/1/1' .SQUARE4/ ORNCE JULY 1971

()) clista•ff issue * VOLUME 26, NO. 7 EDITORS' SQUARE JULY, 1971 DANCE "THE NATIONAL MAGAZINE PAGE WITH THE SWINGING LINES" Publishers and Editors Stan & Cathie Burdick Workshop Editor Willard Orlich Easy-Level Editor Bob Howell Once upon a time Record Reviewers Again, the calendar has brought Doug Edwards us to the issue dedicated to women Phyl & Frank Lehnert and fashion. Since women are consi- Feature Writers dered the more romantic of the sexes, Dewey Berry it is apropos that this issue contain a Myrtis Litman 2 Editors' Page new ingredient — romance — in fic- 4 Mail tional form, a short story by Helen E. Editorial Assistants 5 Tribute Springer. We think this romantic story Mary Fabik 6 Meanderings is repeated over and over again as cou- Mef Merrell 9 We Don't Dance ples across the country join the square 12 Caller-Leader Directory One recent graduate couple were at dance activity. National Advisory Board 13 Amateur Or Pro? a dance last night and we watched them In the July issue we fill more of the 15 An Open Letter enter wholeheartedly into the squares, Edna & Gene Arnfield pages with fashion notes and pictures 17 And Sew Forth stand first on the floor for the rounds, Bob Augustin than at any other time during the year. 20 Golden Moment and saw him throw his head back Al "Tex" Brownlee So, while the taws are reading the 22 A Bolt Of The Blue laUghing as he danced, in a completely Louis Calhoun stories of creative fashion, their part- 23 Dandy Idea carefree way. This is the teacher's re- Orph ie Easson ners can enjoy the pictures of our 24 Calling Tips ward! Every time we see dancers for- Jerry Halt good-looking models. Even the center 25 Square Line get their problems and truly enjoy the John Hendron fold features an attractive blonde this 26 Easy Level dancing, we feel sure that their lives Phyl & Frank Lehnert month, play-boys! 28 Challenge Chatter will somehow benefit by this recrea- Melton Luttrell Don't miss the story of the 50th 30 Peg 0' My Heart tion. To restate a familiar saying — the Singin' Sam Mitchell wedding anniversary celebrated by two 32 Straight Talk smiles that light the windows of their Ken Oppenlander callers in Chicago, the Weilers. Speak- 33 Mix And Match faces show that their hearts are at Vaughn Parrish ing of romance and that special festivi- 34 Ladies Choice home. Dave Taylor ty recalls Charlie Weiler's recent advice, 35 Best Club Trick We're probably being romantic our- Bob Wickers "If you want to get rid of your wife, 36 Workshop selves now, but living in the machine don't square dance." If square dancing 44 S/D Record Review age, and being identified as a Social Se- together insures a long married life, SQUARE DANCE magazine is published 46 R/D Record Review curity number at every turn, we think then calling as a team must be an even monthly at 111 E. Shoreline Dr., Sandusky, 47 National News a little excitement, involvement, in better activity, to judge by the Weiler's 0. by Burdick Enterprises. Second class pos- 48 Events terest, and ROMANCE, if you will, en record. We would venture to say that if tage paid at Sandusky, Ohio. Copy deadline 52 Feed-back rich and individual life. And square first of month preceding date of issue. Sub- a couple learns to work or play har- 53 Puzzle Page dancing is a possible and probable scription: $5.00 per year. Single copies: 50 moniously together at one activity, 57 Bookshelf source of these qualities of life! cents each. Mailing address: Box 788, San- there is some carryover into the every- 59 Sign-Off Word .... And they lived happily ever after. dusky, Ohio 44870. Copyright 1971 by day details of living. Burdick Enterprises. All rights reserved. 60 Do-Ci-Do Dolores

2 3 all our dancers and callers. Rae Nurse (Mrs. Bob) Crane Valley, Sask,

We presume this notice is a remin- der that our subscription is about to run out. Herewith is a money order for Ed Gilmore passed away June 7, 1971, and Page 31 of your May issue tells was laid to rest in his home town of Yu- $5.00 Look forward to each issue about the Windmill system. Enclosed caipa, California. We extend deepest sym- of your growing magazine — Keep up is my two bucks. Rush copy of step pathy to his wife, Dru, as we offer our tri- by step data to change me from a the good work. bute to a truly great leader of the American schmoe to a pro. Thanks. Barb & Reg Pollard Square Dance activity. Keep up the good work on the Brockville, Ontario magazine. Enclosed please find a cheque for Bill McMahan the renewal of my subscription. I real- Ft. Thomas, Ky. ize it is late, but please don't let me Ed had a conviction. I think your magazine is just great! miss an issue of SQUARE DANCE. If any one is traveling through Palm Bill Judge He believed in the long term perpetuation of square dancing. Toward that end, Springs, they can call me. I can tell Ottawa, Ontario he developed a personal calling style that would mold music, commands, and them where dances are in this area. dance choreography into one harmonious relationship. Osa Mathews Just a note to let you know that I Toward that end, he remained a steadying force for about a quarter century in a Palm Springs, California forgot to renew my subscription to movement that had its chaotic and spasmodic elements. Phone 327-2330 SQUARE DANCE magazine. I did not get the June issue so please send it. As Toward that end, he chose to become a traveling entertainer, a recording artist, Seems like no matter what the sub- a caller I am well pleased with the a choreographer, a wise spokesman, and a most respected teacher of callers. ject, there're always at least two sides, workshop material by Will Orlich. The sometimes more! Regarding the "Con- whole magazine is just great. Keep up Ed needed no gimmick. ductor or Performer" article, advoca- the good work. He achieved unprecedented success with the basic tools of a caller's trade— ting more performing than simply un- I also never sent a note to say timing, phrasing, and flowing movement. His "boom-chuck" recordings pro- distinguished cueing or conducting thanks for putting the answers to the vided a new pulse and set a new standard for an industry. His "progressive (which I agree with to a degree, and crossword puzzles in the following squares" aptly illustrated his sound philosophy that new adventure can be found yet....) and your center-spread comic month as I think it was my idea. It within that which presently lies at our fingertips. of the performing Gyrating George all sure helps. wound up in his cords of course, Steve Wettstein Ed had a dream. (name withheld), internationally Milwaukee, Wis. known in his own right, hardly moves He wanted the subtle, thrilling, fun-filled moments of the American Square a muscle, with little or no voice inflec- .... We are pleased to see a column on Dance to be known by many millions, and he felt the answer to a more solid challenge dancing starting in your ma- tion; but on the other hand, (Name growth of the activity rests in the hands of callers, better trained to use gazine. It is a part of square dancing the withheld) is, or was, such a clown the tools at hand. other way Just a voice on a tape or and deserves recognition. record can show or do quite a trick, Don & Dollie Conrad Ed's rhythmic voice is stilled_ and currently Ken Bower does won- Westerville, Ohio But his dream, his conviction, his personal example will live long after him to ders for me along with Jerry Haag, inspire others. Beryl Main, and they are right there We enjoy your magazine just as One day many millions WILL discover the activity, perhaps within the next among the best, along with some much as we did your company and others, too, of course. generation, or sooner. And a belated tribute, announced as silently as the birth dances. Good luck on your latest task. Howie Davison of an oak, will be due him. Ed & Lill Conrad Newcastle, Maine Hamilton, Ohio Many thousands who knew and loved him will recognize the name, still later, Please send me.... the Windmill. We carved into the bark of the full grown tree — ED GILMORE. have had only two issues of your most informative book. The record review is CORRECTION —Editors, SQUARE DANCE The caller for "Ball Game," a new release on Sandusky, Ohio terrific, and of course, being a female, Jay-Bar-Kay was listed in last month's ad as I enjoy the Ladies' Choice. I shall re- John Hendron. The correct name should bo July, 1971 commend your SQUARE DANCE to Ken Anderson.

4 5 III

by STAN BURDICK • ••• —c7310' • do. ••••• • As I write these words the 20th Na- I reckon I'm going to add Innisfail, showing: July is LADIES month and could list many, many others. Last, tional Convention in New Orleans, La. Alberta, Canada to my late fall itine- April is VACATION month. but not least, is my one and only Ca- is a "sizzling pheasant under glass," rary in the northwest territory, which Speaking of ladies (why not, it's thie, who now has a book to her cre- placed temptingly before me, and as already embraces some stumping one of my favorite subjects), I'm re- dit, along with volumes of special cre- you read them the big event will be around Washington, Idaho and Oregon. minded of two nonsense quips quoted dits besides. barely a piece of "geese grease" on my I'll have to get a good map for that to dancers just to keep 'em smiling A gal who is doing one "swell" of a empty plate, and a memory that indis- great northland, or else dust off my occasionally. One goes like this: "You good job with teen and young adult coonskin again and follow the mossy putably proved to be a gourmet's de- can tell you're a lady dancer if you groups in southwest Chicago is Vel- sides of some tall hemlocks. light! Take it from the original dean stoop over and can't see daylight." ma Larson. It isn't easy and it isn't lu- One thing I've learned. A caller of the Boston baked beanery. (Thanks, Will Orlich.) Another: "You crative to work as she has for over can't be tripping hither and yon for Driving along on a recent trip to can easily tell which ones are the la- twenty years with kids' groups, but the big money in it. The big money call in Muskegon, Mich. (that's about dies, fellows — they're softer!" she has persisted, and her super Calico went the other way. I only knew one as far west as you can go in the state, (Thanks, Bill Volner.) Kids (well-known convention perfor- caller that got rich. He married into it. pal, without dropping into Lake Michi- So again in this issue I offer an an- mers) are a credit to her unselfish ef- He laid down his date book, grabbed gan) I was asking myself again why I nual toast to the ladies, collectively forts. Incidentally, -he whole Chicago his sugar, and went to Venezuela to like adventuring to distant dance and individually, without whom square Callers group, with whom I talked re- raise a little cane, I believe. Instead of sites, for goodness sakes. And in that dancing just wouldn't be any fun at cently about windmills, dominos, tea- (take a deep breath)— warbling sylla- last sentence, I've answered my own all. I've got a hundred girl friends all cups and Irish swings are a very per- bles through an audible "mike" jacked query. ADVENTURING — I love it! over the country (don't tell Cathie) sonable bunch doing a big job in a big into a turntable, he's now juggling de- For GOODNESS SAKES — that's the who have literally picked up the itsy city. quality of the dancers I meet on these cimals through his auditor, Mike, on bitsy teeny yellow popcorn dotted Iowans can be justly proud of their his "jack" at the stock boards. (Whew!) trips. Bless 'em all; they restore a man's kernels of the activity and popped 'em, state magazine, which ranks with the Yes, sir. Making a pile of money as a faith in the basic goodness of people - fluffed 'em, salted 'em, buttered 'em, best and is deftly assembled by Marge caller is about as difficult as playing a radiating courtesy, joviality and and helped serve a tastier bowl full to Jasa of Cedar Rapids, where I called a warmth. Probably I sound like a frac- piano in a marching band. a popcorn-lovin' public. dance in May and enjoyed the hospi- tured Victor disc in saying this, but Maybe you've noticed. It is obvious Among these TAWS with a CAUSE tality of Marge, Rudy and others of dancers I meet everywhere have just on most every page of this issue that this are Shirley Durham (p.7, Aug. 70) in the area. It was a treat to meet some got to be POSI-LUTELY the GREAT- is our annual DISTAFF issue. It hap- Kentucky; Helen Evans (p.7, June 70) of the elite of the 21st National Con- EST! The best thing about going to a pens every July, and it's little enough in Massachusetts; Jeanette Therriault vention forthcoming in Des Moines. new area once is going there again, by emphasis to place on the ladies once (p.6, May 70) in Alaska; Betty Mueller car, by train, by plane, or by golly. a year. We realize our traditions are (p. 17, Aug. 70) in Indiana; Marge Hough (p.8, Nov. 69) in Canada; Or- phie Easson (p.6, Oct. 69, etc.) in Canada; Alma Miller (p.7, Sept. 69, etc.) in Ohio; Mary Jenkins (p.8, Sept. 69, etc.) in New York; Dorothy Shaw (p.7, Aug. 69, etc.) in Colorado; Myr- tis Litman (p.23, March 70, etc.) in Ohio; Mo Heintz (p.17, Sept. 70) in Massachusetts; Filth Stillion (Oct.. 69, p. 35) in California; Billie Gawthrop (p. 10, July 69) in Indiana, etc. We

7 6 enjoy going out in the evening, but Women, or more particularly, wives It was an old building with a wood- he was always so good to her. Not are amazing beings — they know how en walk leading up to it. The light, every man would go to a dance just to to keep their figures and know how streaming out of the curtainless win- please his wife after he'd worked all to keep you figuring. They'll always dows, gave the hall a welcoming, invi- meet you halfway — at a good res- •Record• ting appearance. Gay men and women day, Of course, Nick went with Peg- taurant. They know enough to have tumbled out of the cars like popcorn gy all of the time, but he sat at a desk your pork chops ready when you spilling out of a full sack. Jean, clutch- all day, he didn't hoist lumber around. DEALERS ing Ted's arm, as she minced along on As Jean glanced around at the wo- walk in the door from your fishing men, she felt as if she had been lifted trip. They're glad to talk things over, the half snow, half ice, pulled her coat ARIZONA tighter about her. right out of nineteen seventy-one and and over, and over. And if you want Clay's Barn There seemed to be three rooms in set down in the late eighteen hun- to know what makes a sharp guy tick, P.O. Box 1863 the building, one large one, with ben- dreds. These women looked so ferni- look at his wife. She's probably the Sierra Vista 85635 ches along the sides and ends, a small nine in their full skirts, with ruffles. works. Dancer's accessories, caller's equipment one that seemed to have no function, No pants suits and blue jeans here. CONFUSION SAY: Reason women ILLINOIS dance easily is because they've been and a kitchen. Most of the men were wearing wes- Andy's Record Center practicing ever since Eve showed "We aren't dressed at all like the tern shirts and trousers, with cowboy Adam the BIG APPLE, 1614 N. Pulaski Rd. others," she whispered to Ted. boots. Chicago 60639 "It doesn't matter, because we Peggy and Nick led them around Ask about our bonus plan won't be dancing." to the friendly, animated group of INDIANA Of course not. They had come people, introducing them to each one. Whirtaway News & Records just to watch, because Peggy had Everyone seemed so glad to see them, CALLERS DREAM asked them and Jean had wanted so but, then, they seemed to be glad just 13261 Chippewa Blvd. much to come, She had wanted that to be alive. Mishawaka 46544 more than she could remember want- After they were seated, a man all MASSACHUSETTS ing anything for a long time. Ted had of them called Roy, stepped up to the Jerry's Record Service been good to come, because he didn't platform. "Grab your partners, part- 48 Grove St . Springfield 01107

NORTH CAROLINA Raybuck Record Serv.& Callers Sup. We Don't Dance Route 1, Box 226 Advance, N.C. 27006 OHIO F & S Western Shop 1553 Western Ave Recently some of our dancers, with Toledo 43609 a prod from Cathie, assisted in produ- cing a film commercial for a popular Gervais Record Service '72 car model (to be seen by dealers, 1891 Mapleview Dr. at least) which carried a western theme. Cleveland 44131 by Helen R. Springer will milli ' It reminded us that we ought to look Over 500 records to choose from- Boise, Idaho even more diligently for ways to put WASHINGTON our special activity on the "map." We Aqua Barn Western Shop Helen Springer is a square dancer with still have a job to do to elevate square 1230Yr Westlake Ave. N. the Knots and Squares in Boise. Her dancing to a well-respected IMAGE of Seattle enthusiasm for the recreation promp- smoothness as opposed to the barn- K apple's Record K or ral ted the writing of this story. She works stompin' image that still lingers in the 10400 Renton Ave. So. as office manager in a print shop and minds of some. Seattle 98178 is the mother of a 14-year-old daughter In closing, I'd like to submit that Tango Bongo & Truck Stop available. square dancing is sometimes an activi- ty in which a round dance,- can goof ••••••••••••••••••••••••• up seven people instead of just one. Now, until I goof your square, see ya' round!

B 9 and her breath was coming in little ners all, " he called out in a smooth, ment of the crowd mounting now. It "Not me. Those steps look com- short pants as she said, "You two are Texas-sounding drawl. Peggy put out seemed to swell until it filled the plicated." joining us for the next one." her hand to Ted at the same time that room and pushed against the walls. The caller once again boomed out, They were standing with some be- Nick pulled Jean to her feet. "Come They were dancing now, doing all "Grab your partners and square them ginners and Peggy and Nick at the end on, get your feet wet," Peggy called kinds of steps. Sometimes they would up." It was during this dance that she of the hall, ready to dance. Jean was out in her husky voice. Jean laughed walk around each other, at other saw Ted's foot going up and down in itching all over, she was so excited. not because something was funny, but times the men would put their arms time to the music. She permitted hers They were tapping their feet with the just because the gaiety in the room around the women's waists and swing to do the same, the mood of the night rest in time to the music. was infectious, just because she was them. The dresses, with their full was so catching. When the caller The caller boomed out, "Bow to here in this bright, friendly room skirts, would stand straight out, many said, "Gents and ladies, promenade your partner" and Ted, watching the with these down-to-earth, unpreten- of them displaying old-fashioned pan- all," the couples joined their hands in others, bent at the waist while she tious people. taloons. The men held themselves a skating position and tripped around, curtsied to him. They straightened She sobered quickly as she heard tall and proud as they swung their the ladies with their dainty steps, the up, laughing into each other's eyes. Ted say, laughingly, but firmly, "Oh ladies. men's heels clicking smartly on the' "Allemande left." They passed in no, we're not going to get into this. Laughter burst from the lips of wooden floor. They skipped and pi- back of one person, then in front of We don't know a thing about it. Be- the twirling, swaying dancers. Jean's voted around as he called out "Chase the other, like a darning stitch. Ted's . sides, I'm bushed. Go ahead, we'll body ached to be part of them. As the possum, chase the coon, chase eyes were shining, he was breathing watch." She turned her head swiftly the music stopped, several of them that pretty gal round the room." She rapidly and he looked alive in a way away so he couldn't see her face as weaved to one side, apparently weak and Ted were both clapping their she'd never seen him look before. The the sick disappointment oozed from giggling and dizzy from spin- hands now to the sing-song rhythm. blood was pounding through her veins through her body. What had she ex- ning around and around. Peggy was coming toward them. and she felt light and carefree, like a pected? He had been fair with her, She turned to Ted, her body tense Her footsteps were light in her little young girl again. They laughed with had said he would watch, but defi- with hope. Her voice was tight and gold slippers and there was an easy nitely no dancing. small as she murmured pleadingly, swing to her hips. Her eyes were shi- abandon, with joy and with love for Jean could feel the feverish excite- "Can't we try it?" ning like freshly polished silverware each other. •

THE SOUND WITH THE SOLID BEAT SPECIAL COWHIDE P A SYSTEM WINTER JACKETS FOR NEWCOMB BOGEN cs ou=mi RECORDS itcoept SALE: CLOTHES 110x SA 110X s• AND Ni taWYONVIllt JEWELRY v011iA 121111 Mr* YORK 1217$ MANY EXTRAS NEW RELEASES KAY McKAIN EVERY THING A MAN COULD EVER NEED PIL-1007 Fully Stocked 32380 CENTER RIDGE HOURS MoN THURS Caller: KIP GARVEY JK-124 GRAND OLD FLAG NORTH RIDGEVILLE, OHIO 6-9 P M L.A. INTERNATIONAL AIRPORT TELE 327 9340 SAT IIAM .5PM Caller: DAN DEDO JK-125 Caller: JOHN HENDRON RECENT RELEASES JK-122 PIL-1006 YOU CAN MAKE. IT WITH SECOND FLING BALL GAME Caller: DON HANHURST Caller: KEN ANDERSON Help for new & experienced dressmakers. 39 NEW ROUNDS articles from planning to finishing dresses, skirts, eedle JK-505-P JK-505-N petticoats, pettipants. Knit & crocheted capes. AVERAGE PEOPLE NASHVILLE How to make neckline styles. 100 pages, plastic by LOU 'N DARLENE FAIR by PAUL & LAURA MEROLA comb binding. 118 illustrations. -FOR SQUARE DANCE 3k.c PRODUCED BY: J—B—K AT YOUR $5.00 postpaid — New England S/D Caller, Box 54 Newtonville N.Y. 1 21a DEALERS NOW Dept. D., Norwell, MA 02061 IIAL■k:rss

10 11 CALLER-LEADER ,..t•Pg--.9-% DIRECTORY CONTACT THESE CALLER—LEADERS FOR THEIR AREA DANCE INFORMATION AND

Don Belvin FOR BOOKINGS AT YOUR CLUB OR EVENT 1002 Oak Drive Harry Hayward Manchester, Tenn. 37355 1430 Abbott Ave. Caller for H.A.T. records Toledo, Ohio Sonny Bess Have camper, will travel. 646 Adams Avenue Frannie Heintz Huntington, W. Va. 25701 27 Flynt Ave. Teacher/caller for wkshps, festivals, Monson, Mass. 01057 Stan Burdick Dance with con-fer-dance! Box 788 Dick Kenyon Sandusky, Ohio 44870 598 Mayfield Dr. Bringing the HI and HO from OHIO Lansing, Michigan Louis Calhoun Hash, sings, anytime, anywhere 619 Echo Lane Buck Markley Madisonville, Ky. 42431 Rt. 3, Box 80 Calling tours Fairmont, W. Va. 26554 Write for open dates. Mal "Yikes" Cameron Fremont Road Joe Obal— Ph. (618) 632-5596 by John Jones Sandovvn,.N.H. 03873 R.R. 1 Dance along with Yikes! O'Fallon, III. 62269 AMATEUR OR PRO? `-- C"- Laurel, Maryland Touring northeast states— Feb. 72. (Yodeling) Jack Cloe 3507 Drumm Ken Oppenlander Independence, Mo. 64055 319 S. 6th St. Calling your dance would be my pleasure Manhattan, Ks. 66502 Festivals, Clubs, Workshops Gordon Densmore 2451 Haines Rd. Russ Perfors Madison, Ohio 44057 992 Tioga Trail Willoughby, Ohio 44094 dubs, workshops, clinics For fun: Rustle your bustle with Russell Dean Dreyer 385 MeImore Bill Ryan 138 University Tiffin, Ohio 44883 CALLERS, Dance with Dean! Buffalo, N.Y. 14214 LEADERS, Recording on TOP, tours Emanuel Duming Fred Staeben 3228 Lakewood Or. BOTH P.O. Box 446 Jackson, Miss. 39212 "LOCAL" Palmer Lake, Colo. 80133 Latest Recording— TOP 25230 AND Midwest & Rocky Mt. States, 71,72,73 Ed Fraidenburg "NATIONAL" Gene Webster 1916 Poseyville Rd.. Rt. 10 1803 Heather Lane Midland, Michigan 48640 ARE Port Clinton, Ohio 43452 hat is the difference between an generalities, there are exceptions to Recording on TOP, tours INVITED Open dates — western style amateur and a professional? One gets the statement. But in general it is very Dave Friedlein 216-543-5882 TO Bob Wickers money for his performance, and the true. 18313 Haskins Rd. 714 La'Marite Dr. other doesn't. We all know that. But Let us make up a hypothetical case Chagrin Falls, 0 44022 INQUI RE Manchester, Mo. 63011 Traveling full time anywhere why is it that one is able to get money history to illustrate this point. We will Sat. nite most anywhere — Call me ABOUT Deuce Williams while the other is not? For, in most say that identical twins inherited equal, Willie Harlan LISTING P.O. Box 338 3955 West Point Ave. instances, that is true — no one is will- and considerable, amounts of musical Dearborn Hts., Mich. 48125 Vinita, Oklahoma 74301 NAMES ing to pay the amateur. The reason is talent that seems to find its natural For the best in square dancing The Rhythm Dealer— Hash & Songs AND outlet in singing. One of them never Dave "Hash" Hass Web Witter that they fully expect his performance P.O. Box 5 ADDRESSES 2904 Northeast Dr. to be far inferior to that of the pro- formally cultivates his voice. The other East Hampton, Conn. 06424 ON Austin, Texas 78723 fessional. And 99 times out of a hun- does, and neither influences the other Now booking for 1972.73. Square Tunes recordings for fun THIS dred, they will be correct. musically. The one who does not train Des Hetherington Francis Zeller Box 67 Someone once said that the best his voice is very unlikely to be able to 112 The Westway PAGE McCracken, Ks. 67556 Weston, Ontario, Canada amateur is nowhere near as good as become a professional or amount to Canadian caller— booking in eastern Can., U.S. 71-73 Calendar available— vinyl cover the poorest professional. As with all much musically, in any way. 12 13 His naturally beautiful voice pro- far outstrip all the rest in popularity. "Oft 0#eot Zetteit to a eallea 7aeo bably will give a lot of pleasure to his A person's being ignorant of the friends and relatives at social gatherings true nature of his role does not affect and family get-togethers. He may be in the least the necessity for his filling by LIB EDDY Tr the soloist in the church choir. He may it properly. When he is behind the even have a featured role in a high- mike, the squaredance caller has not school or college musical comedy. But only the opportunity, but the positive So John has been to a callers' class ree. What's more, no one can be all of he is unlikely ever to land a paid part in obligation, to be a performer. If he series, bought a PA and records, and those things at once — and certainly a professional production of the same knows that, he is equipped to make the is working with a cellar group. You not after coping with two small child- play. most of the opportunity. If he does find yourself in a new role — hostess, ren and a house all day (or a full-time Why? Because he does not have not know it, his "performance" suffers critic, ticket-taker, refreshment server, job). So, it's time we were a little more what it takes to please paying custo- immeasurably. But it is still measured and chair-sitter, rather than dancer. realistic, and admitted that callers' taws are just people, after all, and not mers. What does it take? Nothing less and evaluated by the criteria that ap- You have become a caller's "taw." even distantly related to Superman than near-perfection. Few things that ply to performing, not to community- Having read several articles about the and Wonder Woman. men do are ever absolutely perfect. sing type of conducting. "image" of a taw, you wonder just First of all, look at yourself and pick But the professional in any field has It is worthy of note that few callers how you fit into this picture. out the qualities you do have. You' re to approach perfection closely enough have the time available to become true Well, as a caller's taw for close to friendly, you do like people, you sew to please and satisfy a paying audience. professionals. But even if they had 20 years, I'll try to examine some of beautifully, you're usually tactful and He has to provide them with a per- plenty of time to devote to develop- the "requirements" and comment on diplomatic and wouldn't cause hurt formance superior to any they could ment of their talents, it is rather un- them. feelings for the world. These are as- hope to get for nothing from the ama- likely they ever would arrive at the re- Like many of the roles women find sets, working on your side. teurs within their circle of acquain- quired state of near-perfection unless themselves playing in today's society, Then, examine your working rela- tanceship. It has to be so clearly and they were fully aware that they have that of caller's taw is one for which tionship with John. There will be some apparently superior that there simply to be performers. All the practice in she receives no training. She becomes things he might prefer to do himself is no room for doubt about the matter. the world is virtually wasted if it is a square dancer because she loves to and some he would like you to do. For What does it take to reach the re- done with the wrong guidelines in dance; she becomes the caller's taw be- instance, many callers' taws book dates quired pinnacle of near-perfection? mind. The person must work as hard cause he likes (or wants) to call, not Time and effort — enormous amounts as he can toward a definite, specific because she has the personality, the and write their letters, but there are some callers, like my husband, who of both. That is why we see so few goal. In this case, it is performing characteristics or the desire to be one. child prodigies in the performing arts. perfectly, not conducting well. Notice I keep saying caller's taw, want to speak for themselves and make It simply takes too long to reach the He will never make it if he doesn't rather than wife. At home, you're his their own arrangements. By the same truly professional level of competence. even know he has to be a performer to wife; at the dance you fill another role, token, for years my caller wanted to Even among the child prodigies there be a topflight caller. Goals such as "I not necessarily a wifely one, but one know what to wear to dances so we'd usually are some slight traces of ama- want to improve my calling," or "... to that has been created by public opin- match; he preferred to have me make teurishness, but they are compensated be a better caller" are so vague as to ion and expectation. that decision well in advance and not for by the novelty of the great youth be almost meaningless, hence useless. Let me quote from an article in the pace before the closet-rack just before of the performer. "To be a better performer" is as pre- Manitoba "Manisquare" by Al Golding we dressed in an agony of indecision. So that is what we really are paying cise as the point of a pin. listing the things that a caller's wife Little things, I admit, but no set pat- for when we buy a ticket to a profes- You want to be a topflight pro- must be: painstaking, understanding, tern will tell you how to managet as sional performance: the tremendous fessional caller? Good! Then perform! sharing, responsible, friendly, mixer, John's "taw." You're not any caller's amount of time and effort that the per- Know that you have to perform, and helper (without disrupting), demonstra- taw; you're John's taw, and will have former expended to bring to near- learn how to do it. Then learn how'to tor of dances, critic, charming, poised, to assess the qualities listed in the light perfection the God-given talent he re- do it even better, ever better. Never graceful, beautifully dressed, advisor of your particular "team." He may ceived from his parents. stop working to reach perfection. Even- on square dance etiquette, motivator, not need a "time-clock," maybe he's All this holds true for squaredance tually you will approach it closely hostess, part of the caller's "team," always ready an hour before every calling as much as for any other activi- enough to draw paying customers. tactful, diplomatic, smiling, time clock dance and waiting for you. ty. As explained in a previous article, Even if circumstances should make (-get him to the dance on time,") Thirdly, look at the group or club there are exceedingly few squaredance it impossible for you to enter the ranks equipment carrier, sound judger, pro- with which you work. If it's an or- callers, even among the full-time pro- of full-time professionals, still you will gram planner (for special events, stunts, ganized club, then probably the offi- fessionals, who are aware that their find yourself the best cotton-plucking etc.) On top of this, she must convince cers also act as hosts and hostesses, role calls for them to be performers, amateur within many a country mile. the dancers that all this is FUN! and there is a refreshment committee. rather thanjust leaders or conductors But you have to "think pro" to be a "You're kidding," you say! And Even in an unorganized group, if pre- of a group activity. For that reason, pro in any field. Squaredance calling then did I hear you mutter, "I can't be paring a snack is just too much, after the few who know this valuable secret is no exception. • all those things." That's true and I ag- cleaning the basement for the dance, 14 15 r

and getting the kids off to bed before agree, but then stated that in apprecia- the dance, then ask for help. Knowing tion, a traveling caller's wife should be most dancers, they are glad to pitch in invited on the floor. Here I believe the and lend a hand, bringing refreshments reverse — A club caller and his taw on a rotating basis, or making coffee. give much time and effort to the club. In other words, do what you feel No matter how much he is paid, he you can. Sometimes it's good to push probably deserves more. This couple yourself a little — to talk to someone are friends to the club members, and who looks forbidding, to demonstrate a calling is probably a moon-lighting dance you know, even though the idea hobby-job for them. A traveling caller of all those eyes watching gives you is in the business of calling, and if his butterflies. But if you are pushing so wife is with him, she's in the business, hard, that you don't enjoy square dan- too. So, I personally feel that she cing any more, and that nice relation- should not "expect" to dance, either. ship between you and John is suffering, She will, because club members are then ease up a little. Admit to your- particularly hospitable and gracious. self .that you're not Wonder Woman, But the point is that the club caller's and find a new way to adjust to this taw is more than deserving of the same "image." kind of consideration given to strangers. To be frank, I long ago discovered And most clubs treat their caller's taw that when I'm overtired, I am not at as one of their members, more than my best. And it's obvious to others that which we do not ask. I'm not, and let's not go into ill that I want to close with two pieces of now. But I admitted to myself that I advice. One pertains to something my was not going to set a record of atten- own caller has long felt strongly about— ding every dance my husband calls for NEVER DISAGREE IN PUBLIC. We 25 years, so I began to stay home now have a rule, which once in a while gets and then. I even got over feeling guilty bent, but not broken, that if he's teach- about it. And can you guess what came ing, I do not contradict anything, and from this? When I do go to a dance, I vice versa, when I'm leading rounds or by Catherine Brelsford enjoy it more, much more, and I sus- mixers, From experience, I know this pect that others may enjoy me more! is sound advice for several reasons. One Bristol, Rhode Island As for not dancing as much, well, is that a teacher needs concentration this has its ups and downs. At some and should not be interrupted. Most clubs, you'll dance every tip, and at errors are minor and can be corrected others, you'll dance once or twice. later, after being quietly and privately One thing, which I realized slowly, is pointed out. Embarrassment is avoided that many dancers consider the caller's not only for the teacher, but for the taw an expert dancer and are hesitant dancers, who do not enjoy being spec- to ask her for a dance because they do tators at a domestic scene. It's mighty wore ordinary washable cotton dresses not consider themselves good dancers. hard to bite that tongue, but do it fl ecently while doing some window mostly, with either a gathered or plea- This seems ridiculous, doesn't it?, to a pay off! shopping, I noticed the long print ted skirt. taw whose husband has just recently The other advice I heard given to dresses the younger set are now wear- Around 1950, we were asked to taken the step from dancer to teacher. ministers' wives by a "veteran" and ing. They reminded me of the first dance the Loomis Lancers with a group There are several ways to combat this. since they, too, have an image to square dance dress I made for myself in an exhibition. We decided to make One is to be especially friendly and conform to, I think her advice most back in the late forties. dresses alike for this occasion. The down-to-earth. Another is for John to apropos. "Be yourself." You don't have My husband and I had joined a material had a black background with say, "My wife's available and loves to to conform to an impossible expecta- square dance club in 1948 which was a small print flower. The dress was dance," especially if he notices that tion — do the best you can, but be ankle length with a two-tiered skirt you're the wallflower of the evening yourself while doing it his first venture. I had square danced when the dancing starts. Hope this helps a little — previously with my parents in the 20's and puff sleeve and a white ruffle An article recently mentioned that Lib but then we just wore a comfortable around the neckline. At that time we a club caller's wife should not "expect" dress or a blouse and skirt. In 1948 we could not buy the full petticoats as to be asked to dance, with which I 17 16 we can today, so I made over an old petticoat (about 1900 vintage) to wear under my dress. The men in the group wore dark pants and white shirts. For our next exhibition group, we had dresses with blue plaid tiered skirts, ankle length, and navy bodices. Our partners had western shirts to GRENN match the dresses, using the navy for the yokes and cuffs. Newest Rounds GR 14148 NIGHT OF LOVE Within a year or two, the majority Tango by Nello & Bunny Bondi of dancers started to wear the dresses EVER AND EVER with tiered skirts, calf length, to all Waltz by Fred & Della Sweet square dances. This is when we started to wear pantaloons occasionally, in- Newest Flip GR 12127 OH JOHNNY stead of narrow slips under the full Square to/ Dick Leger ones.

By 1952, sheerer materials in the pretty pastel shades were being used and the skirts were much fuller. Fancy A dress I enjoyed making and wear- TOP metallic braids were being used a great ing was a combination of two shifts, one white and one print, and a match deal to trim the dresses. Now circle Newest Flip TOP 25235 OLD FASHIONED LOVE ing print skirt. These could be inter and full skirts were the vogue for ordi- Squares by Mal Cameron, Sandown, N.H. nary wear, so it was possible to buy changed and came in handy when I wanted to go shopping or to dinner full petticoats in most stores. TOP 25237 DOWNTOWN About this time, square dancers before a dance. I could wear the shift, by Chip Hendrickson, Newtown, Ct. wore their dresses for all dances. At take along my petticoat and skirt to special affairs, it was a beautiful sight put on later. to see all the lovely dresses and to For one period, we sewed on row watch a dance floor become a sea of after row of ric-rac to trim dresses. moving color as the caller started his This took lots of time and patience, Twelgrenn but did adorn the dresses nicely. calls. (Dealers Only) Later we made tiered skirts with Each year the skirts have been two blouses to match. The reason for made a little shorter so now they are this being that the blouses, which mostly knee length. The majority of Round Dance MGM 14140 LONG HAIRED LOVER / dancers wear pettipants and full petti- needed laundering oftener than the Special Pressings SWEET GINGERBREAD MAN skirts, would not fade out so quickly coats under their dresses. RAN 842/100 GENTLE SAMBA / CALCUTTA when worn alternately. Today we do not see as many DECCA 1901 When styles changed and stores did dresses trimmed with the metallic FOLSOM PRISON BLUES / not carry the fuller petticoats, it be- braid and loaded down with ric-rac. BIRTH OF BLUES came necessary to find the small shops Now we use ruffles in a contrasting which carried merchandise needed by color. Lace-trimmed dresses are also the square dancers. Of course, today, very popular. we can order them from the various In closing, I should explain that square dance stores advertised in our I came from a small state, and this is magazines if we do not live within dri- my version of the dress styles as square ving distance of a shop that sells what dancing became popular in the eastern we need. section of the country. (-1

18 19 happen to any gal of the female type no matter when. Bein' as how this here gal has already proved herself as one who can catch and collar when there is need, there is no more to be said about that, and on the other hand, it appears that bein' mar- ried is the only way to keep you miserable, no-good skonks of men half way de- GOLDEN MOMENT cent. In case you got any doubt, bein' married means that the woman does the bossin' and the man does the mindin'. If you got any doubt, just stand up and speak your foolish mind and see how many vittles you're gonna get for supper. For as much as these two have come forward, free of will and eager of mind to get the knot double-tied again, is there any here present who know of any reason good or not, why this should not happen and who would also like to have his haid blowed off. If so, let him stand up, over there by the fence so that the mess ain't gonna hold up the proceedins'. Do either of you know of any reason why you shouldn't marry up again for the next fifty years or so, and if you do, you miserable varmint, just you remember that it is mighty hard to do much gal chasin' or catchin' with your insides rattlin' around with a sack full of rifle balls a-sloshin'. Daisy Lee, do you take this miserable varmint for everything he's got and ever hopes to have, even though the prospects ain't too bright? Do you promise to watch him like a hawk and keep his hands off'n other gals? Do you promise to keep him properly humble with dishpan hands, water on the knee, and a hole in his britches, and do you promise that you will keep him poor and broke, jumpin' on one leg and then the other, as long as he can jump at all. And do you promise that when he strays, you'll go fetch him and whup him good, til he stops all that foolin' around that's goin' on in his evil head? Daisy Lee: (Sweetly) I do. by Doug Edwards And you, you no good varmint, do you promise that you will obey, liken it or not, and do promise that you will do the chores and keep this here poor little sweet thing in a style which she ain't hardly got used to in the first fifty years? Do you promise that you are gonna stop eye-ballin', caterwaulin' and pinchin' while this here sweet young thing's back is turned? April 20th of this year, Charlie and Lee Weiler of Des Plaines, Illinois, cele- And do you promise no complainin' or back-talkin' when you get whupped? brated their 50th anniversary of marriage. Now there is nothing too unusual about And do you promise to feed her family when they come for a nice social call even Golden Anniversaries, but most old timers cannot recall that this has ever occured when it lasts a couple of years and to keep that no-good passle of varmints from to a married couple who are both active callers in the square dance field. The Wei- your side outa town? And do you promise that through it all, slim and thin, poor lers have quite a number of clubs in the Chicago area for which they call and teach and broke, bad and worse, sick and laid flat, you is gonna be happy, cheerful and rounds. A few years back this couple wintered in Mexico, and Charlie, being quite never complain? If'n you do, then speak up with your own free will — and if'n fluent with his Spanish, started a few square dance clubs around Mexico City. you don't, then step over by the wall so the mess ain't gonna hold up the pro- To celebrate their 50th wedding anniversary, about ten squares of dancers, rela- ceedins. tives and friends were present to fill the church hall to capacity. After a buffet Pappy Charlie: (with visible prodding from the shot gun) I do. luncheon, it was time to marry Charlie and Lee. They were dressed as Lil Abner and Daisy Mae. The minister was a real one, Dr, James Spicer, Ph. D. Daisy Mae This being the case, do you have a set of rings to seal this here fair bargain, one for and the minister were on the stage, when out of the audience Lil Abner came her finger and one for his nose? Pappy Charlie, place the ring on her finger, and a-running with the bride's pappy in close pursuit jabbing him in the back with a don't hold on too long. Daisy Lee, place the ring on his finger (should have a string sawed-off shotgun. Following is a script of the service: attached to the ring) to be sure and hold it tight. Having done all this that's legal and proper (and for $2 cash) I now declare by the Dr. Spicer: Dearly bereaved, We are gathered here to bury this man who has come authority committed unto me that these two, this lovely sweet young thing, and to grief and an untimely end.... Hmmm, that's the wrong one Dearly beloved, this here miserable varmint are still and once again, and forever and ever, man and we are gathered here to perform the final knot-tyin' for this here couple who have wife. May you remain as you have for fifty years, man and wife, lovin' and bein' already strung together for fifty years. Bein' as how that is a reasonable time for loved, sharin', supportin', dreamin' and doin', holdin' each other with affection all and sundry to figure whether it is a good thing or bad, we is once again goin' and esteem and truly finding your lives in and through and with each other. to check with this here slippery varmint and this sweet and lovely young thing to Pappy, providin' your intentions are honorable, you can kiss the bride see if they wants to continue. Naturally, she does, and naturally, he better. so we can get on with the more important stuff like eatin', drink in' and girl admirin' and so on. As everybody knows, being in the blessed nuptial state is the finest thang that can 21 20 di 601 t 0 ate 66,te DANDY IDEA

iy

luckeye.S9pork„,,, do.

The 9th Iowa State Square and Round Dance Convention held in Ce- blue ribbon ending in ties at the cen- dar Rapids in March featured a first ter back which dips to a vee. The The pictured flyer was used by a club hall where the party was held. for Iowa — a luncheon and style show. sleeves are simple puffed ones with to advertise their free Western party This year the sixth annual party of These were well received with many elastic inserts. to interest new dancers in lessons. The this kind will be held September 24, a dancers styling, sewing, and modeling Although these outfits are not fan- material pasted on the corners was week before the fall classes are sche- their own creations and 180 dancers at- cy nor expensive (less than $20.00 to- from dresses made by the members. duled to begin. tending as spectators. tal, completed), the uniqueness is the The same dresses and matching shirts Russ Per fors Rudy and Marge Jasa, pictured number rather than design. were used to decorate the walls of the Willoughby, Ohio above, modeled outfits, which were de- As an afterthought, Marge made a signed and sewn by Marge, using a bolt matching dress from scraps for her 6- (133/4 yds.) of 45" wide perma-prest month old granddaughter, Angela Ma- dacron cotton in vivid shades of blues rie. She made her debut by stealing NEW RELEASES: and greens accented with gold and the show with a big smile. Marge says, RED RB110 Hoedown: NANCY/ LISA white. Since their daughter, Jackie, 13 "We are first-time grandparents and and son, Rodney, 11, took up square haven't yet learned not to poke pic- BOOT COMING RELEASES: dancing, matching apparel was in or- tures of her upon everyone. We were ItICONDS RB117 WATCHING SCOTTY GROW by Don Burkholder der. convinced that people would be de- lighted to see her in person! The ex- RB118 DON'T LET THE GOOD LIFE For Rod and Rudy's shirts, the PASS YOU BY by Bob Vinyard tent of their delight was probably due yokes form the front pocket flap and 1971 CAROLINA RB119 BIG MABLE MURPHY are outlined in white piping as are the to the fact that we even had the nerve SUMMER FESTIVALS by Ted Frye backs and shirt cuffs. White hand- to do such a thing!" RB120 I CAN'T TELL THE BOYS FROM beaded ties trimmed in gold beads, and The Jasas are a dancing family (ex- MONTREAT, N.C. —July 1,2,3,4 THE GIRLS by Richard Silver cept Angela who only wriggles her feet FESTIVAL AND CALLERS COLLEGE RB121 HAROLD'S SUPER SERVICE white towels complete their outfits, STAFF: Louis Calhoun, Dave Taylor, Don along with navy blue trousers. in time to the music. Rudy and Marge Williamson, Willard Orlich, Iry & Betty Eas- by Tommie Morris terday, Ernie Kinney (Friday only) The girls' dresses are styled alike: edit the Iowa Square and Round Write: DON WILLIAMSON two-tiered skirts with the bottom tier Dance News. Their pictures, modeling CROSSNORE, N.C. — TWO BIG WEEKS Rt. 8 — College Hills these outifts appeared in a newspaper July 29, 30, 31 STAFF: Ken Anderson, longer, (more flattering for the shorter Ted Frye, Don Williamson, Ted & Lois Mack Greeneville, Tennessee 37743 girls), The bodice has a square neck supplement as well as in their state August 5, 6, 7 STAFF: Jack Lasry, Bill with a 3" white collar laced with navy magazine. Peterson, Don Williamson, Ted & Lois Mack

22 23

NAME CALLING One thing this question points out is We seem to be suffering from a rhe- lk that behind the gaiety and fun, the col- toric problem in the activity. We've had or and activity of square dancers, there it for years and we still have it. What lie the same problems and frustrations level is "fun" level? Any level at which that face non-dancers. Sometimes we we have fun? Who is a NAME caller? tend to forget this and feel that be- Any caller with a name, like Sam cause folks should be having a good Smith? In California a HOEDOWN is off time, they are having one. a respectable Saturday night club In answering this problem, the psy- STYLE AWHILE square dance. In Ohio and east it is an chologist probed and uncovered in- Let's take another look at what old-fashioned jug-sippin' "swap-and- makes up the "style" of a caller. Read swing-ding" to stay away from. A hoe- securities deep-rooted in the woman's (Question taken from the Psychologist's "Conductor or Performer" (May issue) down also means any patter or hash life, which had returned after her chil- Casebook in a Cleveland newspaper and think about the caller who "puts material, or the record for it. SE- dren grew up, and she was once more over a year ago.) himself into the show," belts out a QUENCE, to a caller, is something to dependent on her husband for com- What can I do to make my husband realize singing call, or creates varying moods get in and out of (like trouble?) and to panionship. He pointed out that she both callers and all types of leaders, it he hurts me by his constant flirting? We are by his treatment of his material. That's was the one who needed to "shape up," style. Consider the caller who jokes also means a group of basics, which is an attractive couple in our early fifties, have been married 30 years and have four learn to enjoy parties, and share her along with or surprises his dancers. also called a FIGURE, except that a grown children husband's enthusiasm for people with That's his style. Another caller is so ex- figure also refers to an individual basic Last week, when we went on a two-hour him. acting when it comes to timing and sometimes, although a basic is a MOVE- bus trip to a nearby town with our square We quote the key paragraph, so phrasing, the pulse of the music literal- MENT, which is also a MANEUVER, dance group, he only sat with me about 45 ly penetrates your every fiber. Style. which is a quick position ADJUST- minutes. The rest of the time he was going that we may not seem to have become In his appearance, manner or material, MENT (to a round dance). So, can up and down the aisle socializing, kidding amateur psychiatrists, and suggest that another guy or gal at the mike may we assume that a SEQUENCE is an everyone and making sure the ladies had this is excellent advice for all the drinks. lean toward the unusual, spectacular, ADJUSTMENT? American FOLK square dance ladies to whom this issue I was upset the whole trip and sat alone or bizarre. Again — style. In developing DANCE, in a broad sense, incorpdrates until another husband came and sat with is dedicated. your own style, keep these points in square dancing, but don't tell this to a me. Everyone except me was in a jovial "Be thankful that you have an ac- mind: square dancer, or he'll FLIP (which is mood and thought it was great fun. tive, responsive, happy man. Keep him Style is a very comprehensive ele- a SINGING CALL RECORD) or he'll Perhaps others have entertained that way and try loving him the way ment, involving your material, appear- do a REEL, which is a CONTRA, thoughts and feelings along this line. he is." ance, actions, attitude, technical skills, which is the kind of dance some delivery and rapport with the dancers. CHALLENGE dancers are AGAINST Style is fluid, ever-changing, grow- (which means CONTRA), except that ing and image-building. CHALLENGE dancers are just about WISE "CRACKERS" FROM EVERYWHERE SAY Style isn't turned on and off like a anybody and his brother, since chal- THEY GET A "BANG" OUT OF THE MAGAZINE. light switch. It is so much of your per- lenge can be found at any LEVEL, or , SO, WHO ARE WE TO REFUSE A COMPLIMENT? sonality or image that it penetrates all PLATEAU, or A-B-C-D group, and post- and pre-tip conversations, too. now we're back to FUN LEVEL again. A very flamboyant or "way out" Let's line up our ambiguities all in a style may get you a fistful of bookings row and KNOCK IT OFF! 788 initially, but the steady, generally-ac- e7he ociuRRE DRNcE P.O.SANDSKY, B OX OHIO cepted, most popular style of TO- TIP BITS Mk/ 44870 DAY'S dance world will prove to be ■ Try Cal Golden's new recordings Please start my subscription NOW. My check (or money order) is enclosed_ the best foundation to build on for es- on Gold Star for a different and enjoy- One Year at SS. Two Years at $9.00 tablishing yourself in the movement. [ able sound, especially "Steel Guitar and F..reig-ti add SO.: a year G.1 postage "FAN-TASTIC," TO QUOTE QUIXOTE Rag," a smooth-flowing four-sequence We were deluged with orders for the number. NAME "Windmill" system of hash calling (a im We are particularly proud to have ADDRESS "key man" tracking method that was just published Will Orlich's new book, described in the May issue.) Thanks "How To Be A Smooth Square Dancer!" CITY and keep 'em "blowin' in the wind." This is a very definitive book for both More available, $2.00 each. callers and dancers. STATE ZIP CODE

24 25 0 •

BARE NECESSITIES RECORD: Top 25169 I I Formation: Circle of couples, gent's back to center of circle facing partner.

GRANDFATHER'S CLOCK (8 counts) Join two hands and circle with partner (Stop in original position) (8 counts) Shake right finger at partner RECORD: MacGregor 1067 Shake left finger at partner. (8 counts) Walk backward four steps, waving at partner FORMATION: (Partners separate); walk together 4 steps Couples facing right in promenade position. (8 counts) Do-sa-do all the way around partner (8 counts) Walk backward four steps, waving at partner Walk forward four steps to meet partner (8 counts) Right hand swing with partner (16 counts) Bow to partner and promenade (and sing: "I've got those bare necessities of life."

SUMMER SOUNDS Walk forward eight steps: RECORD: McGregor 5011 My grandfather's clock was too large for the shelf FORMATION: Circle of couples facing center, Swing joined hands forward and back (pendulum action) girls on boys' right. So it stood ninety years on the floor. (8 counts) All join hands and circle to the left Walk forward eight steps: Go left around the ring It was taller by far than the old man himself (8 counts) Girls walk in to the center of the ring Swing joined hands forward and back And go right out again And weighed not a pennyweight more. (8 counts) Boys to the center show them how Back away from partner four steps; walk together in four steps And step right back to place It was bought on the morn of the day that he was born (8 counts) Do-sa-do your corner girl Swing partner right arm round the one with the pretty face And was always his treasure and pride (8 counts) Do-sa-do your partner too (Join hands at shoulder height, facing partner) Swing joined Go all around that pretty thing hands side to side in time to the music. (8 counts) Then step right up and swing her there But it stopped — short — never to go again Give her a great big swing. Bow low to partner (16 counts) Promenade When the old man died.'

NOTE: The dances on these pages are from TEACHING TOTS TO DANCE, the Children will not know or learn easily the words. They are most recent Callers Aid book, and available from SQUARE DANCE magazine. included here to help the teacher fit the steps to the music. The dances are for use with younger children and special groups.

26 27 This month, my wife, Martha, has of challenge and were so taken with So, the best of dancing to all dan- Qty presented her views on challenge dan- it they became almost full-time round cers, be your bag a one-night-stand, cing: dancers. There still remains the third once-a-month, round or challenge. Just group, who were getting a little bored remember challenge dancing didn't Callers and their taws throughout with the basic square, but for some start overnight, it has grown out of a the country, I am sure, have been asked reason could not get with the round need and desire for something just a "How did this challenge thing get star- dance movement. little more. For the most part, these ted anyway?" In order to answer this Perhaps, some couples I ike ourselves are the dancers that have started many question, one must also answer another had taken to square dancing because of the clubs going today and still sup- frequent one, "Who needs it?" As one they just couldn't ever ballroom dance port them. So a good motto in my by Dewey Berry caller's taw, I'd probably offer some- together (I have two left feet). For opinion is, "If you haven't tried it, thing like the following_ whatever reason, this group ended up don't knock it — someone needs it." Summer is with us, and for the Apparently someone needed it or it in experimental workshops. These dan- EVENTS FOR JULY wouldn't have gotten off the ground. next few months the challenge ears cers were fed new basic ideas; some All at Cherry Ridge Campgrounds, When Dewey and I started dancing in will turn a little more slowly. This held on and some didn't. And, being Honesdale, Pa. '59 (nineteen 59 that is) there were would be a good time to get those human, people can't always agree on July 23-25 — Dewey Berry about a hundred or so basics. It was dancers who wish to dance at the chal- what they like or don't like in dance July 25-27 — Deuce Williams commonly surmized at that time that lenge level started. choreography. Some liked the way-out July 30-31 — Lee Kopman people stayed really interested in The past year has been a good year and some didn't; some thought if you Aug. 6-8 — Ed Foote square dancing about three years. Then for challenge dancing; and from my workshopped it and took time learning one of three things usually happened: own personal experiences, I can see it, there should be some place to dance that a lot of the challenge dancers are some folks dropped to dancing once a it. Now, all these people needed was a starting to level off. Most of the dan- month or less, went all out for round caller who would see things their way cers are becoming more aware of the dancing, or joined experimental work- and give them (a very small group at rules that have been set for each move- shops. Those who stayed in the once-a- first) what they wanted. ment, and they are demanding that the month group were perfectly satisfied My first introduction to challenge callers stick to the basic rule of each with what they were doing but some was trying to dance a tape of Pete ftittztang anb movement. This is a good thing, and it eventually became interested in some Heckman's "Hashin' the Basics." After will keep all of the callers on their toes. other recreation and dropped out com listening to the tape, we knew there RECORDS Challenge dancing is for those who love pletely. Some who went all out for wans't anything on it we hadn't heard to think, and it's fun to think. round dancing found this a new kind or done before so we'd have no trou- 1314 Kenrock Dr. ble dancing it. But the way Pete had San Antonio Texas 78227 put those basics together made you feel like going back to class. There were many groups around at that time who wanted to dance to "live callers," MUSTANG RELEASES OWN-COUNTRY * PATRONIZE OUR * thus the challenge caller was born, but PETTICOATS • not over night as many people think. 135 HE'LL HAVE TO GO ADVERTISERS Caller: CHUCK BRYANT OVER 70 YARDS AROUND BOTTOM At this point I would like to say TWO FLOUNCE, PERMANENT FINISH that I personally do not like my hus- 303 ROSA RIO NYLON MARQUISETTE band referred to as a "challenge caller," Caller: BILL WRIGHT PURPLE GOLD ORANGE • HOT PINK he is merely an all-round caller who 134 HELP ME MAKE IT BLUE YELLOW H I %1H AT also calls challenge material. He can THROUGH THE NIGHT GREEN PINK call a one-night-stand, swap and swing, Caller: CHUCK BRYANT LILAC ROYAL BLUE. TURQUOISE make a ten-lesson dance interesting, or 0 RED BOB WICKERS calls LIME GREEN BROWN challenge the most expert dancer legi- Solid Colors, plus black & white $15.95 LIGHTNING S RELEASES: timately (also my opinion.) We started Multi-Colors (Your choice) — $16.95 Same Style — 50 yard petticoat SOMEBODY LOVES YOU dancing and he calling at the very be- 7002 PIROUQE JOE $1 less than 70-yard ginning with "round that couple take Caller: LEM SMITH BLUE RIBBON 204 Send for color samples & combination list a little peek" and have enjoyed every 740 Schoelles Rd. step of the way. Dewey has tried to 7001 SIXTEEN TONS North Tonawanda, N.Y. 14120 keep this rule of thumb: "I don't ex- Caller: LEM SMITH Phone: 533-7095 Dance Records pect a dancer to do anything I can't do or haven't tried myself." 28 29 PEG 0" MY HEART

. N---/ Reflecting the popularity of lace-trimmed dresses for ._ require only light press square dancing today, Pep wears a short sleeved dress wii, per- wnicn skirt of of black dacron and cotton, trimmed in white lace. This pretty print in a 'Tr fabric combines blues, or- Peging modeiswhen traveling. a dress A white organdyorchid bodice and white chio's, greens and white. mmed se/f-fabric ruff/es a bright trimmed with the and orchid ye/fret ribbon, it requires no ironing. lace sleeves combine cottonwith blend,a becoming outfit. for Bu sed in the sleeves, ma press in lace used same Pretty Peggy Cloe is the wife of Jack Cloe, a well-known caller from Independence, Missouri. Her square dance dresses are de- signed to require little care as she travels with Jack on his tours.

30 31 Mix & Match

Readers$TRAiGiir are invited to send opinions, suggestions TALK and thoughts for publication in this new regular feature. Opinions expressed in this column do not necessarily reflect those KANSAS CITY of the editors.

NATIONAL CONVENTIONS for next year — new places to see, new (Balance X-209 by Ed Gilmore) ... I was really amazed to read the sug- towns to conquer gestion that all square dancers should Abrne withheld by request have a say how the profits of a Nation- DRESS FOR THE DANCE al Convention should be spent. I think "Clothes make the man." Whether if the dancers of any convention city you agree or disagree with this general- were b. ave enough to do all the work, We have found this record to be one of the best "adaptable" records ever ly accepted rhetoric, it is extremely in- and hear all the criticism afterwards, made, and it is good evidence of the skill of its creator, Ed Gilmore. The tim- teresting to apply the basic theory to they deserve the right to decide what ing is right, the dancing pace is excellent, and it's one that allows the caller to our wonderful world of square dan- to do with any balance there might be. belt out the lyric line to make a lasting impression. You'll like the rather easy cing. One of the first reactions of non- When all thaperfectionists come for- level figure, and if you want to adapt it to a favorite involved figure, go right square dancers, as they attend their ward and criticize almost everything, I ahead. But whether you change the figure or not, use up to seven different first jamboree or catch a glimpse of a wish I could send a huge bouquet of person's names with their respective cities (including your own), just for fun, part of a convention such as the Dela- roses to all the hosts at the National in the ending lines, like this: Conventions, past, present and future. ware Valley Federation convention, is "Promenade that lady back to old (city) They work for years, they work to remark, "How pretty the girls look" That's 's home town. (name of friend in a square) while we have fun, and they wanted us or "How wonderful it is to see the men all to come! True, we may have smoo- in such colorful and attractive attire." Do you realize how great a giant step ther floors, a better sound system, and ,..2.....t.4111.1.411.2.111 s. re, vy. lyz4 16.21. 4,0 the best caller right at home, yet there has been taken "out of the barn" with COVER TALK ..!.;!..!;!. MAeV. .7:71 r!"0 is nothing like a convention. just this first impression? Do not let The dancers helping to introduce our The most wonderful thing to me is this excellent impression die. If you distaff issue were photographed at how we dancers take over the whole help out with square dance classes, or Spring Gulch Square Barn, New Hol- town or city. We come and we con- if you attend a first-niter, dress for the land, Pa. quer — wherever you go, in stores, res- dance. Naturally, if you attend any taurants, on the street, people admire club dance, dress for the dance, there- our colorful outifts and ask questions. by providing a great deal of inspira- I tell them all about square dancing tion for the new dancers. csylull RECORDS and make them promise to come and So much for the "why" dress for ref hiC011) DIS ,Gnif0 w,Ti. ref CAILEI IN MOND • watch. If only there could be a huge the dance. How about "how" to dress for the dance? Within the generally ac- PETTIPANTS "one-night-stand" for all the specta- W 210 tors. Start them dancing, keep them cepted standards of the unwritten These stretch to dancing, and they, too, will remember square dance dress code, just be your- SINGING YOUR SONG fit and come in the convention forever! self. 11 you look better in a plain dress, NINE COLORS do not become a spangled sparkler just by JERRY HAAG and the As we dance there sometimes is one wAGONMASTERS 504 PETTIPANTS $6.95 S-M-L-XL couple from California, another from because you think it is the thing to do. 503 MID-THIGH $5.95 S-M-L Alaska, and one from Saudi Arabia in If you like, and can wear, the flashy, W W 121 502 SISSY BRITCHES $4.95 S-M-L our square and as we look around, heavily sequined, lace trimmed dresses, Inquire about DEALERS AREAS OPEN there are friends from back home on the please do so. BILLY JOHN / IProtected areas) floor. And we dance and can't seem to Wear what is in good taste, suits FREDDIE'S FANCY your personality, and fits your pocket- FASHIONS by MR. PHILLIPS INC. stop. How exciting it is to be part of HOEDOWNS by the VVAGONMASTERS P.O. Box 3599 this huge wonderful "happening." The book. Cranston, R.I. 02920 Convention really gets us — oh, our .,.....;.;..avile;.•;■;1■;2;11,;Call.it;Illrao;$111.1;41■;a;lb;61111;e; sore muscles and feet, but we are ready Continued on page 56. P.O. Box 364 Arvada, Colorado 7.4071.11,1740.7SIMOIMICRIOMONNeret I/NN eg:1 32 33 _pc), Bert Club Trick

Original writeups on unique and successful clubs are solicited from readers for use on this page.

Many clubs have special outfits which they wear when visiting other groups, or for special festivals and conventions. Be sure to store net petticoats in The outfits worn here by Philip and bags, either cotton or plastic. Never Doris Sandy, of Bridgeport, West Vir- put them in plastic bags immediately ginia, are those of the Honey Bees after wearing; wait until the "morning Club. Doris made the costumes of after." perma press cotton. The bees were glued to the shirt and then stitched on, 0000 These particular outfits are made in A new book for square dance dress- pink and black, a pretty color com- makers, Needle Notes, is on the mar- bination, but many other club couples ket. (See ad on Page 11.( This book is have them in varying colors. a compilation of Judy Ross Smith's sewing tips and ideas which are printed monthly in the New England Caller, which we have often quoted. This book is a good buy and contains just what The Swiss-embroidered border you want to know! prints have been used in some of the BE KIND TO THE BEGINNERS prettiest square dance dresses we've 0000 seen. Mrs. Bruce Busch of Appleton, Dzidra Damerel, owner of the Alle- Wisconsin models such a dress in the Be kind to the beginners mande Shop in Crown Point, Indiana, Even though they often flub, photo. Imagine the deep red of the writes some notes about square dance With courtesy let's greet 'em, roses in the print surrounded by silver fashions: They're the new blood of the club. leaves. A matching red belt and petti- The flaring skirts and petticoats are And when we see them struggling coat set off the creation. all a part of the picture, and they flare Let us-lend a willing hand, This kind of dress, and most of the out nicest when about knee length, a To guide them o'er the rough spots border prints of any kind, needs very bit above or a bit below, as you wish. And to help them understand. little or no trim. The print fabric here There will always be a few extremes, a Be good to the beginners was repeated on the full puff sleeve; few long skirts just as there were a few When they join you in a square, the bodice is completely plain. minis. With the long narrower dresses, And introduce your partner Some border prints can be used for gone would be the "skirt work." Or To the gent and his lady fair; full gathered skirts with no ruffles or imagine having floor length very full And though they may be strangers tiers. Some adapt well to becoming dresses with long petticoats to match. When you walk into the set, the bottom tier of a two- or three- Where would a lady store those? Most Remember that a stranger tiered skirt. More material is needed already have problems with the shor- Is a friend you haven't met. to make a dress using a border print, so ter ones. Author Unknown plan accordingly. It you usually buy I can't see noticeable changes in the From Cross Trail News, Vancouver six yards for a dress, plan on eight for lengths. The greatest changes have been this style. You may even decide to use in the quality of fabrics, the no-iron, some of the print as self trim. easy care dresses and shirts. 34 35 ver. A Dixie Spin should be taught (and of California in 1956. Basically, it is a can be called directionally) as a Dixie single file of two people meeting a sing- style to ocean wave plus a fan the top. le file of two people. The two leading Again, this "fan" portion would have people ALWAYS take right hands and the centers do their 3/4 right arm swing pull by, (all four take left hands and while the ends move up one quarter to pull by), trailing two people take right rejoin them. In general, the Fan the hands and pull by. Dancers remain fac- top movement is a good one but has ing their line of direction single file been greatly neglected in our square until the next command. This is where WORK dance choreography usage to change the movement ends. Choreography- partnership. wise, the couples pass thru each other Another misconception in the top but in single file formation using hands. family has also been noted. "Spin the If started from two couples facing each top" means "ends swing half" (right or other, the person on the right (lady's left), centers swing %, ends move up position) ALWAYS leads the Dixie S 0 3 one quarter to rejoin them. It does chain, again with a right hand and pull NOT mean "ends trade," etc. It just by, etc. From a normal boy-girl couple happens for ease of movement that the lady leads. From a half-sashayed trades are made with an arm swing set-up, the boy leads. Again the move- viii trail when the actives are standing beside ment ends in a two people single file each other facing in opposite direc- standing back to back with the other ORL CH tions. A "trade" analysis at this point two people single file ready for the would be akin to saying the wagon is next command. pushing the horse when he is pulling DIXIE CHAIN ON A DOUBLE while the ends stepped forward to be- down hill.So — you CANNOT "spin" TRACK is used from a double pass thru come their partners. the top from a two-faced line, only set-up wherein the Dixie chain is done The next step in the exploration of "fan" the top. by two separate single files. It is equi- the idea brought out our currently used valent to doing a completed double pass . "fan the top" movement, i.e. centers thru but using hands (R,L,R,) to ac- C1-AORE arm swing %while the ends move up %. complish it. The distinction is made as Since it makes no difference in which "on a double track" because it is pos- Recent correspondence and sugges direction the ends continue to move sible to have only the center couples ted new basics indicate a possible mis- in relationship to the centers' action, CALLERS' Dixie chain. By having the right-hand understanding of our old friend, the it is easily possible to do a fan thru or person lead into a single file formation, "fan" family, i.e., fan thru (the old fan the top from a two-faced line and QUESTIONS they could then split the outside cou- Grand-Daddy), fan the top, fan chain still abide by all the rules given. So, ple, etc. thru, etc. Originally, the author of fan ocean waves end up in ocean waves and A TRIPLE DIXIE has been coined thru used the idea from two couples two-faced lines end up in two-faced to mean a 3-in-line single file meeting facing and on call to "fan thru," nor- lines but with partnership exchanged. another 3-in-line single file. The first mal couples started to pass thru each From this action was derived the two give right hands and pull by, the other. At this point they were in an analysis that any "fan" command LEONARD WATSON, Tucson, Ariz.,: next four give left hands and pull by, ocean wave so the center two (girls) should mean that the centers start the Please clarify the term "DI X I E" — Who then all six give rights, next four lefts, caught inside hands and did a left turn action while the ends just move along starts the movement? Does it always and trailing two give right hands and thru while the ends (boys) continued (or stand still) for the ride depending start with the same hand? What is its pull by. Movement ends 3 in single file to step forward. The couples end back upon the movement used. EXAMPLE: value in our 'square dance choreogra- back to back with the other 3 in sing- to back but the girls are in starting po- A spin chain thru movement has the phy? le file. sition with the opposite man, both ends start with a swing half, then cen- EDITOR'S NOTE: In the April 1971 DIXIE STYLE indicates a change facing out as partners. The rule actu- ters %, etc. A Fan chain thru should issue of SQUARE DANCE, we touched from the normal, i.e. Dixie style to ally has the center two do a turn thru find the ends standing still because the upon the Dixie style variation of Dixie ocean wave. Again lead two give right (either right or left) while the ends con- action is starting with the centers swing Star thru (page 44) with a promise to hands and pull by, all give left hands tinue to step ahead as their new part- %, etc. This is also true with Fan the dwell on the DIXIE idea more thor- but hang on to it as they pass by to ners. So, from a left-hand ocean wave Relay, Fan Chain and Wheel, etc. oughly at a future date. So here it is. catch right hands in the middle to form (Dixie style to ocean wave set-up), the Centers start the action picking up the The term DIXIE CHAIN was given an ocean wave. This type of wave is re- centers would do a right turn thru movement at that point in the maneu- to the square dance world by Bill Owen ferred to as a left-handed wave because 36 37 the two end dancers are connected to Head men SWING ACROSS Outsides cloverleaf the wave line with left hands. Side men circulate double Centers star thru, California twirl DIXIE GRAND is an all-8 single file Again, head men SWING ACROSS Swing thru, ooys trade, turn thru circle of two men together facing two .;10 Side men circulate double Left allemande ladies to start a right and left grand Turn thru, U-turn back movement. First two give right hands NE 40, DEA To a left allemande Heads rollaway half sashay, and pull by, then all give left hands and Heads square thru four hands Circle eight pull by, etc., until next command is Do-sa-do to ocean wave Sides go up and back given. if called from a double pass thru Head men SWING ACROSS Square thru four set-up, please realize that this is merely Side men SWING ACROSS Swing thru, boys run a circle squeezed together into two SWING ACROSS All four men SWING ACROSS Lines go up and back, pass thru single 'Ile line tormations. Right and left thru Wheel and deal, substitute DIXIE DAISY is a combination of a by Mac Parker, Arlington, Virginia Pass to the center Square thru Dixie chain and Daisy chain (forward From two parallel ocean waves, desig- Star thru, crosstrail thru Left allemande two and back one). From a double pass nated ends do a swing thru on a DIA- To left allemande thru set-up, centers start with a right GONAL across the set and turn enough pull by, left turn thru with the outsides Heads square thru four hands Head gents take partner and corner and back to the center with a right pull to reform the two ocean waves to end Swing thru Forward and back by. Movement ends with all facing out up again on the ends diagonally across Side ladies SWING ACROSS Do-sa-do to a wave, swing thru as though all dancers in the original dou- from starting point. Head ladies SWING ACROSS Pass thru, U-turn back ble pass thru formation had done a U- AUTHOR'S EXAMPLES: Swing thru, right and left thru Circle eight turn back in place. Heads square thru four hands Pass to the center Boys square thru four DIXIE STAR THRU was well cov- Do-sa-do to ocean wave Pass thru, left allemande Do-sa-do to a wave ered in the previous article as men- Head men SWING ACROSS the square Head ladies chain Boys run right, slide thru tioned. DIXIE SPIN is a Dixie style to When you get there Head gents and corner girl Left allemande Swing thru in the usual way an ocean vyave plus a fan the top. Forward and back, star thru DIXIE TWIRL is a misnamed move- Boys run, bend the line Swing thru ment. The only connection with the Left allemande Side men SWING ACROSS "Dixie" part could be that the right Heads square thru four hands Side ladies SWING ACROSS couple's END always leads the pull by Bill Barton, APO San Francisco to an ocean wave Swing thru thru the arching centers in order to re- VARIATIONS ON A THEME Head men SWING ACROSS Head ladies SWING ACROSS verse the facing direction of the line. Step thru, partners trade Head men SWING ACROSS Heads pass thru, partner wheel and deal We believe that a "wheel across" has Dive thru, pass thru Swing thru Girls turn thru, star thru with boys far more dance value as an equivalent Do-sa-do to ocean wave Girls turn back and star thru Walk ahead to the sides with much less danger of mussing mi- Boys hook elbows, go four in line Side men SWING ACROSS Pass to the center and pass thru lady's hairdo. Step thru, partners trade Left allemande Travel once around Other DIXIE variations come and Left allemande Partner wheel and deal go over the years but basically the Girls turn back, star thru Dixie rule must remain the same in or- Heads lead right circle to a line Pass thru, partner wheel and deal der to have the "new idea" even con- Star thru, do-sa-do to ocean wave Girls turn thru, star thru with boys sidered, let alone accepted in today's Head men SWING ACROSS Couples circulate, square dance choreography. Swing thru, boys run Partner wheel and deal Wheel and deal Girls turn back, box the gnat TEACH Dive thru, pass thru, Right and left grand Do-sa-do to ocean wave Head men SWING ACROSS Sides right and left thru Mtn Swing thru, boys run Heads pass thru, around one to a line Wheel and deal, Four boys diagonally pass thru %i' Dive thru, pass thru, star thru Now everybody goes Crosstrail thru to the corner Same sex partner wheel and deal AMERICA Left allemande by Jack Lasry, Miami, Florida Girls turn back, dixie grand Right, left, right Heads square thru four hands Heads lead right circle to a line Left allemande TO SQUARE DANCE Do-sa-do to ocean wave Square thru four 38 39 Heads pass thru, around one to a line BIG BOOM Pass thru Tag the line, face position no. 1 Four l adies chain across the floor Wheel and deal across the floor Boys partner wheel and deal Heads lead right and circle four Face the one beside you Bend the line Girls trade and make an arch Head gents break to a line of four Cross trail thru Left allemande Boys duck thru, both turn left Pass thru, wheel and deal Left allemande by Wes Wessinger, San Diego, Cal. Around one to a line of four Double pass thru, Pass thru, girls partner wheel and deal Heads square thru four hands All four ladies chain Boomerang, star thru Boys trade and make an arch Swing thru with the outside two Four ladies chain 3/4 Pass thru, wheel and deal Girls duck thru, both turn left Boys run right, tag the line Head ladies chain right Double pass thru Around one to a line of four Face position no. 4 Heads star thru, California twirl Star thru, substitute, pass thru Boomerang, star thru Wheel and deal across the floor All four couples half sashay Left allemande Left allemande Face the one beside you Box the gnat, swing thru Rollaway a half sahsay Turn thru Heads square thru four hands SIDE MEN'S DELIGHT Box the gnat, pull by Allemande left Centers in, cast-off three-qu4rters Head two ladies lead to the right Left allemande Ends trade, centers partner wheel And circle three Four ladies chain and deal Ladies break to a line of three One and two say howdy doo Sides right and left thru Girls go left, boys go right Side gents put arms around both ladies Three and four right and left thru Heads square thru, swing thru Around one to a fine of four Then promenade both ladies half around Head positions lead right, Boys run, wheel and deal Star thru, centers pass thru Lonesome boys promenade outside Circle to a line Dive thru, square thru 3/4 Centers in, cast off three quarters Half way round Lines pass thru, tag the line Allemande left Ends trade, centers partner wheel Lead to the right and circle four Face position no. 4 and deal Head gents break to a line of four Bend the line, lines forward, Head ladies chain Girls go left, boys go right Star thru, square thru % man Slide thru, those who can Heads square thru Around one to a line of four Find the corners for a left allemande... Star thru Right and left thru Star thru, centers pass thru The others California twirl Dive thru, swing thru Left allemande by Jerry Helt, Cincinnati, Ohio And slide thru Turn thru, left allemande Forward all, crosstrail thru SPIN CHAIN TRADE CRAZY Heads square thru four hands round Heads half square thru Left allemande Heads square thru four hands Do-sa-do the outside two Split outside two All the way around Do-sa-do to an ocean wave Around one, in the middle Heads forward swing thru Boys run, boys swing left % All eight circulate, then scoot back Square thru 3/4 Do-sa-do all the way round Box the gnat, half square thru Make a wave across the set Turn back, star thru Swing thru when you come down Swing thru the outside two Right and left thru, dive thru End boys trade, center boys trade Boys run right, tag the line Swing left 3/4 All eight circulate, then scoot back Square thru 3/4 Face position no. 4 Couples circulate one notch Boys run right, all eight circulate Allemande left Girls fold, star thru Girls run, girls swing right % Wheel and deal, dive thru Bend the line Heads right circle to a line Make a wave across the set Square thru 3/4 round Left allemande Do-sa-do, ocean wave End girls trade, center girls trade Left allemande Cast off 3/4 Swing right Heads lead right circle to a line 3/4 Heads forward, swing thru Circulate, single file, twice Two waves and balance Lines pass thru, tag the line, face Boys trade, girls trade Quarter in (face partner) position no. 4 Left swing thru TWO TIMES Boys run right, bend the line Square thru, trade by All eight circulate, eight fold Wheel and deal across the floor Pass thru (Equivalent to heads Do-sa-do, ocean wave Left allemande Face the girl beside you lead right) Relay the top Pass thru, wheel and deal by John Ward, Alton, Kansas Swing thru, girls turn back Side ladies chain across Boys pass thru, star thru Bend the line FACE HER Head men face your corner, box the gnat Bend the line, crosstrail thru Do-sa-do, ocean wave Heads pass thru Four girls lead to the right Left allemande Cast off 3/4 Partner trade and 1/4 more Left allemande Heads lead right, circle to a line Circulate, single file, twice Box the gnat, right and left thru Lines pass thru, tag the line Turn % in, star thru Pass thru, with the sides pass thru TAG TO FACE ONE WAY Face position no. 4 Right and left thru, dive thru Everybody do a partner trade and V4 Head ladies chain across Bend the line, pass thru Swing thru, turn thru more Heads square thru four hands Tag the line, face position no. 3 Left allemande Box the gnat, right and left thru Do-sa-do the outside Bend the line, pass thru All pass thru To an ocean wave One and three square thru Tag the line, face position no. 2 Left allemande Tag the line, face position no. 4 Dos-a-do, ocean wave Bend the line, pass thru 40 41 Heads right and circle to a line Heads square thru four hands Explode the wave Pass to center, square thru 3/4 Star thru to an ocean wave Do-sa-do to a wave Cast off 3/4 To a left allemande Walk and dodge, wheel and deal Scoot back, eight circulate Star thru, left allemande Four ladies chain 3/4 Girls pass thru Boys trade, boys run Sides right and left thru Heads pass thru Swing thru, centers trade Wheel and deal Star thru, pass thru Around one in the middle Walk and dodge Dive thru, pass thru Do-sa-do, ocean wave Square thru 3/4, pass thru Walkers run (girls) Left allemande Walk and dodge, wheel across Explode the wave Roll to a wave, spin chain thru Heads square thru four hands Star thru, California twirl Tag the line Do-sa-do, square thru % Ocean wave, scoot back Square thru three quarters, Cloverleaf, centers star thru Trade by, star.thru Boys trade, girls fold, peel off Left allemande Separate around one into the middle Crosstrail, skip one girl Tag the line right Pass thru, allemande left Left allemnade Wheel and deal, pass thru Heads square thru, sides half sashay Roll right to a wave CHALLENGE Heads square thru Swing thru, walk and dodge Swing thru, centers run Heads pass thru Do-sa-do, ocean wave Walkers.trade (girls) Wheel and deal Separate around one into the middle Cast off %, relay the top Walk and dodge Left allemande Cast off %, relay the top Square thru %, pass thru Wheel and deal . _ - Trade by, star thru Right and left thru, dive thru Centers pass thru, star thru SQUARE DANCE magazine WORK Pass thru, wheel and deal Boomerang, swing thru Pass thru, wheel and deal SHOP features original material sub. Boys run, wheel and deal Dixie daisy, cloverleaf Right and left thru nutted to the editor New ideas are Pair off, peel off Dive thru, square thru % Square thru three quarters presented each month. Mail new and Bend the line, pass thru Allemande left Left allemande Great re material and questions to Round off, pass thru Willard Orlich, Workshop Editor. SQUARE DANCE Magazine, Box Do-sa-do, ocean wave by Jack Lasry, Miami, Florida Boys run, wheel and deal 7813, Sandusky, Ohio 44870. WALK AND DODGE FIGURES Right and left thru, dive thru by Lee Kopman, Long Island, NY Head gents take partner and corner (Pass thru, allemande left) Forward and back Dixie daisy, cloverleaf Heads square thru • • ••• '• • • • • •• •••• • .4/ .. Rollaway half sashay Pass thru, star thru Do-sa-do to an ocean wave Do-sa-do to a wave MaeGREGOR Round off, pair off, peel off Walk and dodge, wheel and deal Swing thru, pass thru, U-turn back NEW RELEASES Bend the line, square thru Girls right and left thru Circle eight Trade by, allemande left Substitute Four boys square thru four • Square thru three quarters CONVENTION BLUES • Side ladies chain Do-sa-do to a wave, boys run right • To a left allemande (BIRTH OF THE BLUES) Heads square thru Star thru, swing thru, turn thru Heads right and circle to a line Circle four break to a line Left allemande Called by MIKE HULL Square thru, trade by Star thru to an ocean wave No. 1 couple face your corners MGR 2087 Flip Pass thru, roll to a wave Walk and dodge, wheel and deal Box the gnat, square your set Turn thru, trade by Girls pass thru, star thru New heads square thru four hands round Pass thru, roll to a wave Bend the line, left allemande Do-sa-do to a wave PRODUCED BY RALPH MAXHIMER Boys trade, boys run Heads square thru REQUECT Couples circulate, wheel and deal Boys run right Swing thru, walk and dodge California twirl, bend the line •-,QUARE Star thru, cross trail Wheel and deal, boys pass thru Right and left thru, slide thru Allemande left Star thru, bend the line SUZETTE Left allemande Sides star thru Star thru to an ocean wave (IF YOU KNEW SUSIE) California twirl Circulate, walk and dodge Do-sa-do, ocean wave Wheel and deal, girls turn back Called by SPARKIE SPARKS Heads lead right circle to a line Spin chain and wheel Left allemande Right and left thru MGR 2088 Flip Girls turn back Heads square thru Two ladies turn thru Spin chain and wheel Do-sa-do to an ocean wave Star thru, California twirl C.P. MacGREGOR CO. Wheel and deal, star thru Walk and dodge, wheel and deal Bend the line 729 So. Western Ave. California twirl Girls pass thru, star thru Crosstrail thru to the corner Los Angeles, Cal. 90005 Pass thru, wheel and deal • ,• • • • • . • • Boys trade, wheel and deal Left allemande • , • .• • • • • • Substitute, square thru 3/4 To a left allemande 43 42 sashay thru with the outside two, Quite a popular tune, this is the third Standard figure, nice tune, good mu- wheel and deal, dive thru, square thru new recording of it. Dancers liked this sic. This same tune was done recently three-quarters, swing corner, allemande one. FIGURE: Heads right and left on a couple of labels. FIGURE: One 4 71:1 new corner, weave the ring, promenade. thru, square thru four hands, swing and three right and left thru, sides lead SECOND FLING— Pilgrim 1006 thru with the outside two, spin the right and circle to a line, up and back, Caller: Don Hanhurst top, right and left thru, barge thru, slide thru, do-sa-do, swing thru, boys SINGING CALLS A tune that has always been popular corner swing, promenade. trade, turn thru, left allemande, walk by one and promenade. ALL RECORDS ARE REVIEWED AND with dancers and callers alike. It was a STEEL GUITAR RAG— Gold Star 700 good one when done on SIO and it's WORKSHOPPED BY DOUG EDWARDS. Caller: Cal Golden HEY LOOK 'EM OVER— Windsor 4971 still a good one. It's nice to see you THEY MAY BE PURCHASED FROM: Cal Golden's first record on his own Caller: Larry Jack back, old Second Fling. FIGURE: Another summer re-run by Windsor. EDWARDS RECORD SERVICE label. The music is good, the figure Heads square thru four hands, right good, so what are we waiting for! Let's The dance is good. FIGURE: Heads P.O. BOX 538 and left thru, dive thru, star thru, cross buy it and get Cal off to a good start. star thru, California twirl, do-sa-do the Park Ridge, Illinois 60068 trail thru, round one, make a line, up (Dance goes through four times.) Four corner, ocean wave, swing thru, boys and back, right and left thru, slide thru, trade, box the gnat, right and left SO THIS IS LOVE— Blue Star 1900 ladies chain three-quarters, promenade swing the corner, promenade. grand on the wrong way track, partner Caller: Marshall Flippo eight, one and three wheel around, BIG MABLE— Red Boot 119 right and left thru, ladies chain across, swing and promenade. This has just got to be the greatest re- Caller: Ted Frye forward eight and back, pass thru, cord since Kalox came out with Grand TRAVELING MINSTREL MAN— Blue Star Yes, Big Mable Murphy finally arrived wheel and deal, centers square thru, Colonel Spin. The dance is Flippo 1901; Caller: Marshall Flippo and boy, is she big! A big musical five hands round, left allemande, grand FIGURE: Heads right and left thru, smooth, the figure is fantastic and the sound, good dance. This Red Boot la- right and left, meet partner do-sa-do, music is great. Get it. FIGURE: Head crosstrail thru around one to a line, bel is now producing music that is swing corner and promenade. couples right and left thru, pass on circle left, left allemande and weave the comparable to the best. FIGURE: ring, do-sa-do and promenade. thru and cloverleaf, stand behind the JEALOUS HEART— Top 25236 Heads square thru four hands, do-sa- sides. Double pass thru, cloverleaf again, Caller: Harry Tucciarone do the corner, swing thru, boys trade, LOVING YOU IS SUNSHINE— Scope 544 square thru three hands, left allemande, A late arrival but a good one. Dance Caller: Dick Waibel box the gnat, right and left thru, dive do-sa-do your own, corner swing and has the Rainbow Stroll in it. FIGURE: FIGURE: Heads promenade half way, thru, square thru three-quarters, swing promenade that lady home. Head couples promenade three-quar- the corner and promenade. in the middle pass thru, around one to ters while the sides square thru three- a line, up and back, star thru, right LOOK WHAT THEY'VE DONE TO MY SUSETTE— MacGregor 2088 quarters, join hands, circle left, side and left thru, pass thru, swing thru, SONG, Top 25234; Joe Dombrowski Caller: Sparkle Sparks gents break to a line, right and left girls trade and swing, promenade. This dance really moves, but the dan- This one was done before on MacGre- thru, star thru, pass thru, swing corner, cers thought it was great. Fast dances gor and called by Jerry Helt. It is the promenade her. GOIN' STEADY— Windsor 4970 Caller: Dick Hoffman need not be rat races when they are in- old "Susie." It has been a constant sel- MARY'S VINYARD— Windsor 4969 teresting and well-timed. Joe Dom- ler over the years. This is a good figure FIGURE: Four ladies chain three-quar- Caller: Mary Lindner browski does a fine job of choreogra- and callers and dancers will like the ters, heads crosstrail thru around one, The best of the three Windsor releases phy. The music is good. Well worth the new approach to an old favorite. FIG- make a line, up and back, star thru, this month. FIGURE: Heads square second spot in our review. FIGURE: URE: Heads square thru four hands, do-sa-do, spin chain thru, girls turn thru four hands, do-sa-do with the cor- Heads star thru, everybody pass thru, corner do-sa-do, swing thru, boys run back, long promenade. ner, swing thru, boys trade, turn thru, centers in and cast off three quarters, right, couples hinge and trade, centers left allemande, weave the ring, do-sa- BED OF ROSES— Kalox 1118 star thru, substitute, in the middle pass pass thru, swing corner and promenade. Caller: Harry Lackey do, promenade. thru, do-sa-do, ocean wave, all eight FIGURE: Heads lead right, circle to a circulate, star thru, slide thru, swing ROSA RIO— Mustang 303 OLD PIANO HOEDOWN— Blue Ribbon 203 line, up and back, pass thru, wheel and Caller: Bill Wright corner and promenade. Caller: Roger Morris deal, double pass thru, first left, sec- Good tune, good music, good dance. A pretty fair dance, nothing very dif- ond right, square thru four hands, cor- CONVENTION BLUES— MacGregor 2087 FIGURE: Heads promenade half way, ferent about the figures used. FIGURE: Caller: Mike Hull ner swing, promenade. sides star thru, pass thru, do-sa-do, Heads lead right and circle to a line, Don't let the name of the record throw spin chain thru, girls circulate twice, up and back, pass thru, wheel and deal, I LOSE MY MIND— Square Tunes 136 you. The tune is "Birth Of The Blues" turn thru to corner, left allemande, double pass thru, first couple left, Caller: Colleen Jones and the music is Messina good. We walk by your own, swing right hand next right, square thru four hands, FIGURE: Heads promenade half way, think that this is about the best record lady and promenade. swing corner, allemande left, come down the middle right and left thru, produced by MacGregor in many a back and promenade. roll away, half sashay, up and back, moon. The figure is interesting. FIG- SOMETHING TO BRAG ABOUT— Kalox Continued on the next page. URE: Heads slide thru, partner trade, 1117; Caller: Gaylon Shull LOVENWORTH— Triangle 103 Caller: Bob Baxter 44 45 SMALL TOWN- Windsor 4745 the most new dancers and sees them Choreography by May & Jess Sasseen through graduation. The group will al- Peppy music and a moving intermedi- 711:1 so dance at the fair. ate two step. Dzidra Damerel LONG HAIR LOVER- MGM 14140 SQUARE DANCING FOR CHILDREN ROUND DANCES Choreography by Eddie & Audrey Palmquist Charlie Burns, Jr. of Laurinburg, by Frank & Phyl Lehnert Mike Curb vocal with lilting music, in- N.C. calls for a children's square dance termediate two step with twists and group, the Scottish Twirlers. He would SWEET MABLE MURPHY- Belco 245 swivels. like to know how many children's Choreography by C.O. & Chris Guest JUNE BUCKEYE POLL groups there are in the country and is Good music and a good easy interme- interested in compiling a list of them, diate two-step. 1. High Society with their meeting times and places. 2. The Shiek Of Araby THE LOVE WALTZ- Belco 245 Write to Charlie at 1120 Hammond 3. Choreography by Clarence & Ruby Ritchie La Cumparsita B & R RECORD POLL - May Drive, Laurinburg, N.C. 28352. 4. Birth Of The Blues Intermediate waltz using many basic 1. Frauline (Lore) RECORD BREAKER 5. In My Dreams steps. 2. Dixie Bell (Blue Star) 6. Shenendoah Waltz The May news column announced 3. Bed of Roses (Mustang) KISS AND TELL- Windsor 4745 7. Tango Bongo the retirement of Clyde Jones of San 4. Back at the Square Dance (Pulse) Choreography by Phyllis & Roy Stier 8. Dancing Shadows Antonio, Texas, from calling after 21 5. Making Whoopee (Grenn) Good music and a good flowing inter 9. Winston Salem to Nashville years with the same club. Clyde won- 6. Proud Mary (Kalox) mediate waltz routine. 10. Roses For Elizabeth dered if this was a record. 7. Lovingworth (Scope) Betty Hall of Seattle, Washington, RECORD REVIEWS, cont'd. 8. You Don't Have To Be A Baby writes that her husband, Joe, has called AIERRBACH PRESENTS To Cry (Rock in A) star thru and do-sa-do, square thru for the Jo-C-Do club for 22 years con- NEW LABEL - DANCE RANCH 9. Folsom Prison Blues (Jay Bar Kay) three quarters, pull the next one by, sistently - all anniversary, Christmas, 601- Don't Let The Good Life Pass You By 10. The One You Love (Mustang) swing corner and promenade. Caller: Frank Lane twice-monthly and fifth Saturday dan- BLUE STAR: 11. Up Up With People (Top) ces. PIROUQE JOE- Lightning S 7002 LP1020- Dances Tailored by Fisk 12. I'll Fly Away (Lightning S) LP1019- Al Brownlee's Gold Record Album The fifth president of the club and Caller: Lem Smith LP1018- Dances Taylored by Taylor 13. Dixie Bell (Windsor) his wife just took lessons again and re- 1903- Cracker Barrel,Fran & Oscar Schwartz Long Long Texas Road (Windsor) FIGURE: Heads square thru four 1903- Whispering Mixer, E. & 0. Eberling 14. joined the club, and that, Betty says, hands, do-sa-do, circle left to a two- 1902- Merry Oldsmobile, Caller: B. Saunders* 15. Square Dance Fever (Blue Ribbon) 1901- Traveling Minstrel Man, Marshall Flippo is "most rewarding." faced line, wheel and deal, right and 1900- So This Is Love, Marshall Flippo• 16. River Train (Square Tunes) 1899- Home Sweet Home/ Cripple Creek (Hd. FINALE left thru, dive thru, square thru three 1898- Things Are Looking Up, Al Brownlee* 17. I Can't Give You Anything But hands, corner swing, promenade. 1897- I Can't Give You Anything But Love, Love (Blue Star) The Kentuckiana S/D Association Caller: Al Brundage* dinner-dance in March was the occasion 1896- Llghtnin (C)/Cripple Cricket (F) (Hd.) 18. She'll Remember (Mustang) BED OF ROSES- HiHat 404 OGAN: 19. Basin Street Blues (Lore) which marked the finale for the 19th Caller: Lee Schmidt 1237- Livin In Greener Pastures, Jerry Thole• 20. When Johnny Comes Marching National Square Dance Convention, FIGURE: Heads square thru four 1236- Best Things In Life Are Free, R. Donaghe• Home (Hi Hat) held last June in Louisville. Roy and hands, do-sa-do and swing thru, boys 1235- El Cumbancheros, Chuck Bryant* Marita Davis, general chairmen of that 1234- Kansas City Song, Lem GraveIle* 21. Things Are Looking Up (Blue Star) trade, girls circulate, turn thru, left al- LORE: successful event, presented the final lemande, do-sa-do partner, swing cor- 1128- Wild Side Of Life, Gregg Scott* proceeds, $22,125.00 to the KSDA 1127- Basin Street Blues, Jack Cloe* NEW SLANT ON COMPETITION ner, promenade. 1126- Fraulein, Don Whitaker• presidents, Elmore and Cleo Tonini. 1125- Everything A Man Could Ever Need, A group of 4-H youths just gradu- HOEDOWNS Jack Clot!. ated from square dance classes in Roy also noted that $7,375.00 was turned over to the Kentuckiana S/D Gold Star 400: UP JUMPED THE DEVIL, ROCKIN A: Crown Point, Indiana. There is com- 1354- Slippin Around, Virgil Troxell* Callers Association. KSDA immediate- Key D; SALTY DOG RAG, Key G. 1353- You Don't Have To Be A Baby To Cry, petition in all 4-H activities, and tro- Earl Wright* ly voted to give the newly formed Blue Star 1899: CRIPPLE CREEK/ HOME 1352- I Get The Blues When It Rains, phies are awarded in all fields for best Round Dance Council $2000.00. SWEET HOME BIll Wilson* achievements. The new club, the Hoof SWINGING SQUARE: Stompers (most of the youths belong In order to meet Internal Revenue Blue Star 1896: LIGHTNIN', Key C; CRIP- 2355- Money Can't Buy Love, Jerry LeBlanc.' 2354- Ring Of Fire, Harry Tucciarone, Jr,* to a 4-H horse and pony club, too ) regulations for non-profit organizations, PLE CRICKET, Key F 2353- Pocket Full Of Dreams, Gene Pearson* these monies are to be used for the 2352- Four Leaf Clover, Harry Tucciarone, Jr. found a way -to give a trophy in square MUSIC FOR TALKING- Grenn promotion of square and round dan- *FLIP INSTRUMENTALS dancing, too. New classes will start 16003 cing. Suggestions are welcomed by the errbach Record Service immediately and the trophy will be Nice instrumental music for talking presented at the County Fair in Aug- KSDA Executive Board. P.O. Box 7308, Houston, Texas between dances (on both sides). ust to the club member who brings in From Squares And Rounds 46 47 4540 Southern Pkwy., Louisville 40214.

OHIO— Weekend in Paradise, Atwood Lake KLT.T.17.74„T.T.T.,X Lodge, Dellroy, 0, Aug. 13-15, with Dan & Lou Dedo. Campers welcome. Write L. De- Tonawanda Creek Rd., North To- "..1–i do, 2505 MODERNecords ALBUMS FOR INSTRUCTION • Books nawanda, N.Y. 14120. THE OTHER SIDE OF THE MIKE ( 347 Dance-O-Rama, Aug. 13-15, "The Fundamentals of Square Dancing" pages) The most complete caller textbook NEBRASKA— Hotel Pathfinder, Fremont, Neb. with Har- (SIO Label) Level 1 Level 2 Level 3 ever written. Ideal training guide for new EVENTS old & Lill Bausch, Paul & Ruth Helmig, Ker- or student callers — or for those who may mit & Ruby Knudsen, Ted & Eleanor Vogt. Write to: Bob Ruff, 8459 Edmaru, Whittier, be wondering what it's like "On The Other Write P.O. Box 35, Leigh, Neb. California 90605 for descriptive literature. Side of the Mike." Order from Bill Peters, NEW MEXICO— 13th Annual Aug. Week- 5046 Amondo Dr., San Jose, Cal. 95129. end S/D, Chaparral Convention Center, Rui- doso, N.M. Aug. 14-15, with Beryl Main, (S12.50 ppd.) itallr1=Z,Z- -Z:g Melton Luttrell, Rex Coats. Write 321 Sun- land Dr., Clovis, N.M. 88101. AFTER PARTY FUN, $2.50 plus 151 BRITISH COLUMBIA— Centennial 1971, A special Trail-In dance to the above will mailing. Contains Nelson, B.C. July 9-11, featuring Earle Park, N.M., Aug. 13, Willshire Sill Products two books combined be held in Roswell, SQUARE DANCE SEALS — Colorful and Write Bill & Eve Carter, 821 Tenth St. Nel- Shopping Center Mall, with Nelson Watkins into one, with new material that will put eyecatching seals on your correspondence son, B.C. and Wayne Baldwin. life into your club or festival. Edited by are an invitation to square dancing. Order NEW YORK— Cayuga Cut-ups 5th Annual Swing your queen at Lucky the man who originated after party fun WISCONSIN— from Bill Crawford, Box 18442, Memphis, S/D Weekend, July 17-18, Owasco Lake Pa- 13, the 13th Annual Wisconsin S/D Conven- at dances and festivals. Order from Ray villion, Auburn, N.Y. with Dick Leger, Er- tion, Aug. 20-22, Dane County Coliseum, Tenn. 38118. Samples on request. One Smith, Star Harbor, Malakoff, Texas 54148. nie Dempster, Charlie & Perlie Tucker. Write Madison, Wisc. Write Chet & Jane Frederick. Sheet (501— 501; Three sheets 1150) — $1; Andy & Patti Maggio, RD 3, Auburn 13021. St., Madison, Wis. 53703. 1007 Rutledge Ten sheets— $3; Twenty -- $5.00; Special STEP—CLOSE—STEP ROUND DANCE BA- MICHIGAN— NSDCA Camporee, Monroe, discount on 100 sheets for club resale. SICS, (64 exercises) $3.25 ppd. 10 week Michigan, July 15-18. Write Lynn & Leona Frey, 17664 Winston, Detroit, MI. 48219. dancer proven basic course, dance positions, GIFT SUGGESTION INDIANA— R/D terminology, mixers, basic styling hints Round Barn Festival, Fulton containing square County, July 16-18, with Jim Tibbets, Dick Western Coloring Book, and helps on teaching. Order from: Frank Han, Chick Hani and guest callers. Free dance pictures. 501 each or quantity prices. Lehnert, 2844 S. 109th St. Toledo, Ohio. Street Dance, July 16. Write Festival, Box ROTRUCK PRINTING, 111 Eden St. 542, Rochester, Indiana 46975. Attica, Ohio 44807 (Ph. 426-8185) ONTARIO— 2nd Ann. Thunder Bay S/D CHALLENGE & ADVANCED CLUB DAN- Festival, Lakeview High School, with John- CING: A pocket size (3'/a<41/0 66 page refe- ny Toth, July 22-24. Write Webb & Jean rence book of the rules for the 150 most Belrose, 183 N. Hill St., Thunder Bay, Ont. popular high level calls. Starts where the ex- tended 75 club basics end and contains the OHIO— Square Dance Weekend, Atwood new "Experimental 50" and the next 100 Lake Lodge, Dellroy, 0, with Singin' Sam most used calls of high level dancing. A must Mitchell and Ken Bower, July 23-25. Write for club dancers, for these are the calls fil- Betty Mitchell, Stonegate 114, 2700 Eaton Badges tering down from challenge into club dan- Rapids Rd., Lansing, Mi. 48910. Services for square dancers LUDLOW TROPHY & BADGE cing. If it's called at a dance, you can bet it PRINTING SERVICE NEW YORK— Mid-Summer Round-up, Ju- is one of the 150 calls explained in this book Booklets, brochures, tickets, calling cards, Tom Curto & Sons ly 30-Aug. 1, Oquaga Lake House, Deposit, or you already know it. The pocket size and 116 Sewall St. N.Y. 13753, with Lucy & Gus Paul, Howie bumper stickers, advertising specialties. hard gloss cover make it perfect to take to Ludlow, Mass. 01056 & Dot DeGrave, Mo & Diane Howard. ROTRUCK PRINTING, 111 Eden St. the dance for that extra confidence.S2.00. Write the Pauls, Glenwood Ave. Oneida, NY. MODERN SQUARE DANCING SIMPLIFIED Attica, Ohio 44807 (Ph. 426-8185) The "How To" Book for today's complete WEST VIRGINIA— Centennial S & R/D club dancer. Pocket size and similar to "Chal- Festival, part of Huntington's 100th Anni- lenge" book above, but covers the rules and versary celebration, July 30-Aug. 1. Callers: explanations of the first 75 basics and ap- Allen Tipton, Sonny Bess, Ken Bower, with proximately 60 other calls and commands the Lehnerts on rounds. Dancing at Memori- *Record. JQ crp encountered in club level dancing. Ideal gift al Field House, U.S. 60. Campsites available. Write Sonny „,' ... - Price only S2. Both books only $3.50 from & Mary Bess, 646 Adams Ave., / Huntington, W. Va. 25701. Books JIMCO, 6210 S. Webster, Dept. 2G, Ft. Wayne, Indiana 46807. WYOMING— Prairie Promenaders 7th Ann, wet OP1,11C14 DISTRIBUTORS Frontier Shindig, Community Center, War- SQUAREDANCE FUNDAMENTALS snows OHIO ren AFB, Cheyenne, with Jerry Haag calling in 335 beautifully clear illustrations exactly TWELGRENN ENTERPRISES to celebrate the 75th Ann. Cheyenne Fron- how the dancer looks to himself while per- tier Days, July 31, Write Sherry P.O. Box 16 forming each of the 73 bedrock fundamen- Haag, 920 Pike, Cheyenne, Wyo. 82001. Ohio tals from which all more complicated figures Bath, are constructed. Not just for beginners; also MICHIGAN— Soo-Z-Q's Midsummer Dance, tells exactly what a fundamental is and why. July 31, National Guard Armory, Sault Ste. SET UP AND GET OUT— A manual to help Same for a classic, a basic, etc. The biggest Marie, Mi. Dance to area callers, afternoon, names in squaredancing have discovered new and Johnny Davidson, evening. Write M.J. callers create original choreography with in- horizons through these 208 big power- Kitchen, 66 Lake St.,Sault Ste. Marie, Ont. finite variations. $6.00 postpaid. packed pages; you can, too. A fantastic buy KENTUCKY— 18th Annual Kentucky Order from: Will Orlich, P.O. Box 857/, at $7.50 ppd. from FRONTIER PUBLISH- Dance Institute, Morehead State Univ, More- Bradenton, Fla. 33505. ERS, Box 44, Glendale, Cal. 91209. head, Aug. 8-14. Write Shirley Durham,

48 49 SWING THRU EUROPE S/D Tour, Aug 25- places Sept. 15: England, Denmark, Germany, Aus- tria, Switzerland, France— dancer's delight. For colorful brochure, write tour escort Kenn $13.98 to dance Reid, 503 N 1st St. 42B, El Cajon, Cal 92021. SEPTEMBERFEST PROMENADE HALL Sept. 25 - Oct. 2, 1971 7897 Taft St. No. 588 90/10 dancing in two halls at Merrillville, Ind. 46410 Kentucky Dam Village State Park For information, call 219-887-1403 PETTICOAT Write: Box 190, Murray, Ky. 42071 TOTAL SQUARE DANCE PROGRAM! RUTH & REUEL DETURK 1606 Hopmeadow Street FOUR GREAT WEEKS OF DANCING VACATION IN THE BLUE RIDGE MTS. Simsbury, Conn. 06070 13 Dance Festival Weeks & 3 Weekends Fun Fest, Swap Shop, Rebel Roundup, Full 3 flounce, cotton yoke- National & Other Top R/D & S/D Calltirs Accent on Rounds w/Squares, Spring & SEND FOR OUR 2 flounces of nylon horsehair, Write: ROUND-dez-vous Lodge, Route 7 Fall 1971. Write Fontana Village Resort MAIL ORDER CATALOG 1 of nylon sheer for protection. Box 688, Asheville, N.C. Tel :628-2595. Fontana Dam, North Carolina 28733 White, Red, Black, Royal, Pink Hot Pink, Blue, Orange, Maize, Lilac ABC SQUARE-UP WEEKEND DOUBLE G RANCH, INC. Netk_484 Petite, Small, Medium, Large Sept. 3-6, 1971 Deep Creek Lake, McHenry, Md. (301-387-54811 E■Ir■■_ Silver Bay, N.Y. (Lake George area) Dancing Saturday evenings, May 1 thru Oct. 30 Write: Stan Burdick, 216 Williams In the heart of vacationland and including St., Huron, Ohio 44839 camping, restaurants, motels, watersports SQUARE DANCE CLOTHING OHIO CONNECTICUT CALLERS SQUARE TOGS R & R Western Shop DANCERS Cook Hill Rd., S. Killingly 11757 U.S. 42 LOOK CLUBS Danielson, Conn. 06239 Sharonville, Ohio 45241 LEADERS Open Sun. Nov. to May, 12 to 5. Records available, too! BADGES THAT SAY HELLO— Any FLORIDA THE WESTERN SHOP size, shape or design, 50 colors in stock. 33 South Main St. CHEZ BEA for square and Miamisburg, Ohio 45342 - round dancing CREATIONS Can copy any design or motif, or de- Will ship anywhere same day. sign a new badge for you. Send in 650 N.E. 128 St. (759-8131) ••••.•••••••••.•••••••••• • •••••••m • N. Miami, Fla. 33161 sketch for free club samples. • MICHIGAN SQUARE DANCE CORNER (565-3781) Write for new free 284 goofy saying and RUTHAD (313-841-05861 296 fun qualifying badge booklets, just re- KALOX- Edeo- 2435 No. Dixie Highway ■ 8869 Avis leased. Badges: standard $1.10; deluxe $1.35. ■ Wilton Manors, Florida Detroit, Mich. 48209 New and used sound equipment— all Longhorn YOUR FRIENDLY ONE-STOP SHOP a Prettier, perkier, petticoats, pantalettes makes and power sizes, featuring Bo- New on Kalox • m K 1119 HOEDOWN gen, Califone and Newcomb. Mikes, il INDIANA PENNSYLVANIA AKG, Electro-Voice, Norelco, Shure Boil Em Cabbage / Square Rock ti U ALLEMANDE SHOP (219-663-2476) Ed & Marea's Western Wear & Records Sony and Vega Wireless Mikes. Sony K 1120 RIGHT OR WRONG N 250 North Main St. Flip/Inst. Caller: C.O. Guest 11 3749 Zimmerly Road tape recorders. Recording Tape Audio- . Crown Point, Ind. 46307 New on Longhorn • (Corner Love & Zimmerly) Sony- Reel- Cartridge- Cassette. : Our business— Square Dance Clothing Erie, Pa. 16506 LH-403 GO-GET-EM'S •• Other equipment: sound columns, mo Flip/Inst. Patter Call by Louis Calhoun IL A workshop record with instructions for NC nitors, mike and speaker stands, 7" re- B-BAR-B SQUARE DANCE APPAREL WEST VIRGINIA callers and dancers' enjoyment.. cord envelopes: clear plastic & green • 1538 Main St. (Speedway) Square Dance & Western Shop New Rounds on Belco stock, Speedup & SloDown for floors. •• Indianapolis, Indiana 46224 182-A-9 Wylie Ridge Rd. — Rt. 1 B-246A WHAT WILL I DO NEXT •• Everything, plus Fabrics, Trims, Patterns! Weirton, W. Va. 26062 SID Boosters bumper strips, auto an- MONDAY by Vaughn & Jean Parrish • tenna flags, decals, license plates. Newcombs and parts in stock • B 246B ROOM FULL OF ROSES PLASTIC ENGRAVING SERVICE - S • OHIO • Two Step by John & Wanda Winter BOB ROTTMAN BUCK & SANDY'S WESTERN WEAR 11041 So. Talman Ave. •• PRODUCED BY Hergatt's Western Shop k KALOX RECORD DISTRIBUTING CO. •• Route 3, Meadowdale Chicago, Illinois 60655 50 N. Linwood Ave. 2832 Live Oak Dr. Mesquite, Texas :o Fairmont, West Virginia 26554 Beverly 3-5527 or 233-5527 •• Norwalk, Ohio 44857 sereemereeeer e.g.; EVERYTHING WESTERN Complete Line for Square Dancers 50 51 S P fie 1304 by PAB These opinions are written by readers in reply to articles and thoughts already pub- lished in previous issues and do not necessarily reflect those of the editors.

We read with much interest the arti- We dance the first Saturday of each LOGIC PROBLEM cle "Straight Talk" in your May issue month except July and August at the Pat- rick Hamilton school in Dowagiac, Mich. Four well-known callers met in a booth at a national convention. Their first by Jerry and Lil Mahony. Since teen The school is located next to the football names are: Al, Ben, Carl, and Doug-Their last names are: Smith, Jones, Harris, dancing is fairly new in this area, we field on M-40. and Brown, The clubs they call for are: Allemanders, Belles and Beaus, Chain, are just experiencing some of the adult Gang, and Docidoers. The states in which the clubs are located are: California, reactions. We have been a little sur- The subject of children attending Ohio, Florida, and New York, but not necessarily in that order. Using the prised, but not necessarily dismayed. square dances has been mentioned by clues below, determine each caller's name, club and home state. With all the drug addiction, drinking, several clubs or their members. The etc., in the world, people should be discussions have ranged from fanatical 1. Doug, Mr. Brown, and the caller from Belles and Beaus went to college to- delighted to see something as refresh- no's to just as fanatical yes'es. Both ing as youngsters dancing. We feel this gether. sides have many good points. A more Al, Carl, and the man from New York were at the Seattle National Conven- may be brought up at a local federa- moderate or middle of the road policy 2. tion meeting in the future and your tion. seems to fit a vast majority of dancers, Ben, the man from Florida, and the caller from the Allemanders subscribe magazine article is just the ammuni- both adult and small folks. 3. to SQUARE DANCE magazine. tion we need. We agree, though, that This is as follows: small folks should Mr. Jones, the caller from Belles and Beaus, and the man from Florida all these youngsters should also act in at all times dance with small folks. The 4. good taste and style. only exception should be a direct in- recorded on the S.A.D. label. Marge & Rudy Jasa vitation by adults to fill a square. Nei- 5. Carl, Mr. Harris, Mr. Jones, and the man from Florida (all of them) took a Marion, Iowa ther should adults thrust themselves callers' clinic together. The man from Ohio arid the caller for Belles and Beaus both have wives ....I got a thrill out of the item by into a little folks' square unless needed 6. Jerry and Lil Mahony in the "Straight or invited. However, do not miss any named Dorothy. opportunity to get in a square with Talk" column because just yesterday 7. Doug and the Allemanders' caller haven't seen each other for six years. a batch of the enclosed announcements them. Their bright and shining faces, No man's first name begins with the same letter as the club he calls for. 8. were mailed to clubs in the area. I hope their sparkling eyes and lilting laughter we are on the right track, for we are will make you feel years younger, at least temporarily. Their ability will LAST MONTH'S PUZZLE ANSWERS going to give it a good try. I somehow amaze you. feel that to boot the kids out of an ac- Bob Augustin We do however make these requests H. Bausch tivity like square dancing, and then Don Belv in wonder why they turn to some types to the parents. Please see that your Dewey Berry children do not run wild all over the S. Bess of notorious activities is just a bit ridi- Ken Bower culous. place; they must be kept reasonably Al Brownlee Frank & Alice Nevins quiet so the dancers may hear both C. Bryant music and calls. Remember that if you Louis Calhoun Dowagiac, Michigan J. Cloe The enclosed announcement read: want your children to be loved by Orphie Easson T. Frye The Cass Cut-Ups have a very fine group other people, they must deserve it. Doc Gray of young dancers who have completed basic It has always been and will continue C.O. Guest lessons and are dancing with the club. In or- to be the policy of Silly Circles and Jerry Haag der to encourage them and other young W. Harlan Squares that all.children are welcome, Jerry Helt square dancers, the following admission pol- and no charge will be made whether John Hendron icy is now in effect at our dances. they dance or not. Bob Howell Teen square dancers who accompany D. Jones It is entirely possible that your fu- Melton Luttrell their parents or other adult sponsors who ture club officers or club caller is am- Ken Oppenlander are paid, dancing visitors will be admitted to Vaughn Parrish Cut-Ups dances free of charge. ong today's small folks. Treat them Bob Rust So if you have teen square dancers in kindly, lest they retaliate. Dave Taylor Bob Wickers your family, bring them along to the Cass H. L. Jeffries W. Witter Cut-Ups. All of you will be welcome! Alexandria, Indiana F. Zeller 53 52 LET'S

SQUARE • LET'S SQUARE DANCE! ' DANCE IICA VfiC TOR WARE DANCE il.PCMESIR4 141f thg RHUMBA

These five albums are designed to be a "How-to-do-it" series in square danc- ing. The series is a graduating one, varying in difficulty from album to album, and also from selection to selection within each album. Each album includes one selection without calls, thus permitting the instructor or one of the dancers to obtain experience in calling. Each album contains fully illustrated instructions, and is available separately at 45 rpm . The series was edited and recorded by Professor Richard Kraus, Teachers College, Columbia University.

ALBUM No. 1 (Ages 8 to 10; Grades 3 and 4) Shoo Fly; Duck for the Oyster; Red River Valley; Girls to the Center; Take a Peek; Hinkey Dinkey Parlez-vous; Divide the Ring; The Noble Duke of York; Little Brown Jug (without calls) EEB3000 (45); ALBUM No. 2 (Ages 10 to 12; Grades 5 and 6) Skating Away; Life on the Ocean Wave; Swing at the Wall; Nellie Gray; Form an Arch; Uptown and Downtown; Double Sashay; Bow Belinda; Angelworm Wiggle (without calls) EEB-3001 (45); ALBUM No. 3 (Ages 12 to 14; Grades 7 and 8) Sicilian Circle; Right Hand Star; Captain Jinks; Lady Go Halfway 'Round; Down the Line; Coming 'Round the Mountain; Pass the Left Hand Lady Under; Virginia Reel; Four and Twenty (without calls) EEB-3002 (45);

ALBUM No. 4 (Ages 14 to 16; Grades 9 and 10) Pattycake Polka; Swing Like Thunder; First Girl to the Right; Grapevine Twist; Dip and Dive; Texas Star; My Little Girl; Going to Boston; Ragtime Annie (without calls) EEB-3003 (45); ALBUM No. 5 (Ages 16 to 18; Grades 11 and 12) Shake Them 'Simmons Down; When Johnny Comes Marching Home; Wearing of the Green; FOR BASIC DANCE STEPS Quarter Sashay; Hot Time in the Old Town; Four Bachelor Boys; When the Work's All Done This Fall; Haymaker's Jig; Miss McLeod's Reel (without calls) For the beginner student, or students who have difficulty keeping EEB-3004 (45); time or dancing to music. On these wonderful records we have recorded, over the music, the electronic "beep" signal which gives $3.49 each album the student the correct rhythm of the basic step of the dance. Record has three separate bands, regular tempo, slow and very $13.00 complete set (5 albums) slow. Beep signal on very slow tempo only. The description of basic step is printed and illustrated on back of each record jacket. Beautifully packaged in color jackets. Available for Cha Cha, Rumba, Lindy, Waltz, Foxtrot and Samba. This is the ideal way to learn the basics of social dancing. 45 RPM $1.50 Each

"Chica g o's Friendliest Pieces.' Store" 74e 1614 NORTH PULASKI ROAD CHICAGO, ILLINOIS 60639 A/C 312 221 1012 OPEN MON. t THURS EVE NORTH PULASKI ROAD CHICAGO, ILLINOIS 60639 1614 54 A/C 312 2211012 OPEN MON. & THURS. EYE 55 STRAIGHT TALK, cont'd. If you are thoroughly confused by Men! What an opportunity to get now, nothing we can add will unboggle away from your everyday mode of your brain. If, however, by reading dress, whether it be, dungarees, uni- this article, you remember always to form, business suit or scuba gear. As "dress for the dance," it is all worth- with the girls, the best advice is "Be while. yourself." A clean white, long sleeved Buck Fish by MYPDS LI Tfiff AN shirt with a fancy tie and slacks may From Pen-Del Fed-Facts be best for you. If, however, the fron- tier trousers, wide belt and buckle, colorful shirt and "Wow! what a tie!" THE SQUARE DANCING ENCYCLOPEDIA is your thing, wear it. There are no by Bill Burleson (1970) real rules or regulations except what is implied by three words: bathe, deo- dorant and decorum. description is what the author has The "rules" for the caller are the found to be the most standard by his

same as they are really square dancers rlar research through letters, inquiry, talk who have strayed from the fold. Do al- SQUARE DANCING and from studying material. Starting low them a few exceptions, such as BKYU.OPEDIA and ending positions are given to help fancy hats, name ties, wild shirts, or eliminate different interpretations. other trademark special attractions. Every movement is tried out by dancers and proof-read before it is en- op Illl IURUSON tered. The author averages three to B. & S. SQUARE DANCE SHOP five hours a day keeping up with all Billy and Sue Miller MAGNET, INDIANA 47555 Phone: (812) 843-2491 the various aspects this hobby entails. 50 yards Nylon mar• The purpose of this booklet is to The first movement in the booklet quisette — stiff, cotton The shoe most square provide a fast reference for the move- top, wide elastic band. dancers wear. 'h" heel is "a set or a square," naturally. Num- Order 1" shorter than with elastic binding ments that are introduced into Wes- skirt. 4 tiers on 21" around shoe. Strop ber 1120 is "cold foot spin." You and longer and 3 tiers across instep. tern square dancing. Supplements are wouldn't believe some of the ones in on 20" and shorter. Black and White $8.95 Colors: white, black, Yellow, Pink mailed out three times a year, to be between. Mr. Burleson is not pushing and Orange $9.95 yellow, pink, blue, added to the original issue. A new in- forest green, red and Silver and Gold $10.96 for the usage of all these basics, but Send for free catalog. multicolor. Sizes 4 to 10 — Med. dex is mailed out once a year with the $12.95 plus 75f postage and Narrow he does believe that it is important to Dealer inquiries welcome on petti-pants & slips Postage paid. Immediate delivery. third supplement. have an available reference for all ba- Indiana residents add 2% sales tax The Encyclopedia booklet has a few * * sics and movements that have been * * * * * * * * * * * * * * * * * * * pages of terms and rules of square dan- tried. CAL GOLDEN SQUARE DANCE TOUR cing and diagrams of the more com- Order from: 6011.1)*r4Ah JULY mon formations; the larger part, of $3.50 9-10 Jekyll Island, Ga. is Bill Burleson RECORDS 16 Ashland, Ky. course, consists of the descriptions of 2565 Fox Ave. K NEW RELEASE— Album GS 1000 18 Wabash, Ind. 19-24 Infantino's Round-dez 1120 square dance movements. Each Minerva, Ohio 44657 y ..., vous Lodge, Asheville, N.C. 25-31 I nfantino's (see above) tzas caiOntl.n . AUGUST . ..‘- 4 Winnipeg, Manitoba •14.AMPRICAN SQUARE DADA NCING 7 Jasper, Minn. NEW! YOUR OWN CLUB STICKERS Recorded Live in the Bavarian Alps 11-140verseas Dancer Reunion, Fort Collins, Colorado TX Allow 2 weeks for delivery. FOR EITHER SIDE OF GLASS 20 Deming New Mexico THESE ARE DECAL TYPE STICKERS GS 400— HOEDOWNS: Salty 25 Hot Springs, ArkarTITS wet the decal and transfer to desired surface Dog Rag/Up Jumped the Devil 29-Sept. 4 Asheville, N.C. MINIMUM ORDER 10 GS 700 STEEL GUITAR RAG SEPTEMBER LESS THAN 100-2Sc EACH • 100 OR MORE 20c EACH Singing Call by Cal Golden 10 Erie, Pa. The decal has a white background, the dancers end °utile, 17 Owatonna, Minn. " hnes are blue, the word square dance is red. The club name 18 Cedar Rapids, Iowa and city and state Is in regular gold leaf These are the only FOR INFORMATION, WRITE: 19 West Point, Iowa colors available at this time 20 Sharon Golden P. 0 sox 2274 Blakesburg, Iowa "Send for free ulster)* on badge, stickers, accessories, etc" 24 Montgomery, Ala C PHONE 501-6247274 HOT SPRINGS, ARKANSAS 71901 tlurllt 1111$ 25 Hot Springs, Ark. I Kan_ Box 371, Champaign, Illinois * * * * * * * * * * 4 4 4 4 -* 4 ** 56 57 SIGN-OFF -vv-(DRID * * • • • * • * SQUARE DANCE BOOK SERVICE Life is a gift to be received with gratitude

spur-V:90as and a task to be pursued with courage. /741' r ,tricoris fOR SQUARE DANCERS Presbyterian Confession, 1967

'--5tamli5wdLEk` PLAN NOW rr,ri !Hi 21st NATIONAL SQUARE DANCE CONVENTION FOR CALLERS: $2.00 NEW TEACHING AID: $2.00 SID CARTOONS: $1.50 Des Moines, Iowa 501 (2-5' June, 1972 EXPERI RENTAL BA ;ICS • ADVANCED CLUB LEVEL MICHIGAN SQUARE AND SOUANE DANCES 9e'd ekriamad ROUND DANCE CONVENTION

COMPLETE: .1,5.00 ADAPTATIONS: $2.00 DANCERS/ CALLERS: $3.00 NOVEMBER 5,6, 1971 COBO HALL, DETROIT, MICH. V049(a4.5. * * * * 9 no other :art,rs TWO NATIONAL CALLERS Al2:1 BOB PAGE DAVE LIGHTLY .... AND MAY WE BE THE FIRST NATIONAL ROUND TO WISH YOU A MERRY ONE... DANCE LEADERS And to remind you that it's time to order our very distinctive Christ- PHIL & NORMA ROBERTS mas cards same as our December * * * * GREAT NEW BOOK: $3.00 1970 cover design with appropriate HASH SYSTEM: $2.00 S/D CARTOONS: $2.00 Plus many talented Michigan callers. message for all on your list. ASK ABOUT OTHER BOOKS, POSTERS, REPRINTS, DISPLAY CUTOUTS . 10 CARDS AND ENVELOPES - $2.00 Afterparties and Clinics 20 CARDS AND ENVELOPES - $3.50 SQUARE DANCE DIPLOMAS POSTPAID Information available from: Postage is paid EACH ORDER FROM THIS 10 0 25 or more. WRAPPED FOR EASY STORAGE Jim & Mary Ellen Doe MAGAZINE 878 Woodside ALSO P 0 BOX 788 ASK ABOUT P .O. BOX 788 ORDER FROM THIS Muskegon, Mich. 49441 ROUND DANCE SANDUSKY, OHI QUANTITY SANDUSKY, OHIO MAGAZINE 44870 Ph. (616) 755-2357 DIPLOMAS PRICES 44870 59 58 OC/.1i)(.) 7)06R (-1

- \I. -4:01 I " 11, aC. "

rryr,7711r wAsN'r SURE REMEMB ER ME AS YOUR COPNER AT LAST" NIGHTS DANCE, So YC■ U SEE I WORE Nq BADGE oN SLUT., „ "

79. 35

m scope records

For PRESENTS

ing s

u t_ATEST RELEASE her,

lis SHEPS MOUNTAIN /JIM B. b u

p SC 309 Hoedowns fy ti no er, RECENT RELEASES liv de

SC 545 BELLS ON MY HEART

to CO co SC 544 SUNSHINE

ble • ,r s. SC 543 LOVINGWORTH na x 0 SC 542 GET ME TO THE DANCE f u

I 0

co -c NEW CATALOG AVAILABLE:

R: 0 POST OFFICE BOX 1448 O >: 0— _x SAN LUIS OBISPO crl CALIFORNIA 93401

MASTE 3

T E -o S o c ‘- Co PO LL (/) a

60