2.6 Israeli Song Festivals
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Singing the Memory of Sepharad: Traditional Sephardic Song and Its Interpretation
Singing the Memory of Sepharad: Traditional Sephardic Song and its Interpretation Katerina Garcia Abstract The transmission and interpretation of Sephardic songs is inextricably linked to Sephardic culture, and to this day represents a powerful marker of identity. It is the aim of this article to first contextualise traditional Sephardic song by outlining a brief introduction into the cultural background of the Sephardic Diaspora. Subsequently, I will introduce the various secular forms and genres of Sephardic traditional song, focusing on the modes of their interpretation by both contemporary Sephardic and non-Sephardic musicians. In doing so, I will propose a typology of performance approaches, with regards to the role that the re-imagining of Sepharad as a mythical land of the past plays in this process. Keywords: Sephardic music, Judeo-Spanish song, interpretation Introduction The Sephardic Jews, or Sephardim1, represent the second largest ethnic division within Judaism, the first one being the Ashkenazim, or German and Eastern-European Jews. In the narrowest sense of the term, Sephardim are the descendants of the Jews expelled from the Iberian Peninsula at the end of the 15th century (Spain, 1492; Portugal, 1496), and those who assimilated culturally to them in the main areas of Sephardic settlement post-1492 The areas of the Sephardic diaspora are indicated in Figure 1: Figure 1 – The Sephardic Diaspora (Sephiha and Weinstock 1997) Ethnomusicology Ireland 5 (2017) Garcia 172 For the present discussion of traditional Sephardic music, only the areas of the Eastern Mediterranean (incl. the present-day state of Israel), the Balkan Peninsula and North Africa (the former Ottoman Empire) are relevant, as it is here that a specific Sephardic language and culture develop. -
When Mizrahi Artists Said ‘No’ to Israel’S Pioneer Culture
Riches To Rags To Virtual Riches: When Mizrahi Artists Said ‘No’ To Israel’s Pioneer Culture Shoshana Gabay. Ills. Joseph Sassoon Semah Upon their arrival in Israel, Mizrahi Jews found themselves under a regime that demanded obedience, even in cultural matters. All were required to conform to an idealized pioneer figure who sang classical, militaristic ‘Hebrew’ songs. That is, before the ‘Kasetot’ era propelled Mizrahi artists into the spotlight, paving the way for today’s musical stars. Part two of a musical journey beginning in Israel’s Mizrahi neighborhoods of the 1950s and leading up to Palestinian singer Mohammed Assaf. Read part one here. Our early encounter with Zionist music takes place in kindergarten, then later in schools and the youth movements, usually with an accordionist in tow playing songs worn and weathered by the dry desert winds. Music teachers at school never bothered with classical music, neither Western nor Arabian, and traditional Ashkenazi liturgies – let alone Sephardic – were not even taken into account. The early pioneer music was hard to stomach, and not only because it didn’t belong to our generation and wasn’t part of our heritage. More specifically, we were gagging on something shoved obsessively down our throat by political authority. Our “founding fathers” and their children never spared us any candid detail regarding the bodily reaction they experience when hearing the music brought here by our fathers, and the music we created here. But not much was said regarding the thoughts and feelings of Mizrahi immigrants (nor about their children who were born into it) who came here and heard what passed as Israeli music, nor about their children who were born into it. -
Eastern Mediterranean Judeo-Spanish Songs from the EMI Archive Trust (1907-1912)
Eastern Mediterranean Judeo-Spanish Songs from the EMI Archive Trust (1907-1912) Anthology of Music Traditions in Israel The Hebrew University of Jerusalem • The Jewish Music Research Centre 27 Anthology of Music Traditions in Israel • 27 Editor: Edwin Seroussi Eastern Mediterranean Judeo-Spanish Songs from the EMI Archive Trust (1907-1912) Study and commentaries: Rivka Havassy and Edwin Seroussi Research collaborators: Michael Aylward, Joel Bresler, Judith R. Cohen and Risto Pekka Pennanen Jerusalem, 2020 Jewish Music Research Centre, The Hebrew University of Jerusalem The Hebrew University of Jerusalem • Faculty of Humanities Jewish Music Research Centre In collaboration with the National Library of Israel With the support of Centre for Research and Study of the Sephardi and Oriental Jewish Heritage (Misgav Yerushalayim) at The Hebrew University of Jerusalem For additional materials related to this album, see www.jewish-music.huji.ac.il Academic Board of the Jewish Music Research Centre Chairperson: Shalom Sabar Steven Fassberg, Ruth HaCohen, Yossi Maurey, Elchanan Reiner, Eliyahu Schleifer, Assaf Shelleg, Rina Talgam Director: Edwin Seroussi Digital Transfers: SMART LAB, Hayes, Middlesex Digital Editing and Mastering: Avi Elbaz Graphic design: www.saybrand.co.il Cover photograph: Splendid Palace Hotel, Salonika, c. 1910, location of recordings © and P The Hebrew University of Jerusalem 2020 4 Preface In 2008 the Jewish Music Research Centre released a 4 CD package entitled An Early 20th-century Sephardi Troubadour: The Historic Recordings of Haim Effendi of Turkey. Catering to the increasing scholarly and general public interest in the role commercial recordings had on musical traditions from the early twentieth century, that production became a landmark in the revised appreciation of Sephardic music prior to the rapid chain of events leading to the dissolution of the traditional communities that maintained this music. -
Lyre of the Levites: Klezmer Music for Biblical Lyre
LYRE OF THE LEVITES: KLEZMER MUSIC FOR BIBLICAL LYRE "Lyre of the Levites: Klezmer Music for Biblical Lyre" is the sequel album to "King David's Lyre; Echoes of Ancient Israel". Both of these albums are dedicated to recreating again, for the first time in almost 2000 years, the mystical, ancient sounds of the "Kinnor"; the Hebrew Temple Lyre, once played by my very own, very ancient Levite ancestors in the Courtyard of the Temple of Jerusalem, to accompany the singing of the Levitical Choir (II Chronicles 5:12)... THE CHOICE OF REPERTOIRE FOR THE ALBUM "Lyre of the Levites" uniquely features arrangements of primarily traditional melodies from the Jewish Klezmer repertoire arranged for solo Levitical Lyre - the concept of the musical performances on this album, are meant to be evocations, not reconstructions, of the sounds & playing techniques that were possible on the ten-stringed Kinnor of the Bible; there are sadly too few unambiguously notated melodies from antiquity to make an album of "note for note" reconstructions of ancient instrumental solo lyre music a feasible reality. However, the traditional Jewish scales/modes in which these pieces are actually written may well have roots which stretch deeply back to these distant, mystically remote Biblical times, according to the fascinating research of the late Suzanne Haik Vantoura, in attempting to reconstruct the original 3000 year old music of the Hebrew Bible. THE TWELVE TRACKS There are 12 tracks to the album - corresponding to the 12 Gems which once adorned the Breastplate of the Levitical Priests of the Temple of Jerusalem. These 12 Gems represented the 12 Tribes of Israel. -
“Friends” Co-Creator Marta Kauffman to Produce “Hava Nagila” Documentary
Contact: Roberta Grossman 323.424.4210 [email protected] www.katahdin.org “FRIENDS” CO-CREATOR MARTA KAUFFMAN TO PRODUCE “HAVA NAGILA” DOCUMENTARY EMMY AWARD-WINNING PRODUCER RETEAMS WITH “BLESSED IS THE MATCH” FILMMAKERS TO EXPLORE THE HISTORY, MYSTERY AND MEANING OF THE ICONIC JEWISH SONG Hollywood, CA (January 27, 2011) – Emmy Award-winning producer Marta Kauffman is reteaming with her partners on the documentary Blessed Is the Match to bring the story of the iconic song “Hava Nagila” to the screen. Funny, deep and unexpected, Hava Nagila: What Is It? will celebrate 100 years of Jewish history and culture through the journey of a song, and reveal the power of music to bridge cultural divides and bring us together as human beings. “We are thrilled to be working with Marta again,” says director Roberta Grossman, whose film Blessed Is the Match, about Holocaust heroine Hannah Senesh, was shortlisted for an Academy Award, won the audience award at 13 film festivals, was broadcast on PBS in 2010, and nominated for a Primetime Emmy. “Marta is someone who elevates every project she touches, and her experience and guidance will only make the film better.” Kauffman was the co-creator and executive producer of the hit TV series Friends. Prior to her work on Friends, Kauffman co-created and co-executive produced the critically acclaimed series Dream On. She co-created the series The Powers That Be, for Norman Lear, and co-created and served as executive producer on the comedy series Family Album and Veronica’s Closet. Kauffman executive produced Blessed Is the Match, working closely with Grossman, producer Lisa Thomas and writer Sophie Sartain. -
“A Person Cannot Walk Away from Jerusalem Unchanged….”
“A person cannot walk away from Jerusalem unchanged….” 2000 years ago there was a Jewish Kingdom whose capital Destroyed and .ירושלים ,was Jerusalem, Yerushalayim desecrated for centuries, the Jewish People were finally reunited with the holiest of cities central to our faith, our history and our identity. Join us as we celebrate our origin, our return and our connection to Zion, the City of Gold! Yom Yerushalayim: The Reunification of A People And A Past By Elana Yael Heideman There has been a continuous Jewish presence in Jerusalem, and our connection to and passion for the city has been preserved as a memory by Jewish people around the world. Though the modern state of Israel was born in 1948, for years Jews were cut off from the Old City of Jerusalem and the Kotel, the Western Wall - the heart of the Jewish people, the axis of our collective national and historical identity, the center of our faith, and the focus of the history of the Jewish people for generations. Throughout Israel and around the world, on the 28th of the Hebrew month of Iyar, we celebrate being reunited with the city of Zion, Yerushalayim Shel Zahav, our only Jerusalem. History shows that it was the Jews who have made Jerusalem important to the world. In 1004 BCE, King David established Jerusalem as the capital of the Kingdom of Israel (2 Samuel 5:6). Following the first exile, he proclaimed: "If I forget you Jerusalem, let my right hand lose its strength. Let my tongue cling to my palate if I fail to recall you, if I fail to elevate Jerusalem above my highest joy." Three times a day, or even just twice a year, for thousands of years, Jews turn their faces towards Jerusalem and the Temple Mount and pray for a return to Jerusalem and to Tzion. -
Diwan-Flyer-2015 For-Web.Pdf
photography: Shmulik Balmas www.facebook.com/diwansazmusic www.twitter.com/diwansaz www.instagram.com/diwansaz Multi-Cultural Middle Eastern World Music Ensemble [email protected] +972-525-999-161 www.diwansaz.com Diwan Saz is a multicultural Jewish ,Christian & Muslim group of musicians who perform ancient music from Central Asia, Turkey, Persia, and the Holy Land - promoting peace and understanding through music. Diwan Saz marries together two great traditions that coexist in the Holy Land - Hebrew and Arab music, The songs are sung together by Rabbi David Menachem , Hamudi Gadir, Tzipora El Rei, lubna sallame & Amir shahsar whose powerful voices, rising at times above the instruments, demands almost undivided attention. Music of peace: The Daly Lama was once asked how to end the conflict between nations and people. He answered, “Through music - playing, learning, and teaching together”. The Diwan Saz Interfaith Ensemble embodies this philosophy photography: Andy Alpern through its repertoire of authentic folk and classical music of the Middle East performed by some of the most respected musicians in the region. The ensemble, led by Musical Director and Baglama musician Yohai Barak, has performed in festivals and venues ”But the most inspiring and quite symbolic performance throughout Europe, Israel , India and several prestigious of the night, was given by the Diwan Saz. A group which festivals in the United States and Canada including The South embodies the ideals of the Festival - diversity and mutual By Southwest Music Festival - Austin Texas. As musicians, respect. Diwan Saz marries together two great traditions artists and teachers Diwansaz combine their many years that coexist in the Holy Land - that of Jewish and Muslim of commitment to their art and their communities to bring a music …A true music of peace and harmony. -
1 Lahiton [email protected]
Lahiton [email protected] 1 Lahiton magazine was founded in 1969 by two partners, Uri Aloni and David Paz, and was funded by an investment from Avraham Alon, a Ramlah nightclub owner and promoter. Uri Aloni was a pop culture writer and rabid music fan while David Paz, another popular music enthusiast, was an editor who knew his way around the technical side of print production. The name “Lahiton,” reportedly invented by entertainers Rivka Michaeli and Ehud Manor, combines the Hebrew words for hit, “lahit” and newspaper, “iton.” Lahiton [email protected] 2 Uri Aloni cites the British fan magazines Melody Maker and New Music Express as influences; (Eshed 2008) while living in London and writing for the pop music columns of Yediot Ahronot and La-Isha, he would lift editorial content and photos from the latest British pop magazines, write articles, then find an Israel-bound traveler at the London airport to transport the articles into the hands of his editors. In Lahiton’s early days, Aloni and Paz continued this practice (Edut 2014). Eventually, however Lahiton’s flavor became uniquely secular Israeli. Although in 1965 the Beatles were famously denied permission to perform in Israel (Singer 2015), by the time Lahiton got started in 1969 there was no stemming the tide; the international pop music scene had permeated Israel’s insular and conservative culture. At the time there were no other Hebrew publications that covered what was going on both at home and in America and Europe. Lahiton began as a bimonthly publication, but within the first year, when press runs of 5000 copies sold out on a regular basis, Paz and Aloni turned it into a weekly. -
Karaoke Mietsystem Songlist
Karaoke Mietsystem Songlist Ein Karaokesystem der Firma Showtronic Solutions AG in Zusammenarbeit mit Karafun. Karaoke-Katalog Update vom: 13/10/2020 Singen Sie online auf www.karafun.de Gesamter Katalog TOP 50 Shallow - A Star is Born Take Me Home, Country Roads - John Denver Skandal im Sperrbezirk - Spider Murphy Gang Griechischer Wein - Udo Jürgens Verdammt, Ich Lieb' Dich - Matthias Reim Dancing Queen - ABBA Dance Monkey - Tones and I Breaking Free - High School Musical In The Ghetto - Elvis Presley Angels - Robbie Williams Hulapalu - Andreas Gabalier Someone Like You - Adele 99 Luftballons - Nena Tage wie diese - Die Toten Hosen Ring of Fire - Johnny Cash Lemon Tree - Fool's Garden Ohne Dich (schlaf' ich heut' nacht nicht ein) - You Are the Reason - Calum Scott Perfect - Ed Sheeran Münchener Freiheit Stand by Me - Ben E. King Im Wagen Vor Mir - Henry Valentino And Uschi Let It Go - Idina Menzel Can You Feel The Love Tonight - The Lion King Atemlos durch die Nacht - Helene Fischer Roller - Apache 207 Someone You Loved - Lewis Capaldi I Want It That Way - Backstreet Boys Über Sieben Brücken Musst Du Gehn - Peter Maffay Summer Of '69 - Bryan Adams Cordula grün - Die Draufgänger Tequila - The Champs ...Baby One More Time - Britney Spears All of Me - John Legend Barbie Girl - Aqua Chasing Cars - Snow Patrol My Way - Frank Sinatra Hallelujah - Alexandra Burke Aber Bitte Mit Sahne - Udo Jürgens Bohemian Rhapsody - Queen Wannabe - Spice Girls Schrei nach Liebe - Die Ärzte Can't Help Falling In Love - Elvis Presley Country Roads - Hermes House Band Westerland - Die Ärzte Warum hast du nicht nein gesagt - Roland Kaiser Ich war noch niemals in New York - Ich War Noch Marmor, Stein Und Eisen Bricht - Drafi Deutscher Zombie - The Cranberries Niemals In New York Ich wollte nie erwachsen sein (Nessajas Lied) - Don't Stop Believing - Journey EXPLICIT Kann Texte enthalten, die nicht für Kinder und Jugendliche geeignet sind. -
Music Brings Israeli Society Together Israeli Society Chai: the Nation of Israel Is Alive
June 2017 Volume XXIX, Issue 7 Music Brings Israeli Society Together Israeli society chai: The nation of Israel is alive. Zeh is complicated. hashir sheSaba shar etmol le’Abba; There are crush- This is the song that Grandpa sang yes- ing geo-political terday to Dad. Vehayom ani; And today concerns on its it is me! borders and cul- Next, Koolulam unveiled its largest tural differences the group learned three parts of a song event to date. For Yom Ha’atzma’ut, Is- among Israel’s – in English. The result was filmed raeli’s 70th Independence Day, 12,000 own citizens. and posted on Facebook. The next day, people joined Israel’s President Reuven Within Israel’s the lead singer of the American rock Rivlin, famous musician Shlomi Sha- Jewish population there are tensions band Imagine Dragons marveled at his bat, Tel Aviv Mayor Ron Huldai, and between secular and observant Jews, band’s song “Believer” as produced MK Gila Gamliel to sing Naomi Shem- and Ashkenazic, Sephardic and Mizra- by Koolulam. He posted the video on er’s immortal ode to the beauty and the chi Jews, not to mention the differences his webpage stating: “This 600 person pain of life in Israel, Al Kol Alei, For among Israeli Arab Muslims, Chris- choir singing ‘Believer’ blew my mind All These Things. They sang: tians, Druze, and Bahai. this morning as I watched. So much For the honey and the sting, for the In 2017, a secular Israeli producer, passion.” bitter and the sweet/ Don’t uproot a Or Teicher, noticed observant Jews Next, it was on to Haifa, in February, sapling. -
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MT-10-20121112_14-songs 11/13/2012 12:02 PM Page 8 Songs and Hymns HYMNS / PIYUTIM Hymns Shabbat ADON OLAM Havdalah Songs Adon olam asher malach, 'Q‹k¨n r¤J£t oŠkIg iIs£t Israeli Songs b’terem kol y’tzir nivra. /t¨r‰c°b rhˆm±h kŠF o¤rœ¤y‰C Days of Awe L’eit naasah v’cheftzo kol, 'k«F Im‰p¤j‰c v¨G…g³b ,‡g‰k Three Festivals azai Melech sh’mo nikra. /t¨r§e°b In§J Q†kœ¤n h³z£t Sukkot V’acharei kichlot hakol, 'k«F©v ,Ik‰fˆF h¥r£j©t±u Pesach l’vado yimloch nora. /t¨rIb QIk§n°h IS‹c‰k Shavuot V’hu hayah, v’hu hoveh, 'v®u«v tUv±u 'v²h¨v tUv±u Chanukah v’hu yih’yeh, b’tifarah. /v¨r¨t‰p¦,‰C 'v®h§v°h tUv±u Tu Bish’vat V’hu echad v’ein sheini, Purim 'h°b¥J ih¥t±u s¨j¤t tUv±u l’hamshil lo l’hachbirah. Songs of Memory /v¨rhœˆC§j©v‰k Ik kh¦J§n©v‰k B’li reishit b’li tachlit, ',hˆk‰f©, hˆk‰C ,h¦Jt¥r hˆk‰C Meditation and Healing v’lo haoz v’hamisrah. /v¨r§G¦N©v±u z«g¨v Ik±u National Hymns V’hu Eli v’chai go-ali, 'hˆk£t«D h©j±u hˆk¥t tUv±u v’tzur chevli b’eit tzarah. /v¨rŠm ,‡g‰C hˆk‰c¤j rUm±u V’hu nisi umanos li hˆk xIb¨nU h¦X°b tUv±u m’nat kosi b’yom ekra. -
Film. It's What Jews Do Best. Aprll 11-21 2013 21ST
21ST TORONTO JEWISH FILM FESTIVAL APRIL 11-21 2013 WWW.TJFF.COM FILM. It’S WHAT JEWS DO BEST. DRAMAS OVERDRIVE AD COMEDIES DOCUMENTARIES BIOGRAPHIES ARCHIVAL FILMS ARCHIVAL SHORT FILMS SHORT Proudly adding a little spark to the Toronto Jewish Film Festival since 2001. overdrivedesign.com 2 Hillel Spotlight on Israeli Films Spotlight on Africa Israel @ 65 Free Ticketed Programmes CONTENTS DRAMAS 19 COMEDIES 25 DOCUMENTARIES 28 BIOGRAPHIES 34 ARCHIVAL FILMS 37 SHORT FILMS 38 4 Schedule 15 Funny Jews: 7 Comedy Shorts 42 Patron Circle 6 Tickets 15 REEL Ashkenaz @ TJFF 43 Friends and Fans 7 Artistic Director’s Welcome 16 Talks 44 Special Thanks 8 Co-Chairs’ Message 17 Free Family Screenings 44 Nosh Donors 9 Programme Manager’s Note 18 Opening / Closing Night Films 44 Volunteers 10 Programmers’ Notes 19 Dramas 46 Sponsors 12 David A. Stein Memorial Award 25 Comedies 49 Advertisers 13 FilmMatters 28 Documentaries 67 TJFF Board Members and Staff 13 Hillel Spotlight on Israeli Film 34 Biographies 68 Films By Language 14 Spotlight on Africa 37 Archival Films 70 Films By Theme / Topic 14 Israel @ 65 38 Short Films 72 Film Index APRIL 11–21 2013 TJFF.COM 21ST ANNUAL TORONTO JEWISH FILM FESTIVAL 3 SCHEDULE • Indicates film has additional screening(s).Please Note: Running times do not include guest speakers where applicable. Thursday April 11 Monday April 15 8:30 PM BC 92 MIN CowJews and Indians: How Hitler 1:00 PM ROM 100 MIN • Honorable Ambassador w/ Delicious Scared My Relatives and I Woke up Peace Grows in a Ugandan in an Iroquois Longhouse —Owing