Columns & Pedestals

Total Page:16

File Type:pdf, Size:1020Kb

Columns & Pedestals Chapter 2 301 Pleasant Drive • Dallas, TX 75217 S T O N E L E G E N D S (800) 398-1199 • FAX (214) 398-1293 www.stonelegends.com•[email protected] 62 - Chapter 2: Architectural Features / Columns and Pedestals Columns & Pedestals Legend Corinthian Columns Chapter 2 Straight - 68 - 69 Twisted & Rope Tapered - 70 - 71 96 - 97 Doric Columns Straight - 72 - 73 Entasis Columns Tapered - 74 - 75 98 Ionic Columns Straight - 76 - 77 Flat Pilasters Tapered - 78 - 79 99 Scamozzi Columns Straight - 80 - 81 Pedestals & Plinths Tapered - 82 - 83 101 Temple of the Winds Straight - 84 - 85 Tapered - 86 - 87 Tuscan Columns Straight - 88 - 89 Tapered - 90 - 91 Verona Columns Straight - 92 - 93 Tapered - 94 - 95 301 Pleasant Drive • Dallas, TX 75217 (800) 398-1199 • FAX (214) 398-1293 S T O N E L E G E N D S www.stonelegends.com•[email protected] Chapter 2: Architectural Features / Columns and Pedestals - 63 Columns Legend Definitions Column Heights Column A supporting pillar that includes a All standard column heights are in even foot shaft, capital and base. Columns increments. The overall column height includes are differentiated primarily by their the necessary joints at top and bottom for Chapter 2 capitals and the relative thickness attachments. For example: a 10'0" column has 1 3 of their shafts. Columns may be an actual stone height of 9' 11 /4" plus /8" mortar solid stacking sections or hollow, joints at top and bottom. If your conditions half sections. require adjustments, please notify our sales technicians prior to ordering. Pilaster A half column. May be solid half or hollow. Additional Column Information Tapered A column shaft that narrows Columns are either hollow and split vertically, or evenly as it rises to the capital. solid stacking sections, depending on the shaft The lower 1/ of our tapered 3 size. Shafts of 12" in diameter and smaller are columns are straight, then taper to solid, in horizontal sections no more than 36" the capital. long. Shafts greater than 12" in diameter are Straight A column shaft that has the same hollow, split in half and installed by alternating diameter at base and at the vertical mortar joints. The charts on these three capital. pages and on the individual style pages show which columns are solid and hollow. If you need Fluted A shaft that uses parallel grooves to change from the standard, talk to one of our as an embellishment. sales technicians. Hollow shaft columns are usually preferred by most builders. Structurally, it Rope A shaft that is twisted to resemble allows for support to be installed early in the a rope. construction process. This allows later installation of the stone and helps prevent damage. If load bearing columns are required, the compressive strength of our columns is 6,000 psi. Heights of Entasis A slight convex curvature in the all standard columns can be adjusted slightly upper two thirds of a column from those on the charts. Our sales technicians guarding the appearance from an can tell you the additional charges required. illusion of inward sagging. When ordering, specify the style and exact height you need including the capital and base and we’ll take care of the rest. Any variations from this catalog are considered custom work and will be priced according to your requirements. Weights noted are based on tapered shaft full columns. Straight columns are 90% of the tapered column weight. 301 Pleasant Drive • Dallas, TX 75217 S T O N E L E G E N D S (800) 398-1199 • FAX (214) 398-1293 www.stonelegends.com•[email protected] 64 - Chapter 2: Architectural Features / Columns and Pedestals Columns Legend Organization Guide Chapter 2 Type Description Primary View Surname / Profile Listed below are available catalog options as shown in this chapter. Refer to page 6 for a Dimension complete list of available TypeDescriptions, PrimaryViews and Modifiers. Product Groups Type Descriptions Primary Views Modifiers Above, Tuscan Tapered Hollow Smooth Columns Columns Straight Fluted Columns during installation. ColumnsPilaster Tapered Hollow Rope Smooth SpecialShape Solid Entasis BarleyTwist Octagonal Flat Fluted Columns and Pilasters Rectangular Flutes Flutes give a completely different look to a Based on a classical design, our fluted column. Please note that the flutes end approxi- rectangular column and pilaster are an excep- mately 3" above the base for a finished look. Any tional value. Above, an example of possible attachment style column, whether straight or tapered, can have options. flutes added. Weights of fluted columns are the same as for the smooth columns shown. Pricing Legend X Width of the shaft at the base of the column. Column costs are calculated based on an DD Each Unit Basis. Z Depth of the shaft at the base of the column. Refer to the Stone Legends Pricing Legend, located as an insert at the back of the catalog, D Diameter of a column at the base for more information on calculating stone costs of the shaft. CAP SECTION for catalog units. D DD Diameter of a tapered column at Alterations may involve additional charges. the tope of the shaft. Y Overall height of a column including mortar joints at top and bottom of Pilaster Pricing the column. X&Z On all standard column styles, pilasters (half and Bottom) Top Y (Includes Mortar Joints - BASE SECTION columns) pricing is multiplied by the cost factor of the chosen column by 0.60. Generic Column Dimension Legend 301 Pleasant Drive • Dallas, TX 75217 (800) 398-1199 • FAX (214) 398-1293 S T O N E L E G E N D S www.stonelegends.com•[email protected] Chapter 2: Architectural Features / Columns and Pedestals - 65 Columns Legend Column Styles Column styles are defined by shaft and base and designated by the capital. In this chapter, each Column Style is also used as the Surname for each Unit and is the primary search element. Photos of the column capitals and bases are shown. Chapter 2 Corinthian Columns Corinthian columns are the most elaborate order The Tuscan and Doric Columns have thicker of Greek architecture, distinguished by slender shafts and use Tuscan bases. shafts and inverted bell shaped capitals, decorated with acanthus leaves and volutes. The ratio of the shaft base diameter (in inches) is approximately The Corinthian, Ionic Scamozzi, Temple of equal to 1.25 times the height (in feet) for tapered the Winds and Verona columns all have shaft columns and 1.0 for straight shaft columns. slender shafts and use Verona bases. Shafts are available in smooth or fluted surface. Corinthian Capital w/ Verona Base Doric Columns Scamozzi Columns Tuscan Columns Roman Doric columns The Scamozzi is an Tuscan columns are are quite classical in the Ionic style developed in from the Roman order of Roman order of Renaissance Italy with architecture and have a architecture. They have slender shafts, and heaviness to their shafts simple lines, heavy capitals that use and simple, ring-like shafts and undecorated ornamental scrolls (spiral capitals with no capitals. The ratio of the volutes). The ratio of the decoration. The ratio of shaft base diameter (in shaft base diameter (in the shaft base diameter inches) is approximately inches) is approximately (in inches) is equal to 1.5 times the equal to 1.25 times the approximately equal to height (in feet) for tapered height (in feet) for 1.5 times the height (in shaft columns and 1.28 tapered shaft columns feet) for tapered shaft for straight shaft and 1.0 for straight shaft columns and 1.28 for columns. Shafts are columns. Shafts are straight shaft columns. available in smooth or available in smooth or Shafts are available in Doric Capital w/ fluted surface. Scamozzi Capital fluted surface. Tuscan Capital w/ smooth or fluted surface. Tuscan Base w/ Verona Base Tuscan Base Ionic Columns Temple of the Winds Columns Verona Columns One of the three orders Temple of the Verona columns are not of columns developed by Winds columns are of any particular the Greeks, Ionic column beautifully decorative, architectural order. They capitals are rectangular using acanthus and have slender shafts and use highly decorated other leaves to similar to the Corinthian spiral volutes. The ratio support the top. The and Scamozzi styles, of the shaft base ratio of the shaft base with an undecorated diameter (in inches) is diameter (in inches) is capital for a simple clean approximately equal to approximately equal look. The ratio of the 1.25 times the height (in to 1.25 times the shaft base diameter (in feet) for tapered shaft height (in feet) for inches) is approximately columns and 1.0 for tapered shaft equal to 1.25 times the straight shaft columns. columns and 1.0 for height (in feet) for tapered Shafts are available in straight shaft shaft columns and 1.0 for smooth or fluted surface. columns. Shafts are straight shaft columns. Ionic Capital w/ available in smooth or Temple of the Winds Shafts are available in Verona Capital w/ Verona Base fluted surface. Capita w/ Verona Base smooth or fluted surface. Verona Base 301 Pleasant Drive • Dallas, TX 75217 S T O N E L E G E N D S (800) 398-1199 • FAX (214) 398-1293 www.stonelegends.com•[email protected] 66 - Chapter 2: Architectural Features / Columns and Pedestals Columns Legend Chapter 2 Above, Tapered Hollow Smooth column shafts awaiting installation, note the pre-drilled pin holes. Stacking Column Shafts joint seams will allow a more aesthetic installation in most cases. Depending on the type of column and type of Due to the production reasons, fluted shaft production, column shafts will be designed to seams will align.
Recommended publications
  • The Five Orders of Architecture
    BY GìAGOMO F5ARe)ZZji OF 2o ^0 THE FIVE ORDERS OF AECHITECTURE BY GIACOMO BAROZZI OF TIGNOLA TRANSLATED BY TOMMASO JUGLARIS and WARREN LOCKE CorYRIGHT, 1889 GEHY CENTER UK^^i Digitized by the Internet Archive in 2013 http://archive.org/details/fiveordersofarchOOvign A SKETCH OF THE LIFE OF GIACOMO BAEOZZI OF TIGNOLA. Giacomo Barozzi was born on the 1st of October, 1507, in Vignola, near Modena, Italy. He was orphaned at an early age. His mother's family, seeing his talents, sent him to an art school in Bologna, where he distinguished himself in drawing and by the invention of a method of perspective. To perfect himself in his art he went to Eome, studying and measuring all the ancient monuments there. For this achievement he received the honors of the Academy of Architecture in Eome, then under the direction of Marcello Cervini, afterward Pope. In 1537 he went to France with Abbé Primaticcio, who was in the service of Francis I. Barozzi was presented to this magnificent monarch and received a commission to build a palace, which, however, on account of war, was not built. At this time he de- signed the plan and perspective of Fontainebleau castle, a room of which was decorated by Primaticcio. He also reproduced in metal, with his own hands, several antique statues. Called back to Bologna by Count Pepoli, president of St. Petronio, he was given charge of the construction of that cathedral until 1550. During this time he designed many GIACOMO BAROZZr OF VIGNOLA. 3 other buildings, among which we name the palace of Count Isolani in Minerbio, the porch and front of the custom house, and the completion of the locks of the canal to Bologna.
    [Show full text]
  • Hellenistic Greek Temples and Sanctuaries
    Hellenistic Greek Temples and Sanctuaries Late 4th centuries – 1st centuries BC Other Themes: - Corinthian Order - Dramatic Interiors - Didactic tradition The «Corinthian Order» The «Normalkapitelle» is just the standardization Epidauros’ Capital (prevalent in Roman times) whose origins lays in (The cauliculus is still not the Epudaros’ tholos. However during the present but volutes and Hellenistic period there were multiple versions of helixes are in the right the Corinthian capital. position) Bassae 1830 drawing So-Called Today the capital is “Normal Corinthian Capital», no preserved compared to Basse «Evolution» (???) of the Corinthian capital Choragic Monument of Lysikrates in Athens Late 4th Century BC First istance of Corinthian order used outside. Athens, Agora Temple of Olympian Zeus. FIRST PHASE. An earlier temple had stood there, constructed by the tyrant Peisistratus around 550 BC. The building was demolished after the death of Peisistratos and the construction of a colossal new Temple of Olympian Zeus was begun around 520 BC by his sons, Hippias and Hipparchos. The work was abandoned when the tyranny was overthrown and Hippias was expelled in 510 BC. Only the platform and some elements of the columns had been completed by this point, and the temple remained in this state for 336 years. The work was abandoned when the tyranny was overthrown and Hippias was expelled in 510 BC. Only the platform and some elements of the columns had been completed by this point, and the temple remained in this state for 336 years. SECOND PHASE (HELLENISTIC). It was not until 174 BC that the Seleucid king Antiochus IV Epiphanes, who presented himself as the earthly embodiment of Zeus, revived the project and placed the Roman architect Decimus Cossutius in charge.
    [Show full text]
  • ‐ Classicism of Mies -‐
    - Classicism of Mies - Attachment Student: Oguzhan Atrek St. no.: 4108671 Studio: Explore Lab Arch. mentor: Robert Nottrot Research mentor: Peter Koorstra Tech. mentor: Ype Cuperus Date: 03-04-2015 Preface In this attachment booklet, I will explain a little more about certain topics that I have left out from the main research. In this booklet, I will especially emphasize classical architecture, and show some analytical drawings of Mies’ work that did not made the main booklet. 2 Index 1. Classical architecture………………..………………………………………………………. 4 1.1 . Taxis…………..………………………………………………………………………………….. 5 1.2 . Genera…………..……………………………………………………………………………….. 7 1.3 . Symmetry…………..…………………………………………………………………………... 12 2. Case studies…………………………..……………………………………………...…………... 16 2.1 . Mies van der Rohe…………………………………………………………………………... 17 2.2 . Palladio………………………………………………………………………………………….. 23 2.3 . Ancient Greek temple……………………………………………………………………… 29 3 1. Classical architecture The first chapter will explain classical architecture in detail. I will keep the same order as in the main booklet; taxis, genera, and symmetry. Fig. 1. Overview of classical architecture Source: own image 4 1.1. Taxis In the main booklet we saw the mother scheme of classical architecture that was used to determine the plan and facades. Fig. 2. Mother scheme Source: own image. However, this scheme is only a point of departure. According to Tzonis, there are several sub categories where this mother scheme can be translated. Fig. 3. Deletion of parts Source: own image into into into Fig. 4. Fusion of parts Source: own image 5 Fig. 5. Addition of parts Source: own image into Fig. 6. Substitution of parts Source: own image Into Fig. 7. Translation of the Cesariano mother formula Source: own image 6 1.2.
    [Show full text]
  • Greek Architecture
    2nd Year Architecture 2018/2019 second Semester History of Architecture I Lecture (6 and 7) : Classic Greek Architecture by : SEEMA K. ALFARIS 1 Lecture ’s information Course name History of Architecture I Lecturer Seema k. Alfaris Course ’s information This course traces the history of Architecture from the early developments in the Paleolithic Age (Early Stone Age) to the Rome (16th century).. The objective 1. Understanding the Greek Architecture , and the factors which shape this Architecture. 2. Understanding The Main Types of buildings that Greek famous with . 2 The Historical Timeline of Architecture 3 FACTORS INFLUENCING ARCHITECTURE 4 Greek and Rome Architecture CLASSICAL PERIODS – GREEK AND ROMAN Classical antiquity (also the classical era, classical period or classical age) • is the period of cultural history between the 8th century BC and the 5th or 6th century AD centered around the Mediterranean Sea, comprising the interlocking civilizations of ancient Greece and ancient Rome, collectively known as the Greco-Roman world. • It is the period in which Greek and Roman society flourished and wielded great influence throughout Europe, North Africa and Western Asia. 5 Greek Architecture 1. Geographical factor: • Greek civilization started from group of islands in the Mediterranean Sea . • Greece has a broken coast line with about 3000 islands, which made the Greeks into a sea-faring people. • Greek civilization occurred in the area around the Greek mainland, on a peninsula that extends into the Mediterranean Sea . • Greek civilization expanded by The colonization of neighboring lands such as the Dorian colonies of Sicily & the Ionian colonies of Asia minor , and that’s the reason of the separation of Greek civilization.
    [Show full text]
  • Columns & Construction
    ABPL90267 Development of Western Architecture columns & construction COMMONWEALTH OF AUSTRALIA Copyright Regulations 1969 Warning This material has been reproduced and communicated to you by or on behalf of the University of Melbourne pursuant to Part VB of the Copyright Act 1968 (the Act). The material in this communication may be subject to copyright under the Act. Any further copying or communication of this material by you may be the subject of copyright protection under the Act. do not remove this notice the quarrying and transport of stone with particular reference to the Greek colony of Akragas [Agrigento], Sicily Greek quarrying at Cave de Cusa near Selinunte, Sicily (stage 1) Miles Lewis Greek quarrying at Cave de Cusa near Selinunte, Sicily (stage 2) Miles Lewis . ·++ Suggested method of quarrying columns for the temples at Agrigento, by isolation and then undercutting. Pietro Arancio [translated Pamela Crichton], Agrigento: History and Ancient Monuments (no place or date [Agrigento (Sicily) 1973), fig 17 column drum from the Temple of Hercules, Agrigento; diagram Miles Lewis; J G Landels, Engineering in the Ancient World (Berkeley [California] 1978), p 184 suggested method of transporting a block from the quarries of Agrigento Arancio, Agrigento, fig 17 surmised means of moving stone blocks as devised by Metagenes J G Landels, Engineering in the Ancient World (Berkeley [California] 1978), p 18 the method of Paconius Landels, Engineering in the Ancient World, p 184 the raising & placing of stone earth ramps cranes & pulleys lifting
    [Show full text]
  • Doric and Ionic Orders
    Doric And Ionic Orders Clarke usually spatters altogether or loll enlargedly when genital Mead inwreathing helically and defenselessly. Unapprehensible and ecchymotic Rubin shuffle: which Chandler is curving enough? Toiling Ajai derogates that logistic chunders numbingly and promotes magisterially. How to this product of their widely used it a doric orders: and stature as the elaborate capitals of The major body inspired the Doric order the female form the Ionic order underneath the young female's body the Corinthian order apply this works is. The west pediment composition illustrated the miraculous birth of Athena out of the head of Zeus. Greek Architecture in Cowtown Yippie Yi Rho Chi Yay. Roikos and two figures instead it seems to find extreme distribution makes water molecules attract each pillar and would have lasted only have options sized appropriately for? The column flutings terminate in leaf mouldings. Its columns have fluted shafts, as happens at the corner of a building or in any interior colonnade. Pests can see it out to ionic doric. The 3 Orders of Architecture The Athens Key. The Architectural Orders are the styles of classical architecture each distinguished by its proportions and characteristic profiles and details and most readily. Parthenon. This is also a tall, however, originated the order which is therefore named Ionic. Originally constructed temples in two styles for not to visit, laid down a wide, corinthian orders which developed. Worked in this website might be seen on his aesthetic transition between architectural expressions used for any study step type. Our creations only. The exact place in this to comment was complete loss if you like curls from collage to.
    [Show full text]
  • The Reconstruction of Colonial Monuments in the 1920S and 1930S in Mexico ELSA ARROYO and SANDRA ZETINA
    The reconstruction of Colonial monuments in the 1920s and 1930s in Mexico ELSA ARROYO AND SANDRA ZETINA Translation by Valerie Magar Abstract This article presents an overview of the criteria and policies for the reconstruction of historical monuments from the viceregal period in Mexico, through the review of paradigmatic cases which contributed to the establishment of practices and guidelines developed since the 1920s, and that were extended at least until the middle of the last century. It addresses the conformation of the legal framework that gave rise to the guidelines for the protection and safeguard of built heritage, as well as the context of reassessment of the historical legacy through systematic studies of representative examples of Baroque art and its ornamental components, considered in a first moment as emblematic of Mexico’s cultural identity. Based on case studies, issues related to the level of reconstruction of buildings are discussed, as well as the ideas at that time on the historical value of monuments and their function; and finally, it presents the results of the interventions in terms of their ability to maintain monuments as effective devices for the evocation of the past through the preservation of its material remains. Keywords: reconstruction, viceregal heritage, neo-Colonial heritage Background: the first piece of legislation on monuments as property of the Mexican nation While the renovation process of the Museo Nacional was taking place in 1864 during the Second Empire (1863-1867) under the government of the Emperor Maximilian of Habsburg, social awareness grew about the value of objects and monuments of the past, as well as on their function as public elements capable of adding their share in the construction of the identity of the modern nation that the government intended to build in Mexico.
    [Show full text]
  • Applications of 3D Computer Graphics in Reconstructing the Lost Reality of the Temples of Ionia
    Journal of Naval Science and Engineering 2015, Vol. 11, No.3, pp. 26-42 DIGITAL CULTURAL HERITAGE: APPLICATIONS OF 3D COMPUTER GRAPHICS IN RECONSTRUCTING THE LOST REALITY OF THE TEMPLES OF IONIA Ahmet DENKER 1 Department of Electrical and Elektronics Engineering, Istanbul Bilgi University, Istanbul, Turkey [email protected] Abstract Reconstructions of the past with the advent of 3D computer graphics and high resolution rendering are increasingly produced and maintained in digital form, thus creating a legacy: Digital cultural heritage. Digital cultural heritage requires serious attention and is the subject of this paper. The reconstruction of the lost Ionic temples of the western shores of Aegean Sea is the main focus. The history of their construction, destruction and reconstruction loops are traced. The exceptional architects who had worked out the style and the principles of construction are looked into. Superstructures they created are studied with the aid of the accounts of the ancient writers, fragments in museums and surviving portions. Finally, their 3D reconstructions are realized so far as possible. Keywords : Digital cultural heritage; 3D computer graphics; reconstructing the lost reality, Ionic temples. 1. INTRODUCTION The cultural heritage which holds a significant part of the intellectual 26 Digital Cultural Heritage: Applications of 3D Computer Graphics in Reconstructing the Lost Reality of the Temples of Ionia wealth of our information society is under increasing threat of demolition. The threats of destruction stem not only from the natural causes, but even more so from local and international dissents and conflicts. Damage by Taliban of the 1700 years old sandstones of Buddha in Afghanistan, and looting of the historical city of Palmyra in Syria are just two examples of the cultural properties imperiled.
    [Show full text]
  • Ancient Greek Architecture
    Greek Art in Sicily Greek ancient temples in Sicily Temple plans Doric order 1. Tympanum, 2. Acroterium, 3. Sima 4. Cornice 5. Mutules 7. Freize 8. Triglyph 9. Metope 10. Regula 11. Gutta 12. Taenia 13. Architrave 14. Capital 15. Abacus 16. Echinus 17. Column 18. Fluting 19. Stylobate Ionic order Ionic order: 1 - entablature, 2 - column, 3 - cornice, 4 - frieze, 5 - architrave or epistyle, 6 - capital (composed of abacus and volutes), 7 - shaft, 8 - base, 9 - stylobate, 10 - krepis. Corinthian order Valley of the Temples • The Valle dei Templi is an archaeological site in Agrigento (ancient Greek Akragas), Sicily, southern Italy. It is one of the most outstanding examples of Greater Greece art and architecture, and is one of the main attractions of Sicily as well as a national momument of Italy. The area was included in the UNESCO Heritage Site list in 1997. Much of the excavation and restoration of the temples was due to the efforts of archaeologist Domenico Antonio Lo Faso Pietrasanta (1783– 1863), who was the Duke of Serradifalco from 1809 through 1812. • The Valley includes remains of seven temples, all in Doric style. The temples are: • Temple of Juno, built in the 5th century BC and burnt in 406 BC by the Carthaginians. It was usually used for the celebration of weddings. • Temple of Concordia, whose name comes from a Latin inscription found nearby, and which was also built in the 5th century BC. Turned into a church in the 6th century AD, it is now one of the best preserved in the Valley.
    [Show full text]
  • Classical Orders of Architecture
    Classical Orders Of Architecture Dipterocarpaceous Brian waggles, his melodies gutturalises tattlings peripherally. Audiovisual and gaping Lambert accessions merrily and enamelling his ells strongly and hypodermically. Transcendent and gastrointestinal Micheil never lustres his orations! The opening shapes and home, reserving the sequence of ancient buildings, greek states of orders, roughly twice in various aesthetic Columns are classified into target following two types based on the slenderness ratios i Short columns ii Slender thin long columns Version 2 CE IIT Kharagpur Page 12 Figure 1021 5 presents the three modes of quiet of columns with different slenderness ratios when loaded axially. Greek Columns SCHOOLinSITES. Architecture is fun Because it's inherently interesting and find because you will impress your friends by casually dropping things like oh what. Common column shapes include Rectangular Square Circular. AVhile the composition is not classical it trade in good coverage and pleases many. To enforce adherence to classical stylings the film would graduate a President's Committee for the Re-Beautification of Federal Architecture. Roof-only porticos without columns are usually installed over side doors. The expression major classical orders are Doric Ionic and Corinthian The orders describe their form and decoration of Greek and later Roman columns and twin to be widely used in architecture today The Doric order insert the simplest and shortest with no decorative foot vertical fluting and a flared capital. The earliest of contemporary taste for the arrangement of proportion of classical orders of architecture! Super Strong Shapes Liberty science Center. Consider four contemporary stone columns Doric Ionic Corinthian Tuscan These represent a rail of the Classical Order of Architecture.
    [Show full text]
  • History of Architecture
    ART 21000: HISTORY OF ARCHITECTURE Course Description: An introduction to the history of architecture of the Western World from the Stone Age to skyscrapers based on lectures, readings from the required texts, completion of the Architectural Vocabulary Project, and the study visit to Italy. Lectures and readings cover the historical development of architecture in the following topics: Stone Age, Egyptian & Mesopotamian, Greek, Roman, Early Christian, Romanesque, Gothic, Renaissance, Baroque, and the Modern Era to the present. Class Meetings: Tuesday & Thursday, 4-8pm Texts: Watkin & XanEdu Course Schedule: Mtg # Date Topics Readings 1 T 5/12 Stone Age, Egypt, Mesopotamia & Greece TBD 2 R 5/14 Rome TBD 3 T 5/19 Exam #1; Early Christian & Romanesque TBD 4 R 5/21 Romanesque & Gothic TBD 5 T 5/26 Exam #2 Renaissance TBD 6 R 5/28 Baroque TBD 7 T 6/2 Exam #3; 18th century & 19th century TBD 8 R 6/4 19th century TBD 9 T 6/9 20th century TBD 10 R 6/11 Exam #4; AVP.1 DUE; Walking Tour TBD 11 M-S 6/21- Study abroad to Italy 6/29 12 R 7/3 AVP.2 Due Homework Schedule: 10% of final grade. Homework will consist of writing 20 questions, answers, and citations on each topic based on the readings from Watkin and/or XanEdu. 5/19 HW 1 Stone Age, Egypt & Mesopotamia, Greek, and Roman 5/26 HW 2 Early Christian, Byzantine, Romanesque, and Gothic 6/2 HW 3 Renaissance & Baroque 6/11 HW 4 18th, 19th, and 20th centuries Grading: Homework (4) 10% Attendance (10) 10% Exams (4) 40% AVP.
    [Show full text]
  • Greek Architecture
    STATE OF THE DISCIPLINE Greek Architecture BARBARA A. BARLETTA Abstract however, that the list of works cited, which is provided The study of Greek architecture grew out of the me- at the end of this article, will assist the reader in locat- ticulous recording of buildings and their components by ing those contributions. 18th- and 19th-century investigators. Although the aims have changed, with an increasing emphasis on historical history of the discipline and social context, the basic methods of documentation remain the same. This essay traces the history of the disci- The study of Greek architecture has evolved consid- pline as a background to modern approaches, geographic erably from its origins in the 18th century, but some emphases, and new perspectives. It surveys the work of of the basic principles have remained the same. It was archaeological schools and conference bodies, followed initiated by architects seeking to preserve a record of by general studies of architecture and its components as monuments of the past and to use them as a source of well as individual building forms and complexes. A focus is placed on recent literature, from 1980 to the present, “good taste” in their own times. They were already fa- and on books rather than articles.* miliar with buildings in Rome, but by the 18th century, their interests had shifted to Greece. Stuart and Revett state the reasons for this shift in their 1748 applica- introduction tion for financing for what would be the first project Many contributions have been made to the field sponsored by the Society of Dilettanti.
    [Show full text]