Cash Box, Music Page 20 November 28, 1953 Grand Ole Opry Artists ROY ACUFF Annie Lou & Danny

Total Page:16

File Type:pdf, Size:1020Kb

Cash Box, Music Page 20 November 28, 1953 Grand Ole Opry Artists ROY ACUFF Annie Lou & Danny The Cash Box, Music Page 20 November 28, 1953 Grand Ole Opry Artists ROY ACUFF Annie Lou & Danny Roy Acuff, WSM Grand Ole Opry star from the hills of East Tennessee, doesn’t describe himself as a hillbilly. Tennessee-born Annie Lou and “I sing country style,” Roy says. Danny, are one of the most popular “I’m the old harp singing style . vocal and instrumental duets in the the breed that started singing before there were such things as micro- folk music field today. phones.” Danny began his musical career What Roy means is that when he started out with a medicine show, as several years ago as a single, singing a boy tenor, the medicine show didn’t and playing guitar over southern have a mike or public address system. radio stations. In 1944 his big break But he’s come a long way since those came in the person of the “The Duke early days in Union County and later in Knox County, Tennessee, in the of Paducah” who signed him up for Smoky Mountains. a year’s road work with his famous Roy, as a high-school boy was a troupe. It was during this period that pretty good athlete. He wanted to be Annie Lou joined forces with her a big-league baseball player, but a sunstroke put him on the sidelines. husband to make it the well-known He was being scouted for a New York team it is today. Yankee contract when he suffered the stroke. Annie Lou and Danny record for While recovering he learned how RCA Victor and keep busy with their to play a $12 fiddle. Since then he has regular WSM schedule plus several gained his great fame on the WSM weekly radio programs of their own, Grand Ole Opry, in the movies and through the sale of more than 25 television spots and personal appear- million records. ances. CHESTER ATKINS ROD BRASFIELD 10 YEARS ON GRAND OLE OPRY 1937 — 1947 1st To make a Western Movie "GOLDMINE IN THE SKY" with GENE AUTRY 1st To play GOVERNOR'S CAMPAIGN (Florida) 1st To go overseas to entertain servicemen with GRAND OLE OPRY CAMEL CARAVAN 1st NBC GRAND OLE OPRY Broadcast Turning back the pages of time and remembering such great artists and friends in Chester Atkins was born in Luttrell, the PEE WEE KING Unit: EDDY ARNOLD—ERNEST TUBB—MINNIE PEARL—ROY Tennessee 26 years ago, and though They call Rod Brasfield the “Teller ACUFF—MILTON ESTES—COWBOY COPAS—CINDY WALKER—RAY WHITLEY and he hasn’t come a great distance from of Tall Tales from Hohenwald, Ten- many more country favorites. Luttrell in mileage, he has come a nessee.” They also call him one of long way in the field of guitar playing. the cleverest comedians to hit the Chet Atkins acquired a knowledge network in recent years. Riding High on RCA Victor of music from his father who taught But what most people don’t know piano and voice lessons. is that lean, slack-jawed, simple ap- Station WRBL in Columbus had a pearing Rod Brasfield is a reformed religious program and Chet got his tragedy actor who became a comedian “CHANGING PARTNERS” first radio job singing and playing by the merest of accidents. b/w hymns on the show. In 1942 he moved Rod is a veteran of show business to Knoxville and joined KNOX as generally. His first job as a boy was staff guitarist. There he played with sweeping out chautauqua tents and “BIMBO” several hillbilly bands. The next stop laying the sawdust on the ground. for Chet was station WLW in Cin- Later on he played in everything from RCA Victor 20-5537 cinnati, Nashville & WSM with Red high class stock companies to burles- APPEARING Foley. que. In 1944, he came to WSM in NOW Chet appears with the Carter Sisters Nashville where he was given a spot TV RADIO on the GRAND OLD OPRY every on the 22 year old favorite, the Grand The Pee Wee King Show WAVE Louisville, Ky. Saturday night and also in personal Ole Opry. WEWS-TV Cleveland appearances. He goes to New York Reversing the adage. Rod’s last We d. 11-12 PM CST Sat. 8-8:30 PM CST (local) every three or four weeks to record love is the best—radio. And a full WAVE-TV Louisville, Ky. Sat. Radio NBC 9:30-10 PM CST and has recently made several solo bag of fan mail every week is evidence Thurs. 7:30-8 PM CST Coast to Coast appearances on WSM television and that his coast-to-coast audience radio. agrees. Congratulations WSM and Grand Ole Opry www.americanradiohistory.com.
Recommended publications
  • JAMES RAE “JIM” DENNY (1911-1963) Music Publisher
    JAMES RAE “JIM” DENNY (1911•1963) Music publisher, booking agent, long•time manager of the Grand Ole Opry, and promoter of Nashville’s music industry, was born in Buffalo Valley, Putnam County, TN. As a young man, Denny found work as a mail clerk with the National Life and Accident Insurance Company, parent organization to WSM and the Grand Ole Opry. With growing interest in country music, Denny was running the WSM Artists Service Bureau by 1946, booking Opry talent and other WSM acts. Denny eventually managed the Grand Ole Opry itself. Denny, along with his predecessor, Jack Stapp, is responsible for updating the face of the Opry. As promoters and developers of talent, they helped to transform the Opry from a popular barn dance to a showcase of country superstars, ensuring its growth and long•term success. During their tenure, the cast grew enormously, most major stars became Opry members, and an Opry appearance became a must goal for many performers. In 1954 Denny and Opry star Webb Pierce formed Cedarwood Publishing Company, for a time the most important publishing house in Nashville. Driftwood Music, a companion firm, was a partnership between Denny and Carl Smith, another Opry star. These business interests led to conflict of interest allegations by WSM and eventually Denny’s dismissal. With his knowledge of WSM operations, Denny achieved immediate success as a booking agent. The Jim Denny Bureau served most of the artists Denny had signed while at the Opry. Billboard magazine estimated that, by 1961, the bureau was handling over 3,300 personal appearances worldwide.
    [Show full text]
  • MY SATURDAY NIGHT at the GRAND OLE OPRY by Wayne Hogan Herald•Citizen, Cookeville, TN Sunday, 9 December 2012, Pg
    MY SATURDAY NIGHT AT THE GRAND OLE OPRY By Wayne Hogan Herald•Citizen, Cookeville, TN Sunday, 9 December 2012, pg. C•4 ‘Writer’s Corner’ Editor’s note: This was originally written by Hogan in 1993. They call it the “Grand Ole Opry.” That’s what former newspaper reporter George D. Hay, its inventor, named it not long after the first group of performers had stood before their open mikes that first Saturday night and had their down•home music and vaudeville•comic routines beamed out over Nashville’s WSM•650 “clear•channel” radio to nearly all of America, way back in 1925. Nineteen hundred and twenty five. The year Nashville’s venerable Grand Ole Opry was born. It’s hardly missed a heartbeat since. Almost since its first moments, the Grand Ole Opry has been Mecca to the millions who’ve, over the years, come to Nashville to savor the finest in “country” music. It was not till a few short years ago, through, that I became one of those “savorers.” For a long time, I hated “country music” (which, as I’m sure you know, has been called “hillbilly music” much of its life and mine). Could barely stand to think of it, much less listen to it. Well, to make what could easily be a longer story shorter, Susan and I’d often talked about getting a couple of tickets and driving the 80 miles to Nashville some Saturday night to experience this “Grand Ole Opry” thing in person. See if it was all that our mind’s eye image had it cracked up to be.
    [Show full text]
  • All Things Country with Rowena Playlist for April 10, 2021
    All Things Country Playlist April 10, 2021 Charley Pride, feat. Janie Fricke Field Of Dreams Comfort Of Her Wings Music City Jerry Lee Lewis On The Back Row Another Place Another Time Smash LP Jo Ann Campbell Teenage Idol All The Hits Real Gone Music Minnie Pearl with Pee Wee King Jealous Hearted Me A Shot In The Dark: Tennesse Jive 1945-1955 Bear Family Johnny Duncan Last Train To San Fernando Last Train To San Fernando Bear Family Zane Williams Tired Of Being Perfect The Right Place Hack Circle Wynn Stewart & Jan Howard How The Other Half Lives Wishful Thinking Bear Family Tony Booth If I Had You Back Again This Is Tony Booth Capitol LP April Perch This Ottowa Valley Take Me Back Rounder Cal Smith You Can't Housebreak A Tomcat The Best Of Cal Smith Kapp LP Carmol Taylor Honky Tonk At Home I Think They Call It Homesick Country Int'l. David Frizzell I'm Going To Hire A Wino To Decorate Our Home Greatest Hits Madacy Jim Fagan 18 Wheels A Hummin' Home Sweet Home Overloaded Diesel Power Pak LP Reba McEntire It's Not Over (Til I'm Over You) My Kind Of Country MCA Loretta Lynn Gonna Pack Up My Troubles Here's Loretta Lynn Vocalion LP Gordon Terry I Had A Talk With Me Lotta Lotta Women Bear Family Mel Tillis Another Bridge To Burn Something Special Kapp LP Mickey Gilley Movin' On Mickey's Movin' On Playboy LP Wanda Jackson various In Person Live At Mr. Lucky's in Phoenix, AZ Capitol LP Chris Isaak I Forgot To Remember To Forget Beyond The Sun Vanguard Norma Jean Will You Be Here Tomorrow Please Don't Hurt Me RCA Victor LP Tiny Harris Hi There, Old Bottle 45rpm single Stop Liz Talley It's Time To Cross That Bridge Road To You self Roger Miller A Man Like Me Roger Miller 1957-1962 Warped George Jones Mr.
    [Show full text]
  • A New Year in Nashville
    Active Lifestyle Tour Series Specifically Designed for the Active Traveler A NEW YEAR IN NASHVILLE January 1 - 5, 2019 There is no better way to begin the new year than with a great trip to Nashville and a stay at the magnificent Opryland Hotel! There is something truly unique about Nashville and whether you love country music and live performances, enjoy southern cuisine or prefer the history of the City of Music, this tour will definitely check all the boxes. Country Music Hall of Fame and Museum DAY 1: Marshall, MN to Nashville, TN Your trip begins with a flight out of Minneapolis today, arriving mid-afternoon so you have plenty of time to explore the beautiful Opryland Hotel. Complete with 9 acres of lush indoor gardens and cascading waterfalls, it is a perfect setting for kicking off the new year! Evening Accommodations at Opryland Hotel * Dinner Included DAY 2: Nashville, TN Today your touring includes the Country Music Hall of Fame and Museum. One of the largest museums in the world dedicated to the preservation and interpretation of music, it has amassed one of the world’s most extensive music collections. Then you are off to Studio B, the recording home of popular music titans such as Elvis, Dolly Parton, Eddy Arnold and the Everly Brothers. No trip to Nashville is complete without a tour of the Johnny Cash Museum, featuring the largest and most comprehensive collection of Johnny Cash artifacts and memorabilia in the world. Your last tour of the day is the Patsy Cline Museum where you will see hundreds of never before seen artifacts, personal belongings, videos and more.
    [Show full text]
  • 0 Hollyzvood
    the award honoring 25 years of Special Awards Highlight country music programming to the Armed Forces overseas by Country Music CMA Dinner the Armed Forces Radio and Television Service. One of the highlights of the In additiontothis award, Awards Dinner of the Countrythere will be a plaque given by Music Association in the Muni-the Country Music Association record hollyzvood cipal Auditorium in Nashvilleto the Department of Defense world 0 on Friday, Oct. 20, will be twowhichwillbeacceptedby special awards. Brigadier General Michael By BIFF COLLIE The first of these will be toPaulick, Commanding General Colonel Eby, representing theof the Army Training Center at Armed Forces Radio and Tele-Fort Campbell, Kentucky. Coast Country, 1967... visionService.Richard L. Broderick and his Co -Chair- Broderick,Chairmanoftheman, Hirsh de Laviez, also plan 1967 was ushered in with a New Year's bash by KGBS. Danc-Military Salute Committee, an-other events and surprises re- ing stars, horns and Auld Lang Syne (or something)at thenounced that Colonel Eby wouldlatingtothe special awards Shrine Auditorium, L.A.... HughCherry, for seven years all-accept the award. Colonel Eby,from the Country Music Asso- night man at K -FOX, changed hats and assignments as heOfficer in Charge, will acceptciation to the Armed Forces. joined KGBS news department as afternoon newsman ...Gordon Terry was set for Coast dates early in January by booker Al Minto... FaronYoung set for S -Cal date string in early Feb- George Richey moved into the afternoontraffic period for ruary, ditto Kitty Wells, Johnny Wright and Waylon JenningsKGBS L.A... .Arlen Sanders came back to the coast as PD ...Glen Campbell celebrated the new year with his continuingat Countrypolitan KIEV Glendale(L.A.) .
    [Show full text]
  • R 24, L94l> THECASHBOX
    r 24, l94l> Whiting For PtiK*" Smith's Show When Jack Smith's CBS program returns to the air in •he fall, Margaret Whiting will THE CASH BOX be featured with Smith on Mondays and Fridays. Dinah Shore will continue on the other three nights. Smith, now in Europe on vaca- tion with his wife and Mr. and Mrs. Frank DeVol, also said the show would be televised. "Don't Cry, Joe" (3*9) Whiting was, until a fe,wijionths back, featured on the "Cjffe 1 5" "Perhaps, Perhaps, Perhaps" (3:04) stanza. She replaces Martrjj^TilK GORDON JENKINS ORCH. with Smith. Before launching tin program August 22, Margaret (Decca 24720) will fly east for an "in person' tour of several weeks. The Smith- • The super b m U81CB1 mioiv.., Whiting- Shore show will again be maestrc Jenk ns, hard to match at sponsored by Oxydol. any time iplendor on this ft Cry, Joe" am i°"P crha s, Per- haps •ails the NEWEST TEAM to parlay their l> deck, k duty that is talents on records finds Maggie Hollywood, Calif. f talk'in the disk biz. Whiting, just bock from Tennes- Variety imping tune, with see, making duets with Bing f lyrics. On the other (C!r. D. 6.832) Crosby's uncle, Robert Hope, and rnd^'Von^'Bavaar steps to the mike to i,non the pleasure of "lVrhaps. the fun they're having revolves Musn- ops and fans alike are sure to around the shamroclted sweatshirt SEP U 1943 «, for this couplin! ite a spot worn by Billy May, who con- ssssss^sssss^i««»^ssssssia^e^s^sssssss» v v v in an\ machine.
    [Show full text]
  • 1982-07-17 Kerrville Folk Festival and JJW Birthday Bash Page 48
    BB049GREENLYMONT3O MARLk3 MONTY GREENLY 0 3 I! uc Y NEWSPAPER 374 0 E: L. M LONG RE ACH CA 9 0807 ewh m $3 A Billboard PublicationDilisoar The International Newsweekly Of Music & Home Entertainment July 17, 1982 (U.S.) AFTER `GOOD' JUNE AC Formats Hurting On AM Dial Holiday Sales Give Latest Arbitron Ratings Underscore FM Penetration By DOUGLAS E. HALL Billboard in the analysis of Arbitron AM cannot get off the ground, stuck o Retailers A Boost data, characterizes KXOK as "being with a 1.1, down from 1.6 in the win- in ter and 1.3 a year ago. ABC has suc- By IRV LICHTMAN NEW YORK -Adult contempo- battered" by its FM competitors formats are becoming as vul- AC. He notes that with each passing cessfully propped up its adult con- NEW YORK -Retailers were while prerecorded cassettes contin- rary on the AM dial as were top book, the age point at which listen - temporary WLS -AM by giving the generally encouraged by July 4 ued to gain a greater share of sales, nerable the same waveband a ership breaks from AM to FM is ris- FM like call letters and simulcasting weekend business, many declaring it according to dealers surveyed. 40 stations on few years ago, judging by the latest ing. As this once hit stations with the maximum the FCC allows. The maintained an upward sales trend Business was up a modest 2% or spring Arbitrons for Chicago, De- teen listeners, it's now hurting those result: WLS -AM is up to 4.8 from evident over the past month or so.
    [Show full text]
  • A RESOLUTION to Recognize and Honor the Grand Ole Opry on Its 5,000Th Saturday Night Broadcast
    <BillNo> <Sponsor> HOUSE JOINT RESOLUTION 518 By Beck A RESOLUTION to recognize and honor the Grand Ole Opry on its 5,000th Saturday night broadcast. WHEREAS, the members of this General Assembly are proud to specially recognize a legendary institution that has contributed significantly to the country music industry and brought acclaim to the State of Tennessee the world over; and WHEREAS, on October 30, 2021, the Grand Ole Opry will send over the airwaves its 5,000th Saturday night broadcast, a momentous occasion in the history of this touchstone of American culture; and WHEREAS, "the show that made country music famous" began on Saturday, November 28, 1925, when a young announcer on Nashville radio station WSM introduced an eighty-year- old fiddle player, Uncle Jimmy Thompson, as the first performer on a new show called The WSM Barn Dance; and WHEREAS, announcer George D. Hay, who labeled himself "The Solemn Old Judge," but was neither old nor a judge, realized he had started a good thing that fateful night; and WHEREAS, this acclaimed radio show followed an NBC network radio program on Saturday nights called The Music Appreciation Hour; in 1928, Mr. Hay announced on the air, "For the past hour we have been listening to music taken largely from the Grand Opera, but now we will present the Grand Ole Opry"; the name stuck and the rest is history; and WHEREAS, crowds of people would come to the studio and stand in corridors to enjoy the Grand Ole Opry in person; WSM then decided to move the Opry to its own home, Studio C, wisely believing
    [Show full text]
  • 01364657 a RESOLUTION to Name a Certain Segment of State Route 50 in Hickman County in Memory of Sarah Ophelia Colley Cannon, Fo
    Filed for intro on 03/20/96 SENATE JOINT RESOLUTION 391 By Springer A RESOLUTION to name a certain segment of State Route 50 in Hickman County in memory of Sarah Ophelia Colley Cannon, fondly remembered as “Minnie Pearl”. WHEREAS, from time to time, this General Assembly has seen fit to name certain public byways in memory of those outstanding Tennesseans whose efforts have redounded to the great benefit of all citizens; and WHEREAS, one such distinguished and deserving Tennessean was Sarah Ophelia Colley Cannon, fondly remembered as “Minnie Pearl”, an internationally renowned entertainer, music industry spokeswoman and great humanitarian; and WHEREAS, Sarah Ophelia Colley Cannon began her meritorious life in the town of Centerville in Hickman County, the youngest of five daughters; a natural performer, she began playing the piano at age 4, and by the time she was an adolescent she was dreaming of a life on stage; and WHEREAS, as a youth Sarah Colley began taking lessons in “expression” and she was elected to the cheerleading squad of Hickman County High School; upon graduation in 1930, the young “Minnie” moved to Nashville to attend Ward-Belmont ladies finishing school; and WHEREAS, after graduation, Ms. Colley returned to Centerville and opened her own drama studio; restless and eager to see the world, she left her hometown just after her 21st birthday to become a director with the Sewell Production Company, a theatrical group that toured the southern states performing for local clubs and civic organizations; and 01364657 WHEREAS, while performing with the Sewell Company in a tiny community near Sand Mountain, Alabama, Sarah Colley boarded with an elderly lady and her hardworking family; the family’s stories and rustic expressions delighted Ms.
    [Show full text]
  • Teacher's Guide Country Music Hall of Fame® And
    TEACHER’S GUIDE 1 TO THE 2 COUNTRY MUSIC HALL OF FAME® AND MUSEUM Teacher’s Guide to the Country Music Hall of Fame® and Museum 1 This teacher’s guide includes classroom lessons and can be used as interdisciplinary teaching designed to assist teachers in preparing their tools. All Language Arts standards apply to students for a visit to the Country Music Hall of grades K-12, though word choice may vary Fame and Museum. A poster, glossary, worksheets, slightly. Teacher Tips, included in most of the lyric sheets, and a CD are included and accompany lessons, provide more detailed instructions or specific lessons in this guide. The lessons engage suggestions for ways teachers can adapt lessons students and teachers in listening, observing, to the particular needs and interests of their writing, and discussing the characteristics of students. Because museums are special places museums, the history of country music, country containing valuable and delicate objects, a songs, and the people who have contributed to discussion about appropriate museum behavior the country music story. These lessons are prior to your visit may be helpful. complemented by a tour of the museum’s exhibits. The museum provides workshops for teachers They address specific curriculum objectives in several times a year. For workshop dates and language arts, music, social studies, and visual times and to learn more about our programs art for grades K-12. All curricular connections for teachers and students, please visit our Web site: are based on Tennessee State Curriculum
    [Show full text]
  • NOVEMBER 12, 2007 ARTIST VARIOUS TITLE Country Style USA
    SHIPPING DATE: OKTOBER 29, 2007 (estimated) STREET DATE: NOVEMBER 12, 2007 ARTIST VARIOUS TITLE Country Style U.S.A. Season 1 LABEL Bear Family Records CATALOG # BVD 20111 PRICE-CODE AT EAN-CODE 4000127 201119 ISBN-CODE 978-3-89916-348-3 FORMAT DVD digipac with 28-page booklet, b/w, NTSC, Multiregion GENRE Country TRACKS 91 PLAYING TIME 13 shows at 15 min. each (approx.) SALES NOTES COUNTRY STYLE USA The greatest repository of classic late 1950s and early 1960s country music on film. Ever! Around 1956-'57, the United States Armed Services filmed a series of recruitment videos with the top country stars of the day. Unseen for decades, these films capture the all-time greatest Nashville stars of the day singing many of their greatest hits. These are classic 'live' performances that represent the only chance that most of us will ever have of seeing these giants of country music at the very top of their game. Many fans have only ever dreamed of being in Nashville during the 1950s and seeing this parade of top stars. Now that dream is a reality. They're performing 'live' in your living room. The picture and sound quality is crystal clear, and there are mini-biographies and rare photos to round out the experience. Here are some of the many, many artists featured in this series: TRACK LISTING Host: Charlie Applewhite 1. Jim Reeves Stay All Night, Stay A Little Longer Waiting For A Train Am I losing You Army Recruiting Spot June Webb It's Too Late When Love Dies Jim Reeves According To My Heart Stay All Night, Stay A Little Longer 2.
    [Show full text]
  • Kosher Country: Success and Survival on Nashville's Music Row V
    Kosher Country: Success and Survival on Nashville's Music Row V Stacy Harris uring the last few years, Nashville's country music in- dustry has been mourning a larger number of its citizens Dthan usual. These losses included two, Norma Gerson ("makeup artist to the stars") and Rainbow Room owner/- erstwhile "Hee Haw" bit-player David "Skull" Schulman ("the mayor of Printers' Alley"), that underscore the little-known range and diversity of roles Jews have played in Nashville and country- music history. According to Karen B. Fine, Nashville's Jewish music indus- try population numbers "about 60 or 70."1 Few would characterize this minority as a vocal one. Indeed, when Life staff writer Charles Hirshberg wrote about the relationship between Jews and country music in the Forward, he titled the article "Nashville's Jewish Newcomers Assert Themselves (Softly)."2 Likening the reluctance of Jewish country-music industry participants to medieval Marranos who, Hirshberg believed, kept "their Jewishness private to protect their livelihoods," Hirshberg's observations of five years ago seem equally as dire in 1999.3 There would well be a justification for this. Country music's heritage is rooted in traditions of a Protestant-Christian America. Six years ago, this author wrote, "Most country artists have re- corded at least one album of sacred songs; indeed it is almost expected."4 112 SOUTHERN JEWISH HISTORY Nonetheless change may be imminent. With many more new artists and a younger listener base, this expectation no longer exists. While it still looks good for a country singer to have a press kit containing biographical information noting that the subject's earliest memories are of "hymns or more fervent gospel songs" and of his/her own performances in church, whether true or not, such references are increasingly less mandatory.
    [Show full text]