10674 Evita: the Life of Eva Peron
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Beneath the Surface: Argentine-United States Relations As Perón Assumed the Presidency
Beneath the Surface: Argentine-United States Relations as Perón Assumed the Presidency Vivian Reed June 5, 2009 HST 600 Latin American Seminar Dr. John Rector 1 Juan Domingo Perón was elected President of Argentina on February 24, 1946,1 just as the world was beginning to recover from World War II and experiencing the first traces of the Cold War. The relationship between Argentina and the United States was both strained and uncertain at this time. The newly elected Perón and his controversial wife, Eva, represented Argentina. The United States’ presence in Argentina for the preceding year was primarily presented through Ambassador Spruille Braden.2 These men had vastly differing perspectives and visions for Argentina. The contest between them was indicative of the relationship between the two nations. Beneath the public and well-documented contest between Perón and United States under the leadership of Braden and his successors, there was another player whose presence was almost unnoticed. The impact of this player was subtlety effective in normalizing relations between Argentina and the United States. The player in question was former United States President Herbert Hoover, who paid a visit to Argentina and Perón in June of 1946. This paper will attempt to describe the nature of Argentine-United States relations in mid-1946. Hoover’s mission and insights will be examined. In addition, the impact of his visit will be assessed in light of unfolding events and the subsequent historiography. The most interesting aspect of the historiography is the marked absence of this episode in studies of Perón and Argentina3 even though it involved a former United States President and the relations with 1 Alexander, 53. -
Krt Madonna Knight Ridder/Tribune
FOLIO LINE FOLIO LINE FOLIO LINE “Music” “Ray of Light” “Something to Remember” “Bedtime Stories” “Erotica” “The Immaculate “I’m Breathless” “Like a Prayer” “You Can Dance” (2000; Maverick) (1998; Maverick) (1995; Maverick) (1994; Maverick) (1992; Maverick) Collection”(1990; Sire) (1990; Sire) (1989; Sire) (1987; Sire) BY CHUCK MYERS Knight Ridder/Tribune Information Services hether a virgin, vamp or techno wrangler, Madon- na has mastered the public- image makeover. With a keen sense of what will sell, she reinvents herself Who’s That Girl? and transforms her music in Madonna Louise Veronica Ciccone was ways that mystify critics and generate fan interest. born on Aug. 16, 1958, in Bay City, Mich. Madonna staked her claim to the public eye by challenging social norms. Her public persona has Oh Father evolved over the years, from campy vixen to full- Madonna’s father, Sylvio, was a design en- figured screen siren to platinum bombshell to gineer for Chrysler/General Dynamics. Her leather-clad femme fatale. Crucifixes, outerwear mother, Madonna, died of breast cancer in undies and erotic fetishes punctuated her act and 1963. Her father later married Joan Gustafson, riled critics. a woman who had worked as the Ciccone Part of Madonna’s secret to success has been family housekeeper. her ability to ride the music video train to stardom. The onetime self-professed “Boy Toy” burst onto I’ve Learned My Lesson Well the pop music scene with a string of successful Madonna was an honor roll student at music video hits on MTV during the 1980s. With Adams High School in Rochester, Mich. -
The Desert in María Teresa Andruetto: a Literal and Figurative Space
THE DESERT IN MARÍA TERESA ANDRUETTO: A LITERAL AND FIGURATIVE SPACE Thomas N. Phillips II A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Romance Studies (Spanish) in the College of Arts and Sciences. Chapel Hill 2021 Approved by: Alicia Rivero María DeGuzmán Oswaldo Estrada Juan Carlos González Espitia Rosa Perelmuter © 2021 Thomas N. Phillips II ALL RIGHTS RESERVED ii ABSTRACT Thomas N. Phillips II: The Desert in María Teresa Andruetto: A Literal and Figurative Space (Under the direction of Alicia Rivero) The desert serves as a crucible for processing and creating truth in the novels, novellas, and short stories by Argentine writer María Teresa Andruetto (b. 1954). Simultaneously a literal and figurative space, the desert embodies Argentine history and economic development with particular focus on the northwest and Patagonia. Response to political turmoil and the introspective search for identity and family coalesce as we view protagonists encountering frontiers; coupled with alterity, gender, and language, this results in a new amalgamation that is a retelling of Esteban Echeverría’s “La cautiva.” The first chapter of this dissertation analyzes spaces as both literal and figurative oases, the interior as a microcosm of Argentina, and movement within the desert related to border crossing. The second chapter presents a macro-level view of geopolitics that focuses on an alternative reading of history in the desert, and the veracity of claims and truth are under a microscope in a manner that questions the official discourse of the Dirty War, as well as the creation of a national mythos. -
Eva Perón: El Poder Del Deseo
Nuevo Itinerario Revista Digital de Filosofía ISSN 1850-3578 2015 – Vol. 10 – Número X – Resistencia, Chaco, Argentina Eva Perón: el poder del deseo Teresa Rinaldi College of Arts and Sciences National University, San Diego (USA) [email protected] Recibido: 10/06/2015 Aceptado: 22/08/2015 Resumen: El estudio del cuerpo y en sus diversas formas y contextos debe abordarse desde una perspertiva interdisiplinaria que incluye desde el arte y la literatura hasta la medicina y las artes plásticas en búsqueda constante de la significación social del mismo. María Eva Duarte de Perón (1919-1952) fue el centro de una serie de eventos que no solo cambiaron el rumbo de su vida sino también el del mundo político y social de Argentina. Su vida se llama a la observación, el análisis y la búsqueda de respuestas a cómo una simple e ilegítima niña logró llegar a las más altas cumbres de la sociedad argentina. La capacidad de Eva para adaptarse y sobrepasar contratiempos conjuntamente con su estilo único y astucia la catapultaron al estrellato marcando la memoria del pueblo argentino y la comunidad internacional. Dentro de vasto material literario y artístico sobre la vida y obra de Eva, se pueden mencionar: Eva Perón (1970) de Otelo Borroni y Roberto Vacca, La pasión según Eva (1994) de Abel Posse, Eva Perón, the bibliography (1995) de Alicia Dujovne Ortíz, El misterio de Eva Perón (1988,documental) de Tulio Demicheli, Evita Pre-Madonna (1995, documental) de Claudia Nie, Santa Evita (1995) de Tomás Eloy Martínez, Evita (1996, film) de Alan Parker y Evita: Santa o Demonio (1996, film) de Juan Carlos de Sanzo. -
DOCUMENT RESUME ED 054 100 SP 007 272 Argentina. Social
DOCUMENT RESUME ED 054 100 SP 007 272 TITLE Argentina. Social Studies Guide, Unit II, Year 3. INSTITUTION South Dakota State Dept. of Public Instruction, Pierre. PUB DATE [69] NOTE 30p. EDRS PRICE EDRS Price MF-$0.65 HC-$3.29 DESCRIPTORS *Curriculum Guides, *Geography, *Grade 3, *Social Studies ABSTRACT GRADES OR AGES: Grade 3. SUBJECT MATTER: Social studies: Argentina, the Pampas. ORGANIZATION AND PHYSICAL APPEARANCE: The introductory material includes an explanation and overview of the unit and suggestions for initiating the unit and integrating it with the K-12 social studies program. The main text is presented in four columns: content, teacher direction and contribution, learning activities, and resources. There is a short section on evaluation and a bibliography. The guide is mimeographed and staple bound with a soft cover. OBJECTIVES AND ACTIVITIES: General objectives are included in the introductory material. Student activities are listed in the main text. INSTRUCTIONAL MATERIALS: Films, records, and books are listed in the main text as well as in the bibliography. STUDENT ASSESSMENT: Criteria are provided for student self-evaluation and group-evaluation, teacher evaluation of students, and teacher self evaluation. (MBM) Social Studies Curriculum Development Program Unit II U.S. DEPARTMENT OF HEALTH, Argentina: A World Community EDUCATIONAWELFARE OFFICE OF EDUCATION THIS DOCUMENT HAS BEEN REPRO- DUCED EXACTLY AS RECEIVED FROM Part B: The Pampas THE PERSON OR ORGANIZATION ORIG. INATING IT POINTS OF VIEW OR OPIN IONS STATED DO NOT NECESSARILY REPRESENT OFFICIAL OFFICE OF EDU- CATION POSITION OR POLICY Pilot: Teachers Constance Beekley, Pierre Boarding School Sister M. Charles, Saint Liborius, Orient Kay Gcaft, Pierre Caroline Jensen, Vermillion Lylah Larson, Aberdeen Mildred Main, Rapid City, Editor of Unit Mary Tubandt, Wheaton, Rural Tulare State Department of Public Instruction Dr, Gordon A. -
Lyrics by Tim Rice Music by Andrew Lloyd Webber Directed by Rob Ruggiero
2018–2019 SEASON EVITA LYRICS BY TIM RICE MUSIC BY ANDREW LLOYD WEBBER DIRECTED BY ROB RUGGIERO CONTENTS 2 The 411 3 A/S/L, HTH 4 FYI 6 B4U 7 IRL 8 RBTL At The Rep, we know HOW TO BE THE BEST AUDIENCE EVER! that life moves fast— TAKE YOUR SEAT okay, really fast. But An usher will seat your class as a group, and often we have we also know that a full house with no seats to spare, so be sure to stick with some things are your school until you have been shown your section in the worth slowing down theatre. for. We believe that live theatre is one of those pit stops worth making and are excited that you are going to stop SILENCE IS GOLDEN by for a show. To help you get the most bang for your buck, Before the performance begins, be sure to turn off your cell we have put together WU? @ THE REP—an IM guide that will phone and watch alarms. If you need to talk or text during give you everything you need to know to get at the top of your intermission, don’t forget to click off before the show theatergoing game—fast. You’ll find character descriptions resumes. (A/S/L), a plot summary (FYI), biographical information (F2F), BREAK TIME historical context (B4U), and other bits and pieces (HTH). Most This performance includes an intermission, at which time importantly, we’ll have some ideas about what this all means you can visit the restrooms in the lobby. -
Madonna's Postmodern Revolution
Journal of Literature and Art Studies, January 2021, Vol. 11, No. 1, 26-32 doi: 10.17265/2159-5836/2021.01.004 D DAVID PUBLISHING The Rebel Madame: Madonna’s Postmodern Revolution Diego Santos Vieira de Jesus ESPM-Rio, Rio de Janeiro, Brazil The aim is to examine Madonna’s revolution regarding gender, sexuality, politics, and religion with the focus on her songs, videos, and live performances. The main argument indicates that Madonna has used postmodern strategies of representation to challenge the foundational truths of sex and gender, promote gender deconstruction and sexual multiplicity, create political sites of resistance, question the Catholic dissociation between the physical and the divine, and bring visual and musical influences from multiple cultures and marginalized identities. Keywords: Madonna, postmodernism, pop culture, sex, gender, sexuality, politics, religion, spirituality Introduction Madonna is not only the world’s highest earning female entertainer, but a pop culture icon. Her career is based on an overall direction that incorporates vision, customer and industry insight, leveraging competences and weaknesses, consistent implementation, and a drive towards continuous renewal. She constructed herself often rewriting her past, organized her own cult borrowing from multiple subaltern subcultures, and targeted different audiences. As a postmodern icon, Madonna also reflects social contradictions and attitudes toward sexuality and religion and addresses the complexities of race and gender. Her use of multiple media—music, concert tours, films, and videos—shows how images and symbols associated with multiracial, LGBT, and feminist groups were inserted into the mainstream. She gave voice to political interventions in mass popular culture, although many critics argue that subaltern voices were co-opted to provide maximum profit. -
Faces De Eva Estudos Sobre a Mulher FACES DE EVA Revista De Estudos Sobre a Mulher N.º Extra – 2019
ANO 2019 NÚMERO EXTRA Estudos sobre a Mulher sobre Estudos Faces deEva Faces Faces de Eva Estudos sobre a Mulher FACES DE EVA Revista de Estudos sobre a Mulher N.º Extra – 2019 Primeira Directora: Zília Osório de Castro Direcção: Zília Osório de Castro • Isabel Henriques de Jesus Coordenação: Aida Rechena, Ana Lúcia Teixeira, Teresa Veiga Furtado, Manuel Lisboa, Paulo Simões Rodrigues Assessora de Direcção: Natividade Monteiro Secretária de Edição: Maria do Céu Borrêcho Redacção: Alexandra Alves Luís, Ana Cristina Oliveira, Ana Ribeiro da Silva, Ana Rosa Mota, Catarina Inverno, Cristina L. Duarte, Elisabeth Évora Nunes, Ilda Soares de Abreu, Isabel Henriques de Jesus, João Esteves, Maria do Céu Borrêcho, Maria do Rosário Barardo, Maria José Remédios, Maria Reynolds de Souza (membro honorária), Natividade Monteiro, Regina Tavares da Silva (membro honorária), Rita Mira, Sandra Leandro, Susana Cámara Marín, Zília Osório de Castro. Conselho Editorial: Ana Guil Bozal (Universidade de Sevilha), Ana Isabel Buescu (Universidade NOVA de Lisboa), Ana Pires Pessoa (Instituto Politécnico de Setúbal), Anne Cova (Universidade de Lisboa), Bernardo Vasconcelos e Sousa (Universidade NOVA de Lisboa), Carla Cibele Figueiredo (Instituto Politécnico de Setúbal), Consuelo Flecha García (Universidade de Sevilha), Dalila Cerejo (Universidade NOVA de Lisboa), Deolinda Adão (Universidade da Califórnia - Berkeley), Esther Martínez Quinteiro (Universidade de Salamanca), Eugénia Vasques (Instituto Politécnico de Lisboa), Fernando Ribeiro (Universidade NOVA de Lisboa), -
An Assessment of Services for Adaptation to Climate Change Final
Clean Energy and Water: an Assessment of Services for Adaptation to Climate Change Final Assessment Report Fundación Bariloche December 2011 FB/IDRC Clean Energy and Water: an Assessment of Services for Adaptation to Climate Change – Final Report This document has been prepared by: Gonzalo Bravo (Fundación Bariloche) Osvaldo Girardin (Fundación Bariloche) Sebastián Gortari (Comisión Nacional de Energía Atómica) Francisco Lallana (Fundación Bariloche) Gustavo Nadal (Fundación Bariloche) Fundación Bariloche 2 FB/IDRC Clean Energy and Water: an Assessment of Services for Adaptation to Climate Change – Final Report Table of contents 1. Executive Summary............................................................................................. 8 2. Description of problem situations and diagnosis ............................................... 17 2.1 Socioeconomic context ............................................................................. 19 2.2 Energy, hydrologic and climatic framework ............................................... 29 2.3 Identification of problems and priority setting ............................................. 58 2.4 Diagnosis Summary .................................................................................. 65 3. General description of an adaptation strategy to climate change ...................... 71 3.1 Objectives, Strategic Outlines and Instruments ......................................... 71 3.2 Synergy between adaptation and mitigation .............................................. 88 3.3 Financing -
Genetic Admixture Patterns in Argentinian Patagonia
RESEARCH ARTICLE Genetic admixture patterns in Argentinian Patagonia 1 2 1 2 MarõÂa Laura ParolinID *, Ulises F. Toscanini , Irina F. VelaÂzquez , Cintia Llull , Gabriela L. Berardi2, Alfredo Holley1, Camila Tamburrini1, Sergio Avena3,4, Francisco R. Carnese3, 5 6 1 1 Jose L. LanataID , Noela SaÂnchez Carnero , Lucas F. Arce , NeÂstor G. Basso , Rui Pereira7,8, Leonor Gusmão7,9 1 Instituto de Diversidad y EvolucioÂn Austral (IDEAus), CCT CONICET-CENPAT, Puerto Madryn, Argentina, 2 Primer Centro Argentino de InmunogeneÂtica (PRICAI), FundacioÂn Favaloro, Buenos Aires, Argentina, 3 Instituto de Ciencias AntropoloÂgicas (ICA), Facultad de FilosofõÂa y Letras, Universidad de Buenos Aires, Buenos Aires, Argentina, 4 Centro de Estudios BiomeÂdicos, BiotecnoloÂgicos, Ambientales y DiagnoÂstico a1111111111 (CEBBAD), Universidad MaimoÂnides, Buenos Aires, Argentina, 5 Instituto de Investigaciones en Diversidad a1111111111 Cultural y Procesos de Cambio (IIDyPCa), CONICET-UNRN, San Carlos de Bariloche, Argentina, 6 Centro a1111111111 para el Estudio de Sistemas Marinos (CECIMAR), CCT CONICET-CENPAT, Puerto Madryn, Argentina, a1111111111 7 Institute of Molecular Pathology and Immunology of the University of Porto (IPATIMUP), Porto, Portugal, a1111111111 8 Instituto de InvestigacËão e InovacËão em SauÂde, Universidade do Porto, Porto, Portugal, 9 DNA Diagnostic Laboratory (LDD), State University of Rio de Janeiro (UERJ), Rio de Janeiro, Brazil * [email protected] OPEN ACCESS Abstract Citation: Parolin ML, Toscanini UF, VelaÂzquez IF, Llull C, Berardi GL, Holley A, et al. (2019) Genetic As in other Latin American populations, Argentinians are the result of the admixture admixture patterns in Argentinian Patagonia. PLoS amongst different continental groups, mainly from America and Europe, and to a lesser ONE 14(6): e0214830. -
Championship Show
Championship Show Saturday 12th December 2020 Dogs Queensland Sports Grounds, King Ave Durack These shows are conducted under the rules of the Dogs (Qld). A copy of these rules may be perused at the Secretary’s Office. Championship Show SHOW START TIME 5:00 PM Judges & Judging order: Mr M Watt (QLD) .............................................................................. Group 1 Mr V Jones (QLD) .............................................................................. Group 2 Mrs L Trotter (QLD) .............................................................................. Group 3 Mr A Brown (QLD) .............................................................................. Group 4 Mrs M Starkey (QLD) .............................................................................. Group 5 Mr J Mitchell (QLD) .............................................................................. Group 6 Ms K Mangan (QLD) .............................................................................. Group 7 Mr T Thomas (QLD) ....................................................................... General Specials Show Managers: ............................... David Weil & Ainslie Carius Covid Co-ordinators: ...................... Bill Smith & Andrew Greenwood Stewards Writers Nathan McGreevy Graeme Kerr Bronwyn Dickson Brian Dowse Reece Fry Judy Langton Wendy Pleydell-Fry Margaret Alderton Russell Williams Imelda Lines Duncan McAllister Anthea Adamopolous Charlotte Holman Jessie James Roving Writer .................................... Andrew -
Evita Music: Andrew Lloyd Webber Lyrics: Tim Rice Premiere: Wednesday, June 21, 1978
-------------------------------------------------------------------------------- Evita Music: Andrew Lloyd Webber Lyrics: Tim Rice Premiere: Wednesday, June 21, 1978 -------------------------------------------------------------------------------- * ACT ONE * 1. A CINEMA IN BUENOS AIRES, 26 JULY 1952 (An audience is watching a less than distinguished movie [in both the original London and New York productions of EVITA a clip from one of Eva Peron's own movies was used]. The soundtrack dialogue is in Spanish, the music melodramatic. Suddenly the film grinds to a halt. The people in the cinema begin to protest but are silenced by an announcement) THE VOICE OF THE SECRETARY OF THE PRESS (in Spanish) It is the sad duty of the Secretary of the Press... (in English) ...to inform the people of Argentina that Eva Peron, spiritual leader of the nation, entered immortality at 20.25 hours today. 2. REQUIEM FOR EVITA / OH WHAT A CIRCUS (EVA's funeral. CHE is the only non-participant. He moves through the mourners, apparently unseen.) CROWD Requiem aeternum dona Evita Requiem Evita Evita Evita CHE Oh what a circus! Oh what a show! Argentina has gone to town Over the death of an actress called Eva Peron We've all gone crazy Mourning all day and mourning all night Falling over ourselves to get all of the misery right Oh what an exit! That's how to go! When they're ringing your curtain down Demand to be buried like Eva Peron It's quite a sunset And good for the country in a roundabout way We've made the front page of all the world's papers today But who