Tupac Biography
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Investigating Hip-Hop's Emergence in the Spaces of Late Capitalism
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 2008 Re-Taking it to the Streets: Investigating Hip-Hop's Emergence in the Spaces of Late Capitalism Kevin Waide Kosanovich College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the African American Studies Commons, American Studies Commons, and the Music Commons Recommended Citation Kosanovich, Kevin Waide, "Re-Taking it to the Streets: Investigating Hip-Hop's Emergence in the Spaces of Late Capitalism" (2008). Dissertations, Theses, and Masters Projects. Paper 1539626547. https://dx.doi.org/doi:10.21220/s2-zyvx-b686 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. Re-Taking it to the Streets: Investigating Hip-Hop’s Emergence in the Spaces of Late Capitalism Kevin Waide Kosanovich Saginaw, Michigan Bachelor of Arts, University of Michigan, 2003 A Thesis presented to the Graduate Faculty of the College of William and Mary in Candidacy for the Degree of Master of Arts American Studies Program The College of William and Mary August, 2008 APPROVAL PAGE This Thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts aide KosanovichKej Approved,by the Committee, May, 2008 imittee Chair Associate Pro rn, The College of William & Mary Associate Professor A lege of William & Mary Assistant P ressor John Gamber, The College of William & Mary ABSTRACT PAGE Much of the scholarship focusing on rap and hip-hop argues that these cultural forms represent instances of African American cultural resistance. -
University Microfilms 300 North Zeeb Road Ann Arbor, Michigan 48106 a Xerox Education Company 73-2103
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Who Was 2Pac Dating Before He Died
Tupac Shakur died on September 13, in Las Vegas, Nevada. Rapper Tupac Shakur’s last words before he died several years ago in have been revealed by a former police officer of the Las Vegas Metropolitan Police Department. Sep 13, · Jones and Tupac’s relationship didn’t spark the “good vibe” with everyone, Jones’s father, Quincy Jones, was outraged when he found out that the two were a couple. Before the hook-up, Tupac had made some harsh remarks about Quincy Jones only dating white women in . Behind the day, radical political views, and i saw tupac shakur was killed. He was tupac, whom he'd been dating before his girlfriend at the items in - register and his death in los angeles. Even before he thinks. How does a dangerous reputation? Took of the true story of the rapper tupac, has died thinks. From to fuel a rainy. Sep 13, · He died at age Among those who last spoke with Tupac before he slipped into a coma: his fiancee, Kidada Jones, He apologized to her, and the pair began dating. Tupac Amaru Shakur (TOO-pahk shə-KOOR; born Lesane Parish Crooks, June 16, – September 13, ), also known by his stage names 2Pac and Makaveli, was an American rapper and actor. He is considered by many to be one of the greatest rappers of all time. Nov 13, · Who did Tupac Shakur date? Many famous women have dated Tupac Shakur, and this list will give you more details about these lucky ladies. Including Tupac Shakur's most recent girlfriend before his passing, past relationships (including a wife or two), pictures together, and dating rumors, this comprehensive dating history tells you everything you need to know about Tupac Shakur’s love life. -
Informational Materials
Received by NSD/FARA Registration Unit 04/28/2021 10:05:01 AM 04/27/21 Tuesday This material is distributed by Ghebi LLC on behalf of Federal State Unitary Enterprise Rossiya Segodnya International Information Agency, and additional information is on file with the Department of Justice, Washington, District of Columbia. Forthcoming French Atlantic Ocean Missile Test Suspected as Hypersonic Weapon Debut - Report by Morgan Artvukhina So far, only Russia and China have developed working hypersonic weapons, which are nearly impossible to detect and intercept due to their extreme speed and maneuverability. However, several nations have programs to build their own, including the United States and France. After some unusual marine warnings were posted ahead of a French missile test, some experts are speculating it could signal an upcoming launch of France’s hypersonic missile, which was expected to make its debut sometime this year. Dutch researcher Marco Langbroek posted on Twitter on Sunday about several recent navigational warnings across the North Atlantic for the coming weeks that, when plotted out, didn’t resemble what he expected. “Navigational Warnings suggest that France will be test-firing an #ICBM from DGA Essais de Missiles near Biscarosse towards Bermuda between Apr 28-May 21,” he tweeted, noting that “Target area does not fit a simple ballistic trajectory.” “The dogleg shown is purely hypothetical and not very realistic, to be clear. Just to show the deviation from a simple ballistic trajectory,” he added. While three of the four zones outlined in the warning do follow a ballistic trajectory, marking out places where stages of the rocket are likely to fall back to Earth, the fourth and final no-go zone is significantly off-kilter, sitting well south of where it “should” fall if it were a normal ballistic missile. -
Livin' a Boss' Life
REAL, RAW, & UNCENSORED WEST COAST RAP SHIT TURF TALK BEEDA WEEDA CLYDE CARSON MAC MALL DAMANI & MORE BAY AREA AMBASSADOR - LIVIN’ AE BOSS’40 LIFE * WEST COAST DJs SOUND OFF ON MIXTAPE DRAMA * THE GAME’S BROTHER BIG FASE100 * BUMSQUAD’S LATIN PRINCE & MORE // OZONE WEST Publisher EDITOR’S NOTE Julia Beverly Editor-IN-Chief N. Ali Early Music Editor Randy Roper Art Director Tene Gooden Contributors D-Ray DJ BackSide Joey Colombo Toby Francis Wendy Day Street Reps Anthony Deavers Bigg P-Wee Dee1 Demolition Men DJ E-Z Cutt DJ Jam-X DJ K-Tone DJ Quote MUST BE DREAMIN’ DJ Strong & DJ Warrior John Costen Kewan Lewis Lisa Coleman Maroy been living in Atlanta a good decade and I still haven’t gotten completely accus- Rob J Official tomed to it, nor have I embraced it all the way. What can I say? I’m a Bayboy to the Rob Reyes heart. Anyone who knows me, knows that I rep the Bay – all day, every day. I went Sherita Saulsberry I’vehome for Xmas and all I could think about was what kind of Bay Tees I was gonna snatch so I could have William Major the option of reppin’ my soil every day for two weeks straight (that’s 14, but who’s counting?). Took Moms in there and scooped about eight of ‘em REAL QUICK (already had 6). Alas, I didn’t leave my heart in San Francisco ala Tony Bennett. It’s somewhere in Tha Rich! But I gotta love the A and I gotta give JB props for bringing me on board, ‘cause without the move from Orlando this opportunity may have never cracked off. -
G-Eazy & DJ Paul Star in the Movie Tunnel Vision October/November 2017 in the BAY AREA YOUR VIEW IS UNLIMITED
STREET CONSEQUENCES MAGAZINE Exclusive Pull up a seat as Antonio Servidio take us through his life as a Legitimate Hustler & Executive Producer of the movie “Tunnel Vision” Featuring 90’s Bay Area Rappers Street Consequences Presents E-40, Too Short, B-Legit, Spice 1 & The New Talent of Rappers KB, Keak Da Sneak, Rappin 4-Tay Mac Fair & TRAP Q&A with T. A. Corleone Meet the Ladies of Street Consequences G-Eazy & DJ Paul star in the movie Tunnel Vision October/November 2017 IN THE BAY AREA YOUR VIEW IS UNLIMITED October/November 2017 2 October /November 2017 Contents Publisher’s Word Exclusive Interview with Antonio Servidio Featuring the Bay Area Rappers Meet the Ladies of Street Consequences Street Consequences presents new talent of Rappers October/November 2017 3 Publisher’s Words Street Consequences What are the Street Consequences of today’s hustling life- style’s ? Do you know? Do you have any idea? Street Con- sequences Magazine is just what you need. As you read federal inmates whose stories should give you knowledge on just what the street Consequences are. Some of the arti- cles in this magazine are from real people who are in jail because of these Street Consequences. You will also read their opinion on politics and their beliefs on what we, as people, need to do to chance and make a better future for the up-coming youth of today. Stories in this magazine are from big timer in the games to small street level drug dealers and regular people too, Hopefully this magazine will open up your eyes and ears to the things that are going on around you, and have to make a decision that will make you not enter into the game that will leave you dead or in jail. -
Hip-Hop & the Global Imprint of a Black Cultural Form
Hip-Hop & the Global Imprint of a Black Cultural Form Marcyliena Morgan & Dionne Bennett To me, hip-hop says, “Come as you are.” We are a family. Hip-hop is the voice of this generation. It has become a powerful force. Hip-hop binds all of these people, all of these nationalities, all over the world together. Hip-hop is a family so everybody has got to pitch in. East, west, north or south–we come MARCYLIENA MORGAN is from one coast and that coast was Africa. Professor of African and African –dj Kool Herc American Studies at Harvard Uni- versity. Her publications include Through hip-hop, we are trying to ½nd out who we Language, Discourse and Power in are, what we are. That’s what black people in Amer- African American Culture (2002), ica did. The Real Hiphop: Battling for Knowl- –mc Yan1 edge, Power, and Respect in the LA Underground (2009), and “Hip- hop and Race: Blackness, Lan- It is nearly impossible to travel the world without guage, and Creativity” (with encountering instances of hip-hop music and cul- Dawn-Elissa Fischer), in Doing Race: 21 Essays for the 21st Century ture. Hip-hop is the distinctive graf½ti lettering (ed. Hazel Rose Markus and styles that have materialized on walls worldwide. Paula M.L. Moya, 2010). It is the latest dance moves that young people per- form on streets and dirt roads. It is the bass beats DIONNE BENNETT is an Assis- mc tant Professor of African Ameri- and styles of dress at dance clubs. It is local s can Studies at Loyola Marymount on microphones with hands raised and moving to University. -
Pat Buchanan to Make Campaign Stop on East Once-Defeated Activities Fee
Check Your Head The Beastie Boys' latest re THE CHRONICLE & R brings you the defmit THURSDAY, APRIL 23, 1992 DUKE UNIVERSITY DURHAM, NORTH CAROLINA CIRCULATION: 15,000 VOL. 87, NO. 137 Pat Buchanan to make campaign stop on East By MATT STEFFORA ers Committee. ing at 10 a.m. on the Bryan Cen The speech, whichisscheduled The road to the White House Campaign officials told Brady ter walkway. Students, faculty to last about 45 minutes, will be this year will go through East that rather than giving a "typical and employees can obtain two simulcast by the C-SPAN cable Campus. campaign speech," Buchanan will tickets for free with valid Univer TV network. Republican presidential candi focus on his views on sity identification. Buchanan, former host of the date Pat Buchanan will speak on multiculturalism, he said. CNN show "Crossfire," entered campus this coming Tuesday, While rumors had previously The 900 tickets available should the Republican presidential race April 28. The speech will take leaked out about the event, the go quickly, in light ofthe sellouts in late 1991 as a challenger to place in Baldwin Auditorium at 7 Union was unable to confirm for the Union's previous speakers incumbent George Bush. p.m. Buchnan's avaibility until this year, Brady said. In the event Buchanan is visitng the Uni Wednesday, Brady said. that tickets do not sell out by He raised eyebrows earlier this versity because "he thinks [Duke] noon Monday, distribution will year when he gathered more than would be a relatively hospitable The North Carolina state pri continue the next day from 10 30 percent ofthe vote in first the environment and a high-profile mary will be held a week after a.m. -
Abstract Jordan III, Augustus W. B.S. Florida A&M University, 1994 A
Abstract Jordan III, Augustus W. B.S. Florida A&M University, 1994 A Study of Language and Ideology in Rap Music Advisor: Dr. O. Osinubi Dissertation Dated June 5,1998 This study examined the language of Hip-Hop songs and ideology of the artists as reflected through their songs. The study was based on the theory that Hip-Hop or rap songs are legitimate artforms because of their use of poetic elements such as figuration, figures of sound, symbolism, and ambiguity. The study recorded and interpreted the lyrics of a few current rap songs for the purpose of investigating their poetical and ideological elements. The researcher found signification battles by some rap artists as the best examples of songs which express the richness and complexity of Hip-Hop music. The researcher found that both Hip-Hop music lyrics and standard poetry have many similarities, but also have a few different features which enhance their uniqueness. The conclusions drawn from the findings suggest that the main reason many critics do not consider Hip-Hop or rap music an artform, is that they either compare the music to something extremely different, or they simply do not take the time to listen to its songs. Rap Music is an artform that expresses poetic elements and utilizes electronic devices, thus making it a Postmodernist popular artform. Through the research, the researcher showed that rap music lyrics also have intense meaning, just like poetry. 2 A STUDY OF LANGUAGE AND IDEOLOGY IN RAP MUSIC A THESIS SUBMITTED TO THE FACULTY OF CLARK ATLANTA UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN AFRICAN AND AFRICAN-AMERICAN STUDIES BY AUGUSTUS JORDAN III SCHOOL OF ARTS AND SCIENCES ATLANTA,GA JULY 1998 R -111 P-Jfl © 1998 AUGUSTUS W. -
The Evolution of Commercial Rap Music Maurice L
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2011 A Historical Analysis: The Evolution of Commercial Rap Music Maurice L. Johnson II Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF COMMUNICATION A HISTORICAL ANALYSIS: THE EVOLUTION OF COMMERCIAL RAP MUSIC By MAURICE L. JOHNSON II A Thesis submitted to the Department of Communication in partial fulfillment of the requirements for the degree of Master of Science Degree Awarded: Summer Semester 2011 The members of the committee approve the thesis of Maurice L. Johnson II, defended on April 7, 2011. _____________________________ Jonathan Adams Thesis Committee Chair _____________________________ Gary Heald Committee Member _____________________________ Stephen McDowell Committee Member The Graduate School has verified and approved the above-named committee members. ii I dedicated this to the collective loving memory of Marlena Curry-Gatewood, Dr. Milton Howard Johnson and Rashad Kendrick Williams. iii ACKNOWLEDGEMENTS I would like to express my sincere gratitude to the individuals, both in the physical and the spiritual realms, whom have assisted and encouraged me in the completion of my thesis. During the process, I faced numerous challenges from the narrowing of content and focus on the subject at hand, to seemingly unjust legal and administrative circumstances. Dr. Jonathan Adams, whose gracious support, interest, and tutelage, and knowledge in the fields of both music and communications studies, are greatly appreciated. Dr. Gary Heald encouraged me to complete my thesis as the foundation for future doctoral studies, and dissertation research. -
Mistah Fab Dj Strong Big Fase the Federation Bishop
REAL, RAW, & UNCENSORED WEST COAST RAP SHIT THE FEDERATION BISHOP LAMONT MR. CARTOON MITCHY SLICK TOO MISTAH FAB $HORT DJ STRONG back in tha house BIG FASE & MORE OZONE WEST // 1 2 // OZONE WEST editor’s note Publisher Julia Beverly Editor-IN-Chief N. Ali Early Art Director Tene Gooden Music Editor Randy Roper ADVERTISING SALES Che Johnson Isaiah Campbell no id Contributors D-Ray and my ninja finally caught Tyler Perry’s men whose destiny is to go to jail? Meanwhile, their DJ BackSide latest flick Daddy’s Little Girls and I female counterparts find their way through college, Joey Colombo Memust say I was pleasantly surprised. graduate school and then the corporate world, if Regi Mentle I remember him talking on the radio about how they so choose. Wendy Day America didn’t want to accept the idea of a single Black father raising children… and wanting to do We talk about Hip Hop being grown with the button Street Reps it. So I got to thinking – because I do that – and down shirts and all the materialistic bullshit that Anthony Deavers it struck a chord. A week prior to taking in that comes with it, but it doesn’t mean anything if we Bigg P-Wee movie I watched a disturbing video on the news. don’t look out for each other. Perry addressed it in Dee1 The next day there were endless Internet streams of the movie when Gabrielle Union’s character bel- Demolition Men the same video, which I’m sure most of conscious lowed that if she saw “another 30 year old brotha DJ E-Z Cutt America has been made aware of: two babies wearing a throwback” she was going to scream… DJ Jam-X smoking weed in the presence of their uncle and and then she did (both). -
Make-Out Room in the Mission District
CITY AND COUNTY OF SAN FRANCISCO LONDON N. BREED, MAYOR OFFICE OF SMALL BUSINESS REGINA DICK-ENDRIZZI, DIRECTOR Legacy Business Registry Staff Report HEARING DATE MARCH 11, 2019 MAKE OUT ROOM Application No.: LBR-2016-17-080 Business Name: Make Out Room Business Address: 3225 22nd Street District: District 9 Applicant: Martin Rapalski, Owner Nomination Date: April 25, 2017 Nominated By: Supervisor Hillary Ronen Staff Contact: Richard Kurylo [email protected] BUSINESS DESCRIPTION Make Out Room was founded in 1996 at 3225 22nd Street by principal owner Martin Rapalski and business partner Michael Chestney. The business is located on the southeast corner of 22nd Street and Bartlett Street in the Mission neighborhood. The establishment is a "21 and over" club featuring live music, DJs and special events. The business was originally named the Transfer Club due to a trolley that ran down the steep 22nd Street hill from Noe Valley to Mission Street where passengers would transfer to another trolley. The previous owner of the bar, when it was still known as the Transfer Club, was Walter Castillo from 1983-1995. It was renamed “Make Out Room” by the current owners in 1996 due to another Transfer Club on Church Street that was in operation at the time. In May 2001, Mr. Chestney ceded his percentage of the business to Mr Rapalski. Since that time, Mr. Rapalski has been sole proprietor. Make Out Room is a classic dance hall with high ceilings, dark moody walls in red and green and sparkly chandelier/disco ball amidst red leather banquettes. A mainstay in Mission entertainment, nightlife and community, Make Out Room has served, and continues to serve, the community by hosting live music (local, national and international acts), comedy, theatre, literary events, benefits, dance performances, art installations, political fundraisers, DJs and dancing, weddings and even wakes.