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Scope and Sequence California Scope and Sequence California v1.042021 Scope and Sequence • California Set Concept K 1 2 3 4 5 Beat vs. no beat Beat vs. no beat Beat vs. no beat Beat vs. rhythm Beat vs. rhythm (none) Steady beat Steady beat Steady beat Beat Beat vs. rhythm Strong beat vs. weak beat Strong beat vs. weak beat Beat vs. rhythm Beat vs. rhythm Long vs. short Sounds and rests Duration Whole note Eighth note triplets Four 16th notes Half note Four 16th notes Quarter note = silence for 1 beat = silence for 1 beat Œ Œ Quarter note Quarter note Two eighth notes = 1 sound for 1 beat = 1 sound for 1 beat q q Two eighth notes Two eighth notes Whole note = 2 sounds for 1 beat = 2 sounds for 1 beat Whole rest Whole note Half note = 1 sound for 2 beats Half rest Half note Whole rest h Quarter rest Whole rest Half rest = silence for 2 beats Duration / ∑ Four 16th notes Half rest Quarter rest Notes and Quarter rest Dotted quarter note Rests Dotted quarter note Tie Tie Eighth rest Eighth note Eighth note Dotted half note 16th note Dotted eighth note Three eighth note triplets Rhythm Patterns of 2 Meters of 2 Meters of 2 2/4 meter 2/4 meter 2/4 meter Patterns of 3 Meters of 4 Meters of 4 3/4 meter 3/4 meter 3/4 meter Patterns of 4 Meters of 3 Meters of 3 4/4 meter 4/4 meter 4/4 meter Meter Strong beat vs. weak beat Identifying meters Identifying meters Conduct in 3/4 6/8 meter Strong beat vs. weak beat Conduct in 4/4 Conduct in 2 Conduct in 6 Combinations including: Combinations including: Combinations including: Combinations including: Combinations including: Combinations including: quarter note, two eighth quarter note, two eighth quarter note, quarter rest, whole note, half note, three 8th note triplets, four four 16th notes, quarter notes, quarter rest notes, quarter rest two eighth notes, half quarter note, two eighth 16th notes, quarter note, note, two eighth notes, Same or different Ostinato notes, half rests notes, whole rest, half rest, two eighth notes, whole whole note, half note, Improvise patterns Ostinato quarter rest, note, half note, whole whole rest, half rest, Improvise patterns four sixteenth notes rest, half rest, quarter rest, quarter rest, dotted quarter Ostinato qotted quarter note, eighth note, eighth rest, eighth Combinations Improvise patterns note note, dotted half note, 16th Ostinato note, dotted eighth note Dotted rhythm patterns Tie Tie Eighth + two 16th notes Two 16th notes + eighth note Dotted eighth + 16th note Dotted quarter + eighth note Syncopation Scope and Sequence • California Set Concept K 1 2 3 4 5 Higher or lower Melodic direction Melodic direction Melodic movement Intervals: Octave Range High vs. low Upward vs. downward vs. Step vs. skip vs. repeat Step vs. skip vs. repeat Low to high Interval: Half step Melodic direction repeated melody Pitch matching Melodic contour Ascending vs. descending Interval: Whole step Big=low; small=high Higher or lower High vs. low Intervals Step vs. skip vs. repeat Low to high High vs. low Big=low; small=high Musical alphabet Higher or lower Melodic sequence Pitch Pitch matching Higher, lower, or middle Pitch letter names Pitch letter names Pitch letter names – lines and spaces Range Ascending vs. descending Range Higher or lower (none) New pitches: sol, mi, la Phrases New Pitches: low la, low sol, New pitches: fa, ti Melodic Motif Combinations: sol-mi, sol-mi- New pitches: do, re high do ostinato Whole tone ostinato la, sol-la-sol-mi Combinations: sol-mi, sol-mi- Combinations: sol-mi, sol- Motif Scale patterns la, sol-la-sol-mi, do-mi- la-mi, do-mi-sol-la, sol-la- Scale patterns sol-la, sol-mi-do, do-re-mi, mi-do, do-re-mi, mi-re-do, la-do-mi (minor) Patterns mi-re-do mi-re-do-la, / do-la,-sol, / sol-fa-re-ti (V7) (sol-mi, etc.) Pentatonic scale s,-d-r-m Extended pentatonic scale Hook Melody (none) (none) Home tone (do) Major vs. minor Scale Accidentals: flats and sharps Pentatonic scale Pentatonic scales la = resting tone in minor Natural Major vs. minor Major scale Tonality Whole tone scale (major, Minor scale minor, pen- tatonic, la pentatonic) (none) (none) (none) C, F, and G major chords Bass line Arpeggio Chord Accompaniment Melody vs. chords Harmony Chords and mood I, IV, V chords Major and minor chords Major, minor, diminished, Chords and Triads augmented chords Harmony la = resting tone in minor Chord chart V7 chord Major vs. minor chords Tonic/dominant Chord progression Scope and Sequence • California Set Concept K 1 2 3 4 5 Long and short Long and short Accent marks Accent marks Staccato and legato Arco, pizzicato, vibrato, Long and short Phrase Fermata temolo Phrase Ornament Phrase Articulation Phrase Accent marks Articulation defined Staccato and legato Accent marks Articulation defined Fermata Loud vs. Soft Dynamics add spice Crescendo and decrescendo Dynamic levels including: Dynamic levels, including: Dynamics including: Louder or softer Dynamics to create interest , , , , , , , , , , , , , , , , , , f p ff pp P F sf pp p f ff sf fff F P Dynamics Forte vs. piano and feeling Crescendo and decrescendo Changingff f F P dynamicsp pp through Crescendo and decrescendo Expression Dynamic levels including , Identifying dynamics texture Identify and , , p pp ff pp f ff Crescendo and decrescendo Tempo defined Tempo defined Largo, adagio, andante, Ritardando, accelerando Largo, adagio, andante, Largo, adagio, andante, Fast or slow Slow, medium, and fast moderato, allegro, vivace, Largo, adagio, andante, moderato, allegro, vivace, moderato, allegro, vivace, Changing Tempo Largo, moderato, presto presto, prestissimo moderato, allegro, vivace, presto, prestissimo presto, prestissimo Metronome presto, prestissimo Ritardando, accelerando Metronome Tempo Tempo defined Molto Molto Ritardando, accelerando Metronome Metronome Rubato (none) AA form AB (binary) form Introduction Theme and variations D.C. al fine Call and response ABA (ternary) form AB (binary) form Create a form piece D.S. al fine AB (binary) form ABAB form Verse/chorus AB (binary) form Verse/refrain Verse/chorus Repeat ABA (ternary) form ABA (ternary) form) 12-bar blues Determining form Verse/chorus ABACA (rondo) form ABACA (rondo) form Medley ABA (ternary) form Call and response Refrain Introduction Phrase Repeat ABACA (rondo) form Call and response Verse/chorus Theme and variations Medley Create a form piece Medley AB (binary) form Form Form Phrase First and second ending Refrain ABA (ternary) form Phrase Call and response ABACA (rondo) form First and second ending Introduction Phrase Chorus Call and response First and second ending Scope and Sequence • California Set Concept K 1 2 3 4 5 Whisper, talk, shout, sing Whisper, talk, shout, sing Head/chest voice Soprano, alto, tenor, bass Bass line Soprano, alto, tenor, bass Breathing technique Vocal Cords Breathing technique Range Head/chest voice Range Vocal warmup Chest/head voice Diaphragm Head/chest voice Vocal warmup (lip trill) Vocal technique Breathing technique Singing harmony Breathing technique Singing harmony Vibrato Vocal warmup Diaphragm Breathing technique Vocal warm-up Singing harmony Diaphragm Falsetto Voice / Vocal Soprano, alto, tenor, bass Vocal cords Diaphragm Vocal inflection Singing harmony Traditional folk (from around Funk Jazz/swing Pop Patriotic Pop the world) Waltz Traditional folk (from around Latin Traditional folk (from around Waltz Lullaby Disco the world) Hip Hop the world) Celtic folk Waltz Children's playground song Waltz African Celebration/holiday Reggae Nursery rhyme Celebration/holiday Disco Lullaby Shuffle African Spanish lyrics Traditional folk (from around Celebration/holiday Traditional folk (from around Latin (samba) Hip hop Celebration/holiday the world) Pop the world) March Patriotic Tango Tango Patriotic Hip Hop Spiritual Latin (samba) Pop Singing Chinese folk Repertoire/ Rock Indian folk Indian folk Style Tango Waltz Rock Celebration/holiday Boogie-woogie Ukranian folk Rock Celebration Rap Country Blues Traditional folk (from around the world) Jig Echo singing Solo Solo Call and response Part singing Descant Chant Chant Partner song Canon Canon Partner song Call and response Echo singing Round Round Part singing Echo singing Chant Echo singing Descant Chant Call and response Cumulative song Solo Solo Song Types Solo Partner song Canon Chant Round Echo singing Scope and Sequence • California Set Concept K 1 2 3 4 5 Washboard Mallet technique Ganza Rhythm sticks Various non-pitched Shakers Various non-pitched Various barred Orff Various non-pitched Clapping percussion instruments Hand drums percussion instruments percussion instruments Guiros Body percussion Rhythm sticks Clapping Rhythm sticks Various barred Orff Claves Triangles Various non-pitched Found sounds Body percussion instruments Various non-pitched Various barred Orff percussion instruments Body percussion Found sounds Triangle percussion instruments instruments Congas Rasping stick Clapping Body percussion Various barred Orff Hand drums Finger cymbals Rhythm Sticks Various non-pitched Rhythm sticks instruments Clapping Triangles Triangle percussion Clapping Bells Maracas Woodblocks Orff instru- Claves Axatse/shakers Tambourine Body percussion Woodblocks Keyboard instruments ments and Tambourine Temple blocks/wood blocks Hand drums Cymbals Various barred Orff Non-Pitched Woodblock Boomwhackers® Tambourines Rhythm sticks instruments percussion Cajon Mallet technique Cowbells Jingletaps Cabasas and found Boomwhackers® Found sounds Shakers Tambourines Vibraslaps sounds Boomwhackers® Jingle bells Boomwhackers® Found sounds Boomwhackers® Bells Triangles Shakers Clapping
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