The Ithacan, 2007-11-29
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17 Muslim Youth Cultures Su’Ad Abdul Khabeer and Maytha Alhassen
17 Muslim Youth Cultures Su’ad Abdul Khabeer and Maytha Alhassen Young people are central actors in the formation of American Muslim cultures, and their cultural production engages questions of identity. This self-making through culture does not occur in a vacuum but has been shaped by specif c contextual realities. For one, American Muslim youth cultures are shaped by the contemporary moment in which the conver- gence of a bad economy, racism, and the “War on Terror” has made their very existence a cause for national concern. As a result, Muslim youth in the United States are typically represented and analyzed through two narrow prisms: as potential jihadis or as upwardly mobile model minor- ities. The cultures of young American Muslims respond to this binary, both explicitly and implicitly. Young U.S. Muslims are in dialogue with the expectations of “parent culture,” the perspectives of often dominant older American Muslims, both immigrants and converts. Parent culture holds a series of ideals about who young people should be and their proper role in commu- nity life. A primary consequence of these beliefs is that many Muslim youth feel marginalized in traditional spaces of American Muslim soci- ality, such as the mosque. For some youth, part of their identity work resists parent culture by creating alternative spaces and frameworks for American Islam. Yet resistance is not the only response to the parent culture. Some young Muslims aspire to these “parental” ideals and f nd room to live out their sense of religious identity within them. Finally, although young Muslim cultures in the United States are grounded in local contexts, this identity work is also transnational. -
Muslim Punk’ Music Online: Piety and Protest in the Digital Age1 Dhiraj Murthy
Template: Royal A, Font: , Date: 12/08/2013; 3B2 version: 9.1.406/W Unicode (May 24 2007) (APS_OT) Dir: //integrafs1/kcg/2-Pagination/TandF/KAMAL_RAPS/ApplicationFiles/9780415665629.3d 7 ‘Muslim punk’ music online: piety and protest in the digital age1 Dhiraj Murthy The presence of young diasporic Muslim musicians in new media is already significant, but also continually rising. The explosion of MySpace and Face- book pages for diasporic Muslim bands is a case in point. It is tempting to stop at this moment, basking in this concrete new media presence. However, presence does not always beget position. And in this case, young Muslim males continue to be othered, exoticized, otherwise marginalized online and offline. The online presence of ‘Taqwacores’, a transnational diasporic punk music scene, serves as a space where these marginal essentialisms are con- tested. In the face of post-9/11 and 7/7 Islamophobia, Taqwacores’ cyber- spaces have been viewed as ‘safe’ outlets for progressive activist Muslims to discuss and organize. Though the Internet’s role in growing Muslim musical youth subcultures is important, it is critical not to let this overshadow the role of these virtual spaces as cocoons where young Muslim males (especially marginalized ones) can creatively and freely express themselves. This chapter explores the continuing circulation of pejorative essentialisms of diasporic Muslim males (especially as ‘terrorist’/demonic ‘other’) and underlines the possibility of cyberspaces to function as meaningful and progressive Muslim social worlds which challenge these essentialisms both online and offline (a case in point for the anti-Islamophobic leanings of the Taqwacores). -
TAQWACORE, RESISTANCE and MUSLIM YOUTH IDENTITY in CANADA Anya Hussain Master of Arts, 2010 Immigration and Settlement Studies Ryerson University
---------.. IS PUNK llARAM?: TAQWACORE, RESISTANCE AND MUSLIM YOUTH IDENTITY IN CANADA by Anya Hussain, BA, Concordia University, 2008 A Major Research Paper presented to Ryerson University ~ . in partial fulfillment of the requirements for the degree of Master of Arts in the Program of Immigration and Settlement- . Studies . ' Toronto, Ontario, Canada, 2010 © Anya Hussain 2010 t PROPERTY OF RYERSON UNIVERSITY LIBRARY Author's Declaration I hereby declare that I am the sole author of this major research paper. I authorize Ryerson University to lend this paper to other institutions or individuals for the purpose of scholarly research. I , I u _I ~S~i-wm--tur--e----------'" I further authorize Ryerson University to reproduce this paper by photocopying or by other means, in total or in part, at the request of other institutions or individuals for the purpose of scholarly research. - -I ii ,- !t "li~:-'i, 'L"'~~~,;; *! ~ ",.~ ~ "'I ,: 'd' ,,,i. !~" • IS PUNK HARAMl: TAQWACORE, RESISTANCE AND MUSLIM YOUTH IDENTITY IN CANADA Anya Hussain Master of Arts, 2010 Immigration and Settlement Studies Ryerson University ABSTRACT Diasporic Muslim identity in the West is increasingly conceptualized 'as being "under siege", especially in a post 9/11 context. This paper examines some of the complexities of , identity formation and belonging as experienced by Muslim youth in the current political climate in Canada. However intense and· antagonizing this social and political climate may be, I argue that there is room for dissenting and subversive reconfigurations of a Muslim identity that resists the eviction of Muslims from full belonging and citizenship in Western society. This paper explores this possibility by focusing on Muslim~ youth identity formation in the context of Taqwacore, a Muslim punk scene popular among some second-generation youth. -
Punk Rock Puja:(Mis) Appropriation,(Re
PUNK ROCK PUJA: (MIS)APPROPRIATION, (RE)INTERPRETATION, AND DISSEMINATION OF HINDU RELIGIOUS TRADITIONS IN THE NORTH AMERICAN AND EUROPEAN UNDERGROUND MUSIC SCENE(S) By JAMES ANDREW ‘JIMI’ WILSON A THESIS PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS UNIVERSITY OF FLORIDA 2008 1 © 2008 James Andrew Wilson 2 To Lynn, my Sustenance and my Muse. And, in the words of Jim Carroll, to “the people who died”: Carroll Ray Wilson, Carma Leah Isbelle Currie, Steven “Donny the Punk” Donaldson, Donald “Big Don” Hawley. The world is a little smaller and colder without you. 3 ACKNOWLEDGMENTS For their love and encouragement, I wish to thank my wife, Lynn Paluga; my parents, Colonel (U.S. Army-Retired) Carroll Ray Wilson and Patricia Allen Wilson; my stepmother Emma Jean Wilson; my siblings, Lieutenant Colonel (U.S. Army-Retired) Thomas Christian Wilson, Cary Allen Wilson, and Jeanne Elizabeth Wilson Dees. I also wish to thank my esteemed committee (Vasudha Narayanan, Milagros Pena, and A. Whitney Sanford); the many other mentors and colleagues who have aided and/or encouraged my research—including but not limited to Steven W. Ramey, Michael J. Gressett, Sarah M. Pike, Manuel A. Vásquez, Anita Anantharam, Travis Smith, Jason Neelis, Gwynn Kessler, Anna Peterson, Mario Poceski, Luke Johnston, Chungwhan Sung, Carly Dwyer, Phillip Green, the wonderful scholars and RISA-L, and all of my former instructors at the University of North Carolina at Pembroke. I also wish to acknowledge the important role that the many friends that I have made in the underground music scene, and with whom I have shared much of my life, has played in shaping me into the person and scholar I am today—especially Tim Marshall, Crystal Zurat-Marshall, Donny the Punk, Ingrid ‘Inki’ Snyder-Nordby, Samb Hicks, and all of my friends from the North Carolina underground. -
Rebellious Religion: Christian Hardcore and Muslim ‘Taqwacore’ Punk Rock
Rebellious Religion: Christian Hardcore and Muslim ‘Taqwacore’ Punk Rock by Amy Denise McDowell Bachelor of Arts, University of Colorado-Colorado Springs, 2006 Master of Arts, University of Pittsburgh, 2008 Submitted to the Graduate Faculty of the Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2014 UNIVERSITY OF PITTSBURGH KENNETH P. DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Amy D. McDowell It was defended on December 17th, 2013 and approved by Mohammed Bamyeh, Professor, Sociology Akiko Hashimoto, Associate Professor, Sociology Paula M. Kane, Associate Professor, Religious Studies Dissertation Advisor: Kathleen Blee, Distinguished Professor, Sociology ii Copyright © by Amy Denise McDowell 2014 iii Rebellious Religion: Christian Hardcore and Muslim ‘Taqwacore’ Punk Rock Amy Denise McDowell, PhD University of Pittsburgh, 2014 This study shows how U.S. Christian Hardcore and Muslim ‘Taqwacore’ (taqwa means ‘god consciousness’ in Arabic) youth fuse traditional religions and punk rock music outside of religious institutions. It is part of a new cultural turn in the sociological study of religion that regards religion and secular culture as potentially interactive and mutually reinforcing. I examine the process by which both groups adapt D.I.Y. (do-it-yourself) hardcore punk to make religion their own; how they present themselves as religious/punk in subcultural settings; and how they define themselves internally as well as externally. To understand how Christian Hardcore and Taqwacore youth bridge religion and punk, I collected ethnographic data from intensive interviews, participant observations, surveys of audience members, and artifacts such as albums, films, images, newspaper articles, and websites about these two music scenes.