………………………………………………5 II. FINDING HER WAY: Columbia College……………………………………………………13 III. IN PURSUIT OF MORE: Lander College & Beyond……………………………………….17 IV. AN ADVANCED PATH: Syracuse University……………………………………………..39 V. DEVELOPMENT OF A MATURE STYLE: University of Georgia………………………...48 VI. POST-ARTISTIC YEARS: Cashiers, N.C.…..……………………………………………...81 VII. CONCLUSION……………………………………………………………………………..85 BIBLIOGRAPHY………………………………………………………………………………..90 2 INTRODUCTION & ACKNOWLEDGEMENTS Progressing from a student, concentrating on absorbing foundational skills and techniques to an intentional, expressionistic painter, Julia Elizabeth Tolbert spent twenty years of her life creating art. Using formal educational opportunities as a way to escape the life intended for her, she found art to be a freeing and meaningful endeavor. She experimented greatly in both style and medium, working with movements such as the Ashcan school, Regionalism, and Cubism and creating works in watercolor, oil, encaustic, pencil, clay, and more, all in pursuit of a professional artistic career. -
Winter Valley
National Gallery of Art NATIONAL GALLERY OF ART ONLINE EDITIONS American Paintings, 1900–1945 Lamar Dodd American, 1909 - 1996 Winter Valley 1944 oil on canvas overall: 97.3 x 128.1 cm (38 5/16 x 50 7/16 in.) framed: 119.4 x 149.2 x 7 cm (47 x 58 3/4 x 2 3/4 in.) Inscription: lower left: Lamar Dodd / 1944 Anonymous Gift 1971.3.1 ENTRY In 1937, 26-year-old Lamar Dodd was invited to serve as artist-in-residence at the University of Georgia in Athens, a town with a population of about 18,000 located on a hill above the Oconee River. He accepted the position and was appointed chairman of the art department the following year. Over the next decade he invited such noted American artists as Boardman Robinson, Thomas Hart Benton, and Yasuo Kuniyoshi to the campus. Dodd stated that his objective was “to produce not just a sensational regional scene, but to revive an interest in the truth of things.” [1] By 1949 he had transformed the University of Georgia’s art department into one of the best in the Southeast. Dodd was an active presence in the Athens community who brought this transformation about, as Life magazine expressed it, in “an un-bohemian way.” [2] Discussing Winter Valley, Dodd remarked, “I have no hesitation in saying that I consider this to be one of my best canvases.” [3] It is the sequel to his A View of Athens, a painting that was greeted with critical acclaim after it was exhibited at the 1939 World's Fair in New York and purchased by IBM in 1940. -
Telfair Museum of Art Art & Life 5Connections
Telfair Museum of Art Middle & High School Edition Art & Life Connections 5 Middle & High School Edition Art Life 5 Connections This publication& is made possible by a grant from The Institute of Museum and Library Services 2 Art & Geography 3 Art & History 6 Art & Language 35 Art & Math 48 Art & Science and Technology Art Geography Curriculum &Connections - National Standards Lesson One: Artists As Explorers NSS-G.K-. PLACES AND REGIONS NSS-G.K-.4 HUMAN SYSTEMS NSS-WH.5-.6 ERA SIX: EMERGENCE OF THE FIRST GLOBAL AGE Lesson Two: Three Migrations of the African American NSS-G.K-. THE WORLD IN SPATIAL TERMS NSS-G.K-. PLACES AND REGIONS NSS-G.K-.4 HUMAN SYSTEMS NSS-G.K-.6 USES OF GEOGRAPHY NSS-USH.5-. ERA ONE: THREE WORLDS MEET NSS-USH.5-. ERA TWO: COLONIZATION AND SETTLEMENT NSS-USH.5-.4 ERA FOUR: EXPANSION AND REFORM NSS-USH.5-.5 ERA FIVE: CIVIL WAR AND RECONSTRUCTION NSS-USH.5-.8 ERA EIGHT: THE GREAT DEPRESSION AND WWII NSS-USH.9-.0 ERA TEN: CONTEMPORARY UNITED STATES Lesson Three: How People And Places Equally Reshape Each Other NSS-G.K-. PLACES AND REGIONS NSS-G.K-.4 HUMAN SYSTEMS NSS-G.K-.5 ENVIRONMENT AND SOCIETY NSS-G.K-.6 USES OF GEOGRAPHY Lesson Four: Migration Of Cultureal Objects And Skills NSS-G.K-. THE WORLD IN SPATIAL TERMS NSS-G.K-. PLACES AND REGIONS NSS-G.K-.4 HUMAN SYSTEMS NSS-G.K-.5 ENVIRONMENT AND SOCIETY NSS-G.K-.6 USES OF GEOGRAPHY NSS-USH.5-. ERA ONE: THREE WORLDS MEET NSS-USH.5-.2 ERA TWO: COLONIZATION AND SETTLEMENT 1 Artist: Edwin Lord Weeks, American (849-903) Title: Ship of the Desert Date: 874 Medium: Oil on panel Size: 4 7/8 x 8 /6 Lesson Gift of R.C. -
ERNESTO R. GÓMEZ [email protected] Ernestorgomez.Com
ERNESTO R. GÓMEZ [email protected] ernestorgomez.com EDUCATION 2012 Master of Fine Arts in Sculpture (with Distinction) - The University of Georgia, Athens, Georgia 1997 Bachelor of Fine Arts in Studio (Sound and New Media) - The School of the Art Institute of Chicago, Chicago, Illinois 1995 Associate Degree in Applied Arts (Graphic Design) - Lansing Community College, Lansing, Michigan TEACHING EXPERIENCE 2015 Permanent Lecturer of Art - Georgia College, Milledgeville, Georgia 2012-2015 Academic Professional and Gallery/Wood Shop Technician - Georgia College, Milledgeville, Georgia 2011-2012 Graduate Teaching Assistant - the University of Georgia, Athens, Georgia 2007-2009 Instructor of Fine Art - Georgia College, Milledgeville, Georgia PROFESSIONAL EXPERIENCE Gallery/Wood Shop Technician - Georgia College, Department of Art, Leland Gallery, Milledgeville, Georgia, 2012-present Academic Director, Montepulciano, Italy Study Abroad - Kennesaw State University, 2014-2016 Gallery Director - The William J. Thompson Gallery, the University of Georgia, 2011-2012 Graduate Research Assistant - Ideas for Creative Exploration (ICE), the University of Georgia, 2009-2011 Installer and Fabricator - Manifest Hope: The Inauguration of President Obama, D.C. Gallery, Washington D.C., 2009 Product Development Specialist - Saint Gobain Desjonqueres, Sparta, Georgia, 2007 Graphic Artist/Registration Coordinator - Society for Photographic Education (SPE), Athens, Georgia, 2004 Account Administrator - Merial Limited, Athens, Georgia, 2003-2006 Administrative -
2019 Ced Honors Day Friday, Sept 6, 2019 Introduction by Dean Sonia Hirt
2019 CED HONORS DAY FRIDAY, SEPT 6, 2019 INTRODUCTION BY DEAN SONIA HIRT Honors Day is one of CED’s most special traditions—a day in which we celebrate the outstanding accomplishments of our faculty, students, and staff and the remarkable vision and generosity of our friends and supporters. Honors Day ’19 is extraordinary! Throughout this year, we mark the 50th Anniversary of the establishment of the College of Environment and Design as a single academic unit while embracing the earlier decades during which the instruction of landscape architecture flourished at the University of Georgia. Since 1928, our faculty, students and alumni have dedicated themselves to bringing life, creativity, stewardship, and imagination to the spaces around us, shaping them into culturally meaningful and environmentally responsible places. Then and now, we lead in planning, designing, and preserving our built and natural environments. Our year-long anniversary project includes the publication of a book, website and an exhibition, the development of branding materials, a series of high-profile guest lectures, and several celebratory events, including today’s. Thank you, all, for being an invaluable part of the CED team and onto the next 50 years! ALUMNI AND HONORS DAY 2019 ALUMNI AND HONORS DAY PAGE 2 06 19 SEPT SCHEDULE 2:30 p.m. Alumni and Honors Presentation Reception immediately following awards Jackson St. Building 285 S. Jackson St. JSB Critique Space PAGE 3 2019 STUDENT SCHOLARSHIPS + AWARDS CED ALUMNI ASSOCIATION GRADUATE FELLOWSHIP provides at least one graduate assistantship to a graduate student attending the College of Environment and Design. ANNA SHOJI SHELBY REED SABA SERKHEL CLAY ADAMSON EXPERIENTIAL LEARNING INTERNSHIP Established in 2013 by Clay Adamson, this fund recognizes a BLA student with demonstrated potential, who would benefit and grow from a key learning experience, work or internship. -
Annual Report 1985
1985 ANNUAL REPORT National Gallery of Art - 1 1985 ANNUAL REPORT National Gallery of Art All rights reserved. No part of this publication may be reproduced without the written permission of the National Gallery of Art, Washington, D C. 20565 Copyright ©1986. Board of Trustees, National Gallery of Art This publication was produced by the Editors Office, National Gallery of Art, Washington Edited by Jane Sweeney Printed by Schneidereith & Sons, Baltimore, Maryland The type is Bodoni Book, set by Hodges Typographers, Silver Spring, Maryland Designed by Susan Lehmann. Washington Inside front cover and page 1: View of installation of twentieth-century collection, East Building Frontispiece: View of inaugural luncheon at United States Capitol, with Jasper Francis Cropsey's Autumn—On the Hudson River (1963.9.1) as backdrop Photo credits: cover, inside front cover, James Pipkin; 2/3, United States Senate; 27, Rex A. Stucky; 28, 36, Philip Charles; 29, 31, 112, 113, inside back cover, William Schaeffer; .6, 106, 126, William Wilson; 85, 103, Richard Amt; other photographs, National Gallery of Art Photographic Laboratory ISBN 0-89468-092-7 CONTENTS 7 PREFACE 17 ORGANIZATION 19 DIRECTOR'S REVIEW OF THE YEAR 35 DONORS AND ACQUISITIONS 61 LENDERS 67 LOANS TO EXHIBITIONS 75 EDUCATIONAL SERVICES 75 Department of Public Programs 80 Department of Extension Programs 83 CENTER FOR ADVANCED STUDY IN THE VISUAL ARTS 91 OTHER DEPARTMENTAL REPORTS 91 Curatorial 98 Division of Records and Loans 99 Changes of Attribution 101 Library 105 Photographic Archives 105 Conservation Division 109 Editors Office 110 Exhibitions Office 111 Department of Installation and Design 113 Gallery Archives 113 Photographic Services 115 STAFF ACTIVITIES AND PUBLICATIONS 125 MUSIC AT THE GALLERY 127 PUBLICATIONS SERVICE 128 BUILDING MAINTENANCE, SECURITY, AND ATTENDANCE 129 FINANCIAL STATEMENTS 139 ROSTER OF EMPLOYEES AND DOCENTS PREFACE The National Gallery's fiscal year ending 30 September 1985 was rewarding and significant. -
Abstracts for the Annual SECAC Meeting in Birmingham, Alabama October 17Th-20Th, 2018 Conference Chair, Jared Ragland, University of Alabama at Birmingham
Abstracts for the Annual SECAC Meeting in Birmingham, Alabama October 17th-20th, 2018 Conference Chair, Jared Ragland, University of Alabama at Birmingham Mark Abbe, University of Georgia - Lamar Dodd School of Art Ancient Marbles on Biscayne Bay Overlooked and essentially unknown, the oldest intact historic collection of classical sculpture in the southeastern United States is at Villa Vizcaya, James Deering’s Italianate estate on Biscayne Bay, Miami, built between 1914–1922. This paper presents the preliminary results of new research on this collection of large-scale ancient Roman marble sculpture that includes free-standing statuary, furniture (table legs, candelabra), and sarcophagi, dating from the 1st century BCE to the early 5th century AD. The Villa’s archives allow the story of these antiquities—several with distinguished provenances, including the Borghese Archive and Stanford White—to be examined in great detail from their acquisition through prominent and well-documented antiquities dealers in Italy and New York to their historic display at Vizcaya by the estate’s designer Paul Chalfin (fl. 1905–1923). Chalfin creatively combined and thereby reformulated many of these works into larger site-specific ensembles such as fountains and garden ornaments. Perhaps more than any other artistic media, save for the architecture of Vizcaya itself, these antiquities framed the historic aesthetic experience of the estate and combined to form a composite vision of the “Classical.” Troy Abel, University of North Texas Stop Teaching Technology—Becoming Autodidactic: Strategies for Teaching UX and Design Tools This presentation explores several teaching strategies used to help students become self- learners (autodidactic) with regard to technology, specifically in User Experience (UX) and Visual Communication Design (Graphic Design) classrooms. -
Annual Report 1998
1998 ANNUAL REPORT NATIONAL GALLERY OF ART 1998 Annual Report Copyright © 1999 Board of Trustees, Cover: Detail from Henri de Toulouse-Lautrec, Details illustrated at section openings: Marcelle Lender Dancing the Bolero in "Chilperic," National Gallery of Art, Washington. p. 5: Frans Hals, Portrait of a Member of the Haarlem 1895-1896, oil on canvas, 145 x 149.8 cm, Civic Guard, c. 1636/1638, oil on canvas, Andrew All rights reserved. Collection of Mr. and Mrs. John Hay Whitney, W. Mellon Collection, 1937.1.68 1990.127.1 This publication was produced by the p. 9: Alexander Archipenko, Woman Combing Her Title Page: Detail from Johannes Cornelisz. Hair, 1915, bronze, Ailsa Mellon Bruce Fund, Editors Office, National Gallery of Art Verspronck, Andries Stilte as a Standard Bearer, 1640, 1971.66.10 Editor-in-chief, Frances P. Smyth oil on canvas, 101.6 x 76.2 cm, Patrons' Permanent p. 11: Paul Cezanne, Antony Valabregue, 1866, oil on Fund, 1998.13.1 Editor, Tam Curry Bryfogle canvas, Collection of Mr. and Mrs. Paul Mellon, Editorial assistance, Mariah Shay 1970.35.1 Page 6: Detail from John Frederick Peto, Production Manager, Chris Vogel For the Track, 1895, oil on canvas, 110.5 x 75.9 cm, p. 13: Gilbert Stuart, The Skater (Portrait of William Gift (Partial and Promised) of Jo Ann and Julian Grant), 1782, oil on canvas, Andrew W. Mellon Designed by Susan Lehmann, Ganz Jr., 1997.131.1 Collection, 1950.18.1 Washington, D.C. Inside back cover: The installation of the Alexander p. 19: Jean-Auguste-Dominique Ingres, Mrs. -
Lamar Dodd Papers
Georgia Southern University Digital Commons@Georgia Southern Finding Aids 1991 Lamar Dodd papers Zach S. Henderson Library Special Collections Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/finding-aids Part of the History Commons, and the Painting Commons Recommended Citation Zach S. Henderson Library Special Collections, "Lamar Dodd papers" (1991). Finding Aids. 37. https://digitalcommons.georgiasouthern.edu/finding-aids/37 This finding aid is brought to you for free and open access by Digital Commons@Georgia Southern. It has been accepted for inclusion in Finding Aids by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact [email protected]. LAMAR DODD PAPERS FINDING AID OVERVIEW OF COLLECTION Title: Lamar Dodd papers Date: 1965-1990 Extent: 1 linear feet (1 box) Creator: Dodd, Lamar, 1909-1996 Language: English Repository: Zach S. Henderson Library Special Collections, Georgia Southern University, Statesboro, GA. [email protected]. 912-478-7819. library.georgiasouthern.edu. Processing Note: Finding aid revised in 2020. INFORMATION FOR USE OF COLLECTION Conditions Governing Access: The collection is open for research use. Physical Access: Materials must be viewed in the Special Collections Reading Room under the supervision of Special Collections staff. Conditions Governing Reproduction and Use: In order to protect the materials from inadvertent damage, all reproduction services are performed by the Special Collections staff. All requests for reproduction must be submitted using the Reproduction Request Form. Requests to publish from the collection must be submitted using the Publication Request Form. Special Collections does not claim to control the rights to all materials in its collection. -
Winter-Spring 2003 GALILEO Planet 3-31
The Official Newsletter of GeorgiA LIbrary LEarning Online Spring, 2007 GALILEO's Anniversary In 2281 AD (or CE) Ray Calvert, Coastal Georgia Community College I have now wrestled with writ- in Philadelphia. The day I visited fiction writer Vernor Vinge. In a ing this article for five months. the Library Company it was busy presentation at NASA's VISION- When asked to write an article with patrons. As you recall, I indi- 21 Symposium (http://mind cated that the Library Company stalk.net/vinge/vinge-sing.html) was formed in 1731 making it over in 1993, Vinge talked about a 275 years old. Think of GALILEO’s time when technological change 275th anniversary in the year 2281 would be driven by machine in- AD (or CE if you prefer). Will telligence. Change would then GALILEO still be busy with patrons accelerate so rapidly that a new Ray Calvert 275 years from now? reality would result reducing the In the Law of Accelerating Re- distinction between human and for the GALILEO Planet last turns (http://www.kurzweilai.net/ machine. In their writings, November I was told that I could articles/art0134.html?printable=1), Kurzweil and Vinge each suggest write about anything I wanted, Ray Kurzweil indicates that the rate however, I found myself chal- of technological change is accel- lenged by the problem so com- erating exponentially. Moore's Law monly faced by every college (http://www.intel.com/technology/ freshman, finding something to mooreslaw/index.htm) predicted that machine intelligence will ex- write about. At the celebration that the number of transistors that ceed human intelligence within of GALILEO’s 10th anniversary, could be integrated on a circuit the next thirty years. -
1 JANICE SIMON, Josiah Meigs Distinguished Teaching Associate
1 JANICE SIMON, Josiah Meigs Distinguished Teaching Associate Professor of Art History, University of Georgia, Lamar Dodd School of Art, Visual Arts Building, Athens, GA 30602 706-542-1579 (office); 706-543-1183 (home); [email protected] EDUCATION: Ph. D. May 1990, with Great Distinction, University of Michigan, Ann Arbor, Department of the History of Art Chairman, David C. Huntington Dissertation: "The Crayon 1855-1861: The Voice of Nature in Criticism, Poetry, and the Fine Arts" Regularly cited in the scholarly literature. M.A. May 1981 University of Michigan, Department of the History of Art. Master's Thesis: "The Thin Screen of Nature: John Frederick Kensett and the Transcendental Landscape" B.A., Summa Cum Laude, June 1978, State University of New York at Buffalo, History of Art AWARDS, GRANTS, HONORS: 2018 March 16 President’s Award, Nineteenth Century Studies Association, for “sustained service to the association and significant contributions to nineteenth century studies.” 2017 March First Year Odyssey Seminar Outstanding Teaching Award for course “Looking at Art in the Georgia Museum of Art” 3 Book Awards for Icon of Modernism: Representing the Brooklyn Bridge, 1883-1950 Athens: Georgia Museum of Art, 2016; contributed essay “Up Among the Spiders: The Brooklyn Bridge as Popular Image in the Periodical Press” to this exhibition catalog: ---October 26, 2017 SECAC (Southeastern College Art Conference) Outstanding Exhibition and Catalogue of Historical Materials. ---September 2017 Eric Hoffer First Place Award for Art Category; Eric