Audience Guide
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Program Design: Tim Osborne
MATC Offi cers President: Beth Osborne, Florida State University 1st Vice President: Chris Woodworth, Hobart and William Smith Colleges 40th 2nd Vice President/Conference Coordinator: Shawna Mefferd Kelty, ANNUAL College at Plattsburgh, Mid-America Theatre Conference State University of New York Associate Conference Coordinator: March 7-10, 2019 La Donna Forsgren, Cleveland Marriott Downtown University of Notre Dame at Key Tower Cleveland, Ohio Secretary: Jennifer Goff, Virginia Tech University Treasurer: Brian Cook, Invention University of Alaska, Anchorage Theatre History Studies, the Journal of the Mid-America Theatre Conference Editor: Sara Freeman, Conference Keynote Speakers: University of Puget Sound Tami Dixon and Jeffrey Book Review Editor: Robert B. Shimko, Carpenter, University of Houston Co-founders Bricolage Production Company Theatre/Practice: The Online Journal of the Practice/Production Symposium of MATC Theatre History Symposium Editor: Jennifer Schlueter, Respondent: The Ohio State University Amy E. Hughes, www.theatrepractice.us Brooklyn College, City University of New York Website/Listserv: Travis Stern, Bradley University Playwriting Symposium Respondent: matc.us/[email protected] Lisa Langford Graduate Student Coordinators: Sean Bartley, Florida State University Shelby Lunderman, University of Washington Program Design: Tim Osborne 3 40th Mid-America Theatre Conference Symposia Co-Chairs MATC Fellows Theatre History Symposium Arthur Ballet, 1988 Shannon Walsh, Louisiana State University Jed Davis, 1988 Heidi Nees, Bowling Green State University Patricia McIlrath, 1988 Charles Shattuck, 1990 Practice/Production Symposium Ron Engle, 1993 Karin Waidley, Kenyatta University Burnet Hobgood, 1994 Wes Pearce, University of Regina Glen Q. Pierce, 1997 Julia Curtis, 1999 Playwriting Symposium Tice Miller, 2001 Eric Thibodeaux-Thompson, University of Felicia Hardison Londré, 2002 Illinois, Springfi eld Robert A. -
Horton Foote
38th Season • 373rd Production MAINSTAGE / MARCH 29 THROUGH MAY 5, 2002 David Emmes Martin Benson Producing Artistic Director Artistic Director presents the World Premiere of by HORTON FOOTE Scenic Design Costume Design Lighting Design Composer MICHAEL DEVINE MAGGIE MORGAN TOM RUZIKA DENNIS MCCARTHY Dramaturgs Production Manager Stage Manager JENNIFER KIGER/LINDA S. BAITY TOM ABERGER *RANDALL K. LUM Directed by MARTIN BENSON Honorary Producers JEAN AND TIM WEISS, AT&T: ONSTAGE ADMINISTERED BY THEATRE COMMUNICATIONS GROUP PERFORMING ARTS NETWORK / SOUTH COAST REPERTORY P - 1 CAST OF CHARACTERS (In order of appearance) Constance ................................................................................................... *Annie LaRussa Laverne .................................................................................................... *Jennifer Parsons Mae ............................................................................................................ *Barbara Roberts Frankie ...................................................................................................... *Juliana Donald Fred ............................................................................................................... *Joel Anderson Georgia Dale ............................................................................................ *Linda Gehringer S.P. ............................................................................................................... *Hal Landon Jr. Mrs. Willis ....................................................................................................... -
The Key Reporter
reporter volume xxxi number four summer 1966 NEW PROGRAMS FOR THE HUMANITIES The National Foundation on the Arts and the Humanities aspects of the program. Panels for review of proposals are celebrates its first birthday next month. One of the youngest also set up in selected fields. The Councils are obliged to make federal agencies, the Foundation was established last year by annual reports to the President for transmittal to Congress. the 89th Congress on September 16. Although legislation in Federal Council on the Arts and the Humanities support of cultural undertakings, particularly the arts, had been before Congress for some 88 years, last year was the first In order to avoid duplication of programs and with an eye to time that legislation had been introduced to benefit both the assuring maximum opportunity for cooperative activities humanities and the arts means of one independent national by the among federal government agencies, a Federal Council on foundation. That Congress voted to enact this legislative pro Arts and the Humanities was also established by Congress. gram the first time it was introduced can be attributed to strong There are nine members on the Federal Council, including the Administration backing of the proposed Foundation, biparti Secretary of the Smithsonian Institution, who serves as chair san support and sponsorship of the legislation in Congress, man. The Federal Council is authorized to assist in co and general public recognition and agreement that the national ordinating programs between the two Endowments and with government should support and encourage the humanities and related Federal bureaus and agencies; to plan and coordinate the arts. -
2018 Annual Report
Annual Report 2018 Dear Friends, welcome anyone, whether they have worked in performing arts and In 2018, The Actors Fund entertainment or not, who may need our world-class short-stay helped 17,352 people Thanks to your generous support, The Actors Fund is here for rehabilitation therapies (physical, occupational and speech)—all with everyone in performing arts and entertainment throughout their the goal of a safe return home after a hospital stay (p. 14). nationally. lives and careers, and especially at times of great distress. Thanks to your generous support, The Actors Fund continues, Our programs and services Last year overall we provided $1,970,360 in emergency financial stronger than ever and is here for those who need us most. Our offer social and health services, work would not be possible without an engaged Board as well as ANNUAL REPORT assistance for crucial needs such as preventing evictions and employment and training the efforts of our top notch staff and volunteers. paying for essential medications. We were devastated to see programs, emergency financial the destruction and loss of life caused by last year’s wildfires in assistance, affordable housing, 2018 California—the most deadly in history, and nearly $134,000 went In addition, Broadway Cares/Equity Fights AIDS continues to be our and more. to those in our community affected by the fires and other natural steadfast partner, assuring help is there in these uncertain times. disasters (p. 7). Your support is part of a grand tradition of caring for our entertainment and performing arts community. Thank you Mission As a national organization, we’re building awareness of how our CENTS OF for helping to assure that the show will go on, and on. -
2017 Annual Report
Annual 2017 Report Our ongoing investment into increasing services for the senior In 2017, The Actors Fund Dear Friends, members of our creative community has resulted in 1,474 senior and helped 13,571 people in It was a challenging year in many ways for our nation, but thanks retired performing arts and entertainment professionals served in to your generous support, The Actors Fund continues, stronger 2017, and we’re likely to see that number increase in years to come. 48 states nationally. than ever. Our increased activities programming extends to Los Angeles, too. Our programs and services With the support of The Elizabeth Taylor AIDS Foundation, The Actors Whether it’s our quick and compassionate response to disasters offer social and health services, Fund started an activities program at our Palm View residence in West ANNUAL REPORT like the hurricanes and California wildfires, or new beginnings, employment and training like the openings of The Shubert Pavilion at The Actors Fund Hollywood that has helped build community and provide creative outlets for residents and our larger HIV/AIDS caseload. And the programs, emergency financial Home (see cover photo), a facility that provides world class assistance, affordable housing 2017 rehabilitative care, and The Friedman Health Center for the Hollywood Arts Collective, a new affordable housing complex and more. Performing Arts, our brand new primary care facility in the heart aimed at the performing arts community, is of Times Square, The Actors Fund continues to anticipate and in the development phase. provide for our community’s most urgent needs. Mission Our work would not be possible without an engaged Board as well as the efforts of our top notch staff and volunteers. -
THE ELEANOR ROOSEVELT PROGRAM April 13, 1951 Description
THE ELEANOR ROOSEVELT PROGRAM April 13, 1951 Description: In the opening segment, ER and Elliott Roosevelt respond to a listener's question about the different commissions that are a part of the United Nations. In the interview segment, ER's guest is Shakespearean actor Maurice Evans. In a final segment, ER quotes a passage from the Declaration of Independence. Participants: ER, Elliott Roosevelt, Maurice Evans [ER:] How do you do? This is Eleanor Roosevelt speaking. It gives me great pleasure to visit with you as I do each day at this time from my living room atop the Park Sheraton Hotel overlooking New York. I'm grateful for the many encouraging letters you send me, and most happy that you find my guests both informative and entertaining as I do. Now my son Elliott, who assists me on these programs will speak to you. [Elliott Roosevelt] Yes I will Mother, thank you. Today's guest Mr. Maurice Evans [1901-1989] has brought Shakespearian plays to life for many people in many places but his role on today's program will be strictly Mr. Evans playing himself. Mrs. Roosevelt will introduce him a little later on the program but first we're going to look over the mail and also hear a message from the sponsors who make this recorded program possible. (Break 1:00-1:05) [Elliott Roosevelt:] Mother, today I have a request from Mrs. Tony Rosengarten of Point Pleasant Pennsylvania. She says she wants to learn much more from you about the United Nations, and especially about the different commissions, what is done and what could have been done. -
Lewis Carroll (Charles L
LEWIS CARROLL (CHARLES L. DODGSON) a selection from The Library of an English Bibliophile Peter Harrington london VAT no. gb 701 5578 50 Peter Harrington Limited. Registered office: WSM Services Limited, Connect House, 133–137 Alexandra Road, Wimbledon, London SW19 7JY. Registered in England and Wales No: 3609982 Design: Nigel Bents; Photography Ruth Segarra. Peter Harrington london catalogue 119 LEWIS CARROLL (CHARLES L. DODGSON) A collection of mainly signed and inscribed first and early editions From The Library of an English Bibliophile All items from this catalogue are on display at Dover Street mayfair chelsea Peter Harrington Peter Harrington 43 Dover Street 100 Fulham Road London w1s 4ff London sw3 6hs uk 020 3763 3220 uk 020 7591 0220 eu 00 44 20 3763 3220 eu 00 44 20 7591 0220 usa 011 44 20 3763 3220 usa 011 44 20 7591 0220 Dover St opening hours: 10am–7pm Monday–Friday; 10am–6pm Saturday www.peterharrington.co.uk FOREWORD In 1862 Charles Dodgson, a shy Oxford mathematician with a stammer, created a story about a little girl tumbling down a rabbit hole. With Alice’s Adventures in Wonderland (1865), children’s literature escaped from the grimly moral tone of evangelical tracts to delight in magical worlds populated by talking rabbits and stubborn lobsters. A key work in modern fantasy literature, it is the prototype of the portal quest, in which readers are invited to follow the protagonist into an alternate world of the fantastic. The Alice books are one of the best-known works in world literature. They have been translated into over one hundred languages, and are referenced and cited in academic works and popular culture to this day. -
Carrollian Language Arts & Rhetoric
CARROLLIAN LANGUAGE ARTS & RHETORIC: DODGSON’S QUEST FOR ORDER & MEANING, WITH A PORPOISE By Madonna Fajardo Kemp Approved: _____________________________________ __________________________________ Rebecca Ellen Jones Susan North UC Foundation Associate Professor Director of Composition of Rhetoric and Composition Committee Member Director of Thesis _____________________________________ Charles L. Sligh Assistant Professor of Literature Committee Member _____________________________________ __________________________________ Herbert Burhenn A. Jerald Ainsworth Dean of the College of Arts and Sciences Dean of the Graduate School CARROLLIAN LANGUAGE ARTS & RHETORIC: DODGSON’S QUEST FOR ORDER & MEANING, WITH A PORPOISE By Madonna Fajardo Kemp A Thesis Submitted to the Faculty of the University of Tennessee at Chattanooga in Partial Fulfillment of the Requirements for the Degree of Master of Arts in English: Rhetoric and Composition The University of Tennessee at Chattanooga Chattanooga, TN December 2011 ii Copyright © 2011 By Madonna Fajardo Kemp All Rights Reserved iii ABSTRACT Lewis Carroll (Rev. Charles Dodgson) is a language specialist who has verifiably altered our lexicon and created fictional worlds that serve as commentary on our ability to effectively create meaning within our existing communicative systems. This ability to create language and illustrations of everyday language issues can be traced back to his personal quest for order and meaning; the logician and teacher has uncovered the accepted language and language practices that can result in verbal confusion and ineffective speech, as well as the accepted practices that can help us to avoid verbal confusion and social conflict—all of which reveals a theorist in his own right, one who aides our understanding of signification and pragmatic social skills. Dodgson’s fictive representations of our ordinary language concerns serve as concrete examples of contextual language interactions; therefore, they serve as appropriate material for the teaching of rhetorical theory and, most especially, language arts. -
Eva Le Gallienne Led a Private Life Troubled by Her Personal Struggle with Les- Bianism
Harbin_Text.qxd 12/3/2004 12:50 PM Page 252 Laurents’s ability to direct is more often lauded than his writing. He regularly unites all elements of the production—music, voice, setting, movement, and picturization—to create vibrant dramatic moments. The understanding of structure and character honed in his writing assists in drawing out fully human characterizations. His ability to ‹nd new or Laurents underutilized talent—Jane Fonda in Invitation to a March, Lansbury in 252 Anyone Can Whistle, George Hearn in La Cage aux Folles—signi‹es an astute eye and ensures his lasting in›uence. A very sexual man—his ‹rst gay experience was at thirteen and he was more interested in quantity of partners than quality for many years— Laurents struggled with his homosexuality in psychotherapy, keeping it out of his play Heartsong (1946) and claiming that he would have excluded it as a subtext from Home of the Brave (Laurents, 65, 53). At the same time, he accepted his homosexuality and is proud of how “truth- fully” it was treated in his ‹rst movie, Rope (131). There are biographical aspects of his work to explore (particularly in The Enclave), as well as the- matic obsessions, such as the ‹gure of the complicated, boyish blond (i.e., the major in Home of the Brave, the disillusioned artist in Time of the Cuckoo, the characters played by Hatcher, and Robert Redford’s Hubbell in The Way We Were). Laurents has identi‹ed his own recurrent themes as discovery, acceptance, prejudice, and betrayal (4)—themes with which any homosexual can empathize. -
The Inventory of the Irene Worth Collection #1649
The Inventory of the Irene Worth Collection #1649 Howard Gotlieb Archival Research Center Worth, Irene 12/11/02; 1/17 /03 Preliminary Listing I. Audio Materials. Box 1 A. Reel-to-Reels. 1. "Roshmersholm," 7 inch. 2. "E.P. EAF71," 7 inch. 3. "I.W. - 333 w56 NYCI0019," 7 inch. 4. Unlabeled, 5 inch. 5. "IW reading poetry, 7/27/1979," 2 reels, parts I and 2, 7 inch. B. Audio Cassettes. 1. "Chere Maitre;" 12/17-19/1998; 4 total (includes 5 ½ inch floppy disk, 12/15/1998). 2. "Gypsy and the Yellow Canary." a. 2/29/1996, 2 copies. b. Master copy. c. Pre-show master. 3. "Tango Argentina," Trio Hugo Diaz; 1993. 4. "Early Cante Flamenco;" 1990. 5. "La Edad De Oro Del Flamenco." 6. "18th Century Flute Concerti," works by various artists. 7. "Rachmaninov." , a. "Suite No. 17 Opus." b. "Suite." c. "Suite No. 2 Opus," 2 tapes, 3/7/94; includes untitled mini- disc. d. "Works for four hands or two pianos." e. "Mike and Ralph." f. "Tape 3." 8. "Joao Bosco, Giberto." 9. "7-Blind Geronimo Theme." 10. "Tobias Flanders Kirchwy;" 1994. 11. "Tango," Julio Iglesias; 1996. 12. "Flamenco Singers." 13. "Encoutros E Despedidas." 14. "Los Panscho and Met." 15. "Brahms: Piano Concerto No. 1," 2 copies. 16. "Bairagi Bhairau." 17. "Situr Ravi Shakev." 18. "194 7-The Adventures of Sherlock Holmes." 19. "Peter Eyre.". Page I of 29 20. "Irene Randell, Peter Sellers." 21. "Gwen and Clive." 22. "Tribute Ellen," text from IW, 150th Anniversary; 1998. 23. "An Evening with IW;" 6/7/1990. -
SS Library Anthologies
Titles An Anthology of Greek Drama: First Series (Edited by C.A. Robinson Jr.) Aeschylus: Agamemnon Sophocles: Oedipus the King, Antigone Euripides: Medea, Hippolytus Aristophones: Lysistrata An Anthology of Greek Drama: Second Series (Edited by C.A. Robinson Jr.) Aeschylus: Prometheus Bound, Choephoroe, Eumenides Sophocles: Philoctetes, Oedipus at Colonus Euripes: The Trojan Women, The Bacchae Aristophanes: The Clouds, The Frogs Greek Drama (Edited by Moses Hadas) Aeschylus: Agamemnon, Summary of Choephoroe, Eumenides Sophocles: Antigone, Oedipus the King, Summary of Oedipus at Colonus, Philoctetes Euripides: Medea, Hippolytus, The Trojan War Aristophanes: The Frogs Greek Tragedies, Volume I (Edited by Grene & Lattimore) Aeschylus: Agamemnon, Prometheus Bound Sophocles: Oedipus the King, Antigone Euripides: Hippolytus Classical Comedy, Greek and Roman (Edited by Robert W. Corrigan) Aristophones: Lysistrata, The Birds Menander: The Grouch Plautus: The Menaechmi, Mostellaria Terence: The Self-Tormentor Masters of Ancient Comedy (Edited by Lionel Casson) Aristophenes: The Acharnians Mendander: The Grouch, The Woman of Sarnos, The Arbitration, She Who Was Shorn Plautus: The Haunted House, The Rope Terence: Phormio, The Brothers Farces, Italian Style (Edited by Bari Rolfe) The Phantom Father Dr Arlecchino or the Imaginary Autopsee The Dumb Wife The Kind Father in Spite of Himself The Lovers of Bologna Commedia Dell'Arte (Edited by Bari Rolfe) 20 Lazzi 35 Scenes The Lovers of Verona Drama of the English Renaissance (Edited by M.L. Wine) Christopher Marlowe: Doctor Faustus Thomas Dekker: The Shoemaker's Holiday, A Pleasant Comedy of the Gentle Craft Ben Jonson: Volpone or The Foe Francis Beaumont: The Knight of the Burning Pestle Ben Jonson: The Masque of Blackness Francis Beaumont & John Fletcher: Philaster John Webster: The Duchess of Malfi Thomas Middleton & William Rowley: The Changeling John Ford: The Broken Heart Four English Tragedies (Edited by J.M. -
Lewis Carroll - Poems
Classic Poetry Series Lewis Carroll - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive Lewis Carroll(27 January 1832 – 14 January 1898) Charles Lutwidge Dodgson better known by the pseudonym Lewis Carroll, was an English author, mathematician, logician, Anglican deacon and photographer. His most famous writings are Alice's Adventures in Wonderland and its sequel Through the Looking-Glass, as well as the poems "The Hunting of the Snark" and "Jabberwocky", all examples of the genre of literary nonsense. He is noted for his facility at word play, logic, and fantasy, and there are societies dedicated to the enjoyment and promotion of his works and the investigation of his life in many parts of the world, including the United Kingdom, Japan, the United States, and New Zealand. Antecedents Dodgson's family was predominantly northern English, with Irish connections. Conservative and High Church Anglican, most of Dodgson's ancestors were army officers or Church of England clergymen. His great-grandfather, also Charles Dodgson, had risen through the ranks of the church to become Bishop of Elphin. His grandfather, another Charles, had been an army captain, killed in action in Ireland in 1803, when his two sons were hardly more than babies. His mother's name was Frances Jane Lutwidge. The elder of these sons – yet another Charles Dodgson – was Carroll's father. He reverted to the other family tradition and took holy orders. He went to Westminster School, and thence to Christ Church, Oxford. He was mathematically gifted and won a double first degree, which could have been the prelude to a brilliant academic career.