Dr. Richard Rankin Russell 2012 Baylor Centennial Professor

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Dr. Richard Rankin Russell 2012 Baylor Centennial Professor 1 Dr. Richard Rankin Russell 2012 Baylor Centennial Professor Professor of English Graduate Program Director Director, Beall Poetry Festival: www.baylor.edu/beall Department of English One Bear Place Box 97404 Baylor University Waco, TX 76798-7404 [email protected] 254-710-4815 Education: Ph.D. in English Literature at the University of North Carolina at Chapel Hill (UNC), May 2001 Dissertation: “Seeing ‘with a myriad eyes’: Contemporary Northern Irish Literature and Identity.” Director, Weldon Thornton, UNC; Second Reader, Michael Valdez Moses, Duke. M.A. in English Literature, UNC, May 1997 Thesis: “Black Passage(s) Through White Spaces: Uses of Masking by Faulkner’s Characters of Color in Go Down, Moses.” Director, Fred Hobson M. Phil. in English Literature (Modernism), University of Glasgow (Scotland), July 1996 Thesis: “Ulysses: The Old Sow That Eats Its Children.” Director, Robert A. D. Grant B.A., summa cum laude, British and American Literature, University of Memphis, 1994 Honors Thesis: “The Place of the Natchez Trace in the Short Fiction of Eudora Welty” Books under Contract: 1. “Seamus Heaney: A Critical Introduction,” under contract with University of Edinburgh Press; distribution in North and South America by Oxford University Press. 96,000 words. Due date: January 15, 2016; publication date: Fall 2016. Books: 1. Seamus Heaney’s Regions. University of Notre Dame Press, June 2014. 498 pp. Back- cover endorsements by Stephen Regan (University of Durham), Bernard O’Donoghue (Oxford University), and Henry Hart (College of William and Mary). Second printing issued, 2015. Favorably reviewed in Publisher's Weekly: http://www.publishersweekly.com/978-0- 268-04036-9, The Oxonian: http://www.oxonianreview.org/wp/tag/richard-rankin- russell/, Publisher’s Weekly, Irish Studies Review, Heythrop Journal, New Hibernia Review, and the Irish Literary Supplement. Winner of the Robert Penn Warren/Cleanth Brooks Award for literary criticism, 2014. See http://www.baylor.edu/mediacommunications/news.php?action=story&story=153572 and https://wkunews.wordpress.com/2015/03/17/warren-brooks-2015/. 2 Foreword Reviews 2014 INDIEFAB Book of the Year Award Finalist in History. 2. Editor, Bernard MacLaverty: New Critical Readings. Bloomsbury Academic, 2014. 191 pp. 3. Modernity, Community, and Place in Brian Friel’s Drama. Syracuse University Press, Irish Studies series, 2013. 318 pp. Back-cover endorsements by Terry Teachout, Drama Critic for The Wall Street Journal, Stephen Watt (Indiana University), Anthony Roche (University College, Dublin) Favorably reviewed in Choice, Comparative Drama, Studies: An Irish Quarterly, Irish Studies Review, and Estudios Irlandeses. 4. Editor, Peter Fallon: Poet, Publisher, Editor, and Translator. Irish Academic Press (Dublin, Ireland and Portland, Oregon), 2013. 215 pp. Book launch, Trinity College, Dublin: November 15, 2013: http://irishacademicpress.ie/book-launch-peter-fallon-poet- publisher-editor-and-translator-edited-by-richard-rankin-russell/. Favorably reviewed in Year’s Work in English Studies, New Hibernia Review, Times Literary Supplement, Sunday Business Post, and Sunday Times (Ireland edition) along with two radio interviews, including “Talking Books” with Susan Cahill, Newstalk Radio, Dublin, Ireland, Sunday, February 10, 2014. 5. Poetry and Peace: Michael Longley, Seamus Heaney, and Northern Ireland. University of Notre Dame Press, 2010. 381 pp. Back-cover endorsements by Henry Hart (College of William and Mary), John Wilson Foster (University of British Columbia), and Peter McDonald (Oxford University). Reviewed favorably in Peace Review: A Journal of Social Justice, James Joyce Literary Supplement, and The New Criterion. Winner of the South Central Modern Language Association Book Prize, 2011. Winner of the South Atlantic Modern Language Association Book Prize, 2011. 6. Bernard MacLaverty. Bucknell University Press, Contemporary Irish Writers Series, 2009. 175 pp. Back-cover endorsement by George Watson, Institute for Irish Studies, Aberdeen, Scotland. Reviewed favorably in Irish Studies Review and in New Hibernia Review 7. Invited Editor of Martin McDonagh: A Casebook. Routledge, Casebooks on Modern Dramatists series, 2007. 180 pages. Reprinted in paperback, 2012. Back-cover endorsements by Nicholas Grene (Trinity College, Dublin) and Anthony Roche (University College, Dublin). Favorably reviewed in The Year’s Work in English Studies, 2009. Articles in Refereed Journals: 1. “Embodying Place: Ecotheology and Deep Incarnation in Cormac McCarthy’s The Road,” forthcoming in the special “Environmental Imagination” issue of Christianity and Literature, Summer 2016. 2. “The Life of Things and the Place of Community in Howards End,” forthcoming in Journal of Narrative Theory, Summer 2016. 3. “Radical Empathy in Virginia Woolf’s Mrs. Dalloway,” forthcoming in Genre, 2015. 18,000 words. 3 4. Invited Essay, “Deprovincializing Brian Friel’s Drama in America, 2006-2014: Fort Myers, New York, Houston.” “Mirror up to Theatre: Essays in Honour of Christopher Murray,” Special Issue of Irish University Review 45.1 (Spring/Summer 2015): 103-116. 5. Invited essay, “Down in the Delta: Tallahatchie County, Mississippi and Langston Hughes’s Blues Poetry about Emmett Till.” Five Points: A Journal of Literature and Art 16.2 (Winter 2015): 146-163. 6. “The Yeatsian Intertexts of Coetzee’s Disgrace.” Journal of Commonwealth and Postcolonial Studies, New series, 2.2 (Fall 2014): 3-18. 7. Invited essay, “W. H. Auden, Michael Longley, and Poetry as Citizenship in Northern Ireland.” The Cresset: A Review of Literature, the Arts, and Public Affairs, Trinity 2014: 6-16. 8. “The Black and Green Atlantic: Violence, History, and Memory in Natasha Trethewey’s ‘South’ and Seamus Heaney’s ‘North.’” The Southern Literary Journal 46.3, “Special Issue, Literatures of Gulf Souths, Gulf Streams, and Their Dispersions” (Spring 2014): 155-172. 9. “‘There lives the dearest freshness deep down things’: The Intertextual Relationship of George Mackay Brown’s Greenvoe and Hopkins’s ‘God’s Grandeur.’” Renascence 66.1 (Winter 2014): 57-76. 10. “Irish Unionism, North of Ireland Protestantism, and Home Rule in Joyce’s Dubliners.” Joyce Studies Annual (2013): 32-64. 11. “Home, Exile, and Unease in Brian Friel’s Globalized Drama since 1990: Molly Sweeney, The Home Place, and Hedda Gabler (after Ibsen).” Modern Drama 56.2 (June 2013): 206-31. 12. “The Mortification Motif in Bernard MacLaverty’s Cal.” Literature and Belief 33.1 (2013): 107-25. 13. Brian Friel’s Short Fiction: “Place, Modernity, and Community.” Irish University Review 42.2 (Fall/Winter 2012): 298-326. 14. Brian Friel’s Transformation from Short Fiction Writer to Dramatist.” Comparative Drama 46.4 (Winter 2012): 451-74. 15. “Shades of Larkin: Singularity and Transcendence in Derek Mahon’s “A Garage in Co. Cork.” Journal of Modern Literature 35.4 (2012): 91-106. 16. “The Keats and Hopkins Dialectic in Seamus Heaney’s Early Poetry: ‘The Forge.’” Irish Literature issue of ANQ 25.1 (Jan.-Mar. 2012): 44-50. 17. “Owen and Yeats in Heaney’s The Cure at Troy.” Essays in Criticism 61.2 (April 2011): 173-89. 18. “‘We pick at the scabs’: Writerly Persistence and Family Woundedness in Harry Crews’s Blood Issue.” Mississippi Quarterly 64.2 (Spring 2011): 269-85. 19. “Black Passages through White Spaces: The Masking of Faulkner’s African-American Characters in Go Down, Moses.” CEA Critic 73.1 (Winter 2010): 86-109. 20. Invited Review Essay, “Reading Poets from the Past: Seamus Heaney’s Poetic Evolution.” Irish Studies Review 18.1 (Feb. 2010): 101-07. 21. “Embod[y]ments of History and Delayed Confessions: Graham Swift’s Waterland as Trauma Fiction.” Papers in Language and Literature 45.2 (Spring 2009): 115-49. Cited positively in Alan Robinson’s Narrating the Past: Historiography, Memory, and the Contemporary Novel. New York: Palgrave, 2011. 4 22. “Seamus Heaney’s Artful Regionalism.” Twentieth-Century Literature 54.1 (Spring 2008): 47-74. 23. “Playing and Singing toward Devolution: Stewart Parker’s Ethical Aesthetics in Kingdom Come and Northern Star.” Irish University Review 37.2 (Autumn/Winter 2007): 366-94. 24. “Escaping the Examined Life in George Moore’s ‘Home Sickness.’” Journal of the Short Story in English No. 48 (Spring 2007): 25-42. Cited by Greg Winston, “George Moore’s Landscapes of Return,” Out of the Earth: Ecocritical Readings of Irish Texts, ed. Christine Cusick. Cork: Cork UP, 2010, p. 69.f.n. 13. 25. “Tom Murphy’s Comedy of Redemption in Bailegangaire.” Journal of Dramatic Theory and Criticism 21.2 (Spring 2007): 79-99. 26. “Imagining a New Province: Seamus Heaney’s Creative Work for BBC Northern Ireland Radio, 1968-1971.” Irish Studies Review 15.2 (Spring 2007): 137-62. Reprinted in Virtual Special Issue, “Remembering Seamus Heaney,” Irish Studies Review, 2014: http://explore.tandfonline.com/content/pgas/cisr-seamus-heaney-virtual- issue. 27. “Exorcising the Ghosts of Conflict in Northern Ireland: Stewart Parker’s The Iceberg and Pentecost.” Eire-Ireland 41.3-4 (Fall/Winter 2006): 42-58. Cited by Aidan O’Malley, Field Day and the Translations of Irish Identities: Performing Irish Identities (New York: Palgrave, 2011), 214n.91. 28. “Talking with Ghosts of Irish Playwrights Past: Marina Carr’s By the Bog of Cats . .” Lead Essay, Comparative Drama 40.2 (Summer 2006): 149-68. 29. “The Yeatsian Refrain in Paul Muldoon’s Moy Sand and Gravel.” ANQ 19.3 (Summer 2006): 50-6. 30. “‘Something is being eroded’: The Vanishing Agrarian Epistemology of Brian Friel’s Translations.” New Hibernia Review 10.2 (Summer 2006): 106-122. 31. “The Dramatic Conversion of Nicholas Barber in Barry Unsworth’s Morality Play.” Renascence: Essays on Values in Literature 58.3 (Spring 2006): 221-39. 32. “The Tragedy of Imelda’s Terminal Silence in William Trevor’s Fools of Fortune.” Papers on Language and Literature 42.1 (Winter 2006): 73-94. Positively cited in Jonathan Bolton’s “Blighted Beginnings”: Coming of Age in Independent Ireland (Bucknell UP, 2010), 92. And in Michael O’Neill, William Trevor: Revaluations (New York: Palgrave, 2013). 33. “The Liberating Fictional Truth of Community in Brian Friel’s The Freedom of the City.” South Atlantic Review 71.1 (Winter 2006): 42-73.
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