Fine Arts

2013–14 Fine Arts 2013–14 Acknowledgements All works © the artists and architect Prof. Mihai Barbulescu, Leonita Rotaru (Spazi Aperti 2014), The Romanian Academy, Rome Editor: Marco Palmieri Translations: Giulia Carletti, Beatrice Gelosia Antonella Salvatore and Inge Lyse Hansen, John Cabot Graphic design: Praline University, Rome Printed in Great Britain by Leycol Print Ezio Genovesi and Henry Horenstein, Rhode Island School of Design, Rome Published in 2014 by the British School at Rome at The British Academy, 10 Carlton House Terrace, Juliet Franks, The Ruskin School of Drawing and Fine Art, Oxford London SW1Y 5AH

Adrienne Drake, Manuela Pacella, Niccolò Fano, Genevieve Bormes, British School at Rome Giulia Carletti, Minkyung Christina Chung, Francesca Gallo, Emma Via Gramsci 61, 00197 Rome Papworth, Stella Rendina, Grace Rivera Registered Charity 314176 Photography courtesy of the artists and architects, except: Claudio Abate (pp. 7, 18–19 (top), 30, 51), Roberto Apa (pp. 9–12, 20–1, www.bsr.ac.uk 26–9, 32–9, 41, 48), James Fields (pp. 44–5) and Antonio Palmieri (p. 23). Julia Davis would like to thank Marco Fulle for allowing her ISSN 1475-8733 to use extracts of video footage in her project completed at the BSR ISBN 978-0-904152-71-5

The projects realised by Amanda Davies, Julia Davis, Annika Koops and Bruce Reynolds have been assisted by the Commonwealth Government through the Australia Council, its Arts funding and advisory body.

The Incorporated Edwin Austin The Derek Hill Foundation Abbey Memorial Scholarships

Nicholas Berwin Charitable Trust Contents

4 Preface: Christopher Smith 7 Introduction: Marco Palmieri

Exhibitors 16 Johann Arens 18 Marius von Brasch 20 Ursula Burke 22 Amanda Davies 24 Julia Davis 26 Archie Franks 28 Daniele Genadry 30 Ann-Marie James 32 Mason Kimber 34 Annika Koops 36 Cathy Lomax 38 Andrea Medjesi-Jones 40 Ana Rewakowicz 42 Bruce Reynolds 44 Mary-Jean Richardson 46 Daniele Sambo 48 Tomás Sheridan 50 Edward Simpson

53 Biographies 64 BSR Faculty of the Fine Arts and Staff Preface / Prefazione

The artists and architects of 2013–14 have Gli artisti e gli architetti ospiti durante questo anno participated in, contributed to and been supported accademico 2013–14 hanno partecipato, hanno by a rich programme of events in the BSR’s full and contribuito e sono stati a loro volta sostenuti dal ricco exciting calendar. As always the catalogue is merely programma di eventi nell’intenso ed entusiasmante a glimpse into this world, but I am privileged to be calendario della BSR. Come sempre il catalogo guarda able to introduce it. giusto di sfuggita a questo mondo, che io ho il privilegio We should begin with the exciting news of Laure di poter presentare. Prouvost’s Turner Prize; Laure was the Max Mara Prize Dovremmo iniziare con la piacevole notizia del Fellow in 2011–12, an award held in conjunction with Turner Prize a Laure Prouvost; Laure ha avuto un Max the Whitechapel Gallery in London. Her victory, the year Mara Prize Fellowship nel 2011–12, una borsa di studio after Elizabeth Price’s, means that the last two winners assegnatole insieme alla Whitechapel Gallery a Londra. of the Turner Prize have spent considerable time at the La sua vittoria, un anno dopo quella di Elizabeth Price, BSR shortly before they won the Prize, and it reinforces significa che gli ultimi due vincitori del Turner Prize, poco the sense of the high quality and challengingly prima di ottenere il premio, hanno trascorso un periodo contemporary nature of BSR art. importante alla BSR e ciò conferisce maggior significato As ever, our former award-holders have been al livello qualitativo e alla stimolante natura represented in exhibitions, and perhaps the most striking contemporanea della BSR. example is the 2014 Royal Academy Summer Exhibition, Come ormai spesso succede, i nostri ex borsisti in which almost every room was curated or contained sono stati coinvolti in varie mostre. L’esempio più work by BSR award-holders. Over 30 award-holders evidente è rappresentato dalla Royal Academy were represented. Summer Exhibition del 2014, in cui quasi ogni spazio This year saw two major changes of personnel; è stato curato o conteneva opere dei borsisti della Jacopo Benci moved to consolidate his research BSR: in tutto erano presenti più di 30 nostri artisti. interests by becoming a permanent member of BSR Quest’anno abbiamo avuto due importanti staff, as Senior Research Fellow in Modern Studies cambiamenti per quello che riguarda il personale: and Contemporary Visual Culture. Marco Palmieri Jacopo Benci è stato nominato Senior Research Fellow joined us as Arts Adviser. He has previously studied in Modern Studies and Contemporary Visual Culture, at the University for the Creative Arts, Canterbury, per poter portare avanti i propri interessi di ricerca and the Royal Academy Schools, London. His work has ed entrare a far parte a tutti gli effetti del personale had an immediate effect in building on Jacopo Benci’s della BSR. solid platform in bringing artists closer to Rome, and Marco Palmieri si è unito al nostro organico Rome closer to the BSR. come Arts Adviser, dopo aver studiato presso la We are beginning to build a small but distinctive University for the Creative Arts a Canterbury e presso programme in support of our artists. Hayley Tompkins, la Royal Academy Schools di Londra. Il suo lavoro who represented Scotland in the Venice Biennale, visited ha avuto un effetto immediato nel rafforzare il già the BSR in April, as the first of our annual programme consistente programma di Jacopo Benci finalizzato of visiting Scottish artists, supported by the Craignish ad avvicinare gli artisti a Roma e Roma alla BSR. Trust. The Abbey Council has commenced a programme Stiamo cominciando a costruire un piccolo ma to send three artists a year to the BSR to spend time importante programma a sostegno dei nostri artisti. with our own residents. The first visitor, in May, was Hayley Tompkins, che ha rappresentato la Scozia Danny Rolph (Rome Scholar in the Fine Arts 1998–9). nella Biennale di Venezia, è stata ospite della BSR At the same time, Marina Engel’s innovative ad aprile, come prima aderente al nostro programma programme Meeting Architecture: Architecture and annuale per gli artisti scozzesi, finanziato dal Craignish the Creative Process brought several outstanding Trust. L’Abbey Council ha avviato un programma per international figures to Rome. We believe that the indirizzare tre artisti all’anno alla BSR al fine di poter support of creative activity at the BSR has never been trascorrere un periodo di tempo con i nostri residenti.

4 FINE ARTS 2013–14 stronger, and the impact could be seen in three well- Il primo di loro, a maggio, è stato Danny Rolph (Rome attended and highly-regarded exhibitions at the Scholar in the Fine Arts nel 1998–9). BSR, as well as a number of external shows featuring Nello stesso tempo, l’innovativo programma di BSR residents. Marina Engel, Meeting Architecture: Architecture and The BSR was delighted to be able to continue the Creative Process, ha portato diverse personalità its collaborations with existing funding bodies and internazionali di rilievo a Roma. Riteniamo che il we would therefore particularly like to thank this year: sostegno della BSR all’attività creativa non sia mai the Arts Council of Northern Ireland; the Australia stato così forte; l’effetto di questo si può riscontrare Council for the Arts; the Australian Experimental nelle tre mostre organizzate presso la BSR, che hanno Art Foundation (with Cibo Espresso, the Helpmann riscosso un grande successo di pubblico e ottenuto un Academy and Arts SA); the Conseil des Arts et des ottimo apprezzamento, così come la serie di esposizioni Lettres du Québec; Creative Scotland; the Derek Hill esterne che hanno visto protagonisti i nostri artisti. Foundation; the Incorporated Edwin Austin Abbey La BSR è lieta di poter continuare le sue Memorial Scholarships; the Linbury Trust; the National collaborazioni con gli attuali organismi di finanziamento, Art School, Sydney; the Nicholas Berwin Charitable e, in maniera particolare, quest’anno vorremmo Trust; and the William Fletcher Foundation (NSW, ringraziare: l’Arts Council of Northern Ireland; Australia); as well as the private donors to the renewal l’Australia Council for the Arts; l’Australian Experimental of the Rome Prize in Architecture, including Robert Art Foundation (con Cibo Espresso, la Helpmann Adam, Bob Allies, Tim Bell, Jeremy Blake, Peter Harris, Academy e Arts SA); il Conseil des Arts et des Lettres Eric Parry, Hugh Petter and Robert Tavernor. du Québec; Creative Scotland; il Derek Hill Foundation; The BSR is also extremely grateful to the members l’Incorporated Edwin Austin Abbey Memorial of the Faculty of the Fine Arts, for their invaluable advice Scholarships; il Linbury Trust; la National Art School and for their care in selecting award-holders. di Sydney; il Nicholas Berwin Charitable Trust; The next challenge we shall be addressing is the e la William Fletcher Foundation (NSW, Australia); studios, which need substantial work to improve their nonché i donatori privati per il rinnovo del Rome environmental conditions, and we expect to start that Prize in Architecture, inclusi Robert Adam, Bob Allies, in 2015. The BSR continues to strive to provide, within Tim Bell, Jeremy Blake, Peter Harris, Eric Parry, Hugh our means, outstanding facilities and excellent support Petter e Robert Tavernor. for our artists. Their work demonstrates every year that La BSR è inoltre oltremodo riconoscente verso they deserve no less. tutti i componenti della Faculty of the Fine Arts per i loro preziosi consigli e per l’attenzione dimostrata nella selezione dei nostri borsisti. La prossima sfida che affronteremo riguarda gli studi, che necessitano di importanti lavori di intervento al fine di migliorare le condizioni ambientali: ci auguriamo di cominiciare questi lavori nel 2015. La BSR continua ad impegnarsi per fornire, entro i propri mezzi, ottime strutture ed un sostegno di qualità ai suoi artisti. Il loro lavoro dimostra, ogni anno, quanto essi non meritino nulla di meno.

CHRISTOPHER SMITH — DIRECTOR 5 Introduction / Introduzione

The Fine Arts residency programme at the BSR can Il programma di residenza per le Fine Arts presso best be described as a point of exchange. Here, every la BSR può in buona misura essere considerato year, artists, architects and documentary filmmakers un punto di scambio. Qui, ogni anno, artisti, architetti find themselves housed next to each other. Through e documentaristi dimorano gli uni accanto agli altri. meals, exhibitions, lectures and tours around the city, Durante i pasti, le mostre, le conferenze e le visite conversations are had, ideas are traded. The immediate alla città, hanno luogo conversazioni e scambi di idee. outcome is beside the point. What is important and Ciò che immediatamente ne consegue è qualcosa di truly remarkable about these residencies is that, for secondario. La parte più importante e degna di nota a brief period, these talented and engaged individuals di questo programma è che, per un breve periodo, are offered a home where they partake in a broad viene offerta a queste persone talentuose e impegnate conversation about what it means to live as someone una casa nella quale discutere ampiamente su cosa who makes. significhi vivere da persona che crea. In order to foster this spirit of exchange, numerous Per promuovere questo impulso, sono necessari ingredients are necessary; the continuous hard work svariati ingredienti: il costante e arduo lavoro del of all the BSR staff, the generous support of the funding personale della BSR, il generoso finanziamento delle bodies that make such a residency programme possible, istituzioni che rendono possibile l’attuazione del the welcoming nature of the city of Rome and its people. programma, la natura accogliente della città di Roma This year also has seen Marina Engel present e della sua gente. an extensive and engaging architecture programme, Quest’anno abbiamo anche potuto assistere Meeting Architecture: Architecture and the Creative al ricco e coinvolgente programma di architettura Process. The BSR has had the honour of presenting di Marina Engel, Meeting Architecture: Architecture talks from distinguished architects and other and the Creative Process. La BSR ha avuto l’onore eminent individuals from various sectors of the di presentare conferenze tenute da famosi architetti creative industries. e altre eminenti figure provenienti dai vari settori As Senior Research Fellow in Modern Studies dell’industria creativa. and Contemporary Visual Culture, Jacopo Benci has Jacopo Benci, Senior Research Fellow in Modern enriched the arts programme with a series of talks Studies and Contemporary Visual Culture, ha arricchito and screenings. In April Nicholas Cullinan, Curator il programma artistico con una serie di conferenze of Modern and Contemporary Art at The Metropolitan e proiezioni. In aprile Nicholas Cullinan, Curator of Museum of Art, presented a talk about the recent show Modern and Contemporary Art presso il Metropolitan he curated at Tate Modern, Matisse: The Cut-Outs. Museum of Art, ha tenuto una conferenza sulla mostra The talk was presented as a conversation with Ester recentemente curata alla Tate Modern, Matisse: The Coen, noted Italian contemporary art historian, who Cut-Outs. La conferenza si è svolta in conversazione will be curating the upcoming show Matisse Arabesque con Ester Coen, nota storica dell’arte contemporanea at Rome’s Palazzo delle Esposizioni in spring 2015. italiana, curatrice della mostra Matisse Arabesque, Further highlights included a screening and conversation che si terrà presso il Palazzo delle Esposizioni di with Lorenza Mazzetti, and an artist’s talk by American Roma nella primavera del 2015. Altri eventi di rilievo photographer Henry Horenstein. comprendono una proiezione ed una conversazione This year’s programme received further con Lorenza Mazzetti ed una conferenza tenuta contributions by numerous visiting artists, who stayed dall’artista e fotografo americano Henry Horenstein. at the BSR to present talks about their work. In April, Il programma di quest’anno ha avuto inoltre Glasgow-based artist Hayley Tompkins gave a talk, il contributo dei numerosi artisti ospiti, che hanno Digital Light Pools. During her presentation, the artist soggiornato alla BSR per tenere conferenze sui loro highlighted works shown whilst representing Scotland lavori. In aprile l’artista Hayley Tompkins di Glasgow in a group exhibition in the 55th Venice Biennale and ha presentato la sua conferenza, Digital Light Pools. in subsequent solo exhibitions at the Aspen Art Museum Durante il suo intervento l’artista ha presentato

6 FINE ARTS 2013–14 Friday 13th — both images Installation view, 2013

MARCO PALMIERI — ARTS ADVISER 7 March Mostra — both images Installation view, 2014

8 FINE ARTS 2013–14 in Colorado and Andrew Kreps Gallery in New York. le opere esposte come rappresentante della Scozia The talk became an open discussion of the philosophical in una mostra collettiva durante la 55esima Biennale nature of her work, her studio practice, and her di Venezia, e le opere delle successive mostre continuing interests in both painting and photography. monografiche all’Aspen Art Museum, in Colorado, In May, British artist Danny Rolph gave a talk about e all’Andrew Kreps Gallery di New York. La conferenza his work. He also visited a number of the resident si è poi evoluta in una discussione aperta sulla natura artists in their studios, providing further opportunities filosofica del suo lavoro, sulla sua pratica in studio, for conversation and exchange. e sui suoi attuali interessi nella pittura e nella fotografia. But my personal highlight of this year has been A maggio l’artista britannico Danny Rolph ha tenuto the outstanding quality of the residents’ work, who una conferenza sul suo lavoro ed ha incontrato alcuni presented to the Roman audience the results of their artisti nei loro studi, fornendo ulteriori occasioni stay in the three Mostre, held in the BSR galleries. di conversazione e di scambio. For the first Mostra, Friday 13th, the BSR A mio parere, tuttavia, il punto di forza di presented work by Johann Arens, Marius von Brasch, quest’anno è stata l’eccezionale qualità delle opere Julia Davis, Archie Franks, Daniele Genadry, Ann-Marie dei nostri artisti, che hanno proposto al pubblico romano James and architect Edward Simpson. i risultati del lavoro svolto durante il periodo di residenza At March Mostra, the first show organised by nelle tre Mostre tenute negli spazi della BSR. Arts Adviser Marco Palmieri, the following residents Durante la prima Mostra, Friday 13th, la BSR exhibited their work: Ursula Burke, Amanda Davies, ha presentato i lavori degli artisti Johann Arens, Marius Archie Franks, Daniele Genadry, Andrea Medjesi-Jones, von Brasch, Julia Davis, Archie Franks, Daniele Genadry, Ana Rewakowicz, Daniele Sambo and Edward Simpson. Ann-Marie James, e dell’architetto Edward Simpson.

MARCO PALMIERI — ARTS ADVISER 9 The final show of this academic year, June March Mostra, la prima mostra organizzata Mostra, presented a strong body of works by Ursula da Marco Palmieri, Arts Adviser, ha visto esposte Burke, Archie Franks, Daniele Genadry, Mason Kimber, le opere dei seguenti artisti: Ursula Burke, Amanda Annika Koops, Cathy Lomax and Tomás Sheridan. Davies, Archie Franks, Daniele Genadry, Andrea Many of the residents also held exhibitions outside Medjesi-Jones, Ana Rewakowicz, Daniele Sambo the BSR, collaborating with numerous Roman galleries e Edward Simpson. and institutions. L’esposizione finale di quest’anno accademico, In January, Ann-Marie James presented work June Mostra, ha presentato l’accattivante corpus at this year’s Arte Fiera, in Bologna, with Roman gallery artistico di Ursula Burke, Archie Franks, Daniele Valentina Bonomo. Renowned for working with many Genadry, Mason Kimber, Annika Koops, Cathy critically acclaimed artists, Valentina Bonomo visited Lomax e Tomás Sheridan. the residents in their studios at the end of 2013. Molti degli artisti hanno tenuto mostre anche During her residency, artist Ana Rewakowicz al di fuori dell’ambiente della BSR, usufruendo continued to develop her ongoing project to rebuild della collaborazione con le numerose gallerie Rome’s Ponte Rotto with the use of temporary inflatable e istituzioni romane. structures. Although her residency was brief, Ana A gennaio Ann-Marie James ha esposto i suoi presented the result of her research at the Polish lavori alla Fiera dell’Arte a Bologna, con la galleria Institute and in the BSR’s March Mostra. She romana Valentina Bonomo. Conosciuta per la sua exhibited further material on the Isola Tiberina in collaborazione con artisti acclamati dalla critica, June. Ana’s residency provided her with the opportunity Valentina Bonomo ha incontrato i residenti nei loro to consolidate her relationships with the city, and studi alla fine del 2013. successfully present her ambitious ongoing project Durante il suo soggiorno l’artista Ana Rewakowicz to a Roman audience. ha continuato a sviluppare il suo progetto, tuttora

10 FINE ARTS 2013–14 March Mostra — page left Installation view, 2014

June Mostra Installation view, 2014

MARCO PALMIERI — ARTS ADVISER 11 June Mostra — both images Installation view, 2014

12 FINE ARTS 2013–14 Artists Daniele Genadry and Johann Arens, in corso, per la ricostruzione del Ponte Rotto di with the support of the BSR, presented the group Roma, usufruendo di strutture gonfiabili temporanee. show Hard Copy at Rome’s historical studio complex Nonostante la sua breve permanenza, Ana ha Pastificio Cerere. presentato il risultato della sua ricerca all’Istituto For this year’s Spazi Aperti (the annual show Polacco e durante la March Mostra della BSR, organised by the Romanian Academy that brings ed a giugno ha esibito altre opere all’Isola together the work of numerous international artists), Tiberina. Il periodo di residenza ha dato ad Ana the Romanian Academy invited Ursula Burke, Archie la possibilità di consolidare il suo rapporto con Franks, Daniele Genadry, Mason Kimber, Annika la città e di presentare con successo il suo progetto Koops, Cathy Lomax and Tomás Sheridan to exhibit. al pubblico romano. Support for the BSR residency programme Gli artisti Daniele Genadry e Johann Arens, was also offered by numerous curators, artists con il sostegno della BSR, hanno partecipato and volunteers, all of whom contributed immensely alla mostra collettiva Hard Copy presso lo storico and were indispensable to the success of the year. complesso di studi di Roma, Pastificio Cerere. Adrienne Drake (curator of the Giuliani Foundation, Per la mostra annuale di quest’anno Spazi Rome), Ilaria Gianni (curator of the Nomas Foundation), Aperti (organizzata dall’Accademia di Romania per Manuela Pacella (freelance curator and writer) and riunire insieme i lavori di numerosi artisti internazionali) Francesco Buonerba (freelance curator) have visited l’Accademia di Romania ha invitato Ursula Burke, the BSR regularly. Archie Franks, Daniele Genadry, Mason Kimber, This year has seen the continued and invaluable Annika Koops, Cathy Lomax e Tomás Sheridan. support of numerous interns from various universities. Il programma di residenza presso la BSR In March, Genevieve Bormes, Minkyung Christina ha ricevuto il sostegno di numerosi curatori, artisti Chung and Grace Rivera, all students from Rhode e volontari: con il loro contributo tutti costoro hanno Island School of Design, helped with the preparations contribuito enormemente, e hanno dato un apporto and installation of March Mostra. Emma Papworth, fondamentale, al successo ottenuto durante quest’anno. a second year Fine Arts student at the Ruskin School Adrienne Drake (curatore della Fondazione Giuliani of Drawing and Fine Art, Oxford, spent three weeks a Roma), Ilaria Gianni (curatrice della Nomas in April supporting the resident fine arts award-holders. Foundation), Manuela Pacella (curatrice freelance In June, John Cabot University students Giulia e scrittrice) e Francesco Buonerba (curatore freelance) Carletti, Francesca Gallo and Stella Rendina began hanno visitato la BSR con regolarità. their internship training period. They supported the Quest’anno è stato testimone del continuo ed residents with the installation and invigilation of inestimabile aiuto offerto da parte di numerosi stagisti June Mostra. In the next academic year, they will provenienti da diverse università. A marzo, Genevieve each undertake a three-month internship at the BSR. Bormes, Minkyung Christina Chung e Grace Rivera, tutti studenti presso la Rhode Island School of Design, hanno contribuito alla preparazione e all’istallazione della March Mostra. In aprile Emma Papworth, studentessa di belle arti del secondo anno presso la Ruskin School of Drawing and Fine Art, ad Oxford, ha trascorso tre settimane presso la BSR a sostegno degli artisti e degli architetti residenti. A giugno Giulia Carletti, Francesca Gallo e Stella Rendina, studentesse presso la John Cabot University, hanno iniziato il loro periodo di training propedeutico allo stage, contribuendo all’istallazione e alla sorveglianza durante la June Mostra. Nel prossimo anno accademico, le studentesse potranno avvalersi di tre mesi di tirocinio presso la BSR.

MARCO PALMIERI — ARTS ADVISER 13 Exhibitions

Bruce Reynolds, Mary-Jean Richardson: New Works 20 September 2013 Bruce Reynolds, Mary-Jean Richardson

Friday 13th 13–21 December 2013 Johann Arens, Marius von Brasch, Julia Davis, Archie Franks, Daniele Genadry, Ann-Marie James, Edward Simpson

March Mostra 14–22 March 2014 Ursula Burke, Amanda Davies, Archie Franks, Daniele Genadry, Andrea Medjesi-Jones, Ana Rewakowicz, Daniele Sambo, Edward Simpson

June Mostra 13–21 June 2014 Ursula Burke, Archie Franks, Daniele Genadry, Mason Kimber, Annika Koops, Cathy Lomax, Tomás Sheridan

14 FINE ARTS 2013–14 Exhibitors The film essay Marte e Venere — A Hand Held Monument is an enquiry into the tactile relation between human and artefact, with one eye on the recent proliferation of mobile touch screen interfaces. Centre piece of the montage is an ancient depiction of Venus and Mars, a sculpture which had been temporarily restored on demand of the former Italian prime minister in 2009 to display in Palazzo Chigi. The statute itself has in the meanwhile been de-restored and returned to the Museum of Roman History, where also the amputated hands, fingers and genitals are kept in a wooden crate. The film focuses on those remaining prostheses, their historical meaning and their melancholic afterlife.

Marte e Venere — A Hand Held Monument Video still, 2013

16 JOHANN ARENS Marte e Venere — A Hand Held Monument Video still, 2013

17 That Wordless Instant of Change Installation view, coloured pencil on paper, each 76 × 56 cm, 2013

Postcards from San Luigi 6 Oil on linen, 48 × 36 cm, 2014

18 MARIUS VON BRASCH Three Things (On Vocation) Video still, digital video, 2013

19 Rioter Parian porcelain, stain, cotton and lace, dimensions variable, 2014

20 URSULA BURKE Balaclava Bust Parian porcelain, lace, dimensions variable, 2014

21 Crush — detail Gouache & acquarelle on paper, 18 × 13 cm, 2014

22 AMANDA DAVIES Feeling Coming Black — detail Digital print, 18 × 13 cm, 2014

23 72 Beats per Minute Video still, 2013

24 JULIA DAVIS 25 Sticky Toffee Pudding Oil on canvas, 23 × 30 cm, 2014

26 ARCHIE FRANKS Fishpond 2 Oil on canvas, 100 × 50 cm, 2014

27 Vedute (di Vasi, Monte Parioli, Qartaba) Acrylic and oil on panels and canvas, shelf dimensions variable, 2014

28 DANIELE GENADRY Vedute (di Vasi) Acrylic and oil on wood panel, 30 × 50 cm, 2014

29 Marmo 1–7 Installation view, acrylic and oil on board, each 50.8 × 40.6 cm, 2013

30 ANN-MARIE JAMES Marmo 2 Acrylic and oil on board, 50.8 × 40.6 cm, 2013

31 Fourth Relief Oil on canvas, 35 × 40 cm, 2014

32 MASON KIMBER Fourth Relief Installation view at June Mostra, 2014

33 Fever Dream Oil on aluminium panel, 40.5 × 30.5 cm, 2014

34 ANNIKA KOOPS Ripple Oil on aluminium panel, 40.5 × 30.5 cm, 2014

35 Belladonna Series Installation view, acrylic and oil on paper, 2014

36 CATHY LOMAX Giovinetta Acrylic and oil on paper, 30 × 23 cm, 2014

37 Body to Body, Job to Job Aluminium powder and acrylic on linen, 180 × 180 cm, 2014

38 ANDREA MEDJESI-JONES Operaio 1 & 2 Graphite powder on watercolour paper, 113 × 82 cm, 2014

39 Visualisation of the Ponte Rotto Project Installation, 100 × 170 × 450 cm, 2014

40 ANA REWAKOWICZ Ana Rewakowicz works with inflatable structures in Ana Rewakowicz lavora con strutture gonfiabili, order to explore relations between portable architecture, esplorando il rapporto tra architetture temporanee, the body and the environment. During her residency il corpo e l’ambiente circostante. Durante la sua at the BSR, Rewakowicz presented a visualisation of residenza alla BSR, Rewakowicz presentò una her long-term research and development project that visualizzazione della sua ricerca e lo sviluppo del involves the temporary construction of two arches on progetto che riguarda la ricostruzione temporanea the earlier known bridge of ancient Rome — Ponte Rotto dei due archi del Ponte Rotto (Ponte Emilio). In questa (Ponte Emilio). In her installation she used the technique installazione usò la tecnica del laser bending in un of laser bending in a fluid with different refraction fluido con vari valori refrattari per ricreare un disegno indices as a drawing medium. degli archi.

Ponte Rotto Photo-drawing, 60 × 184 cm, 2013

41 Voltaire Coloured plaster relief, 100 × 55 × 10 cm, 2013

42 BRUCE REYNOLDS Second Shield Coloured plaster relief, 96 × 33 × 9 cm, 2013

43 Thinly Veiled 1 Oil and enamel on board, 25 × 35 cm, 2014

44 MARY-JEAN RICHARDSON Dead and Alive Oil on linen, 60 × 80 cm, 2013

45 Screen From the series Fictions, 2014

46 DANIELE SAMBO Fence From the series Fictions, 2014

47 48 TOMÁS SHERIDAN Cartoline Romane #RomanPostcard 1 City 2 Months 3 Tourist Locations 3 Housing Estates 14 Postcards 39 People 39 Stories on Postcards 1 Installation

1 Città 2 Mesi 3 Zone Turistiche 3 Zone Popolari 14 Foto-Cartoline 39 Persone 39 Storie su Cartoline 1 Installazione

Roman Postcards Documentary installation, 2014

Roman Postcards Stills, 2014

49 Top Floor of Corviale Digital photograph, 2013

50 EDWARD SIMPSON Housing regularly receives the accusation of being array of experimentation in building typology in a short ‘anti-urban’; that it does not contribute to the life of period of time. The resulting housing stock of the city its immediate surroundings and therefore to the city is architecturally rich, socially complex and highly varied that it forms. The distinction between the private space in its successes and failures. of the resident and the public city in which it sits is Edward Simpson’s work considers housing projects often clear, as is its success in terms of its provision of built in Rome during the period 1895–1982, and density, material longevity or economics. What is more specifically the form and detail of these shared and ambiguous is its success in negotiating the shared areas circulation spaces that connect the home to the street. that are formed by the housing; the interior streets, Central to the studies are the resident’s individual courtyards, gardens and circulation spaces. To what experiences of this journey and the spaces within which extent do these spaces provide opportunities for residents are able to socialize. Through photography residents to socialize and to be connected to the district and scalpel-cut paper models, Simpson depicts the within which they live but, conversely, an interiority that details of communal spaces within a multitude of provides security and comfort? projects that are studied as precedents for current These issues are at the heart of the development housing design. The atmospheres felt by the individual of housing design in Europe during the twentieth residents are studied through the observation and century. Post-unification Rome can be viewed as a representation of details, from floor finishes to door testing ground for housing, a situation brought about handles to plant-pots, each of which contributes to the by an influx of bureaucrats and residents and a series spatial experience of moving from street to front door. of highly specific changes in planning law, economics and politics. From the scale of the palazzina (small apartment block with a central staircase) developed during the 1920s to the colossal slab-blocks of the 1970s and 1980s, Italian architects dealt with a vast

Open Courtyard at Via Galileo Ferraris, Testaccio Card, paper and timber, 2013

51 Biographies JOHANN ARENS Grants and subsidies Rome Fellow in Contemporary Art, October–December 2013 2014–15 Mondriaan Fonds, stipendium, in-depth development of artistic practice Born in Aachen, Germany, 1981 2010–11 Fonds BKVB, study grant 2008–9 Fonds BKVB, starters stipend Education 2007 Nederlands Fonds voor de Film, scenario development 2009–11 MFA in Fine Art, Goldsmiths, University of London 2006 Thuiskopie Fonds, project subsidy 2002–6 BA in Fine Arts, Gerrit Rietveld Academy, Amsterdam

Selected recent one person exhibitions MARIUS VON BRASCH 2013 Internet Centre & Habesha Grocery, Basement Projects Abbey Fellow in Painting, October–December 2013 at Paradise Row, London 2012 Apple and Pear, ASC Gallery, London Education Effect Rating, De Service Garage, Amsterdam 2012 Practice-based PhD Fine Art, Winchester School of Art (University of Southampton) Selected recent group exhibitions 2009 MA Fine Art Painting with Distinction, Winchester School 2014 TTTT, Jerwood Space, London of Art Detours, Enclave, London HARD COPY, Pastificio Cerere, Rome Selected recent one person exhibitions 2013 Friday 13th, British School at Rome 2012 Distance However Near it May Be, The Winchester Home Theater, Baró Galeria, Sao Paulo Gallery, Winchester Institute for Mathematical Sciences, Flat Time 2009 Oedipus Diving, The Ropestore Gallery at Quay Arts, House, London Newport, Isle of Wight 2012 Members Show, Outpost, Norwich Young London 2012, V22, London Selected recent group exhibitions A Useful-looking Useless Object, Sierra Metro, Edinburgh 2013 Friday 13th, British School at Rome I'll Explain You Everythiinnngggg, Chert, Berlin 2012 Visioneca, Experimental Film Festival, Isle of Wight 2011 The Object as Image, Verein für Raum und Form 2011 Drawn, Five Years, London (Ve.sch), Vienna Feint, The Rag Factory, London Drop after Drop, Galeria AS, Kraków Pre.Sense, Temporary Project Space (empty house), Stressing Spiritual Needs Even When Selling Ice-cream, Headington, Oxford DNA Gallery, Berlin 2010 Out & About, Aspex Gallery Portsmouth, film Deceptive Eye, Institute of Continuation, Stockholm screening in conjunction with the exhibition The Great (duo with Alex Reynolds) Outdoors, Portsmouth 2010 New Contemporaries, A Foundation, Liverpool and 2009 Becoming /, Link Gallery at the University of Winchester, ICA, London Winchester Uncertain Ratio, Imperial College, London Of Many, One, Scaramouche Gallery, New York Awards To Look is to Labour, Laden für Nichts, Leipzig 2013 Abbey Fellowship in Painting, British School at Rome The Dictionary of Received Ideas, Q, London 2009 Postgraduate Scholarship for PhD (Winchester School No Soul For Sale, Tate Modern, London of Art — University of Southampton) 2009 FRàGIL, Carré Bonnat, Bayonne Samenhang, MAP Gallery, Leeds Publications 2008 Fagile, LOOP Videoart Fair, Espai Ubú, Barcelona 2013 ‘Affective constructions — fragmented images on the Kunstvlaai A.P.I., Westergasfabriek, Amsterdam axis between painting and the digital’, in B. Harland (ed.), Behind the Eyes / Making Pictures. Research Group Residencies for Artists Publications 2014–15 Rijksakademie voor Beeldende Kunst, Amsterdam 2012 ‘Distance, However Near it May Be’: Revisiting ‘Aura’ 2013 Rome Fellowship in Contemporary Art, British School on the Axis between Painting and Digital Technology at Rome within a Deleuzian Framework of ‘Becoming’. Doctoral 2012 ‘South of No North’, micro-residency at The Pigeon thesis for practice-based PhD accessible at http://eprints. Wing, London soton.ac.uk/346350/ 2008 Nipkow Progamm, Fellowship, Berlin 2011 ‘stalemate / escape’, in Feint: Tackle / Wield. Winchester Gallery Press Public commissions 2009 ‘Digital economy and memory’, in Research Anthology 2014 100 Arches, Arnolfini and Art and the Public Winchester School of Art. Winchester Gallery Press Realm, Bristol 2007 Oedipus Diving. The Magical Forest Press This Chair is a Replica (Please Sit Down), Letchworth Heritage Foundation 2012 Facility, JVA Projects, Jerwood Space, London

BIOGRAPHIES 53 URSULA BURKE Recent awards Arts Council of Northern Ireland Fellow, January–June 2014 2014 Arts Council of Northern Ireland Fellowship, British School at Rome Born in Tipperary, Ireland 1974. Represented by the Golden Thread 2010 Nominated for the Golden Fleece Award Gallery in Belfast 2009 Support for Individual Artist Award, Arts Council of Northern Ireland www.ursulaburke.com 2008 Support for Individual Artist Award, Arts Council www.goldenthreadgallery.co.uk/artist/ursula-burke of Northern Ireland www.outlandarts.org/artists Artist in Association, Regenerate, Belfast 2006 Artist in Association — Art of Regeneration, Bangor Education Borough Council 2006–11 Practice-based PhD, University of Ulster, Belfast 2005 Winnipeg Artist’s Exchange Residency, Arts Council 1999– of Northern Ireland 2000 Masters in Fine Art, University of Ulster, Belfast Photographer in Association, The Cross Border Centre, 1997–9 Degree in Fine Art, University of Ulster, Belfast Dundalk Institute of Technology 1993–7 National Diploma in Fine Art, Galway RTC 2004 Publications Assistance Scheme, Arts Council of Ireland

Selected recent exhibitions, projects and commissions Collections Upcoming Palimpsest, Golden Thread Gallery, Belfast Arts Council of Northern Ireland Collection; The Office The Higher Bridges Gallery, Fermanagh of Public Works, Ireland; several private collections nationally John Jones Project Space, London and internationally 2014 The Past is Unpredictable, F.E. McWilliam Gallery, Northern Ireland Spazi Aperti, Accademia di Romania, Rome AMANDA DAVIES June Mostra, British School at Rome Australia Council Resident Artist, January–March 2014 SCOPE New York, Art Fair, represented by Golden Thread Gallery, Belfast Lives and works in Premaydena, Tasmania. Represented by Bett March Mostra, British School at Rome Gallery, Hobart Art of the Troubles, The Ulster Museum, Belfast 2013 Collective Histories of Northern Irish Art, Golden Thread Education Gallery, Belfast 2003 BFA (Hons, 1st class), University of Tasmania, Hobart Hope for a Better Past, Sunken Gallery — The MAC, Belfast Selected recent one person exhibitions National Memories, Local Stories (Artist in Residence), 2012 Shit, Sawtooth ARI, Launceston The National Portrait Gallery, London, and the Ulster Purge, Cross Art Project Space, Sydney Museum, Belfast 2010 The Smell of Dreams, Bett Gallery, Hobart SCOPE New York, Art Fair, represented by Golden 2008 What Lies There, Depot Gallery, Sydney Thread Gallery, Belfast 2012 Illuminations, Maynooth College Dublin, Irish Writers Selected recent group exhibitions Exhibition curated by Karen Downey 2014 Disquiet, ANCA Gallery, Canberra Instances of Agreement — Northern Irish Artists in Taiwan, March Mostra, British School at Rome Golden Thread Gallery, Belfast 2013 Hollow in the Paper, CAST, Hobart Humbly Through the Dust, The Cooper Wilkinson Gallery, Poets and Painters, Bett Gallery, Hobart Enniskillen City of Hobart Art Award, Tasmanian Museum and Art Outland Arts, Satis House Gallery, Belfast Gallery, Hobart SCOPE New York, Art Fair, represented by Golden Portia Geach Memorial Award, S.H Ervin Gallery, Sydney Thread Gallery, Belfast 2012 Foreplay, Plimsoll Gallery, University of Tasmania, Hobart Irish Writers, photography commission for Cavan County 2011 Shotgun, CAST in partnership with Detached Cultural Council, curated by Karen Downey Organisation, Hobart 2011 Hope is a Thing with Feathers, Golden Thread Gallery, City of Hobart Art Prize, Hobart Belfast Prometheus Visual Art Award, Gold Coast Human Nature, curated by Davey Moore, Farmleigh Un-natural, Plimsoll Gallery, University of Tasmania, Gallery, Dublin Hobart Co-curation of Art-link New Art Award for Artlink, 2010 Tidal, Devonport City Gallery, Devonport Donegal Primed, Academy Gallery, University of Tasmania, I Can’t Go On. I’ll Go On, PS2 Gallery, Belfast Launceston The Golden Fleece Award — shortlisted, Royal Hibernian Spirit Worlds, Wollongong City Gallery Academy, Dublin The John Glover Prize for Tasmanian Landscape Ciall, An Galeiri, Donegal Painting, Evandale 2009 Marcher sur la pelouse, Plimsoll Gallery, University of Tasmania, Hobart

54 FINE ARTS 2013–14 The Non-grand, Wollongong City Gallery, Wollongong The Unpredictable Creative Power of Nature, Backstage Lust for Life, Contemporary Art Services Tasmania Gallery, Conny Dietzschold, Sydney (CAST), Hobart 2013 Friday 13th, British School at Rome The Arresting Image, Plimsoll Gallery, University Spaced: Art Out of Place, (National tour) Plimsoll of Tasmania, Hobart Gallery, Hobart; Vancouver Arts Centre, Albany; Alcoa Portia Geach Memorial Award, S.H. Ervin Gallery, Mandurah Art Gallery, Mandurah; Geraldton Regional Sydney Art Gallery, Geraldton 2008 The World in Painting, An Asialink / Heide Museum INTER_PLAY, Conny Dietzschold Gallery, Sydney of Modern Art, Bulleen 2012 Spaced: Art Out of Place, IASKA Biennale, Fremantle Arts Centre, Fremantle Awards, grants and commissions Drawing Lines in the Sand, Cockatoo Island, Sydney 2012 Australia Council Residency, British School at Rome (curated by Claire Taylor) Nominated for the Qantas Foundation Encouragement 2011 Duality: Explorations of Two Sides in the Real and Award Imagined World, Banyule Arts Space, Melbourne 2007 Commission, Royal Hobart Hospital Pain Management Korean International Art Fair, represented by Conny Unit, Hobart Dietzchold Gallery Sydney, Seoul 2006 Rosamond McCulloch Studio Residency, Arts Tasmania Neue Namen, Knoll Gallery, Oberhoffen and UTAS Hobart Drawing Connections, Siena Art Institute, Siena 2005 Exhibition Development Fund, CAST, Locating the Willoughby Sculpture Prize, Sydney Photographic (2006) Singapore Art Fair, represented by Conny Dietzschold Artist Grant, NAVA: National Association for the Gallery, Singapore Visual Arts 2010 Hong Hong Art Fair, represented by Conny Dietzschold 2003 Founding member of Inflight Gallery, artist-run initiative, Gallery, Hong Kong Hobart Melbourne Art Fair, represented by Conny Dietzschold Residency Grant, Arts Tasmania, Low Head Gallery, Melbourne 2002 Mount Nelson Prize (Art), University of Tasmania, Hobart In Temperance, Temperance Lane Sydney, collaboration with Lisa Jones (curated by Mark Titmarsh) Collections 2009 The One after 09, Peloton Gallery, Sydney Tasmanian Museum and Art Gallery; Artbank Australia; Devonport 2008–9 Art and About, Albion Place Laneway, Sydney (curated Regional Gallery; Wollongong City Gallery; La Trobe University by Claire Taylor) Collection; private collections Selected awards, grants and commissions 2013 Australia Council Residency, British School at Rome JULIA DAVIS Commission, Public Artwork, Potts Hill, Sydney Australia Council Resident Artist, October–December 2013 2011 NAVA NSW Artist Grant (shared with Geoff Kleem and Adam Norton) www.juliadavis.com.au 2010 Residency, Fraser Studios, Sydney Commission, Marrickville Council, Sydney Education Residency, IASKA, Perth 2006 MVA, Sydney College of the Arts, Sydney 2008–9 Commission, Sydney Water Headquarters Public 1988 DipEd, Sydney College of Education, Sydney Artwork, Parramatta 1980 Dip FA, Prahran College of Fine Art, Melbourne 2008 Australia Council Grant (New Work established artist) 2007 Winner, Helen Lempriere National Sculpture Award. Selected recent one and two person exhibitions Judged by Anna Schwartz, Anna Schwartz Gallery 2014 Ephemeral Coast, Mission Gallery, Swansea (curated 2006 Special Commendation Award, Woollahra Small by Celina Jeffery) Sculpture Prize. Judged by Anthony Bond, Felicity Fenner, 2011 Sculptural Forms, Glasshouse Regional Gallery, Professor Anne Graham Port Macquarie 2002 Winner, AGNSW Directors Prize, Sculpture by the Sea. 2010 Julia Davis, Conny Dietzschold Gallery, Sydney Judged by Edmond Capon, Director AGNSW Levelled Ground, Old Railway Station, Mukinbudin 2009 Julia Davis, Peloton Gallery, Sydney ARCHIE FRANKS Selected recent group exhibitions Sainsbury Scholar in Painting and Sculpture, October 2013– 2014–15 Over View, Open Air Media Festival, Nijmegen September 2014 (touring internationally), represented by DLUX Media Arts, Sydney Education 2014 Spaced: Art Out of Place (National tour) Latrobe 2009–12 Postgraduate Diploma, Royal Academy Schools, London Regional Gallery, Morwell; Swan Hill 2006–9 BA (Hons) 1st Class, City & Guilds of London Art Regional Gallery, Swan Hill; Bunbury Regional Gallery, School, London Bunbury; The Cannery Arts Centre, Esperance 38th Alice Art Prize, Araluen Art Centre, Alice Springs

BIOGRAPHIES 55 Selected exhibitions Mobility and Identity, Re Culture Festival, Agora Argyri, 2014 June Mostra, British School at Rome Patras Spazi Aperti, Romanian Academy, Rome All Things Are, Porter Mill, Beverly March Mostra, British School at Rome 2011 Making Sense, This Must Be the Place, Brooklyn, 2013 Crash Open, Charlie Dutton Gallery, London New York Friday 13th, British School at Rome 365 Days of Print, The Dumbo Arts Festival and Visual Bloomberg New Contemporaries, ICA, London Arts Gallery, New Jersey Bloomberg New Contemporaries, Spike Island, Bristol There / Not There, Number 35 Gallery, New York Hold the Fort!, Fort Gallery, London [Viewfinder], Artgate Gallery, New York 2012 Original Copy 3, Peles Empire, Cluj Dialogues, Kingston Gallery, Boston Original Copy, Peles Empire, London Utopia Project 06–10, Institute of Contemporary Greek Barbican Artworks Open, ArtWorks Project Space, London Art, Athens Royal Academy Schools Show, Royal Academy 2010 C. Contemporaries, Collyer Bristow Gallery, London of Arts, London WHITE HEAT, Kaleid Editions, London 2011 Royal Academy Summer Exhibition, Royal Academy London Art Book Fair, Whitechapel Gallery, London of Arts, London Land Without a Map, Jotta (at AAF), Battersea Premiums 2011, Royal Academy of Arts, London Park, London 2010 Royal Academy Summer Exhibition, Royal Academy Crystalline Justice, Patton-Mallot Gallery, Snowmass of Arts, London 2009 Mezzo Tempo, Sycharth Gallery, Glyndwr University, Wrexham Prizes and awards La Piscine (solo), Agial Gallery, Beirut 2013–14 Sainsbury Scholarship in Painting and Sculpture, 2008 Will it Snow for Christmas?, Tintype Gallery, London British School at Rome Postgraduate Printmaking in London 2008, Clifford 2012 Gordon Luton Award Chance, London Tooth Award White Mountain Overlook (two-person with J. Brewster), 2011 Richard Ford Award AVA Gallery, Lebanon Philip T Ribbon Prize Correspondingly, Foreign Press Association, London 2009 Painter-stainers Prize 2008 Philip Connard Travel Prize Residencies and awards 2013–14 Abbey Scholar in Painting, British School at Rome 2012 AIM Residency, Bronx Museum, New York DANIELE GENADRY Keyholder Residency, Lower East Side Printshop, Abbey Scholar in Painting, October 2013–June 2014 New York 2011 Vytlacil Residency, Artist in Residence, Sparkill, New York Education Artist in Residence, 365 Days of Print, February (online) 2008 MFA, Slade School of Fine Art, London Full Fellowship, Artist in Residence, NARS Foundation, 2005 Research Fellow, CBR, American University of Beirut Brooklyn, New York 2002 BA Studio Art and Mathematics, Dartmouth College, 2010 Artist in Residence, East London Printmakers, London Hanover Artist in Residence, Anderson Ranch Arts Center, Colorado Selected recent exhibitions Finalist, The Jean-Claude Reynal Scholarship, France 2014 This is the Time. This is the Record of the Time, 2009 Artist in Residence, Frans Masereel Centrum, Kasterlee SMBA, Amsterdam (curated by Angela Harutynan 2008 Utopia Project 2008: Utopia and Praxis, and Nat Muller) May 68–May 08, Rethymno, Crete Spazi Aperti, Romanian Academy, Rome Alumni Scholarship, UCL, London HARD COPY, Pastificio Cerere, Rome 2007 Advanced Course in Visual Arts, Fondazione Ratti, Como March Mostra, British School at Rome Spatiality, Project at Woburn Studios, Slade School 2013 Bronx Calling, 2nd AIM Biennial, Bronx Museum, of Art, London New York Graduate Scholarship, UCL, London Journeys through Heritage, Beirut Exhibition Center, 2006 James B. Reynolds Fellowship, USA (for independent Beirut research in Beirut After Hours, Kunsthalle Galapagos, Brooklyn, New York Friday 13th, British School at Rome Part of the Story, LESP Gallery, New York (curated ANN-MARIE JAMES by Julian Kreimer) Derek Hill Foundation Scholar, October–December 2013 2012 Blindspot (solo), Agial Gallery, Beirut Sightlines (CEL) (solo), Coop Gallery, Nashville Education Read Between the Lines, LESP Gallery, New York 2010–12 MA Fine Art, Wimbledon College of Art, University (curated by Micaela Giovannotti) of the Arts, London Invitational Alumni Exhibition, Hopkins Center for the 2010 Postgraduate Diploma, Fine Art, Chelsea College Arts, Dartmouth College, Hanover of Art and Design, University of the Arts, London

56 FINE ARTS 2013–14 2001–4 BA (Hons) Fine Art, Central Saint Martins College Jealous Graduate Print Prize, Art13, (Jealous Gallery), of Art and Design, University of the Arts, London London 2000–1 BTEC Foundation Diploma in Art and Design, Cambridge Take Me Out, London Art Fair, (Limoncello), London Regional College, Cambridge 2012 3 Cases and a Carry-on, Catherine Dianich Gallery, Brattleboro, Vermont Selected recent one person exhibitions MULTIPLIED, (Karsten Schubert), Christie’s South 2013 Ann-Marie James: Musée Imaginaire, Knoerle & Battig, Kensington, London Winterthur Macmillan De’Longhi Art Auction 2012, Royal College Ann-Marie James: Proserpina, Karsten Schubert, London of Art, London 2011 Ann-Marie James: Hanami, Soho Art Gallery, Osaka Wimbledon MA Fine Art Degree Show 2012, London 2010 Ann-Marie James: Knot, Brahm Gallery, Leeds Bringing Home the Art, curated by Holly Stevenson, Ann-Marie James: Pareidolia, Edel Assanti, London Deptford X, London 2009 Ann-Marie James: Danse Macabre, First Floor Projects, Chelsea Collective Inaugural Exhibition, Anteros Arts London Foundation, Norwich What Does your Screen Smell Like?, The Garage Space Selected recent two person exhibitions Gallery, London 2012 Alex Hoda & Ann-Marie James: Metamorphoses, [space] Vauxhall Street Open Studios, London Edel Assanti and 20 Projects, London Young British Art II, curated by Ryan Gander & Christina von Rotenhan, DIENSTGEBÄUDE, Zurich Selected recent group exhibitions and screenings Wunderkammer, curated by Thomas Cuckle, 2014 The Jerwood Drawing Prize, The Sidney Cooper Gallery, The Nunnery, London Canterbury Christ Church University, Canterbury 2011–12 Iconoclasts, curated by Katie Heller, Lloyds Club, London Passport to Pimlico, Churchill Gardens Square, London The Hospital Club Members Art Competition, The Art Brussels, (Karsten Schubert), Brussels Hospital Club, London The London Original Print Fair, (Jealous Gallery), Royal 2011 PRINT & DESIGN NOW! 2011, BEARSPACE Academy of Arts, London Deptford, London Art14, (Karsten Schubert), London (In)visible, Edel Assanti, London Art14, (Jealous Gallery), London Wit, Fear and Sarcasm, FAS Contemporary, The Fine Art The Jerwood Drawing Prize, The Gallery, Plymouth Society, London College of Art, and Plymouth Arts Centre, Plymouth CCW Salon, Chisenhale Gallery, London Arte Fiera, (Valentina Bonomo), Bologna PRINT & DESIGN NOW! 2011, SW1 Gallery, London 2013 Friday 13th, British School at Rome Help the Sun Rise Again, Open Draw / ASC Gallery, The Jerwood Drawing Prize, Hatton Gallery, Newcastle London upon Tyne London Original Print Fair, Royal Academy of Arts, Here We Go, A Changing Group Exhibition, Part II: London Volume, Karsten Schubert, London Futura Bold, curated by Juan Bolivar, The Nunnery, The Collective, The House of St Barnabas, London London Old Master Dialogues, curated by Day + Gluckman, Edel Assanti = 1, Edel Assanti, London Collyer Bristow Gallery, London DESIRE AND REPULSION, curated by Ali Gunn I Where A Dress, curated by Sasha Burkhanova, and Stuart Southwell, The Art Corner, Manchester Display London, London A Different View Part 1, St George’s Gallery, London Macmillan De’Longhi Art Auction, Royal College Salad al Fresco, Sprout, London of Art, London States of Reverie, Scream, London Flat Time House MFI Group: The Future Lasts a Long Carto-Graph, Brass Gallery, Leeds Time, PAMI, London 2010–11 Biro Show, The White Gallery, Milan The Jerwood Drawing Prize, JVA at Jerwood Space, 2010 Ann-Marie James; Scott Mason; Kirsten Little, Renaro London Space, London Carousel, curated by Adam Bridgeland, Aspex, Moving Image South, hmvCURZON Wimbledon, Portsmouth London DRAWINGS: Mel Bochner, Robert Holyhead, Ann-Marie MULTIPLIED (Edel Assanti), Christie’s South Kensington, James, Tess Jaray, Bridget Riley & Alison Wilding, Karsten London Schubert, London La Ruche Open Studios, Hive Projects, London The New British, Lloyds Club, London (Untitled) Part II, St James’, London Monochrome, HUSK, London Generation 10, Hyatt Regency — The Churchill, London MFI & Stryx Present: How to Build a Table, Stryx, Postgraduate Diploma Final Show, Chelsea College Birmingham of Art and Design, London London Original Print Fair, (Jealous Gallery), Royal Brenda Landon Pye Exhibition 2010, Triangle Space, Academy of Arts, London Chelsea College of Art & Design, London Jealous Prize Winners Past & Present, Jealous Gallery, MISE EN PLACE, Triangle Space, Chelsea College London of Art & Design, London

BIOGRAPHIES 57 Process, curated by Mike Shaw, Burghley Sculpture Selected recent group exhibitions Garden, Stamford 2014 June Mostra, British School at Rome Riff-Raff, curated by David Southard, 5–8 Lower John The InterGalactic Image Factory, Liverpool Street Street, London Gallery, Sydney The Group Show, 3rd Ward, Brooklyn, New York, selected 2013 Stockland, Galerie Pompom, Sydney by David Elshout, Rachel Hinde and Kate McNamara Small Works Christmas Show, Edwina Corlette Changing The Nature, curated by Purge Projects, Vulpes Gallery, Brisbane Vulpes, London Chippendale New World Art Prize Finalists, NG 2009–10 Anonymous Drawings N°10, Kunstraum Gallery, Sydney Kreuzberg / Bethanien, Berlin 2012 Think Twice, Gallery Eight, Sydney 2009 Tate Modern / Rob Pruitt's Flea Market, Turbine Hall, Kaleidoscope, Scuola di Grafica Internazionale, Venice Tate Modern, London 2009 Better History, Seven Eleven Gallery, New York Westminster Open 2009, London, selected by 2008 Art Melbourne 08, Renault New Generation Art, Suzanne Cotter, Professor Joanna Woodall, Heidi Exhibition Buildings, Melbourne Hazeu, Mary-Alice Stack, Robert Gordon McHarg and Bridget Crowley Awards and residencies The Drawing Salon, The Mews Project Space, London 2014 Finalist, The Substation Contemporary Art Prize, Victoria Watch This Space, Opera Quarter Bar, London ArtStart Grant, Australia Council National Art School Sydney Residency, British School Residencies at Rome 2013–14 Derek Hill Foundation Scholarship, British School 2013 Artist in Residence, Residencia Corazon, Buenos Aires at Rome 2012 Postgraduate Residency, Scuola di Grafica 2011 Headspace Residency (supported by the Daiwa Internazionale, Venice Foundation), Nara 2006 Lantana Projects Residency, Memphis Collections Artbank Australia Awards 2013 Shortlisted: The Jerwood Drawing Prize, London 2012 MFI Flat Time House Graduate Award, supported ANNIKA KOOPS by the John Latham Foundation, London Australia Council Resident Artist, April–June 2014 Jealous Graduate Print Prize, London 2011 Artists and Collectors Bursary, University of the Born in 1983. Lives and works in Melbourne. Represented Arts, London by Bett Gallery, Hobart 2009 Shortlisted, LICC London International Creative Competition, London www.annikakoops.com 2003 The Queen’s Award, Central Saint Martins Scholarship Awards, University of the Arts, London Education 2012 MFA, Victorian College of the Arts, Melbourne Public collections 2005 BFA (Hons) 1st class, Victorian College of the British School at Rome; Chelsea College of Art & Design Library, Arts, Melbourne University of the Arts, London; The Victoria & Albert Museum, London 2001–3 BFA, University of Tasmania

Selected recent one person exhibitions MASON KIMBER 2013 Scarecrows, Nellie Castan Gallery, Melbourne National Art School Sydney Resident, April–June 2014 Split Stream, Bett Gallery, Hobart 2012 The Portrait as Parasite, MFA Graduate Exhibition, Born Perth, 1985. Lives and works in Sydney, Australia. Represented Margaret Lawrence Gallery, Melbourne by Galerie Pompom, Sydney 2011 Act Natural, Nellie Castan Gallery, Melbourne 2010 Laughing Out Loud on the Inside, Gippsland Art www.masonkimber.com Gallery, Sale 2009 The Ruins, Depot Gallery, Sydney Education Drop Shadow my Heart, Bett Gallery, Hobart 2013 MFA (Painting), National Art School, Sydney 2008 BA (Hons), Curtin University, Bentley Selected recent group exhibitions 2014 It Is Not It That We See, Sawtooth Gallery, Launceston Selected recent one person exhibitions 2013 Four Ways Victorian Graduate Award Exhibition, Alliance 2014 Stranger At Home, Archive Space, Sydney Française Gallery, Melbourne 2013 Screen Memory, MOP Projects, Sydney Auckland Art Fair, Stand 12, Nellie Castan Gallery, Sin Rastros (Without A Trace), Residencia Corazon, Melbourne Buenos Aires 2012 Taskmasters, C3 Gallery, Melbourne Cryptoverse, Bristol Biennial, Bristol

58 FINE ARTS 2013–14 2011 25 Years, Bett Gallery, Hobart The Dream Machine, Transition Gallery at Sluice Art 2010 Primed, Academy Gallery, University of Tasmania, Fair, London Launceston Ornament, Transition Gallery at huntergather, London 2009 Repeat Repeat, Platform Gallery, Melbourne Masques, Galerie d’YS, Brussels 2008 Team Australia, Carlton Hotel Gallery, Melbourne Unknown Sitter Dos, Charlie Dutton, London Without Money There is no Love, Guilford Lane Gallery, This Me of Mine, APT, London; travelling to Strange Melbourne Cargo, Folkestone and Art School Gallery, Ipswich Standard Room, Foundation B.a.d, Rotterdam Misdirect Movies, Royal Standard Liverpool; travelling Underdogs, Project(or) Art Fair, Rotterdam to Standpoint, London, Greyfriars, Lincoln and Meter Room, Coventry Awards and residencies 2012 Tainted Love, Down Stairs Gallery, Great Brampton 2014 Australia Council Residency, British School at Rome House, Herefordshire 2013 Finalist, Josephine Ulrick and Win Schubert Still, Hackney Picture House, London Photography Award Polemically Small, Orleans House Gallery, Richmond Highly Commended, Churchie Emerging Art Prize Idle Worship, Centre for Recent Drawing, London Highly Commended, Hobart Art Prize The Perfect Nude, Wimbledon Space, London (curated 2012 CCRAF Research Grant, University of Melbourne by Dan Coombs and Phillip Allen); travelling to Phoenix Alliance Française Graduate Award, Melbourne Gallery, Exeter and Charlie Smith, London Nellie Castan, Graduate Award 2011 Zoo, The Meter Room, Coventry 2011 New Work Grant, Australia Council for the Arts The Count of Monte Cristo: Treasure, Asylum, London Australian Postgraduate Award, University of Melbourne Face to Face, Galerie d’YS, Brussels 2010 Highly Commended, City of Albany Art Prize Polemically Small, CCC Exhibition Hall, Klaipeda 2009 Finalist, Prometheus Visual Arts Award Mock Tudor, Transition Gallery offsite project, 2008 Short-listed finalist, SOYA Visual Arts Award Ravenscourt Park, London 2007 Artist in Residence, Foundation B.A.D., Rotterdam THE FUTURE CAN WAIT presents: Polemically Small, Keith and Elisabeth Murdoch Travelling Fellowship Torrance Art Museum, Los Angeles Arts Tasmania Assistance to Individuals grant The Count of Monte Cristo: The Lions Den, Transition 2006 Finalist, Williamstown Art Prize Gallery at Influx, Limerick 2005 Finalist, Metro 5 Painting Prize The Count of Monte Cristo: Island of True Adventures, 2004 Finalist, Athanaum Club Art Prize Phoenix Gallery, Exeter 2010 The Secret of England’s Greatness, Hangart-7, Hanger-7, Collections Salzburg (catalogue) Museum of Old and New Art, Berriedale; Artbank Australia; Puce Moment, Transition Gallery, London University of Melbourne; Melbourne Girls Grammar School; Bright Traces From London, Resy Muijsers Contemporary private collections internationally Art, Tilburg Detox, Concrete Allotment Projects, Hoxton Square, London (catalogue) CATHY LOMAX Doubles, Stone Gallery, Dublin Abbey Fellow in Painting, April–June 2014 2009 The Days Before, Grey Area, Brighton Sehnsucht, Transition Gallery at JT Project 09, James Lives and works in London Taylor Gallery, London Flash Company, English Folk Dance and Song Society, www.cathylomax.co.uk Cecil Sharp House, London Anopseudonymous, Five Hundred Dollars, Vyner Street, Education London 2000–2 MA Fine Art, Central St Martins College of Art and The Golden Record: Sounds of Earth, The Collection, Design, London Lincoln (curated by Mel Brimfield) 1995– 2008 The Saved and the Damned, Standpoint, London 2000 BA (Hons) Fine Art, John Cass Faculty of Art, London That’s Entertainment, Whitstable Biennale, Whitstable Guildhall University The Golden Record: Sounds Of Earth, Collective Gallery, Edinburgh (curated by Mel Brimfield) Selected recent one person exhibitions Walpurgisnach, Crimes Town, London 2011 Glass Menagerie, B&B Project Space, Folkestone New London School, Mark Moore Gallery, Los Angeles 2008 Vanity Case, Lost in Beauty, London The Painting Room, Transition Gallery, London

Selected recent group exhibitions Awards and related exhibitions 2014 News From Nowhere, Kelmscott House, London 2014 East London Painting Prize, London Stowaway, Weekend Gallery, Los Angeles Abbey Fellowship in Painting, British School at Rome Masques, London Art Fair and Transition Gallery, London 2011 Threadneedle Prize, Mall Gallery, London 2013 Wintergarden, Transition Gallery at Sutton House, 2010 Salon Art Prize 10, MRA, Vyner Street, London (selected London by Kate MacGarry)

BIOGRAPHIES 59 Jerwood Drawing Prize, Jerwood Gallery, London; Mill, Monika Bobinska Gallery, London and touring Metro-Land, Merriscourt, Oxfordshire FringeMK 2010 Painting Prize, selected to appear 2008 Jerwood Contemporary Painters 2008, Jerwood in catalogue Foundation, London and Aberystwyth Arts Centre 2009 Salon Art Prize 09, MRA, Vyner Street, London (selected Fascination with Ulysses, Galeria Luis Serpa Projectos, by Gordon MacDonald, Ceri Hand and Margot Heller) Lisbon Space Now, SPACE Gallery, London Collections The Thames Mudlarks, CTRL Gallery, Houston David Roberts Collection; and private collections nationally St Joseph’s Hospice Auction, Christ Church Spitafields, and internationally London

Awards ANDREA MEDJESI-JONES 2014 Abbey Fellowship in Painting, British School at Rome Abbey Fellow in Painting, January–March 2014 2004 Warden’s Purchase Award, Goldsmiths College, London

Born in Vukovar, Croatia. Lives and works in London Teaching Currently Fine Arts Lecturer and Year 1 Co-ordinator, Bath School Education of Art and Design, Bath Spa University 2009–12 PhD in Contemporary Painting, Cambridge School Visiting Lecturer, Sir John Cass School of Art, Architecture of Art, Anglia Ruskin University and Design, London Metropolitan University 2002–4 MA Fine Art, Goldsmiths College, London 2012 Visiting Lecturer, Camberwell College of Arts 1995–8 BA in Fine Art and Contemporary Critical Theory, 2009–12 Lecturer, Cambridge School of Art, Anglia Ruskin Goldsmiths College, London University 2009–11 Visiting Lecturer, Goldsmiths, University of London Selected recent one person exhibitions 2013 Ventriloquist, Laurent Delaye Gallery, London Collections What Will the Community Think?, CASS Gallery, London BBC Your Painting, Uncovering the Nation’s Art Collection, Metropolitan University and BSU Gallery, Bath School Public Catalogue Foundation (www.bbc.uk/arts/yourpaintings/ of Art and Design paintings/unearthed-224636); David Roberts Collection; Louis 2009 Exiled Lines, Ruskin Gallery, Cambridge Serpa Foundation

Selected recent group exhibitions 2014 Bloomberg New Contemporaries, Liverpool Biennial ANA REWAKOWICZ March Mostra, British School at Rome Québec Resident, January–March 2014 2013 Obscured Exchange, Exchange Project APT Gallery, London Born in Poland. Lives and works in Montréal, Canada OUT LINE, Bäckerstrasse4 Gallery, Vienna This Glitch, Blyth Gallery, London Ana Rewakowicz graduated from Ontario College of Art and Dirty Pop: Contemporary British Painting, & Model Design in Toronto and received her MFA from Concordia University Gallery, Leeds in Montréal, Canada in 2001. Her art crosses into disciplines of art, Once More Unto the Breach, Dear Friends, Once More, design, architecture, science and performance, and has been shown Lokaal 01, Breda nationally and internationally. At a Point of Gesture, Lion and Lamb Gallery, London 2012 Picture Tableau Screen, Herbert Read Gallery, Selected recent one person exhibitions Canterbury 2014 Ponte Rotto, Polish Institute in Rome (curated Hallogallo, CASS Gallery, London Metropolitan by Ania Jagiello) University, London 2013 The Cloud, At Home Gallery, Samorin (curated 2011 Correspondences, Bäckerstrasse4 Gallery, Vienna by Lida Pribisova) Modern Love, Simon Oldfield Gallery, London Air Conditions, Stiftelsen 3,14, Bergen (curated Cabinet of Curiosities, Galeria Luis Serpa, Lisbon by Pia Torgersen) 2010 END AND, École Regionale des Beaux-Arts, Valance 2012 Living in a Bubble, Label 201 Gallery, Rome (curated A Sort of Night to the Mind, Illusion and Materiality by Elena Abbiatici) in Contemporary Painting, ARCH 402 Gallery, London 2011 Here is not There, Expression, Centre d’exposition and ARTARY Gallery, Stuttgart de Saint-Hyacinthe, Saint-Hyacinthe A Sort of Night to the Mind, Illusion and Materiality Mobile Habitat, Joyce Yahouda Gallery, Montréal in Contemporary Painting, Herbert Read Gallery, 2008 Conversation Bubble, Stiftelsen 3,14, Bergen (curated Canterbury by Pia Torgensen) 2009 Fascination with Ulysses, Museo Iberoamericano Air Cleanser, Rosenlew Factory, Pori de Arte Contemporaneo, Badajoz 24h UB, Blue Sun Contemporary Art Centre Gallery, Unrealised Projects, online artist collaboration (www. Ulaanbaatar unrealisedprojects.org)

60 FINE ARTS 2013–14 Selected recent group exhibitions 2009 Travel Grant, Conseil des Arts et des Lettres du Québec 2014 ISEA 2014, Dubai 2008 Travel Grants, Conseil des Arts et des Lettres du Québec March Mostra, British School at Rome and Canada Council for the Arts 2013 Minoterie 21, Peillac, France (curated by Alun Williams) 2007 Research / Creation Grant, Canada Council for the Arts Électrons Libres, Joyce Yahouda Gallery, Montréal Research / Creation Grant, Conseil des Arts et des Lettres (curated by Yan Romanesky) du Québec 2012 Spazi Aperti, Romanian Academy, Rome (curated Honourable Mention, Mobility Design, Palm® and by Eleanora Farina) enRoute, Montréal True North, Anchorage Museum of Art, Anchorage, 2006 Finnish Artists’ Studio Foundation, Conseil des Arts Alaska (curated by Julie Decker) et des Lettres du Québec Fashionality: Dress and Identity in Contemporary Antrev Fellowship, Montréal Canadian Art, McMichael Canadian Art Collection, 2004 Research / Creation Grant, Canada Council for the Arts Kleinburg (curated by Julia Pine) 2003 Research / Creation Grant, Conseil des Arts et des Lettres 2011 Ecocity, Dare-Dare, Montréal du Québec Les Escales Improblable International Festival, Montréal Honorable Mention, Selfware: The Politics of Identity, 2010 Living Space — Unusual Experience, CSW Laznia, Graz Gdansk (curated by Agnieska Wolodzko) 2002 Research / Creation Grant, Canada Council for the Arts Bare House, Pori Art Museum, Pori 2001 Research / Creation Grant, Canada Council for the Arts 2009 Festival @rt Outsiders, Maison Européenne Research / Creation Grant, Conseil des Arts et des Lettres de la Photographie, Paris (curated by Annick Bureaud) du Québec Slow Wave, EMPAC Rensselaer, Troy (curated by Emily 2000 Stanley Mills Prize, Concordia University, Montréal Berir Zimmerman) 1998 1st Prize, New York Exposition of Short Film, Video FREEZE, Delaney Park, Anchorage, Alaska Design & Interactive Multimedia, New York, Forum (curated by Julie Decker) USA [Grievous Angels – group interactive CD-ROM] 2008 Vue sur Québec, Liverpool Biennial, Liverpool (curated 1997–9 J.W. McConnell Graduate Fellowship, Concordia by Lisanne Nadeau) University, Montréal Site Visits, Cambridge Galleries, Cambridge (curated by Ivan Jurakic) Collections Manif d’art 4, La Biennale de Québec, Québec (curated Musée d’Art Contemporain de Montréal; Musée National des by Lisanne Nadeau) Beaux-arts du Québec; Stanley Mills Collection; Concordia University, Montréal; Musée d’Art de Joliette; private collections Residencies, symposia and workshops 2014 Conseil des Arts et des Lettres du Québec Residency, British School at Rome BRUCE REYNOLDS 2012 Conseil des Arts et des Lettres du Québec, Studio Australia Council Resident Artist, July–September 2013 du Québec à Rome Water is in the Air, Leonardo / Olats and IMéRA, Born Canberra, A.C.T. 1955 Marseille http://www.olats.org/studiolab/eau.php 2009 STEIM, Amsterdam Education 2008 TAIK, School of Art and Media, Pori 1982 Post graduate Diploma in Painting, Canberra School 2007 Ted Harrison Artist Retreat Society, Whitehorse, Yukon of Art 2006 Finnish Artists’ Studio Foundation, Helsinki 1979 Post graduate Diploma in Education, Melbourne Art Omi International, New York State College Subtle Technologies Symposium, Toronto 1976–7 Diploma of Fine Art, Painting, Victorian College 2005 Wearable Futures, University of Wales, Newport of Art, Melbourne This Neck of the Woods, AIR, Rotterdam 2004 Informal Architecture, The Banff Centre for the Arts, Banff Selected recent exhibitions AIR, Foam, Brussels 2014 David Malouf and Friends, Museum of Brisbane, ISEA 2004, Tallinn Brisbane 2003 New Works Residency, The Banff Centre for the Arts, Treasury Garden, Redland Art Gallery, Cleveland Banff Carport Flag, Bleach installation Pacific Parade, Gold Coast Selected grants and awards 2013 Aggregate, British School at Rome 2014 Research / Creation Residency, Conseil des Arts et des New, Selected Works from Recent Acquisitions, Lettres du Québec UQ Art Museum, St Lucia 2013 Research / Creation Grant, Canada Council for the Arts Trade, Ryan Renshaw Gallery, Fortitude Valley Travel Grant, Conseil des Arts et des Lettres du Québec 2011–12 Floor to Ceiling, Sofitel, Collins Street, Melbourne and Canada Council for the Arts Pamphlett Art and Place Commission, Brisbane Exhibition 2011 Research / Creation Grant, Conseil des Arts et des Letters Centre, South Bank, Brisbane du Québec 2011 Air Percussion, Ryan Renshaw Gallery, Fortitude Valley 2008–10 Long-term Grant, Canada Council for the Arts

BIOGRAPHIES 61 2009 Open Studio, Canberra School of Art, Australian 2011 Imagining Interiors, Jam Factory, Adelaide National University, Canberra Crazy Fingers, SASA Gallery, University of South Photo LA, with Queensland Centre for Photography, Australia, Adelaide South Brisbane DOUBLE VISION, Adelaide Central Gallery, Adelaide Tread, Ipswich Magistrate Court, architectural relief 2010 Let me in, Format Festival, Adelaide walls, Ipswich Heartlines, 24 hr installation, South Australian School 2008 Certainty, Ryan Renshaw Gallery, Fortitude Valley of Art, Adelaide Non Synthetic Cubism, commissioned installation ArtsSA Curatorial programme for Museum of Brisbane, Brisbane 2009 Critical Generosity, Feltspace, Adelaide 2008 Strange Attractors, Liverpool St Gallery, University Selected recent group exhibitions of South Australia, Adelaide 2014 Fibro Coast, Gold Coast City Art Gallery, Surfers Paradise Selected awards and residencies 15 Artists, Redcliffe Art Gallery, Moreton Bay 2013 ArtsSA Artists Residency Grant 2013 NEW2013 Selected Recent Acquisitions, University Helpmann Academy Grant for travel of Queensland Art Museum, Brisbane AEAF Cibo Espresso Studio Residency, British School Imprinted, Canberra Contemporary Art Space, Canberra at Rome Shared Vision, touring Poland, Queensland 2010 ArtsSA Project Development Grant for new work 2012 Local Velocity, Brisbane Art Institute, Brisbane 2010 Something in the Air, Canberra Museum and Gallery, Canberra DANIELE SAMBO 2008 Recent Acquisitions, Canberra Contemporary Art Gallery Creative Scotland document Fellow, January–March 2014 & Museum, Canberra Born in Venice, 1983. Lives and works in Glasgow Selected awards and grants 2013 Australia Council Grant to develop new work Education Australia Council Residency, British School at Rome 2011 MA in Photography, Glasgow School of Art 2012 Arts Queensland Grant 2004–8 BA in Urban Studies, IUAV University of Venice 2010 CCAA Public Domain National Awards 2007 Exchange programme at SLU University, Uppsala AIA Art and Architecture Award 2006 Anthropology, University Ca’Foscari of Venice 2009 ANU, School of Art visiting artist 2008 Duke Memorial Art Prize, Gold Coast Selected exhibitions 2005 Visual Arts Board Grant 2014 New Scottish Landscapes, Stills Gallery, Edinburgh 2013 Phototown, FOAM, Amsterdam You Are the Company in Which We Keep, Northern MARY-JEAN RICHARDSON Gallery for Contemporary Art, Sunderland Australian Experimental Art Foundation Cibo Espresso Resident, Members Space, Streetlevel, Glasgow July–September 2013 Cityscapes by Seelevel Gallery, GUP Gallery, Amsterdam Born 1964. Lives and works in Adelaide, South Australia 2012 Collettiva Giovani Artisti, Bevilacqua la Masa Foundation, Venice Education Emersioni, Museo Tre Oci, Venice 2011 Master of Visual Art (Research), South Australian Fondazione Francesco Fabbri, Treviso School of Art, University of South Australia Sown, The Briggait, Glasgow Hidden Stories, Kik, Kolderveen Selected recent one person exhibitions Glocal, Centro Culturale Candiani, Venice 2011 Feeling the Way, Adelaide Central Gallery, Adelaide 2011 Sown, New Glasgow Society, Glasgow 2010 Underground, Greenaway Gallery, Adelaide Sedic, Biblioteca Nacional de Espana, Madrid 2008 Parkland, Johnston Gallery, Perth Sismycity, Rocca Paolina, Perugia New Paintings, SoMA Gallery, Adelaide 2010 Sismycity, Triennale Bovisa, Milan Sismycity, 12th Biennale di Architettura, Venice Selected recent group exhibitions 2014 Dead or Alive, Central Gallery, Adelaide Central Grants, awards and residencies School of Art, Adelaide 2014 Creative Scotland document Fellowship, British School 2013 Bruce Reynolds, Mary-Jean Richardson: New Works, at Rome British School at Rome Confotografia, L’Aquila Beyonce is a Feminist, Fontanelle Gallery, Adelaide 2013 The Social: encountering photography, commission 2012 The End of the World, Fontanelle Gallery, Adelaide by NEPN CACSA@70 No.1, Contemporary Art Centre of South Spajalica, AIR, Museum of Contemporary Art, Rijeka Australia, Adelaide 2012 Map Mobility Programme by Pepinieres Européennes, Sensation Seekers, Fontanelle Gallery, Adelaide AIR at KIK

62 FINE ARTS 2013–14 2011 Cultural exchange / residency at Casa Madreselva, 2008–10 Professional Diploma in Architecture, London Montevideo Metropolitan University 2010 AIR at Stills Gallery, Edinburgh 2004–7 MA (Cantab) in Architecture, University of Cambridge ‘Luce Naturale’ prize, Rome Professional architectural experience Teaching 2014 Project Architect, Karakusevic Carson Architects Currently Lecturer, Visual Communication and Photography, 2012–13 Project Architect, DSDHA Glasgow School of Art 2010–12 Part II Architectural Assistant and Project Runner, DSDHA 2009–10 Freelance Architectural Designer 2007–10 Part I Architectural Assistant, DSDHA TOMÁS SHERIDAN Creative Scotland document 24 Fellow, April–June 2014

Born in Turin, 1982. Lives and works in Edinburgh www.polifilm.co.uk

Education 2002–6 BA (Hons) Photography, Film and Imaging, Edinburgh Napier University

Filmography 2014 Roman Postcards, Director / Producer / Camera / Editor, Polifilm / British School at Rome 2013 Livingston Lives, Director / Producer / Editor, Polifilm / West Lothian Council 2012 Finding Josephine, Director / Producer, North Isle Productions / Polifilm / Why Poverty? Festa del Fuoco, Director / Producer / Editor, Polifilm 2011 Babytrapped, Director / Producer, Accidental Media / Polifilm for Current TV 2010 Radiostan, Director / Editor, Cinetrain documentary, Miru Mir Moscow 2009 As Time Goes By, Producer / Camera / Editor, Polifilm / Delighters 2008 Archive of Dreams, Director / Producer / Camera, La Belle Alleé / UK Film Council / Scottish Screen / BBC Scotland

Selected group exhibitions 2014 June Mostra, British School at Rome

Awards and residencies 2014 Creative Scotland document 24 Fellowship, British School at Rome 2006 Barron Quaich Award

Teaching 2013–14 Lecturer, University of Udine

EDWARD SIMPSON Rome Prize in Architecture, October 2013–March 2014

Born in 1985. Lives and works in London

Education and research 2013–14 Rome Prize-winner in Architecture, British School at Rome 2011–12 Professional Diploma in Professional Practice in Architecture, University of Westminster

BIOGRAPHIES 63 BSR Faculty of the Fine Arts and Staff

FACULTY OF THE FINE ARTS, 2013 AND 2014 STAFF Stephen Chambers Christopher Smith, Director Maria Chevska Simon Keay, Research Professor in Archaeology Prue Chiles Joanna Kostylo, Assistant Director William Cobbing Jacopo Benci, Senior Research Fellow in Modern Studies Penelope Curtis and Contemporary Visual Culture Caroline Douglas Robert Coates-Stephens, Cary Fellow John Gill (Chair to 31 December 2013) Stephen Kay, Molly Cotton Fellow Roger Hiorns Marina Engel, Rome Fellow in Architecture Vanessa Jackson Marco Palmieri, Arts Adviser Penny Johnson Valerie Scott, Librarian Isobel Johnstone Beatrice Gelosia, Deputy Librarian Vivien Lovell (Chair from 1 January 2014) Francesca De Riso, Francesca Deli, Library Assistants Hugh Petter Alessandra Giovenco, Archivist Karsten Schubert Gill Clark, Registrar & Publications Manager Helen Sear Natalie Arrowsmith, Administrative Assistant Stephen Witherford Alice Christie, Administrative Assistant (London) Mary Ellen Mathewson, Development Director Stefania Peterlini, Director’s Assistant and Permissions Officer Christine Martin, Residence Manager Susan Rothwell Smith, Systems Consultant Renato Parente, Domestic Bursar Isabella Gelosia, Accounts Clerk Fulvio Astolfi, Maintenance Donatella Astolfi, Alba Coratti, Cleaners Giuseppe Parente, Dharma Wijesiriwardana, Cooks Giuseppe Pellegrino, Technical Assistant & Waiter Antonio Palmieri, Waiter & Porter Published by the British School at Rome, London

ISSN 1475-8733 ISBN 978-0-904152-71-5