Fall 2001 Proposed Books

Total Page:16

File Type:pdf, Size:1020Kb

Fall 2001 Proposed Books Learning Insights Susan K. Boyar Summer Reading List 2015 [email protected] The following list is divided into two parts: the first section is made up of books I have recently read and enjoyed, the second of books that I would like to read this summer. Do not despair; I will not finish all of them either! I Recommendations: All the Light We Cannot See by Anthony Doerr: Winner of the 2015 Pulitzer Prize for fiction. It is the rare novel that is both literary fiction and a total page turner. This book succeeds on both levels. It takes place primarily in France and Austria during the period leading up to WWII, and through the war. Americanah by Chimamanda Ngozi Adichie: A love story, a contemporary immigrant story as well as an exploration of race and feminism today. Half a Yellow Sun by Chimamanda Ngozi Adichie: This earlier novel by Adichie tells a family story against the backdrop of the Biafran War for Independence. The following book is Onyemelukwe’s memoir of her life in Nigeria after serving in the Peace Corps. It contains her memories of the strife fictionalized in Half a Yellow Sun. Nigeria Revisited by Catherine Onyemelukwe Twilight of the Superheroes:Stories by Deborah Eisenberg: Short stories including the title story which looks at the aftermath of 9/11. Bark by Lorrie Moore: First book of short stories in 16 years, she is a master of the form. The Assassination of Margaret Thatcher by Hilary Mantel. A Broadway show, a Masterpiece Theater Presentation, becoming a Dame and a new collection of short stories: Mantel has been busy. She is a wonderful writer and this volume of stories does not disappoint. Euphoria by Lily King: a fictional reimagining loosely based on a few months in the life of Margaret Mead Lucky Us by Amy Bloom: Two half-sisters find their way through the 1930s and 1940s with minimal parental involvement. Funny, sad and irreverent. The Story of Lucy Gault by William Trevor: A beautiful Irish novel about loss and coming to terms with the repercussions of the choices we make. A Tale for the Time Being by Ruth Ozeki: A Hello Kitty lunchbox washes up on the shore of an island off British Columbia setting in motion a story of a contemporary Japanese teenager, the writer who finds it, and a WWII Japanese Kamikaze pilot. The Gift of Rain by Tan Twan Eng: Eng’s first novel set in Malaysia during the Japanese occupation during WWII. The Betrayers by David Bezmozgis: A disgraced Soviet Israeli politician comes face to face with the man who denounced him to the KGB. Vanessa and Her Sister by Priya Parmar: For lovers of Virginia Woolf and all things Bloomsbury, a story told through an imagined diary of Vanessa Stephen. Love and Treasure by Ayelet Waldman: The story of the Hungarian gold train confiscated by the allies near the end of WWII. A great companion piece to Julie Orringer’s The Invisible Bridge. A Replacement Life by Boris Fishman: Ambitious first novel of Soviet Russian Jewish immigrants. We Are All Completely Beside Ourselves by Karen Joy Fowler I want you to trust me on this one. Read it cold. Don’t read reviews, don’t read blurbs or jacket covers. You will understand, and thank me. A good summer read Lila by Marilynne Robinson: Winner of the 2014 National Book Critics Circle Award for Fiction. The third novel exploring the town of Gilead, although each stands on its own, and can be read alone. Robinson says she is not yet done with Gilead and a fourth volume is on the way. II—These are the books currently in my queue to be read. I will definitely read some of them, but you never know what else will tempt me over the summer. A God in Ruins by Kate Atkinson God Help the Child: a Novel by Toni Morrison The Golem and the Jinni by Helene Wecker Redeployment by Phil Klay The Buried Giant by Kazuo Ishiguro Love and Summer by William Trevor My Brilliant Friend by Elena Ferrante The Fishermen by Chigozie Obioma The Invisible Wall by Harry Bernstein: a memoir Penelope Fitzgerald: A Life by Hermione Lee Everything I Never Told You by Celeste Ng Ghana Must Go: A Novel by Taiye Selasi We Need New Names by Noviolet Bulawayo Early Warning by Jane Smiley The Narrow Road to the Deep North by Richard Flanagan .
Recommended publications
  • Reflections on Some Recent Australian Novels ELIZABETH WEBBY
    Books and Covers: Reflections on Some Recent Australian Novels ELIZABETH WEBBY For the 2002 Miles Franklin Award, given to the best Australian novel of the year, my fellow judges and I ended up with a short list of five novels. Three happened to come from the same publishing house – Pan Macmillan Australia – and we could not help remarking that much more time and money had been spent on the production of two of the titles than on the third. These two, by leading writers Tim Winton and Richard Flanagan, were hardbacks with full colour dust jackets and superior paper stock. Flanagan’s Gould’s Book of Fish (2001) also featured colour illustrations of the fish painted by Tasmanian convict artist W. B. Gould, the initial inspiration for the novel, at the beginning of each chapter, as well as changes in type colour to reflect the notion that Gould was writing his manuscript in whatever he could find to use as ink. The third book, Joan London’s Gilgamesh (2001), was a first novel, though by an author who had already published two prize- winning collections of short stories. It, however, was published in paperback, with a monochrome and far from eye-catching photographic cover that revealed little about the work’s content. One of the other judges – the former leading Australian publisher Hilary McPhee – was later quoted in a newspaper article on the Award, reflecting on what she described as the “under publishing” of many recent Australian novels. This in turn drew a response from the publisher of another of the short- listed novels, horrified that our reading of the novels submitted for the Miles Franklin Award might have been influenced in any way by a book’s production values.
    [Show full text]
  • Introduction
    Colby Quarterly Volume 38 Issue 3 September Article 3 September 2002 Introduction Douglas Archibald Follow this and additional works at: https://digitalcommons.colby.edu/cq Recommended Citation Colby Quarterly, Volume 38, no.3, September 2002, pg. 269-279 This Front Matter is brought to you for free and open access by Digital Commons @ Colby. It has been accepted for inclusion in Colby Quarterly by an authorized editor of Digital Commons @ Colby. Archibald: Introduction Introduction By DOUGLAS ARCHIBALD s HOLMES FAMOUSLY REMARKED, the curious incident is that the dogs are A not barking. Why has the Irish Studies establishment made so little of William Trevor? Nothing in Terry Eagleton. Nothing in W.J. McCormack, even though he writes about almost everything. Nothing in David Lloyd in spite of a well-informed interest in fiction. Nothing in Margot Backus's The Gothic Family Romance: Heterosexuality, Child Sacrifice, and the Anglo-Irish Colonial Order (1999), a Texas thesis become a Duke book which-aside from the required, lurid glow of the title-sounds like a book about Trevor. Nothing in Sex, Nation, and Dissent in Irish Literature (1997), or Representing Ireland: Gender, Class, Nationality (1997), or Decolonisation and Criticism: The Construction ofIrish Literature (1998), or New Voices in Irish Criticism (2000). Nothing in the Irish University Review special issue on "Contemporary Irish Fiction" (Spring/Summer 2000). Little on the program in recent meetings of ACIS or IASIL. Hardly any mention in the summer schools. Seamus Deane and Declan Kiberd are silent, except in their comprehensive literary histories, in which mention is unavoidable, and even then Kiberd is perfunctory: Both [Brian] Moore and Trevor are rightly renowned for the cool, crafted clarity of their prose, their wry wistful ironies, and their use of telling detail; and each has won a substantial overseas readership for many other books of high quality which have nothing to do with Ireland.
    [Show full text]
  • Richard Flanagan's the Narrow Road to the Deep North and Matsuo
    Coolabah, No.21, 2017, ISSN 1988-5946, Observatori: Centre d’Estudis Australians / Australian Studies Centre, Universitat de Barcelona Richard Flanagan’s The Narrow Road to the Deep North and Matsuo Basho’s Oku no Hosomichi Yasue Arimitsu Doshisha University [email protected] Copyright©2017 Yasue Arimitsu. This text may be archived and redistributed both in electronic form and in hard copy, provided that the author and journal are properly cited and no fee is charged, in accordance with our Creative Common Licence. Abstract. This paper investigates Australian author Richard Flanagan’s novel, The Narrow Road to the Deep North, and attempts to clarify the reason why Flanagan chose this title, which is linked to the travel writings of the Japanese author Matsuo Basho, for his novel. The novel focuses on the central character’s prisoner of war experience on the Thai-Burma Death Railway during World War II, and depicts the POW camp as well as cruel Japanese behaviour and atrocities in a realistic way. The work seems to provide a postcolonial framework in the sense that there is a colonial and postcolonial relationship between the colonizer, and the colonized. However, in this novel, the colonizer is Eastern, and the colonized is Western, and this fact reverses postcolonial theory which postulates a structure in which the colonizer is usually considered as Western and the colonized, Eastern. Postcolonial theory, thus, cannot be applied in this novel, which attempts to fuse the two opposites, the Western view and the Eastern view, through the work of the Japanese poet. As a result, Flanagan, in writing The Narrow Road to the Deep North, goes beyond being a postcolonial writer to become a writer in a globalizing age.
    [Show full text]
  • Notes for an Unwritten Biography of William Trevor
    Colby Quarterly Volume 38 Issue 3 September Article 4 September 2002 "Bleak Splendour": Notes for an Unwritten Biography of William Trevor Denis Sampson Follow this and additional works at: https://digitalcommons.colby.edu/cq Recommended Citation Colby Quarterly, Volume 38, no.3, September 2002, p. 280-294 This Article is brought to you for free and open access by Digital Commons @ Colby. It has been accepted for inclusion in Colby Quarterly by an authorized editor of Digital Commons @ Colby. Sampson: "Bleak Splendour": Notes for an Unwritten Biography of William Tr "Bleak Splendour": Notes for an Unwritten Biography of William Trevor By DENIS SAMPSON IILITERARY BIOGRAPHERS," William Trevor has ren1arked, "often make the mistake of choosing the wrong subjects. A novelist-or any artist­ admired for what he produces, may not necessarily have lived anything but the most mundane of lives" (Excursions 176). His remark is a warning to any prospective biographer of Trevor himself, his way of implying that his own life has no worthwhile story. Yet the warning has its own paradoxical interest, for surely it is Trevor's particular gift to make literature out of the mundane. His refusal to dramatize the artistic self, to adopt heroic or romantic postures, somehow allows him to absorb and honor his mundane material, to find a tone that mirrors the inner lives of his unheroic characters. The consistency of that tone is his major accomplishment, according to John Banville: "his inimitable, calmly ambiguous voice can mingle in a single sentence pathos and humor, outrage and irony, mockery and love.... He is almost unique among n10dem novelists in that his own voice is never allowed to intrude into his fiction" (Paulson 166-67).
    [Show full text]
  • Interview Summary Sheet Project: Memories of Fiction: an Oral History of Readers’ Lives
    Interview Summary Sheet Project: Memories of Fiction: An Oral History of Readers’ Lives Reference No. Interviewee name and title: Highley, Katherine Interviewee DOB and place of birth: August 1938, Ontario Canada Interviewee Occupation: Retired catering business owner Book group(s) attended: Balham Date(s) of recording: 9 January 2015 Location of recording: Interviewee’s home, Balham, London. Interviewer: Dr. Shelley Trower Duration(s): [01:40:11] Summariser: Haley Moyse Fenning Copyright/Clearance: Interviewer/Summariser comments: 00:57:12 Index of Marcel Proust, Remembrance of Things Past shown to interviewer 01:35:34 Penguin postcards shown to interviewer Key themes: Balham, Reading, book groups, libraries, writing, Russian writers, plays, technology. All books and authors mentioned (those discussed for >20 seconds in bold): Lucy Maud Montgomery, Anne of Green Gables Enid Blyton Johanna Spyri, Heidi Jonathan Swift, Gulliver’s Travels Robert Louis Stevenson, Kidnapped Robert Louis Stevenson, Treasure Island Emily Brontë, Wuthering Heights Charlotte Brontë, Jane Eyre Charles Dickens Jean Rhys, Wide Sargasso Sea Agatha Christie Raymond Chandler Dashiell Hammett William Shakespeare Anton Chekhov, Three Sisters Fyodor Mikhail Dostoyevsky, Crime and Punishment Fyodor Mikhail Dostoyevsky, The Brothers Karamazov Leo Tolstoy, War and Peace Leo Tolstoy, Anna Karenina Helen Dunmore, The Siege Aldous Huxley, Brave New World George Orwell, 1984 Margaret Atwood Richard Flanagan, The Narrow Road to the Deep North Natasha Soloman, Mr Rosenblum’s List
    [Show full text]
  • Addition to Summer Letter
    May 2020 Dear Student, You are enrolled in Advanced Placement English Literature and Composition for the coming school year. Bowling Green High School has offered this course since 1983. I thought that I would tell you a little bit about the course and what will be expected of you. Please share this letter with your parents or guardians. A.P. Literature and Composition is a year-long class that is taught on a college freshman level. This means that we will read college level texts—often from college anthologies—and we will deal with other materials generally taught in college. You should be advised that some of these texts are sophisticated and contain mature themes and/or advanced levels of difficulty. In this class we will concentrate on refining reading, writing, and critical analysis skills, as well as personal reactions to literature. A.P. Literature is not a survey course or a history of literature course so instead of studying English and world literature chronologically, we will be studying a mix of classic and contemporary pieces of fiction from all eras and from diverse cultures. This gives us an opportunity to develop more than a superficial understanding of literary works and their ideas. Writing is at the heart of this A.P. course, so you will write often in journals, in both personal and researched essays, and in creative responses. You will need to revise your writing. I have found that even good students—like you—need to refine, mature, and improve their writing skills. You will have to work diligently at revising major essays.
    [Show full text]
  • The Book Club Insider Monthly Newsletter
    Volume 4, Issue 6 SYOSSET PUBLIC LIBRARY 225 South Oyster Bay Road, Syosset NY 11791 November 2015 The Book Club Insider Inside This Issue: - 2015 Man Booker Monthly Newsletter Prize for Fiction 2015 Man Booker Prize For Fiction Winner -Historical Fiction -A follow up to the October Book Club Insider article “2015 Man Booker Prize for Fiction Paired with Non- Nominees” Fiction The 2015 Man Booker Prize for Fiction winner is A Brief -A Little Life by Hanya History of Seven Killings by Marlon James. James, who Yanagihara currently lives in Minneapolis, is the first Jamaican author to win the Man Booker Prize. He credits Charles To register your book club Dickens as a major influence during his younger years. and receive this newsletter A Brief History of Seven Killings is a hefty read with 686 straight into your inbox, pages and over 75 different characters and voices. The contact any novel is “a tale inspired by the 1976 attempted assassi- Readers’ Services Librarian nation of Bob Marley spans decades and continents to explore the experiences of journalists, drug dealers, Upcoming Events killers and ghosts against a backdrop of period social For Readers and political turmoil” (from the publisher). A Brief His- tory of Seven Killings was also a finalist for the National Evening Book Club will Book Critics Circle Award and a New York Times nota- discuss American Sniper ble book. by Chris Kyle on Tuesday, Nov 10, 2015 at 7:30 Michael Wood, Chair of the Judges has this to say PM. about A Brief History of Seven Killings, “It is a crime nov- el that moves beyond the world of crime and takes us Afternoon Book Club will deep into a recent history we know far too little about.
    [Show full text]
  • Modern and Contemporary Irish Literature
    Reading List: Modern and Contemporary Irish Literature Students preparing for a doctoral examination in this field are asked to compose a reading list, in conjunction with their exam committee, drawn from the core of writers and scholars whose work appears below. We expect students to add to, subtract from, and modify this list as suits their purposes and interests. Students are not responsible for reading everything on this section list; instead, they should create a personalized list of approximately 40-50 texts, using this list as a guide. However, at least 50% of a student’s examination reading should come from this list. Poetry: W. B. Yeats Patrick Kavanagh Louis MacNeice Thomas Kinsella John Montague Seamus Heaney Rita Ann Higgins Michael Longley Derek Mahon Ciaran Carson Medbh McGuckian Paul Muldoon Eavan Boland Eiléan Ní Chuilleanáin Paula Meehan Nuala Ní Dhomhnaill Dennis O’Driscoll Cathal Ó Searcaigh Chris Agee (ed.)—The New North: Contemporary Poetry from Northern Ireland Short Fiction: Sean O’Faolain—The Short Story Ben Forkner (ed.)—Modern Irish Short Stories W. B. Yeats—Irish Fairy and Folk Tales George Moore—The Untilled Field James Joyce—Dubliners Elizabeth Bowen—Collected Stories Frank O’Connor—Collected Stories Mary Lavin—In a Café: Selected Stories Edna O’Brien—A Fanatic Heart: Selected Stories (especially the stories from Returning) William Trevor—Collected Stories Bernard MacLaverty—Collected Stories Éilís Ní Dhuibhne—Midwife to the Fairies: New and Selected Stories Emma Donoghue—The Woman Who Gave Birth to Rabbits
    [Show full text]
  • The Novel and the Short Story in Ireland
    The Novel and the Short Story in Ireland: Readership, Society and Fiction, 1922-1965. Thesis submitted in accordance with the requirements of the University of Liverpool for the degree of Doctor in Philosophy by Anthony Halpen April 2016 Anthony Halpen Institute of Irish Studies The University of Liverpool 27.03.2016 i ABSTRACT The Novel and the Short Story in Ireland: Readership, Society and Fiction, 1922-1965. Anthony Halpen, The Institute of Irish Studies, The University of Liverpool. This thesis considers the novel and the short story in the decades following the achievement of Irish independence from Britain in 1922. During these years, many Irish practitioners of the short story achieved both national and international acclaim, such that 'the Irish Short Story' was recognised as virtually a discrete genre. Writers and critics debated why Irish fiction-writers could have such success in the short story, but not similar success with their novels. Henry James had noticed a similar situation in the United States of America in the early nineteenth century. James decided the problem was that America's society was still forming - that the society was too 'thin' to support successful novel-writing. Irish writers and critics applied his arguments to the newly-independent Ireland, concluding that Irish society was indeed the explanation. Irish society was depicted as so unstructured and fragmented that it was inimical to the novel but nurtured the short story. Ireland was described variously: "broken and insecure" (Colm Tóibín), "often bigoted, cowardly, philistine and spiritually crippled" (John McGahern) and marked by "inward-looking stagnation" (Dermot Bolger).
    [Show full text]
  • Golden Man Booker Prize Shortlist Celebrating Five Decades of the Finest Fiction
    Press release Under embargo until 6.30pm, Saturday 26 May 2018 Golden Man Booker Prize shortlist Celebrating five decades of the finest fiction www.themanbookerprize.com| #ManBooker50 The shortlist for the Golden Man Booker Prize was announced today (Saturday 26 May) during a reception at the Hay Festival. This special one-off award for Man Booker Prize’s 50th anniversary celebrations will crown the best work of fiction from the last five decades of the prize. All 51 previous winners were considered by a panel of five specially appointed judges, each of whom was asked to read the winning novels from one decade of the prize’s history. We can now reveal that that the ‘Golden Five’ – the books thought to have best stood the test of time – are: In a Free State by V. S. Naipaul; Moon Tiger by Penelope Lively; The English Patient by Michael Ondaatje; Wolf Hall by Hilary Mantel; and Lincoln in the Bardo by George Saunders. Judge Year Title Author Country Publisher of win Robert 1971 In a Free V. S. Naipaul UK Picador McCrum State Lemn Sissay 1987 Moon Penelope Lively UK Penguin Tiger Kamila 1992 The Michael Canada Bloomsbury Shamsie English Ondaatje Patient Simon Mayo 2009 Wolf Hall Hilary Mantel UK Fourth Estate Hollie 2017 Lincoln George USA Bloomsbury McNish in the Saunders Bardo Key dates 26 May to 25 June Readers are now invited to have their say on which book is their favourite from this shortlist. The month-long public vote on the Man Booker Prize website will close on 25 June.
    [Show full text]
  • Manly Booker Women Aren’T Taken Seriously As Artists
    L L L F I C T I O N L arah Churchwell, one of six York artist, Harriet Burden, calling judges of this year’s Man herself Harry, who decides that she Booker Prize, published a hasn’t prospered in her work because piece in the Guardian after Manly Booker women aren’t taken seriously as artists. the winner was announced, To prove it, Harry persuades three sarcastically entitled “The joys L male artists to exhibit her work as of judging the Man Booker their own. She stages three exhibitions Prize”. She described the under male names, not as a hoax, but in physical and mental travails of reading a The Narrow Road to the Deep North order to dramatise to the art world the Sbook every day for six months; she wrote By Richard Flanagan falseness of its powers of perception. that she sometimes felt she was losing But oh, how powerful that false vision is: her mind. Two of the six judges this year Chatto & Windus, London, 2014, 448, Rs 599 (HB) what reputations it makes, what careers were women; when the long list of 13 it launches, what further bodies of art it was published, and only three of the ISBN 978-0-701-18905-1 engenders, for the men it favours. The books were by women, the two female Blazing World is a wonderful, strident, judges were singled out for criticism important book. But its unmanliness on social media. Churchwell answered ALICE ALBINIA statistically decreases its chances of these attacks by widening the debate: “If winning the Booker.
    [Show full text]
  • Masaryk University Faculty of Arts Department of English And
    Masaryk university Faculty of Arts Department of English and American Studies English Language and Literature Ing. Olga Martinová Anglo-Irish Relations in the Fiction of William Trevor Bachelor’s Diploma Thesis Supervisor: Stephen Paul Hardy, Ph.D. 2015 i I declare that I have worked on this thesis independently, using only the primary and secondary sources in the list of the Works Cited.. ……………………………. Olga Martinová ii Acknowledgements I would like to thank my supervisor, Stephen Paul Hardy, Ph.D., for his guidance and encouragement. I would also like to thank my family for the support throughout my studies. iii Table of Contents 1. Introduction ................................................................................................................ i 2. William Trevor .......................................................................................................... 4 3. History of Ireland ...................................................................................................... 7 3.1. Ireland before the Union .................................................................................... 7 3.2. Ireland in Union with Britain ........................................................................... 11 3.3. Ireland after Anglo-Irish Treaty in 1921 .......................................................... 16 4. The Story of Lucy Gault ......................................................................................... 24 5. Stories of the Troubles ............................................................................................
    [Show full text]