Indian Summers Julie Walters and an International Cast Star in an Epic of India on the Cusp of Change Sundays, September 27 - November 22, 2015 on MASTERPIECE on PBS

Total Page:16

File Type:pdf, Size:1020Kb

Indian Summers Julie Walters and an International Cast Star in an Epic of India on the Cusp of Change Sundays, September 27 - November 22, 2015 on MASTERPIECE on PBS The Raj, Romance, and Revolution Indian Summers Julie Walters and an international cast star in an epic of India on the cusp of change Sundays, September 27 - November 22, 2015 on MASTERPIECE on PBS In 1932 the height of privilege was to be British in India, and the high point was the summer season at the hard-partying colonial retreat of Simla in the Himalayan foothills. Rude reality intrudes on this spectacular paradise in Indian Summers, starring Julie Walters (Oscar® nominee for Billy Elliot and Educating Rita) as the wily hostess of Simla society. Set during the twilight era of the British Raj, the meticulously recreated series airs in nine episodes on MASTERPIECE, Sundays, September 27 - November 22, 2015 at 9pm ET on PBS. MASTERPIECE is presented on PBS by WGBH Boston. Joining the cast are a galaxy of British, Indian, and Pakistani stars, including Henry Lloyd-Hughes (Madame Bovary), Nikesh Patel (Bedlam), Jemima West (The Borgias), Roshan Seth (Gandhi), Patrick Malahide (The Paradise), and Bollywood legends Lillete Dubey (The Best Exotic Marigold Hotel) and Alyy Khan (Sharpe's Challenge). Also appearing are Alexander Cobb (Mr. Selfridge), Aysha Kala (Shameless), Olivia Grant (Endeavour), Edward Hogg (The Borgias), Fiona Glascott (Anton Chekhov's The Duel), Craig Parkinson (Line of Duty), and Richard McCabe (Wallander). Critics were awed during Indian Summers’ recent UK broadcast. The Guardian (London) proclaimed: “[T]his is the stuff of which epics are made … one of the most gorgeous, exciting shows around.” The Daily Telegraph (London) lauded the “swooningly romantic backdrop” and asked, “Is Indian Summers the new Downton Abbey?' And the Daily Mirror (London) found a garden of delights: “gripping interwoven storylines … great performances … stunning scenery … and a large helping of racy romance.” Framed by the beginning and end of the summer season, when India’s British rulers left the hot plains for the cool slopes of Simla, Indian Summers centers on three brother-sister pairs. Ralph Whelan (Lloyd-Hughes) is the private secretary to the British Viceroy of India (Malahide). Ralph is an upwardly mobile, politically ambitious bachelor, hiding a checkered past. He is joined by Alice (West), his beautiful younger sister who appears suddenly from England with her little boy—and conspicuously without her husband. Next there is Aafrin Dalal (Patel), an idealistic clerk in the elite Indian Civil Service, who wins Ralph’s trust by saving his life. Aafrin seems marked for rapid advancement in the British bureaucracy, but his sister Sooni (Kala) threatens his career by agitating tirelessly for national independence. Then there are two adrift Americans: Eugene Mathers (Hogg), an expatriate architect from a wealthy Chicago family, who has been taken in by Ralph after being stricken with malaria; and Eugene’s seductive sister, Madeline (Grant), who comes to care for him—and ends up caring for Ralph. -more- Funding for MASTERPIECE provided by Indian Summers Press Release, Page 2 Pulling the strings that animate much of the action is Cynthia Coffin (Walters), a manipulative military widow who presides like an empress over the Royal Simla Club, where the ruling class lounges in subtropical splendor, sipping gin and tonics, running the country, and dancing the night away. Apart from this in-group are two other contingents representing British imperialism: tea plantation owner Stafford Armitage (McCabe), recently joined by his eager and inexperienced nephew Ian McLeod (Cobb); and missionary Dougie Raworth (Parkinson), whose rescue of a nameless mixed-race boy launches a major storyline in the series. Meanwhile, Dougie’s desperately homesick wife, Sarah (Glascott), is slowly losing her mind in this strange land. Needless to say, illicit encounters, assignations, and forbidden affairs abound. And there are also complications offstage, where pressure is building for an end to British rule. Gandhi has recently been arrested on the viceroy’s orders, and he is staging a hunger strike from his cell, exerting pressure that renders the world’s greatest empire helpless. Indian Summers is a Co-Production of New Pictures for Channel 4 and MASTERPIECE in association with All3Media International. It is created and written by Paul Rutman. The Executive Producers are Charlie Pattinson, Elaine Pyke, Simon Curtis, and Rebecca Eaton for MASTERPIECE on PBS. The Co-Executive Producer is Indira Varma. The Producer is Dan McCulloch. The Director is Anand Tucker. The top-rated primetime show on PBS, MASTERPIECE is presented on PBS by WGBH Boston. Rebecca Eaton is Executive Producer. Funding for the series is provided by Viking River Cruises and Ralph Lauren Corporation with additional support from public television viewers and contributors to The MASTERPIECE Trust, created to help ensure the series’ future. pbs.org/masterpiece MASTERPIECE Press Contacts Ellen Dockser, [email protected], 617-300-5338 Olivia Wong, [email protected], 617-300-5349 Heidi Schaeffer, [email protected], 310-854-4800 July 2015.
Recommended publications
  • Media Nations 2019
    Media nations: UK 2019 Published 7 August 2019 Overview This is Ofcom’s second annual Media Nations report. It reviews key trends in the television and online video sectors as well as the radio and other audio sectors. Accompanying this narrative report is an interactive report which includes an extensive range of data. There are also separate reports for Northern Ireland, Scotland and Wales. The Media Nations report is a reference publication for industry, policy makers, academics and consumers. This year’s publication is particularly important as it provides evidence to inform discussions around the future of public service broadcasting, supporting the nationwide forum which Ofcom launched in July 2019: Small Screen: Big Debate. We publish this report to support our regulatory goal to research markets and to remain at the forefront of technological understanding. It addresses the requirement to undertake and make public our consumer research (as set out in Sections 14 and 15 of the Communications Act 2003). It also meets the requirements on Ofcom under Section 358 of the Communications Act 2003 to publish an annual factual and statistical report on the TV and radio sector. This year we have structured the findings into four chapters. • The total video chapter looks at trends across all types of video including traditional broadcast TV, video-on-demand services and online video. • In the second chapter, we take a deeper look at public service broadcasting and some wider aspects of broadcast TV. • The third chapter is about online video. This is where we examine in greater depth subscription video on demand and YouTube.
    [Show full text]
  • Simon Russell Beale Photo: Charlie Carter
    Paddock Suite, The Courtyard, 55 Charterhouse Street, London, EC1M 6HA p: + 44 (0) 20 73360351 e: [email protected] Simon Russell Beale Photo: Charlie Carter Location: London Other: Equity Height: 5'7" (170cm) Eye Colour: Grey Playing Age: 51 - 55 years Hair Colour: Greying Appearance: White Hair Length: Short Stage 2018, Stage, The Lehman Trilogy, The National Theatre, Sam Mendes 2016, Stage, Prospero, The Tempest, Royal Shakespeare Company, Gregory Doran 2015, Stage, Mr Foote, Mr Foote's Other Leg, Hampstead Theatre/Haymarket (transfer), Richard Eyre 2015, Stage, The Dean, Temple, Donmar Warehouse, Howard Davies 2014, Stage, King Lear, King Lear, National Theatre, Sam Mendes 2013, Stage, Acting Captain Terri Dennis, Privates on Parade, Noel Coward Theatre, Michael Grandage 2013, Stage, Roote, The Hothouse, Trafalgar Studios, Jamie Lloyd 2012, Stage, Timon of Athens (Critics' Circle Award 2013), Timon of Athens, National Theatre, Nicholas Hytner 2011, Stage, Jimmy, Bluebird, Atlantic Theatre Company, New York, Gaye Taylor Upchurch 2011, Stage, Stalin, Collaborators, National Theatre, Nicholas Hytner 2010, Stage, Sydney, Deathtrap, Noel Coward Theatre, Matthew Warchus 2010, Stage, Sir Harcourt Courtly, London Assurance, National Theatre, Nicholas Hytner 2009, Stage, Lopahkin, The Cherry Orchard, Brooklyn Academy/World Tour/Old Vic, Sam Mendes 2009, Stage, Leontes, The Winter's Tale, Brooklyn Academy/World Tour/Old Vic, Sam Mendes 2008, Stage, Edward, A Slight Ache, National Theatre, Iqbal Khan 2008, Stage, Landscape, National Theatre,
    [Show full text]
  • Bad Cops: a Study of Career-Ending Misconduct Among New York City Police Officers
    The author(s) shown below used Federal funds provided by the U.S. Department of Justice and prepared the following final report: Document Title: Bad Cops: A Study of Career-Ending Misconduct Among New York City Police Officers Author(s): James J. Fyfe ; Robert Kane Document No.: 215795 Date Received: September 2006 Award Number: 96-IJ-CX-0053 This report has not been published by the U.S. Department of Justice. To provide better customer service, NCJRS has made this Federally- funded grant final report available electronically in addition to traditional paper copies. Opinions or points of view expressed are those of the author(s) and do not necessarily reflect the official position or policies of the U.S. Department of Justice. This document is a research report submitted to the U.S. Department of Justice. This report has not been published by the Department. Opinions or points of view expressed are those of the author(s) and do not necessarily reflect the official position or policies of the U.S. Department of Justice. Bad Cops: A Study of Career-Ending Misconduct Among New York City Police Officers James J. Fyfe John Jay College of Criminal Justice and New York City Police Department Robert Kane American University Final Version Submitted to the United States Department of Justice, National Institute of Justice February 2005 This project was supported by Grant No. 1996-IJ-CX-0053 awarded by the National Institute of Justice, Office of Justice Programs, U.S. Department of Justice. Points of views in this document are those of the authors and do not necessarily represent the official position or policies of the U.S.
    [Show full text]
  • Policy & Procedure
    POLICY & PROCEDURE SHOREWOOD HILLS POLICE DEPARTMENT SUBJECT: LINE OF DUTY DEATH NUMBER: 1.12 ISSUED: 03/20/2014 SCOPE: All Department Personnel EFFECTIVE: 03/20/2014 DISTRIBUTION: Policy & Procedure Manual RESCINDS AMENDS REFERENCE: “Support Services to Surviving Families of WILEAG STANDARDS: N/A Line of Duty Deaths,” by Suzanne F. Sawyer INDEX AS: Line of Duty Death PURPOSE: This Policy & Procedure establishes procedures to ensure the proper support and emotional care for a member’s family following a line-of-duty death. This Policy & Procedure consists of the following numbered sections: I. POLICY II. DISCUSSION III. PROCEDURES AND RESPONSIBILITIES I. POLICY A. It is the policy of the Shorewood Hills Police Department to provide liaison assistance to the immediate survivors of a member who dies in the line of duty. This assistance is provided whether the death was unlawful or accidental (i.e., automobile accident, hit by a passing vehicle during a traffic stop, training accident) while the member was performing a police-related function, either on or off-duty and while he or she was an active member of the Department. The Chief of Police may institute certain parts of this Policy & Procedure for cases of a member’s natural death. The Department will also provide a clarification and comprehensive study of survivor benefits as well as emotional support during this traumatic period of readjustment for the surviving family. 1 1.12 Funeral arrangements of the deceased member are to be decided by the family, with their wishes taking precedence over the Department’s. II. DISCUSSION A. Coordination of events following the line-of-duty death of a police officer is an extremely important and complex responsibility.
    [Show full text]
  • Rory Kinnear
    RORY KINNEAR Film: Peterloo Henry Hunt Mike Leigh Peterloo Ltd Watership Down Cowslip Noam Murro 42 iBoy Ellman Adam Randall Wigwam Films Spectre Bill Tanner Sam Mendes EON Productions Trespass Against Us Loveage Adam Smith Potboiler Productions Man Up Sean Ben Palmer Big Talk Productions The Imitation Game Det Robert Nock Morten Tydlem Black Bear Pictures Cuban Fury Gary James Griffiths Big Talk Productions Limited Skyfall Bill Tanner Sam Mendes Eon Productions Broken* Bob Oswald Rufus Norris Cuba Pictures Wild Target Gerry Jonathan Lynne Magic Light Quantum Of Solace Bill Tanner Marc Forster Eon Productions Television: Guerrilla Ch Insp Nic Pence John Ridley & Sam Miller Showtime Quacks Robert Andy De Emmony Lucky Giant The Casual Vacancy Barry Fairbrother Jonny Campbell B B C Penny Dreadful (Three Series) Frankenstein's Creature Juan Antonio Bayona Neal Street Productions Lucan Lord Lucan Adrian Shergold I T V Studios Ltd Count Arthur Strong 1 + 2 Mike Graham Linehan Retort Southcliffe David Sean Durkin Southcliffe Ltd The Hollow Crown Richard Ii Various Neal Street Productions Loving Miss Hatto Young Barrington Coupe Aisling Walsh L M H Film Production Ltd Richard Ii Bolingbroke Rupert Goold Neal Street Productions Black Mirror; National Anthem Michael Callow Otto Bathurst Zeppotron Edwin Drood Reverend Crisparkle Diarmuid Lawrence B B C T V Drama Lennon Naked Brian Epstein Ed Coulthard Blast Films First Men Bedford Damon Thomas Can Do Productions Vexed Dan Matt Lipsey Touchpaper T V Cranford (two Series) Septimus Hanbury Simon Curtis B B C Beautiful People Ross David Kerr B B C The Thick Of It Ed Armando Iannucci B B C Waking The Dead James Fisher Dan Reed B B C Ashes To Ashes Jeremy Hulse Ben Bolt Kudos For The Bbc Minder Willoughby Carl Nielson Freemantle Steptoe & Sons Alan Simpson Michael Samuels B B C Plus One (pilot) Rob Black Simon Delaney Kudos Messiah V Stewart Dean Harry Bradbeer Great Meadow Rory Kinnear 1 Markham Froggatt & Irwin Limited Registered Office: Millar Court, 43 Station Road, Kenilworth, Warwickshire CV8 1JD Registered in England N0.
    [Show full text]
  • BBC Four Winter/Spring 2007
    bbc_four_Autmun_2006.qxd:Layout 1 16/1/07 10:42 Page 1 Winter/Spring Highlights 2007 bbc.co.uk/bbcfour bbc_four_Autmun_2006.qxd:Layout 1 16/1/07 10:42 Page 3 The Edwardians – People Like Us? In just a few years at the start of the 20th century, Britain changed in unimaginable ways. From the first foray into aviation, to the invention of labour-saving devices for the home, to the rise of “the brand”, and the birth of not only “the High Street”, but also of the “commuter class”, mass consumerism and tabloid journalism, the Edwardians lived lives not too distant from our own. This new BBC Four season investigates, interrogates and celebrates the richness and excitement of this pioneering and world-changing time. 01 bbc_four_Autmun_2006.qxd:Layout 1 16/1/07 10:42 Page 5 The season includes some of the era’s best-known names, from literary giants such as George and Weedon Grossmith and Saki, to the doyenne of the music hall, Marie Lloyd. Along the way, it also uncovers lesser-known figures. It hears about trailblazers in the fields of social reform, journalism, photography, entrepreneurship and technical invention, uncovering what it really felt like to be Edwardian. Dramas The season launches with Andrew Davies’s brilliant, two-part adaptation of the classic comedy novel The Diary Of A In a compelling drama about the life of one of the biggest stars Nobody, starring Hugh Bonneville as the wonderfully of the time, Marie Lloyd – starring Jessie Wallace as Marie – pompous diarist Mr Charles Pooter – the Victor Meldrew of the season exposes the seedy underbelly of this peculiarly his day – Edwardian entertainment.
    [Show full text]
  • Annual Report on the BBC 2019/20
    Ofcom’s Annual Report on the BBC 2019/20 Published 25 November 2020 Raising awarenessWelsh translation available: Adroddiad Blynyddol Ofcom ar y BBC of online harms Contents Overview .................................................................................................................................... 2 The ongoing impact of Covid-19 ............................................................................................... 6 Looking ahead .......................................................................................................................... 11 Performance assessment ......................................................................................................... 16 Public Purpose 1: News and current affairs ........................................................................ 24 Public Purpose 2: Supporting learning for people of all ages ............................................ 37 Public Purpose 3: Creative, high quality and distinctive output and services .................... 47 Public Purpose 4: Reflecting, representing and serving the UK’s diverse communities .... 60 The BBC’s impact on competition ............................................................................................ 83 The BBC’s content standards ................................................................................................... 89 Overview of our duties ............................................................................................................ 96 1 Overview This is our third
    [Show full text]
  • BB's on the Boulevard
    An American Rantz Walking in Nighttrek Success & Ravez the Shoes Report: Story from of the What to See Dennis Zine Homeless in the July Sky See Page 5 See Page 4 See Page 13 See Page 12 Volume 39, Number 15 June 17, 2021 News***When in stripping Brief in - take out date line below ValleyBB’s Vantage - we’reon getting the double lines!!! Boulevard “Chicago Experience” at Warner Park Sunday 19 Storefront Windows Shot Out by Vandals on Ventura Kenny Cetera brings his “Chicago Experience” to Warner Park this Sunday, July 11. In 1984, Cetera L A S V I R G E N E S A N D added his unmistakable tenor vocals to several songs on the Chicago 17 album, including the chart-topping “You’re theA Inspiration,”L ABASAS NTERPRISE “StayC The Night,” “Along E Volume 51, Number 15 Serving Calabasas Since 1963 June 17, 2021 Comes A Woman,” and “Prima Donna.” He was quickly recruited by the show, a fan-favorite, and band to hit the road for one permanently ingrained in the of the most memorable tours musical heritage of Chicago. in their history, adding a He takes the stage at vocal element that the band 6:30 pm. Emerging Artist never had live before – two Robot Nature with their Cetera voices together. modern electronic, noir Kenny also played drums, pop and synth rock precede percussion, and keyboards him on stage at 5:30 pm. on that tour and became For more information visit a large part of the stage valleycultural.org. Minimum Wage Increases to $15 in LA County Just six of the 19 storefronts The Los Angeles Consumer & Business Affairs Office of Small Business has mandated that workers in unincorporated on Ventura Boulevard Los Angeles County receive a minimum wage of $15 per hour.
    [Show full text]
  • Sci-Fi Sisters with Attitude Television September 2013 1 LOVE TV? SO DO WE!
    April 2021 Sky’s Intergalactic: Sci-fi sisters with attitude Television www.rts.org.uk September 2013 1 LOVE TV? SO DO WE! R o y a l T e l e v i s i o n S o c i e t y b u r s a r i e s o f f e r f i n a n c i a l s u p p o r t a n d m e n t o r i n g t o p e o p l e s t u d y i n g : TTEELLEEVVIISSIIOONN PPRROODDUUCCTTIIOONN JJOOUURRNNAALLIISSMM EENNGGIINNEEEERRIINNGG CCOOMMPPUUTTEERR SSCCIIEENNCCEE PPHHYYSSIICCSS MMAATTHHSS F i r s t y e a r a n d s o o n - t o - b e s t u d e n t s s t u d y i n g r e l e v a n t u n d e r g r a d u a t e a n d H N D c o u r s e s a t L e v e l 5 o r 6 a r e e n c o u r a g e d t o a p p l y . F i n d o u t m o r e a t r t s . o r g . u k / b u r s a r i e s # R T S B u r s a r i e s Journal of The Royal Television Society April 2021 l Volume 58/4 From the CEO It’s been all systems winners were “an incredibly diverse” Finally, I am delighted to announce go this past month selection.
    [Show full text]
  • Murder on the Orient Express: a Return Ticket Wieland Schwanebeck
    This is an accepted manuscript version of an article published in Adaptation 11.1 (2018) https://doi.org/10.1093/adaptation/apx025 Film Review: Murder on the Orient Express: A Return Ticket Wieland Schwanebeck Murder on the Orient Express. Dir. Kenneth Branagh. Perf. Kenneth Branagh, Michelle Pfeiffer, Judi Dench, Johnny Depp. Fox, 2017. In the first scene of Kenneth Branagh’s big-screen adaptation of Murder on the Orient Express (1934)—one of Agatha Christie’s three most popular novels, according to a 2015 poll (Flood)—famous Belgian sleuth Hercule Poirot plagues the staff members of a Jerusalem hotel with his unusual request for two eggs of identical size. He goes so far as to apply a ruler to his breakfast, only to conclude that it does not meet his requirements. The scene serves as a neat summary of the character that will likely sit well with hardcore Christie admirers—the author famously had Captain Hastings characterize Poirot as a man so meticulous that ‘a speck of dust would have caused him more pain than a bullet wound’ (1920/2007: 14)—and the shot of Branagh (the film’s star as well as its director) cowering behind his breakfast table and scrutinizing the eggs sets up Murder on the Orient Express as an adaptation that literally goes ab ovo. It invokes the initial description of the character in Christie’s debut novel, The Mysterious Affair at Styles (‘His head was exactly the shape of an egg’, 1920/2007: 14), and at the same time it is indicative of how the film reboots Christie for the twenty-first century, playing up Poirot’s tics while also humanizing him, an adaptive policy that has worked wonders for Sherlock Holmes.
    [Show full text]
  • 2004 Bed Park Prog
    TH The Festival – including its opening Green Days Fête – involves many Friday 15 June – Friday 22 June The 46 Bedford local artists and musicians, professional and amateur, who are very gener - ous with their time and talents. The venues are the Green, St Michael’s The Bedford Park Summer Exhibition Park Festival Church and Parish Halls (with disabled access), the Tabard Theatre, and Preview Party : Be the first private homes and gardens in Bedford Park. to see and buy works by The Bedford Park Festival was set up in 1967 to foster a sense of commu - There are events for all ages and interests. For the first time, you local artists of all ages at a nity, celebrate the arts and raise money for urgent repairs to St Michael & can buy tickets online at bedfordparkfestival.org. We are grateful to reception with wine and All Angels . That first Festival helped save Bedford Park from destruction by our many generous local sponsors – businesses and individuals – who music. Raffle tickets on sale 16 June to 1 July 2012 developers. 45 years on, the sense of community is stronger than ever and offer prizes or free meals, sponsor events or donate their services free or for the original of the poster, we continue our campaign to ‘Make Every Day a Green Day’ and help at cost price. They are named by Nigel Woolner . All works are for sale and 30% of the proceeds go A fortnight of art, crafts, comedy, drama, protect our environment. at bedfordparkfestival.org and to the Festival causes. Exhibition sponsored by Savills .
    [Show full text]
  • Military Wives
    MILITARY WIVES PRODUCTION NOTES INTRODUCTION The inspirational story of friendship, love, and support on the home front. A group of women come together as their partners serve in Afghanistan. Together they form the very first military wives choir, helping each other through some of life’s most difficult moments and also becoming a media sensation and global movement in the process. Peter Cattaneo (The Full Monty) directs Oscar® Nominee and BAFTA® Winner Kristin Scott Thomas (Darkest Hour) and BAFTA® Nominee Sharon Horgan (Catastrophe) in this feel good crowd-pleaser. MILITARY WIVES stars Kristin Scott Thomas, Sharon Horgan, Greg Wise (A Private War) and Jason Flemyng (Lock, Stock and Two Smoking Barrels). Rounding out the cast and playing the military wives are Emma Lowndes (Downton Abbey), Gaby French (Victoria), Lara Rossi (Robin Hood), Amy James-Kelly (Safe) and India Ria Amarteifio (Line of Duty). Co-written by BIFA award-winner Rachel Tunnard (Adult Life Skills) and award-winning writer Rosanne Flynn (Crossbones, Meconium) MILITARY WIVES is produced by Rory Aitken and Ben Pugh of 42 and Piers Tempest for Tempo Productions. Josh Varney is the executive producer for 42 and Emma Willis and Hana Carter for Twenty Twenty TV. Also, executive producing are Rene Besson, Orlando Wood, Jo Bamford, Josh Horsfield, Emma Berkofsky, Stephen Spence, Liz Gallacher, Hugo Grumbar, Tim Haslam, Peter Touche and Zygi Kamasa. MILITARY WIVES was shot on location for six weeks around London and Yorkshire at the end of 2018 and will be distributed by Lionsgate in the UK. Embankment Films arranged the financing and is handling International sales, co-representing the USA with CAA.
    [Show full text]