DOCSLIB.ORG

Dr. Richard Rankin Russell 2012 Baylor Centennial Professor

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

1 Dr. Richard Rankin Russell 2012 Baylor Centennial Professor Professor of English Graduate Program Director Director, Beall Poetry Festival: www.baylor.edu/beall Department of English One Bear Place Box 97404 Baylor University Waco, TX 76798-7404 [email protected] 254-710-4815 Education: Ph.D. in English Literature at the University of North Carolina at Chapel Hill (UNC), May 2001 Dissertation: “Seeing ‘with a myriad eyes’: Contemporary Northern Irish Literature and Identity.” Director, Weldon Thornton, UNC; Second Reader, Michael Valdez Moses, Duke. M.A. in English Literature, UNC, May 1997 Thesis: “Black Passage(s) Through White Spaces: Uses of Masking by Faulkner’s Characters of Color in Go Down, Moses.” Director, Fred Hobson M. Phil. in English Literature (Modernism), University of Glasgow (Scotland), July 1996 Thesis: “Ulysses: The Old Sow That Eats Its Children.” Director, Robert A. D. Grant B.A., summa cum laude, British and American Literature, University of Memphis, 1994 Honors Thesis: “The Place of the Natchez Trace in the Short Fiction of Eudora Welty” Books under Contract: 1. “Seamus Heaney: A Critical Introduction,” under contract with University of Edinburgh Press; distribution in North and South America by Oxford University Press. 96,000 words. Due date: January 15, 2016; publication date: Fall 2016. Books: 1. Seamus Heaney’s Regions. University of Notre Dame Press, June 2014. 498 pp. Back- cover endorsements by Stephen Regan (University of Durham), Bernard O’Donoghue (Oxford University), and Henry Hart (College of William and Mary). Second printing issued, 2015. Favorably reviewed in Publisher's Weekly: http://www.publishersweekly.com/978-0- 268-04036-9, The Oxonian: http://www.oxonianreview.org/wp/tag/richard-rankin- russell/, Publisher’s Weekly, Irish Studies Review, Heythrop Journal, New Hibernia Review, and the Irish Literary Supplement. Winner of the Robert Penn Warren/Cleanth Brooks Award for literary criticism, 2014. See http://www.baylor.edu/mediacommunications/news.php?action=story&story=153572 and https://wkunews.wordpress.com/2015/03/17/warren-brooks-2015/. 2 Foreword Reviews 2014 INDIEFAB Book of the Year Award Finalist in History. 2. Editor, Bernard MacLaverty: New Critical Readings. Bloomsbury Academic, 2014. 191 pp. 3. Modernity, Community, and Place in Brian Friel’s Drama. Syracuse University Press, Irish Studies series, 2013. 318 pp. Back-cover endorsements by Terry Teachout, Drama Critic for The Wall Street Journal, Stephen Watt (Indiana University), Anthony Roche (University College, Dublin) Favorably reviewed in Choice, Comparative Drama, Studies: An Irish Quarterly, Irish Studies Review, and Estudios Irlandeses. 4. Editor, Peter Fallon: Poet, Publisher, Editor, and Translator. Irish Academic Press (Dublin, Ireland and Portland, Oregon), 2013. 215 pp. Book launch, Trinity College, Dublin: November 15, 2013: http://irishacademicpress.ie/book-launch-peter-fallon-poet- publisher-editor-and-translator-edited-by-richard-rankin-russell/. Favorably reviewed in Year’s Work in English Studies, New Hibernia Review, Times Literary Supplement, Sunday Business Post, and Sunday Times (Ireland edition) along with two radio interviews, including “Talking Books” with Susan Cahill, Newstalk Radio, Dublin, Ireland, Sunday, February 10, 2014. 5. Poetry and Peace: Michael Longley, Seamus Heaney, and Northern Ireland. University of Notre Dame Press, 2010. 381 pp. Back-cover endorsements by Henry Hart (College of William and Mary), John Wilson Foster (University of British Columbia), and Peter McDonald (Oxford University). Reviewed favorably in Peace Review: A Journal of Social Justice, James Joyce Literary Supplement, and The New Criterion. Winner of the South Central Modern Language Association Book Prize, 2011. Winner of the South Atlantic Modern Language Association Book Prize, 2011. 6. Bernard MacLaverty. Bucknell University Press, Contemporary Irish Writers Series, 2009. 175 pp. Back-cover endorsement by George Watson, Institute for Irish Studies, Aberdeen, Scotland. Reviewed favorably in Irish Studies Review and in New Hibernia Review 7. Invited Editor of Martin McDonagh: A Casebook. Routledge, Casebooks on Modern Dramatists series, 2007. 180 pages. Reprinted in paperback, 2012. Back-cover endorsements by Nicholas Grene (Trinity College, Dublin) and Anthony Roche (University College, Dublin). Favorably reviewed in The Year’s Work in English Studies, 2009. Articles in Refereed Journals: 1. “Embodying Place: Ecotheology and Deep Incarnation in Cormac McCarthy’s The Road,” forthcoming in the special “Environmental Imagination” issue of Christianity and Literature, Summer 2016. 2. “The Life of Things and the Place of Community in Howards End,” forthcoming in Journal of Narrative Theory, Summer 2016. 3. “Radical Empathy in Virginia Woolf’s Mrs. Dalloway,” forthcoming in Genre, 2015. 18,000 words. 3 4. Invited Essay, “Deprovincializing Brian Friel’s Drama in America, 2006-2014: Fort Myers, New York, Houston.” “Mirror up to Theatre: Essays in Honour of Christopher Murray,” Special Issue of Irish University Review 45.1 (Spring/Summer 2015): 103-116. 5. Invited essay, “Down in the Delta: Tallahatchie County, Mississippi and Langston Hughes’s Blues Poetry about Emmett Till.” Five Points: A Journal of Literature and Art 16.2 (Winter 2015): 146-163. 6. “The Yeatsian Intertexts of Coetzee’s Disgrace.” Journal of Commonwealth and Postcolonial Studies, New series, 2.2 (Fall 2014): 3-18. 7. Invited essay, “W. H. Auden, Michael Longley, and Poetry as Citizenship in Northern Ireland.” The Cresset: A Review of Literature, the Arts, and Public Affairs, Trinity 2014: 6-16. 8. “The Black and Green Atlantic: Violence, History, and Memory in Natasha Trethewey’s ‘South’ and Seamus Heaney’s ‘North.’” The Southern Literary Journal 46.3, “Special Issue, Literatures of Gulf Souths, Gulf Streams, and Their Dispersions” (Spring 2014): 155-172. 9. “‘There lives the dearest freshness deep down things’: The Intertextual Relationship of George Mackay Brown’s Greenvoe and Hopkins’s ‘God’s Grandeur.’” Renascence 66.1 (Winter 2014): 57-76. 10. “Irish Unionism, North of Ireland Protestantism, and Home Rule in Joyce’s Dubliners.” Joyce Studies Annual (2013): 32-64. 11. “Home, Exile, and Unease in Brian Friel’s Globalized Drama since 1990: Molly Sweeney, The Home Place, and Hedda Gabler (after Ibsen).” Modern Drama 56.2 (June 2013): 206-31. 12. “The Mortification Motif in Bernard MacLaverty’s Cal.” Literature and Belief 33.1 (2013): 107-25. 13. Brian Friel’s Short Fiction: “Place, Modernity, and Community.” Irish University Review 42.2 (Fall/Winter 2012): 298-326. 14. Brian Friel’s Transformation from Short Fiction Writer to Dramatist.” Comparative Drama 46.4 (Winter 2012): 451-74. 15. “Shades of Larkin: Singularity and Transcendence in Derek Mahon’s “A Garage in Co. Cork.” Journal of Modern Literature 35.4 (2012): 91-106. 16. “The Keats and Hopkins Dialectic in Seamus Heaney’s Early Poetry: ‘The Forge.’” Irish Literature issue of ANQ 25.1 (Jan.-Mar. 2012): 44-50. 17. “Owen and Yeats in Heaney’s The Cure at Troy.” Essays in Criticism 61.2 (April 2011): 173-89. 18. “‘We pick at the scabs’: Writerly Persistence and Family Woundedness in Harry Crews’s Blood Issue.” Mississippi Quarterly 64.2 (Spring 2011): 269-85. 19. “Black Passages through White Spaces: The Masking of Faulkner’s African-American Characters in Go Down, Moses.” CEA Critic 73.1 (Winter 2010): 86-109. 20. Invited Review Essay, “Reading Poets from the Past: Seamus Heaney’s Poetic Evolution.” Irish Studies Review 18.1 (Feb. 2010): 101-07. 21. “Embod[y]ments of History and Delayed Confessions: Graham Swift’s Waterland as Trauma Fiction.” Papers in Language and Literature 45.2 (Spring 2009): 115-49. Cited positively in Alan Robinson’s Narrating the Past: Historiography, Memory, and the Contemporary Novel. New York: Palgrave, 2011. 4 22. “Seamus Heaney’s Artful Regionalism.” Twentieth-Century Literature 54.1 (Spring 2008): 47-74. 23. “Playing and Singing toward Devolution: Stewart Parker’s Ethical Aesthetics in Kingdom Come and Northern Star.” Irish University Review 37.2 (Autumn/Winter 2007): 366-94. 24. “Escaping the Examined Life in George Moore’s ‘Home Sickness.’” Journal of the Short Story in English No. 48 (Spring 2007): 25-42. Cited by Greg Winston, “George Moore’s Landscapes of Return,” Out of the Earth: Ecocritical Readings of Irish Texts, ed. Christine Cusick. Cork: Cork UP, 2010, p. 69.f.n. 13. 25. “Tom Murphy’s Comedy of Redemption in Bailegangaire.” Journal of Dramatic Theory and Criticism 21.2 (Spring 2007): 79-99. 26. “Imagining a New Province: Seamus Heaney’s Creative Work for BBC Northern Ireland Radio, 1968-1971.” Irish Studies Review 15.2 (Spring 2007): 137-62. Reprinted in Virtual Special Issue, “Remembering Seamus Heaney,” Irish Studies Review, 2014: http://explore.tandfonline.com/content/pgas/cisr-seamus-heaney-virtual- issue. 27. “Exorcising the Ghosts of Conflict in Northern Ireland: Stewart Parker’s The Iceberg and Pentecost.” Eire-Ireland 41.3-4 (Fall/Winter 2006): 42-58. Cited by Aidan O’Malley, Field Day and the Translations of Irish Identities: Performing Irish Identities (New York: Palgrave, 2011), 214n.91. 28. “Talking with Ghosts of Irish Playwrights Past: Marina Carr’s By the Bog of Cats . .” Lead Essay, Comparative Drama 40.2 (Summer 2006): 149-68. 29. “The Yeatsian Refrain in Paul Muldoon’s Moy Sand and Gravel.” ANQ 19.3 (Summer 2006): 50-6. 30. “‘Something is being eroded’: The Vanishing Agrarian Epistemology of Brian Friel’s Translations.” New Hibernia Review 10.2 (Summer 2006): 106-122. 31. “The Dramatic Conversion of Nicholas Barber in Barry Unsworth’s Morality Play.” Renascence: Essays on Values in Literature 58.3 (Spring 2006): 221-39. 32. “The Tragedy of Imelda’s Terminal Silence in William Trevor’s Fools of Fortune.” Papers on Language and Literature 42.1 (Winter 2006): 73-94. Positively cited in Jonathan Bolton’s “Blighted Beginnings”: Coming of Age in Independent Ireland (Bucknell UP, 2010), 92. And in Michael O’Neill, William Trevor: Revaluations (New York: Palgrave, 2013). 33. “The Liberating Fictional Truth of Community in Brian Friel’s The Freedom of the City.” South Atlantic Review 71.1 (Winter 2006): 42-73.
Recommended publications
  • Download the Report

    Download the Report

    Oregon Cultural Trust fy2011 annual report fy2011 annual report 1 Contents Oregon Cultural Trust fy2011 annual report 4 Funds: fy2011 permanent fund, revenue and expenditures Cover photos, 6–7 A network of cultural coalitions fosters cultural participation clockwise from top left: Dancer Jonathan Krebs of BodyVox Dance; Vital collaborators – five statewide cultural agencies artist Scott Wayne 8–9 Indiana’s Horse Project on the streets of Portland; the Museum of 10–16 Cultural Development Grants Contemporary Craft, Portland; the historic Astoria Column. Oregonians drive culture Photographs by 19 Tatiana Wills. 20–39 Over 11,000 individuals contributed to the Trust in fy2011 oregon cultural trust board of directors Norm Smith, Chair, Roseburg Lyn Hennion, Vice Chair, Jacksonville Walter Frankel, Secretary/Treasurer, Corvallis Pamela Hulse Andrews, Bend Kathy Deggendorfer, Sisters Nick Fish, Portland Jon Kruse, Portland Heidi McBride, Portland Bob Speltz, Portland John Tess, Portland Lee Weinstein, The Dalles Rep. Margaret Doherty, House District 35, Tigard Senator Jackie Dingfelder, Senate District 23, Portland special advisors Howard Lavine, Portland Charlie Walker, Neskowin Virginia Willard, Portland 2 oregon cultural trust December 2011 To the supporters and partners of the Oregon Cultural Trust: Culture continues to make a difference in Oregon – activating communities, simulating the economy and inspiring us. The Cultural Trust is an important statewide partner to Oregon’s cultural groups, artists and scholars, and cultural coalitions in every county of our vast state. We are pleased to share a summary of our Fiscal Year 2011 (July 1, 2010 – June 30, 2011) activity – full of accomplishment. The Cultural Trust’s work is possible only with your support and we are pleased to report on your investments in Oregon culture.
  • New Writing from Ireland

    New Writing from Ireland

    New Writing from Ireland Promoting Irish Literature Abroad Fiction | 1 NEW WRITING FROM ireLAND 2013 This is a year of new beginnings – Ireland first published 2013 Impac Award-winner Literature Exchange has moved offices Kevin Barry’s collection, There Are Little and entered into an exciting partnership Kingdoms in 2007, offers us stories from with the Centre for Literary Translation at Colin Barrett. Trinity College, Dublin. ILE will now have more space to host literary translators from In the children and young adult section we around the world and greater opportunities have debut novels by Katherine Farmar and to organise literary and translation events Natasha Mac a’Bháird and great new novels in co-operation with our partners. by Oisín McGann and Siobhán Parkinson. Writing in Irish is also well represented and Regular readers of New Writing from Ireland includes Raic/Wreck by Máire Uí Dhufaigh, will have noticed our new look. We hope a thrilling novel set on an island on the these changes make our snapshot of Atlantic coast. contemporary Irish writing more attractive and even easier to read! Poetry and non-fiction are included too. A new illustrated book of The Song of Contemporary Irish writing also appears Wandering Aengus by WB Yeats is an exciting to be undergoing a renaissance – a whole departure for the Futa Fata publishing house. 300 pp range of intriguing debut novels appear Leabhar Mór na nAmhrán/The Big Book of this year by writers such as Ciarán Song is an important compendium published Collins, Niamh Boyce, Paul Lynch, Frank by Cló Iar-Chonnacht.
  • Modern and Contemporary Irish Literature

    Modern and Contemporary Irish Literature

    Reading List: Modern and Contemporary Irish Literature Students preparing for a doctoral examination in this field are asked to compose a reading list, in conjunction with their exam committee, drawn from the core of writers and scholars whose work appears below. We expect students to add to, subtract from, and modify this list as suits their purposes and interests. Students are not responsible for reading everything on this section list; instead, they should create a personalized list of approximately 40-50 texts, using this list as a guide. However, at least 50% of a student’s examination reading should come from this list. Poetry: W. B. Yeats Patrick Kavanagh Louis MacNeice Thomas Kinsella John Montague Seamus Heaney Rita Ann Higgins Michael Longley Derek Mahon Ciaran Carson Medbh McGuckian Paul Muldoon Eavan Boland Eiléan Ní Chuilleanáin Paula Meehan Nuala Ní Dhomhnaill Dennis O’Driscoll Cathal Ó Searcaigh Chris Agee (ed.)—The New North: Contemporary Poetry from Northern Ireland Short Fiction: Sean O’Faolain—The Short Story Ben Forkner (ed.)—Modern Irish Short Stories W. B. Yeats—Irish Fairy and Folk Tales George Moore—The Untilled Field James Joyce—Dubliners Elizabeth Bowen—Collected Stories Frank O’Connor—Collected Stories Mary Lavin—In a Café: Selected Stories Edna O’Brien—A Fanatic Heart: Selected Stories (especially the stories from Returning) William Trevor—Collected Stories Bernard MacLaverty—Collected Stories Éilís Ní Dhuibhne—Midwife to the Fairies: New and Selected Stories Emma Donoghue—The Woman Who Gave Birth to Rabbits
  • BBC WEEK 37, 9 - 14 September 2012 Programme Information, Television & Radio BBC Scotland Press Office Bbc.Co.Uk/Mediacentre Bbc.Co.Uk/Iplayer

    BBC WEEK 37, 9 - 14 September 2012 Programme Information, Television & Radio BBC Scotland Press Office Bbc.Co.Uk/Mediacentre Bbc.Co.Uk/Iplayer

    BBC WEEK 37, 9 - 14 September 2012 Programme Information, Television & Radio BBC Scotland Press Office bbc.co.uk/mediacentre bbc.co.uk/iplayer THIS WEEK’S HIGHLIGHTS TELEVISION & RADIO / BBC WEEK 37 _____________________________________________________________________________________________________ SATURDAY 8 SEPTEMBER BBC Proms Last Night Celebrations in Scotland,Prog 1/1 NEW BBC Two Scotland THURSDAY 13 SEPTEMBER Big Noise on the Big Stage, Prog 1/1 NEW BBC Two Scotland SATURDAY 8 SEPTEMBER TELEVISION & RADIO HIGHLIGHTS /BBC WEEK 37 _____________________________________________________________________________________________________ BBC Proms Last Night Celebrations in Scotland, Prog 1/1 NEW Saturday 8 September BBC Two Scotland, 7.30 – 9.00pm bbc.co.uk/proms Jamie MacDougall presents the BBC Proms Last Night Celebrations in Scotland, live from the City Halls in Glasgow. Pianist Joanna MacGregor, Scottish saxophonist Tommy Smith and soprano Carolyn Sampson join the BBC Scottish Symphony Orchestra and conductor Stephen Bell to mark the final night of the world’s greatest classical music festival. As well as classical favourites by Bizet, Mozart and Mendelssohn, this roof-raising evening of music and song has a distinctive jazz influence with Gershwin’s Rhapsody in Blue, the big band excitement of Leonard Bernstein’s Prelude, Fugue and Riffs, the rip-roaring overture to Gypsy and the white-tie sophistication of Irving Berlin and Noël Coward. The programme will also feature Scottish violinist Nicola Benedetti’s performance of the Bruch
  • Changing Identity in the Novels of Bernard Maclaverty Jordan Leigh

    Changing Identity in the Novels of Bernard Maclaverty Jordan Leigh

    ABSTRACT Through the Lens of the Land: Changing Identity in the Novels of Bernard MacLaverty Jordan Leigh Gibson, M.A. Director: Richard Rankin Russell, Ph.D. Many critics, like Oona Frawley, believe the land of Ireland has the unique power to connect the collective Irish conscience to the past and is often a rallying cry to garner support for the freedom of Ireland. MacLaverty explores this cultural mindset in Lamb (1980) and Cal (1983) and eventually refutes it as a healthy and effective way for Northern Irish Catholics to identify themselves and find purpose in their lives. Grace Notes (1997), MacLaverty’s third novel, eschews the romantic view of the land, and allows Catherine McKenna to explore the possibilities of finding an international identity through her connection with foreign lands although she still finds strength through her connection with the land. Northern Ireland, it seems, could not provide contemporary citizens with a hope and a future; therefore, they must look towards a transnational identity open to outside influence while being rooted in the local landscape. Through the Lens of the Land: Changing Identity in the Novels of Bernard Maclaverty by Jordan Leigh Gibson, M.A. A Thesis Approved by the Department of English ___________________________________ Diana Vitanza, Ph.D., Interim Chairperson Submitted to the Graduate Faculty of Baylor University in Partial Fulfillment of the Requirements for the Degree of Master of Arts Approved by the Thesis Committee ___________________________________ Richard R. Russell, Ph.D., Chairperson ___________________________________ Jay B. Losey, Ph.D. ___________________________________ W. David Clinton, Ph.D. Accepted by the Graduate School August 2008 ___________________________________ J.
  • BBC Scotland Programme Information Week 45, 5

    BBC Scotland Programme Information Week 45, 5

    BBC WEEK 45, 5 - 11 November 2011 Programme Information, Television & Radio BBC Scotland Press Office bbc.co.uk/pressoffice bbc.co.uk/iplayer THIS WEEK’S HIGHLIGHTS TELEVISION & RADIO / BBC WEEK 45 _____________________________________________________________________________________________________ MONDAY 7 NOVEMBER Musical Legends: Gerry Marsden, Prog 1/1 NEW BBC Radio Scotland TUESDAY 8 NOVEMBER Scots Who Found the Modern World Last in series BBC Two Scotland THURSDAY 10 NOVEMBER The Family Has Been Informed, Prog 1/1 NEW BBC Radio Scotland SATURDAY 5 NOVEMBER TELEVISION & RADIO HIGHLIGHTS / BBC WEEK 45 _____________________________________________________________________________________________________ SPL Kilmarnock v Inverness CT Saturday 5 November BBC ALBA, 5.30 – 7.30pm The latest full-match coverage from the SPL as Kilmarnock host Inverness Caledonian Thistle at Rugby Park. LG3 MONDAY 7 NOVEMBER TELEVISION & RADIO HIGHLIGHTS / BBC WEEK 45 _____________________________________________________________________________________________________ Gach Creutair Beo / Highland Vets, Prog 2/8 Monday 7 November BBC ALBA, 8.30 – 9.00pm Out on the farm with vet Iain Maclean in Wick as he treats a dairy cow with a twisted stomach, and back in the surgery with him as he treats a feral cat. At Highland Wildlife Park, the family of Scottish Wildcats has recently had three kittens. Vet Jane Harley dares to get up close to these fearsome animals to give them essential injections, but first they must be caught. LG3 _____________________________________________________________________________________________________ Trusadh - Camanachd Leodhais/Lewis Camanachd Monday 7 November BBC ALBA, 9.00 – 10.00pm The beginning of the season 2011 and a new team is grabbing the attention of shinty fans. For the first time, the Camanachd Association have allowed a team from Lewis to compete in the national league.
  • Seamus Heaney and the Aesthetics of Enlightenment Shea Robert

    Seamus Heaney and the Aesthetics of Enlightenment Shea Robert

    Seamus Heaney and the Aesthetics of Enlightenment Shea Robert Atchison BA (Hons), M.A. Faculty of Arts, Humanities and Social Sciences Ulster University A thesis submitted for the Degree of Doctor of Philosophy January 2020 I confirm that the word count of this thesis is less than 100,000 excluding the title page, contents, acknowledgements, abstract, abbreviations, footnotes, and bibliography. in memoriam May Gallagher, 1938-2019 Contents Acknowledgements ................................................................................................................... i Abstract .................................................................................................................................... ii List of Abbreviations ............................................................................................................. iii 1. Heaney and Enlightenment: Introduction ..................................................................... 1 2. A Spiritual Intellect: Heaney’s Conceptualisation of Enlightenment ....................... 27 2.1. Proper Work in an Agnostic Time, 1963-1975 .................................................... 27 2.2. The Idea of Transcendence, 1977-1986 ............................................................... 33 2.3. Inclusive Consciousness, 1988-1991 ................................................................... 49 2.4. A Solemn Order of Reality, 1992-2008 ............................................................... 59 3. Glimmerings: Enlightenment in the Early Poems .....................................................
  • The Cambridge Companion to Seamus Heaney Edited by Bernard O’Donoghue Frontmatter More Information

    The Cambridge Companion to Seamus Heaney Edited by Bernard O’Donoghue Frontmatter More Information

    Cambridge University Press 978-0-521-83882-5 - The Cambridge Companion to Seamus Heaney Edited by Bernard O’Donoghue Frontmatter More information the cambridge companion to seamus heaney Seamus Heaney is a unique phenomenon in contemporary literature, as a poet whose works (such as his Beowulf translation, and volumes of poems such as Electric Light and District and Circle) have been high in the best-seller lists for decades. Especially since winning the Nobel Prize for Literature, he has come to be considered one of the most important English-language poets in the world. This Companion gives an up-to-date overview of his career thus far, and of his reception in Ireland, England and around the world. Its distinguished con- tributors offer detailed readings of all his major publications, in poetry, prose and translation. The essays further explore the central themes of his poetry, his relations with other writers and his prose writing. Designed for students, this volume will also have much to interest and inform the general reader and admirer of Heaney’s unique poetic voice. A complete list of books in the series is at the back of this book. © Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-83882-5 - The Cambridge Companion to Seamus Heaney Edited by Bernard O’Donoghue Frontmatter More information THE CAMBRIDGE COMPANION TO SEAMUS HEANEY EDITED BY BERNARD O’DONOGHUE © Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-83882-5 - The Cambridge Companion to Seamus Heaney Edited by Bernard O’Donoghue Frontmatter More information cambridge university press Cambridge, New York, Melbourne, Madrid, Cape Town, Singapore, São Paulo, Delhi Cambridge University Press The Edinburgh Building, Cambridge cb2 8ru,UK Published in the United States of America by Cambridge University Press, New York www.cambridge.org Information on this title: www.cambridge.org/9780521547550 © Cambridge University Press 2009 This publication is in copyright.
  • Report on the UFO Wave of 1947 Discusses the First Contemporary Wave of UFO Sightings in This Country, Which Reached Its Peak on July 6 - 7, 1947

    Report on the UFO Wave of 1947 Discusses the First Contemporary Wave of UFO Sightings in This Country, Which Reached Its Peak on July 6 - 7, 1947

    REPORT ON THE UFO WAVE OF 1947 By Ted Bloecher Introduction By Dr. James E. McDonald Senior Physicist Institute of Atmospheric Physics University of Arizona © Copyright 1967 By Ted Bloecher All Rights Reserved This book was reproduced (2005) by Jean Waskiewicz, and Francis Ridge with exclusive permission from the author and is presented here in its updated form as an ongoing project. Working closely on this project is author Ted Bloecher and Project 1947's Jan Aldrich. We welcome any additional information or corrections on erroneous information already contained in the report, as part of this updated version. These can be sent to Jean Waskiewicz at [email protected] TABLE OF CONTENTS SECTION PAGE Abstract and Daily chart Introduction iii Preface xiii Section I - Summary of the period I (1 to 16) Reports Before June 1947 1 The Importance of Arnold's Sighting 2 Other Reports, June 1 – 24 3 The Element of Fear 3 After June 24 4 Explaining the Inexplicable 4 June Roundup 6 The Buildup of July 1 – 3 7 The July 4th Deluge 7 The Voice of Confusion 8 Crest of the Wave, July 6 – 7 10 The Triumph of Ridicule 11 The Crest Breaks, July 8 – 9 12 Hoaxes and Mistakes 13 Ebb tide, July 10 and After 14 The Maury Island "'Mystery" 15 Aftermath 16 Addendum on CE III Reports New addition Section II - Patterns of Appearance and Behavior II (1 to 20) Loose Formations 1 Straight-line Formations 2 V and Triangular Formations 3 Hovering Objects 6 Abrupt Changes in Elevation 8 Circling Maneuvers 9 Sudden Stops and Reversals of Flight 10 Various and General

  • List of Shareholders [Microform]

    IMAGE EVALUATION TEST TARGET (MT-3) lis 112.5 1.0 - IM I.I 1.25 CIHM/ICMH CIHM/ICMH Microfiche Collection de Series. microfiches. Canadian Institute for Historical Microreproductions Institut canadien de microreproductions historiques 1980 Technical and Bibliographic Notes/Notes techniques et bibliographiques The Institute has attempted to obtain the best L'Institut a microfilm^ le meilleur exemplaire original copy available for filming. Features of this qu'il lui a 6t6 possible de se procurer. Les details copy which may be bibliographically unique, de cet exemplaire qui sont peut-dtre uniques du which may alter any of the images in the point de vue bibliographique, qui peuvent modifier reproduction, or which may significantly change une image reproduite, ou qui peuvent exiger une the usual method of filming, are checked below. modification dans la mdthode normale de filmage sont indiqu6s ci-dessous. Coloured covers/ Coloured pages/ D Couverture de couleur Pages de couleur Covers damaged/ Pages damaged/ I I Couverture endommagde D Pages endommag^es Covers restored and/or laminated/ Pages restored and/or laminated/ D Couverture restaurde et/ou pelliculde D Pages restaur6es et/ou pellicul^es Cover title missing/ Pages discoloured, stained or foxed/ D Le titre de couverture manque D Pages ddcolordes, tachetdes ou piqu^es Coloured maps/ Pages detached/ D Cartes gdographiques en couleur D Pages d^tach^es Coloured ink (i.e. other than blue or black)/ r^^/Showthrough/ D Encre de couleur (i.e. autre que bleue ou noire) I \ Transparence Coloured

  • Reading Ireland

    Number 9 / Winter 2018 READING THEIRELAND LITTLE MAGAZINE 1 Table of Contents 2 Introduction 7 In Memoriam: Dr. Maurice Hayes 1927-2017: A Man for All Counties 10 Questions for Joan Hayes 12 Frank Ormsby: Local Poet in a Global World by Adrienne Leavy 17 Interview: Adrienne Leavy in conversation with Frank Ormsby 25 Four poems by Frank Ormsby 27 Essay: Fran Brearton on Michael Longley’s Angel Hill 29 Poem: “Ceasefire” by Michael Longley 30 Essay: “The Light Fantastic of Paul Muldoon” by Mary O' Malley 34 Essay: “Poetry and Survival: Derek Mahon, Against the Clock” by Hugh Haughton 39 Profile: “Balancing Fire, Dreams and the Signatures of All Things: Sinéad Morrissey’s Poetry and Poetics” by Brian Caraher 69 Essay: “Between Solitude and Company: The ‘I’ and Its Levinasian Relationships with Otherness In Medbh McGuckian’s Poetry” by Erin Mitchell Subscribe 77 Essay: “Reconfigurations in Colette Bryce’s Poetry” by Ailbhe McDaid 89 Review: “Beauty for Ashes.” Orla Fay reviews Leontia Flynn’s The Radio Reading Ireland is published 94 Eugene McCabe: Border Chronicler, Universal Storyteller by Adrienne Leavy bi-annually and is available to 97 Adrienne Leavy in conversation with Eugene McCabe subscribers at a cost of $40 for four 103 Essay: “Brian Moore’s Lonely Judith: A Crash Course in Craft” by Tara Ison issues. The aim of the magazine 112 Interview: Tony Kilgallin in conversation with the late Brian Moore is to provide in-depth analysis of 122 Essay: “All Shall Be Well: Bernard MacLaverty’s Midwinter Break” Irish Literature, past and present, by Richard Rankin Russell along with opening a window onto 130 Essay: “Inscribing the Margins: Homage to Ben Kiely” by Gibbons Ruark 1 the best of contemporary Irish 139 Essay: “Getting in Good Trouble – A Conversation with Stuart Bailie” poetry, prose, drama and culture.

  • Comprehensive Catalog of 1700 Project Blue Book UFO Unknowns

    Comprehensive Catalog of 1,700 Project Blue Book UFO Unknowns: Database Catalog (Not a Best Evidence List) – NEW: List of Projects & Blue Book Chiefs Work in Progress (Version 1.27, Dec. 20, 2016) Compiled by Brad Sparks © 2001-2016 The main purpose of this catalog at present is to help identify and fill in where possible missing or difficult-to-obtain U.S. Air Force documentation on better quality Unexplained UFO cases, not to present any so-called "proof" of UFO reality nor to discuss and argue possible IFO identifications (usually too voluminous to include in a mere catalog). These are subjects reserved for later analysis once full files can be examined (with a few exceptions on IFO’s noted below). This is not a list of official USAF designations of “Unexplained” or “Unknown” cases as it has proven to be almost impossible to establish when such evaluations were considered final or definitive and many more cases misdesignated IFO’s have turned out to be Unexplained UFO’s based on recent analyses. Here the goal is preliminary and to compile more complete documentation, not the perfection of the analysis or categorizations. Many cases here are merely placeholders for later work to fill in more info from the BB files or other sources. This catalog will be used eventually to produce another catalog of UFO Best Evidence, after a screening process based on Hynek's and on other criteria. For that reason columns for data on Duration, No. of Witnesses, Angular Size and "Instrumentation/Scientists etc." have been separately presented from the available case data and/or calculated where possible.