This is a repository copy of Thresholds of Representation: Physical Disability in Dance and Perceptions of the Moving Body. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/144504/ Version: Accepted Version Book Section: Duffy, M, Atkinson, P and Wood, N orcid.org/0000-0001-5663-9557 (2019) Thresholds of Representation: Physical Disability in Dance and Perceptions of the Moving Body. In: Boyd, CP and Edwardes, C, (eds.) Non-Representational Theory and the Creative Arts. Palgrave Macmillan , Singapore , pp. 243-262. ISBN 978-981-13-5748-0 https://doi.org/10.1007/978-981-13-5749-7_16 © The Author(s) 2019. This is a post-peer-review, pre-copyedit version of a book chapter published in Non-Representational Theory and the Creative Arts. The final authenticated version is available online at: https://doi.org/10.1007/978-981-13-5749-7_16 Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing
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[email protected] https://eprints.whiterose.ac.uk/ THRESHOLDS OF REPRESENTATION: PHYSICAL DISABILITY IN DANCE AND PERCEPTIONS OF THE MOVING BODY ABSTRACT: Non-representational theory opens up ways to make sense of non-cognitive, bodily, emotional and affective processes in corporeal movement.