Götterdämmerung in a Hole in the Ground
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Hitler's Penicillin
+LWOHU V3HQLFLOOLQ 0LOWRQ:DLQZULJKW Perspectives in Biology and Medicine, Volume 47, Number 2, Spring 2004, pp. 189-198 (Article) 3XEOLVKHGE\-RKQV+RSNLQV8QLYHUVLW\3UHVV DOI: 10.1353/pbm.2004.0037 For additional information about this article http://muse.jhu.edu/journals/pbm/summary/v047/47.2wainwright.html Access provided by Sheffield University (17 Jun 2015 14:55 GMT) 05/Wainwright/Final/189–98 3/2/04 1:58 PM Page 189 Hitler’s Penicillin Milton Wainwright ABSTRACT During the Second World War, the Germans and their Axis partners could only produce relatively small amounts of penicillin, certainly never enough to meet their military needs; as a result, they had to rely upon the far less effective sulfon- amides. One physician who put penicillin to effective use was Hitler’s doctor,Theodore Morell. Morell treated the Führer with penicillin on a number of occasions, most nota- bly following the failed assassination attempt in July 1944. Some of this penicillin ap- pears to have been captured from, or inadvertently supplied by, the Allies, raising the intriguing possibility that Allied penicillin saved Hitler’s life. HE FACT THAT GERMANY FAILED to produce sufficient penicillin to meet its T military requirements is one of the major enigmas of the Second World War. Although Germany lost many scientists through imprisonment and forced or voluntary emigration, those biochemists that remained should have been able to have achieved the large-scale production of penicillin.After all, they had access to Fleming’s original papers, and from 1940 the work of Florey and co-workers detailing how penicillin could be purified; in addition, with effort, they should have been able to obtain cultures of Fleming’s penicillin-producing mold.There seems then to have been no overriding reason why the Germans and their Axis allies could not have produced large amounts of penicillin from early on in the War.They did produce some penicillin, but never in amounts remotely close to that produced by the Allies who, from D-Day onwards, had an almost limitless supply. -
2016 Und So Weiter
Und so weiter... Mitteilungen der Olaf Gulbransson Gesellschaft e.V. Tegernsee Heft 17/2016 Und so weiter... Jahresbericht 2016 Olaf Gulbransson Gesellschaft e.V. Tegernsee Das 28. Internationale Musikfest Kreuth am Tegernsee ist im nächsten Jahr wieder zu Gast in den schönsten Konzertsälen der Region. Wir laden Sie ein, im Rahmen reizvoller Konzerte Begegnungen mit renommierten Solisten, Spitzenensembles und hochbegabten Nachwuchskünstlern zu erleben. Inhalt Vorwort des 1. Vorsitzenden Helmut Nanz .......................... 4 Protokoll über die Mitgliederversammlung ......................... 6 Rückblick auf das Veranstaltungsprogramm 2016 ................ 10 Ausstellung „Horst Janssen“ .......................................... 11 Matinee „Zum 100. Geburtstag von Olaf Andreas Gulbransson“ ....................................... 15 Matinee „Der wissenschaftliche Verlag von Christi Geburt bis in die Zukunft“ ............................... 23 Alle Informationen ab Januar 2017: Rede zur Verleihung der Olaf Gulbransson-Medaille ............. 26 www.musikfest-kreuth.de Matinee „Ludwig Thoma in der Weimarer Republik“ ............. 28 Hinter den Kulissen ...................................................... 32 Matinee „Hitlers Kunstraub“ ........................................... 33 Matinee „Heinrich Kley“ Vom Simplicissimus nach Hollywood ................................ 35 Musikfest Kreuth e.V. Geschäftsstelle: Nördliche Hauptstraße 3 50 Jahre Olaf Gulbransson Museum .................................. 42 D-83708 Kreuth . Telefon 08029 9979080 -
American Intelligence and the Question of Hitler's Death
American Intelligence and the Question of Hitler’s Death Undergraduate Research Thesis Presented in partial fulfillment of the requirements for graduation with honors research distinction in History in the Undergraduate colleges of The Ohio State University by Kelsey Mullen The Ohio State University November 2014 Project Advisor: Professor Alice Conklin, Department of History Project Mentor: Doctoral Candidate Sarah K. Douglas, Department of History American Intelligence and the Question of Hitler’s Death 2 Introduction The fall of Berlin marked the end of the European theatre of the Second World War. The Red Army ravaged the city and laid much of it to waste in the early days of May 1945. A large portion of Hitler’s inner circle, including the Führer himself, had been holed up in the Führerbunker underneath the old Reich Chancellery garden since January of 1945. Many top Nazi Party officials fled or attempted to flee the city ruins in the final moments before their destruction at the Russians’ hands. When the dust settled, the German army’s capitulation was complete. There were many unanswered questions for the Allies of World War II following the Nazi surrender. Invading Russian troops, despite recovering Hitler’s body, failed to disclose this fact to their Allies when the battle ended. In September of 1945, Dick White, the head of counter intelligence in the British zone of occupation, assigned a young scholar named Hugh Trevor- Roper to conduct an investigation into Hitler’s last days in order to refute the idea the Russians promoted and perpetuated that the Führer had escaped.1 Major Trevor-Roper began his investigation on September 18, 1945 and presented his conclusions to the international press on November 1, 1945. -
Jürgen Habermas and the Third Reich Max Schiller Claremont Mckenna College
Claremont Colleges Scholarship @ Claremont CMC Senior Theses CMC Student Scholarship 2012 Jürgen Habermas and the Third Reich Max Schiller Claremont McKenna College Recommended Citation Schiller, Max, "Jürgen Habermas and the Third Reich" (2012). CMC Senior Theses. Paper 358. http://scholarship.claremont.edu/cmc_theses/358 This Open Access Senior Thesis is brought to you by Scholarship@Claremont. It has been accepted for inclusion in this collection by an authorized administrator. For more information, please contact [email protected]. Introduction The formation and subsequent actions of the Nazi government left a devastating and indelible impact on Europe and the world. In the midst of general technological and social progress that has occurred in Europe since the Enlightenment, the Nazis represent one of the greatest social regressions that has occurred in the modern world. Despite the development of a generally more humanitarian and socially progressive conditions in the western world over the past several hundred years, the Nazis instigated one of the most diabolic and genocidal programs known to man. And they did so using modern technologies in an expression of what historian Jeffrey Herf calls “reactionary modernism.” The idea, according to Herf is that, “Before and after the Nazi seizure of power, an important current within conservative and subsequently Nazi ideology was a reconciliation between the antimodernist, romantic, and irrantionalist ideas present in German nationalism and the most obvious manifestation of means ...modern technology.” 1 Nazi crimes were so extreme and barbaric precisely because they incorporated modern technologies into a process that violated modern ethical standards. Nazi crimes in the context of contemporary notions of ethics are almost inconceivable. -
Whose Hi/Story Is It? the U.S. Reception of Downfall
Whose Hi/story Is It? The U.S. Reception of Downfall David Bathrick Before I address the U.S. media response to the fi lm Downfall, I would like to mention a methodological problem that I encountered time and again when researching this essay: whether it is possible to speak of reception in purely national terms in this age of globalization, be it a foreign fi lm or any other cultural artifact. Generally speaking, Bernd Eichinger’s large-scale production Downfall can be considered a success in America both fi nancially and critically. On its fi rst weekend alone in New York City it broke box-offi ce records for the small repertory movie theater Film Forum, grossing $24,220, despite its consider- able length, some two and a half hours, and the fact that it was shown in the original with subtitles. Nationally, audience attendance remained unusually high for the following twelve weeks, compared with average fi gures for other German fi lms made for export markets.1 Downfall, which grossed $5,501,940 to the end of October 2005, was an unequivocal box-offi ce hit. One major reason for its success was certainly the content. Adolf Hit- ler, in his capacity as star of the silver screen, has always been a suffi cient This article originally appeared in Das Böse im Blick: Die Gegenwart des Nationalsozialismus im Film, ed. Margrit Frölich, Christian Schneider, and Karsten Visarius (Munich: edition text und kritik, 2007). 1. The only more recent fi lm to earn equivalent revenue was Nirgendwo in Afrika. -
List of Significant Historical Characters in Der Untergang / the Downfall
list of significant historical characters in Der Untergang / The Downfall Adolf Hitler (played by Bruno Ganz) Traudl Humps Junge (played by Alexandra Maria Lara): Hitler’s youngest personal secretary, 1942-1945. Released an autobiography in 2002 and appeared in the documentary Im toten Winkel / Blind Spot, also in 2002. She died in Munich that same year. Eva Braun (played by Juliane Köhler): Hitler’s girlfriend and, very briefly, his wife. Committed suicide together with Hitler in April 1945. Hermann Fegelein (played by Thomas Kretschmann): Obergruppenführer or General in SS. Part of Hitler’s inner circle, due in part to marriage to Eva Braun’s sister and service as Himmler’s adjutant starting 1943. Fled bunker in April 1945 but was caught. Circumstances of death uncertain, but most likely executed in April 1945. Alfred Jodl (played by Christian Redl): A top officer in the Wehrmacht High Command. Signed the unconditional surrender in May 1945. Hanged October 1946 after Nuremberg Trial. Magda Goebbels (played by Corinna Harfouch): Joseph Goebbels’s wife. Had some role in the murder of their six children in Hitler’s bunker. Died May 1, 1945 along with Joseph Goebbels. Joseph Goebbels (played by Ulrich Matthes): Propaganda Minister, architect of Kristallnacht, directed book burnings. Died May 1, 1945 outside the bunker in an unconfirmed manner. Albert Speer (played by Heino Ferch): Hitler’s architect, also Minister of Armaments and War Production. Known as “the Nazi who said sorry.” At Nuremberg, sentenced to 20 years at Spandau. Released 1966, published two autobiographies. Died 1981 in London. Wilhelm Mohnke (played by André Hennicke): High-ranking General in the SS. -
The Secret Diaries of Hitler's Doctor
THE SECRET DIARIES OF HITLER’S DOCTOR the secret diaries of hitler’s doctor This edition ISBN ––– Publishers of the various editions of The Secret Diaries of Hitler’s Doctor included Britain: Sidgwick & Jackson, Ltd.; Grafton; Panther Germany: Der Stern; Goldmann Verlag (Bertelsmann AG); Heyne Taschenbuchverlag France: Editions Acropole United States: William Morrow Inc. First Printing Second Printing Electronic Edition Focal Point Edition © Parforce UK Ltd. – An Adobe pdf (Portable Document Format) edition of this book is uploaded onto the FPP website at http://www.fpp.co.uk/books as a tool for students and academics. It can be downloaded for reading and study purposes only, and is not to be commercially distributed in any form. All rights reserved. No part of this publication may be commercially reproduced, copied, or transmitted save with written permission of the author in accordance with the provisions of the Copyright Act (as amended). Any person who does any unauthorised act in relation to this publication may be liable to criminal prosecution and to civil claims for damages. Readers are invited to submit any typographical errors to David Irving by mail at the address below, or via email at [email protected]. Informed comments and corrections on historical points are also welcomed. Focal Point Publications London WJ SE the secret diaries of hitler’s doctor David Irving is the son of a Royal Navy commander. Incompletely educated at Imperial College of Science & Technology and at University College London, he subsequently spent a year in Germany working in a steel mill and perfecting his fluency in the German language. -
5 Vergangenheitsbewältigung: Historikerstreit and the Notion Of
Vergangenheitsbewältigung: Historikerstreit and the Notion of Continued Responsibility Paul Rutschmann The chancellor of the Federal Republic of Germany, Angela Merkel, an- nounced in April of 2006 during a parliamentary session that she and her fellow party members represent a younger generation which no longer has direct ties to the Third Reich. Her statement revealed a certain confidence that the National Socialist past can finally belong to the past without further continuation into the present, as well as the hope that Germans would finally be able to devote their full attention, unencumbered by the shadow of Hitler, to the future. This renewed desire to put the burdened past behind appears twenty years after the highly publicized Historians’ Dispute (Historikerstreit) in which a more vigorous attempt had been made to free German national consciousness from the lingering influences of a negative-laden Nazi past. Despite her optimism, one still has to ask whether enough time has elapsed to absolve later generations of Germans of continued responsibility for the atrocities of Nazi Germany. The Historikerstreit of 1986/7 revolved mainly around the uniqueness or non-uniqueness of Nazi history in public memory and the historian’s role in rees- tablishing a healthy sense of national identity. While adding nothing new in the way of historical research, the dispute did reveal what is at stake for Germans in their interpretations of the past. Ostensibly, the dispute was conducted in the man- ner of political Vergangenheitsbewältigung. But by politicizing the memory of Nazi war crimes, many of the conservative historians were clouding the deeper issues inherent in the notion of Vergangenheitsbewältigung.1 Vergangenheitsbewältigung as such expresses the manner in which Germans come to grips with or interpret their past and to what degree their interpretations of history reflect feelings of continued responsibility towards the survivors of the former victims. -
Blick Auf Einige Ausstellungsobjekte Noch Ergänzen, Daß Sie Bei Agrippa Von Nettes Heim Auch Mit Venus/„Liebe" Konnotiert Werden (De Occult
378 Journal für Kunstgeschichte 8, 2004, Heft 4 Blick auf einige Ausstellungsobjekte noch ergänzen, daß sie bei Agrippa von Nettes heim auch mit Venus/„Liebe" konnotiert werden (de occult. phil. I, xxviii). Was der Publikation trotz (oder gerade wegen) der primär nur dynastie- und religionspolitische Fakten referierenden Ausführungen von J. Vötsch ungeachtet der ganz vorzüglichen Beiträge Jutta Bäumeis und Jutta Kappelsfehlt, ist ein einleitender ausführlicher Essay, der die kulturellen Aktivitäten des sächsischen Hofes um 1600 im Zusammenhang vorgestellt hätte, und zwar unter Berücksichtigung auch der kur fürstlichen Hand- und Repräsentationsbibliotheken, der auch in Dresden ausgeprägt okkulten und magischen artes (Alchemie, Astrologie, Geomantie etc.), der ebenfalls zunehmend italienisch geprägten Musik, der Literatur, vor allem aber der leider nicht besprochenen (und nicht ausgestellten) reichen Kunst der Zeichnung. Dazu wäre ge nügend Platz gewesen, hätte man nicht nur viele Wiederholungen (zu den Kurfür sten, zu Künstlern, zur Architektur etc.) in den Beiträgen vermieden, sondern auch gleich zwei im wesentlichen kaum Neues vermittelnde Aufsätze zur Goldschmiede kunst zu einem einzigen ineinandergearbeitet. Wer sich einen konzisen, durch Quel len und Sekundärliteratur reich fundierten Überblick zu Kunst und Kultur Dresdens um 1600 erarbeiten will, dem sei, ohne den Wert des besprochenen Begleitkataloges zu schmälern, als Einführungslektüre das leider nur in englischer Sprache vorliegen de, oben mehrmals angesprochene Werk von Helen Watanabe O'Kelly: Court Culture in Dresden, empfohlen. G ünter Irmscher Köln Birgit Schwarz: Hitlers Museum. Die Fotoalben Gemäldegalerie Linz. Doku mente zum „Führermuseum"; Wien - Köln - Weimar: Böhlau 2004; 500 S., zahlr. 111.; ISBN3-205-77054-4; €99- Das von Adolf Hitler in Linz an der Donau geplante „Führermuseum" kam trotz um fangreicher Vorarbeiten niemals zustande. -
Joseph Goebbels 1 Joseph Goebbels
Joseph Goebbels 1 Joseph Goebbels Joseph Goebbels Reich propaganda minister Goebbels Chancellor of Germany In office 30 April 1945 – 1 May 1945 President Karl Dönitz Preceded by Adolf Hitler Succeeded by Lutz Graf Schwerin von Krosigk (acting) Minister of Public Enlightenment and Propaganda In office 13 March 1933 – 30 April 1945 Chancellor Adolf Hitler Preceded by Office created Succeeded by Werner Naumann Gauleiter of Berlin In office 9 November 1926 – 1 May 1945 Appointed by Adolf Hitler Preceded by Ernst Schlange Succeeded by None Reichsleiter In office 1933–1945 Appointed by Adolf Hitler Preceded by Office created Succeeded by None Personal details Born Paul Joseph Goebbels 29 October 1897 Rheydt, Prussia, Germany Joseph Goebbels 2 Died 1 May 1945 (aged 47) Berlin, Germany Political party National Socialist German Workers' Party (NSDAP) Spouse(s) Magda Ritschel Children 6 Alma mater University of Bonn University of Würzburg University of Freiburg University of Heidelberg Occupation Politician Cabinet Hitler Cabinet Signature [1] Paul Joseph Goebbels (German: [ˈɡœbəls] ( ); 29 October 1897 – 1 May 1945) was a German politician and Reich Minister of Propaganda in Nazi Germany from 1933 to 1945. As one of Adolf Hitler's closest associates and most devout followers, he was known for his zealous orations and deep and virulent antisemitism, which led him to support the extermination of the Jews and to be one of the mentors of the Final Solution. Goebbels earned a PhD from Heidelberg University in 1921, writing his doctoral thesis on 19th century literature of the romantic school; he then went on to work as a journalist and later a bank clerk and caller on the stock exchange. -
Prologue a Sword of Damocles Over the Age in Which We Live
PROLOGUE A Sword of Damocles over the Age in Which We Live Nazism is without parallel in the history of modern Europe. No politi- cal idea has been condemned as unconditionally as National Socialism. Having exerted enormous attraction in the years between the wars, it was transformed into the ultimate political pariah. Since 1945 its admir- ers have been few, its apologists even fewer. Nazism, however, did not lose its hold on people’s minds. During the postwar period it became the antithesis of civilisation, a profound and cautionary experience that possessed an enigmatic vitality. ‘Nazism, like Lucifer in Christianity, has refused to grow old,’ writes the novelist Carl-Henning Wijkmark. ‘It is a past that clings on tenaciously in the present, a sword of Damocles over the age in which we live.’ He sees it as a powerful myth with a glamour capable of casting a spell even on those who reject it: its attraction is that of a nightmare. The journalist Joachim Fest was thinking along similar lines in his major biography of Adolf Hitler. He talked of ‘undiminished contemporaneousness’. Decades after his death Hitler still continues to cast a shadow over our age: he surfaces in splenetic political debates, haunts us in art and literature, and is an obligatory item in the cabinet of horrors of popular culture.1 The dark mythic nimbus of Nazism encourages us to take a qua- si-religious view of it: it is always judged by absolute criteria. In her book on Knut Hamsun, the author Sigrid Combüchen writes: ‘The very concept of Nazism has catastrophe built into it. -
Hitlers-Last-Days-By-Bill-Oreilly-Excerpt
207-60729_ch00_6P.indd ii 7/7/15 8:42 AM Henry Holt and Com pany, LLC Publishers since 1866 175 Fifth Ave nue, New York, New York 10010 macteenbooks . com Henry Holt® is a registered trademark of Henry Holt and Com pany, LLC. Copyright © 2015 by Bill O’Reilly All rights reserved. Permission to use the following images is gratefully acknowledged (additional credits are noted with captions): Mary Evans Picture Library— endpapers, pp. ii, v, vi, 35, 135, 248, 251; Bridgeman Art Library— endpapers, p. iii; Heinrich Hoffman/Getty— p. 1. All maps by Gene Thorp. Case design by Meredith Pratt. Library of Congress Cataloging- in- Publication Data O’Reilly, Bill. Hitler’s last days : the death of the Nazi regime and the world’s most notorious dictator / Bill O’Reilly. — First edition. pages cm Includes bibliographical references and index. ISBN 978-1-62779-396-4 (hardcover) • ISBN 978-1-62779-397-1 (e- book) 1. Hitler, Adolf, 1889–1945. 2. Hitler, Adolf, 1889–1945— Death and burial. 3. World War, 1939–1945— Campaigns— Germany. 4. Berlin, Battle of, Berlin, Germany, 1945. 5. Heads of state— Germany— Biography. 6. Dictators— Germany— Biography. I. O’Reilly, Bill. Killing Patton. II. Title. DD247.H5O735 2015 943.086092— dc23 2015000562 Henry Holt books may be purchased for business or promotional use. For information on bulk purchases, please contact the Macmillan Corporate and Premium Sales Department at (800) 221-7945 x5442 or by e-mail at specialmarkets@macmillan . com. First edition—2015 / Designed by Meredith Pratt Based on the book Killing Patton by Bill O’Reilly, published by Henry Holt and Com pany, LLC.