7 Pema Mandala Spring 08:Round 4
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Guenther's Saraha: a Detailed Review of Ecstatic Spontaneity 111 ROGER JACKSON
J ournal of the international Association of Buddhist Studies Volume 17 • Number 1 • Summer 1994 HUGH B. URBAN and PAUL J. GRIFFITHS What Else Remains in Sunyata? An Investigation of Terms for Mental Imagery in the Madhyantavibhaga-Corpus 1 BROOK ZIPORYN Anti-Chan Polemics in Post Tang Tiantai 26 DING-HWA EVELYN HSIEH Yuan-wu K'o-ch'in's (1063-1135) Teaching of Ch'an Kung-an Practice: A Transition from the Literary Study of Ch'an Kung-an to the Practical JCan-hua Ch'an 66 ALLAN A. ANDREWS Honen and Popular Pure Land Piety: Assimilation and Transformation 96 ROGER JACKSON Guenther's Saraha: A Detailed Review of Ecstatic Spontaneity 111 ROGER JACKSON Guenther's Saraha: A Detailed Review of Ecstatic Spontaneity Herbert Guenther. Ecstatic Spontaneity: Saraha's Three Cycles of Doha. Nanzan Studies in Asian Religions 4. Berkeley: Asian Humani ties Press, 1993. xvi + 241 pages. Saraha and His Scholars Saraha is one of the great figures in the history of Indian Mahayana Buddhism. As one of the earliest and certainly the most important of the eighty-four eccentric yogis known as the "great adepts" (mahasiddhas), he is as seminal and radical a figure in the tantric tradition as Nagarjuna is in the tradition of sutra-based Mahayana philosophy.l His corpus of what might (with a nod to Blake) be called "songs of experience," in such forms as the doha, caryagiti and vajragiti, profoundly influenced generations of Indian, and then Tibetan, tantric practitioners and poets, above all those who concerned themselves with experience of Maha- mudra, the "Great Seal," or "Great Symbol," about which Saraha wrote so much. -
These Are Raw Transcripts That Have Not Been Edited in Any Way, and May Contain Errors Introduced by the Volunteer Transcribers
These are raw transcripts that have not been edited in any way, and may contain errors introduced by the volunteer transcribers. Please refer to the audio on The Knowledge Base website (http://www.theknowledgebase.com) for the original teachings. The Asian Classics Institute Course XIII: The Art of Reasoning Taught by Geshe Michael Roach Class One: Why Study the Art of Reasoning [mandala] [refuge] Okay. Welcome. This is something like class number thirteen, okay, course number thirteen. When we started the courses, we , [unclear] and I went out and we bought six chairs at Ikea in New Jersey and brought it back in a Honda and I figured if we could make six good translators it would be a big achievement you know. So I’m happy to see that there are many people here. Tonight we’re gonna study Buddhist logic. We’re gonna start Buddhist logic. I waited twelve courses, thirteen courses to start Buddhist logic because I was afraid ure my first job is to sell you on the idea of studying Buddhist logic and then maybe you won’t run away to like the third class or something. So, I’ll tell you the story about Gyaltseb Je. Gyaltseb Je was the main disciple of Je Tsongkapa. Je Tsongkapa is really the beginning of our lineage and he was the teacher of the first Dalai Lama. His dates are 1357 – 1419, okay. Gyaltseb Je – the word Gyaltseb means regent,meaning he took over the show after Je Tsongkapa passed away. He was assigned by Je Tsongkapa. -
By Saraha; Study, Translation, and Tibetan Critical Edition by Lara Braitstein
H-Buddhism NEW BOOK> The Adamantine Songs (Vajragīti), by Saraha; Study, Translation, and Tibetan Critical Edition by Lara Braitstein. Discussion published by Thomas Yarnall on Wednesday, January 21, 2015 Dear Colleagues - The American Institute of Buddhist Studies (AIBS) at Columbia University is very pleased to announce the publication of the following title: The Adamantine Songs (Vajragīti) -- by Saraha -- Study, Translation, and Tibetan Critical Edition by Lara Braitstein Treasury of the Buddhist Sciences series New York: The American Institute of Buddhist Studies, 2014. ISBN 978-1-935011-17-0 (cloth) • 256 pp. • $45.00 http://cup.columbia.edu/book/the-adamantine-songs-vajragiti/9781935011170 Presented here in English for the first time is a set of three of Saraha’s “Adamantine Songs” (Skt. Vajragīti; Tib. rdo rje’i glu), poetic works that play a central role in the Great Seal mahāmudrā( ) Tantric tradition of both India and Tibet. The Tantric adept siddha( ) Saraha was among the most notable figures from India’s late first millennium, a time of rich religious and literary activity. His influence on Buddhist practice and poetry extended beyond the Indian subcontinent into Tibet, where it continues to affect every tradition that engages the practice and philosophy of the esoteric Great Seal. In these songs, Saraha’s views on the nature of mind are presented as both evocative poetry and theoretical exegesis. These songs offer a new perspective on the religious life of Buddhist India and the figure of one of its most famous adepts. Braitstein opens the door to this important set of texts by Saraha through her elegant translation, critical edition of the Tibetan texts, and in-depth analysis of the three poems. -
5 Pema Mandala Fall 06 11/21/06 12:02 PM Page 1
5 Pema Mandala Fall 06 11/21/06 12:02 PM Page 1 Fall/Winter 2006 5 Pema Mandala Fall 06 11/21/06 12:03 PM Page 2 Volume 5, Fall/Winter 2006 features A Publication of 3 Letter from the Venerable Khenpos Padmasambhava Buddhist Center Nyingma Lineage of Tibetan Buddhism 4 New Home for Ancient Treasures A long-awaited reliquary stupa is now at home at Founding Directors Ven. Khenchen Palden Sherab Rinpoche Padma Samye Ling, with precious relics inside. Ven. Khenpo Tsewang Dongyal Rinpoche 8 Starting to Practice Dream Yoga Rita Frizzell, Editor/Art Director Ani Lorraine, Contributing Editor More than merely resting, we can use the time we Beth Gongde, Copy Editor spend sleeping to truly benefit ourselves and others. Ann Helm, Teachings Editor Michael Nott, Advertising Director 13 Found in Translation Debra Jean Lambert, Administrative Assistant A student relates how she first met the Khenpos and Pema Mandala Office her experience translating Khenchen’s teachings on For subscriptions, change of address or Mipham Rinpoche. editorial submissions, please contact: Pema Mandala Magazine 1716A Linden Avenue 15 Ten Aspirations of a Bodhisattva Nashville, TN 37212 Translated for the 2006 Dzogchen Intensive. (615) 463-2374 • [email protected] 16 PBC Schedule for Fall 2006 / Winter 2007 Pema Mandala welcomes all contributions submitted for consideration. All accepted submissions will be edited appropriately 18 Namo Buddhaya, Namo Dharmaya, for publication in a magazine represent- Nama Sanghaya ing the Padmasambhava Buddhist Center. Please send submissions to the above A student reflects on a photograph and finds that it address. The deadline for the next issue is evokes more symbols than meet the eye. -
Learn Tibetan & Study Buddhism
fpmt Mandala BLISSFUL RAYS OF THE MANDALA IN THE SERVICE OF OTHERS JULY - SEPTEMBER 2012 TEACHING A GOOD HEART: FPMT REGISTERED TEACHERS THE OFFICIAL PUBLICATION OF THE FOUNDATION FOR THE PRESERVATION OF THE MAHAYANA TRADITION Wisdom Publications Delve into the heart of emptiness. INSIGHT INTO EMPTINESS Khensur Jampa Tegchok Edited by Thubten Chodron A former abbot of Sera Monastic University, Khensur Jampa Tegchok here unpacks with great erudi- tion Buddhism’s animating philosophical principle—the emptiness of all appearances. “Khensur Rinpoche Jampa Tegchok is renowned for his keen understanding of philosophy, and of Madhyamaka in particular. Here you will find vital points and reasoning for a clear understanding of emptiness.”—Lama Zopa Rinpoche, author of How to Be Happy 9781614290131 “This is one of the best introductions to the philosophy of emptiness 336 pages | $18.95 I have ever read.”—José Ignacio Cabezón, Dalai Lama Professor and eBook 9781614290223 Chair, Religious Studies Department, UC Santa Barbara Wisdom Essentials JOURNEY TO CERTAINTY The Quintessence of the Dzogchen View: An Exploration of Mipham’s Beacon of Certainty Anyen Rinpoche Translated and edited by Allison Choying Zangmo Approachable yet sophisticated, this book takes the reader on a gently guided tour of one of the most important texts Tibetan Buddhism has to offer. “Anyen Rinpoche flawlessly presents the reader with the unique perspective that belongs to a true scholar-yogi. A must-read for philosophers and practitioners.” —Erik Pema Kunsang, author of Wellsprings of the Great Perfection and 9781614290094 248 pages | $17.95 compiler of Blazing Splendor eBook 9781614290179 ESSENTIAL MIND TRAINING Thupten Jinpa “The clarity and raw power of these thousand-year-old teachings of the great Kadampa masters are astonishingly fresh.”—Buddhadharma “This volume can break new ground in bridging the ancient wisdom of Buddhism with the cutting-edge positive psychology of happiness.” —B. -
The Siddha Who Tamed Tibet: a Genealogy of Padmasambhava's
The Siddha Who Tamed Tibet: A Genealogy of Padmasambhava’s Tantric Masculinity in Two Early Namthar By Joshua Shelton A thesis submitted to the Faculty of the Graduate School of the University of Colorado Boulder In partial fulfillment of the requirements for the degree of Master of Arts Department of Religious Studies 2019 ÓJoshua Shelton, 2019 Shelton ii This thesis entitled: The Siddha Who Tamed Tibet: A Genealogy of Padmasambhava’s Tantric Masculinity in Two Early Namthar Written by Joshua Shelton has been approved for the Department of Religious Studies Holly Gayley, Ph.D. Loriliai Biernacki, Ph.D. Jules Levinson, Ph.D. Date The final copy of this thesis has been examined by the signatories, and we find that both the content and the form meet acceptable presentation standards of scholarly work in the discipline of Religious Studies Shelton iii Abstract Shelton, Joshua Brallier (M.A., Religious Studies) The Siddha Who Tamed Tibet: A Genealogy of Padmasambhava’s Tantric Masculinity in Two Early Namthar Thesis advised by Associate Professor Holly Gayley. The eighth-century Indian tantric master Padmasambhava, famed siddha (!བ་ཐོབ།) of the Nyingma school of Tibetan Buddhism, has been the subject of decades of Western scholarship seeking to understand his place in the matrix of Tibetan history, culture, religion, and literature. This thesis contributes to that body of work by thematizing Padmasambhava’s gender as a key component in the development of his early myth in two formative narratives: Nyangrel Nyima Öser’s Copper Island Biography of Padmasambhava and Orgyen Lingpa’s The Testament of Padmasambhava. I draw upon Raewyn Connell’s concept of hegemonic masculinity to trace Padmasambhava’s gendered positionality in these early texts vis-à-vis his interactions and contestations with kings. -
A Meeting with Drukpa Kagyu Masters
A Meeting with Drukpa Kagyu Masters Part I – In Honor of Geagen Khyentse and Amila Urgyen Chodon It was in the late summer of 1974 that I found myself on the road to the “Valley of the Gods” dangling from a bus as it weaved its way along the shoulders of a jagged Himalayan mountain road. Since the seats on the bus were quite small, I decided to hang a head and a shoulder outside the window from time to time. The fresh air felt good and made it worth it in spite of often having to veer down into the abyss to the river far below. The tires of our bus gripped the cliffs’ edges on uncertain gravel and, as if driven by a mad demon, the bus proceeded at a frantic pace trailed by a plume of cascading avalanches of pebbles and cobbles. Having just days earlier been in a bus accident near New Delhi, I imagined the worst would happen at every bump and turn on the way. I was on my way to Apho Rinpoche Gompa in Manali, Himachal Pradesh. Just a few days earlier I had arrived in India on a cheap Aeroflot flight from Moscow. On this leg of my journey, through unbelievable fortune, I met a young woman named Lin Lerner who was returning to India for the second time in pursuit of her dream to learn “Lama Dancing”, something traditionally reserved for men only. She connected me with the Kumar family who happened to be patrons of this Gompa. I was to learn that, most unfortunately, the great Drukpa Kagyu yogi Apho Rinpoche had passed on at a young age just a bit earlier that year. -
Curriculum Vitae 2
Matthew T. Kapstein [email protected] Directeur d’études émérite, Religions tibétaines ÉCOLE PRATIQUE DES HAUTES ÉTUDES, SORBONNE Vème Section 4-14 rue Férrus 75014 Paris, France Numata Visiting Professor of Buddhist Studies THE DIVINITY SCHOOL, THE UNIVERSITY OF CHICAGO Swift Hall, 1025 E. 58th St. Chicago IL 60637, USA DEGREES H.S. Diploma, Elisabeth Irwin H.S., New York City, 1968. A.B. (Sanskrit), University of California, Berkeley, 1981. Ph.D. (Philosophy), Brown University, Providence. 1987. Dissertation Topic: “Self and Personal Identity in Indian Buddhist Scholasticism: A Philosophical Investigation.” Director: Prof. James Van Cleve. ACADEMIC APPOINTMENTS 2018-present, Directeur d’études émérite (Professor emeritus), École Pratique des Hautes Études, Paris 2002-present, Numata Visiting Professor, The Divinity School, The University of Chicago, and Directeur d’études, Vème Section, École Pratique des Hautes Études, Paris (retired, Oct. 2018). 2002. Promotion to Full Professor, The University of Chicago. 1998-2002. Associate Professor, Department of South Asian Languages and Civilizations, and the College; and Numata Professor of Buddhist Studies, The Divinity School, The University of Chicago. 1996-1998. Visiting Associate Professor, Department of South Asian Languages and Civilizations, and Numata Professor of Buddhist Studies, The Divinity School, The University of Chicago. 1994-1995. Member, School of Historical Study, Institute for Advanced Study. 1994-1996. Associate Professor of the Philosophy of Religion, Department of Religion, Columbia University. 1989-1994. Assistant Professor of the Philosophy of Religion, Department of Religion, Columbia University. 1987-1989. Assistant Professor of Sanskrit, Department of South Asian Languages and Civilizations, The University of Chicago. 1986-1987. Visiting Assistant Professor of Sanskrit, Department of South Asian Languages and Civilizations, The University of Chicago. -
An Introduction to Tibetan Buddhist Canons
A Special SACHI Invitation to Members and Asian Art Museum Docents An Opportunity to Explore a Treasure Archive at Stanford The East Asia Library, Stanford recently acquired two monumental sets of Tibetan Buddhist canonical materials, the comparative editions of the Kanjur and Tanjur, which contain over four thousand Buddhist texts in the Tibetan language. To hear the in-depth story about the texts and this major acquisition, do not miss an incredible learning opportunity with Dr. Josh Capitanio of Stanford’s East Asia Library. In Conjunction with the Asian Art Museum Special Exhibition Awaken: A Tibetan Buddhist Journey Toward Enlightenment SACHI Members and Asian Art Museum Docents are Invited to Join A Unique and Specially Designed Program on Stanford campus In this presentation, Dr. Josh An Introduction to Capitanio, Stanford Libraries’ subject specialist in Buddhism Tibetan Buddhist Canons and Asian religions, will give an introduction to the different Monday, March 30 textual canons of Tibetan Buddhism. Participants will 10:30 AM - 12:00 Noon learn about the significant role Stanford East Asia Library of canonical collections in the 518 Memorial Way, Room 224 history of Buddhism in Tibet, the different types of canons, and Please RSVP here the various methods used to For questions, please contact [email protected]; produce them. Several different Tel: 650-349-1247 examples of manuscripts and canonical texts from the Everyone is welcome to plan lunch after the event. A list of restaurant options in Stanford vicinity will be Stanford East Asia Library’s shared in a forthcoming announcement. collections will be on hand for participants to view. -
Chapter II * Place of Hevajra Tantraj in Tantric Literature
Chapter II * Place of Hevajra Tantraj in Tantric Literature 4 1. Buddhist Tantric Literature Lama Anagarik Govinda wrote: “the word ‘Tantrd is related to the concept of weaving and its derivatives (thread, web, fabric, etc.), hinting at the interwovenness of things and actions, the interdependence of all that exists, the continuity in the interaction of cause and effect, as well as in spiritual and'traditional development, which like a thread weaves its way through the fabric of history and of individual lives. The scriptures which in Buddhism go under the name of Tantra (Tib.: rgyud) are invariably of a mystic nature, i.e., trying to establish the inner relationship of things: the parallelism of microcosm and macrocosm, mind and universe, ritual and reality, the world of matter and the world of the spirit.”99 Scholars like N.N. Bhattacharyya and also Pranabananda Jash, regard Tantra as a religious system or science (Sastra) dealing with the means (sadhana) of attaining success (siddhi) in secular or religious efforts.100 N.N. Bhattacharyya mentions that “Tantra came to mean the essentials of any religious system and, subsequently, special doctrines and rituals found only in certain forms of various religious systems. This change in the meaning, significance, and character of the word ‘Tantra' is quite striking and is likely to reveal many hitherto unnoticed elements that have characterised the social fabric of India through the ages.”101 It is must be noted that the Tantrika tradition is not the work of a day, it has a long history behind it. Creation, maintenance and dissolution, 99 Lama Anagarika Govinda, Foundations of Tibetan Myticism (Maine: Samuel Weiser, Inc., 1969), p.93. -
What Is Mahāmudrā Traleg Rinpoche
What is Mahāmudrā Traleg Rinpoche The Mahāmudrā tradition encompasses many key Buddhist terms and presents them in a unique light. The Sanskrit word mahāmudrā literally translates as “great seal,’’ or “great symbol,’’ which suggests that all that exists in the conditioned world is stamped with the same seal, the seal of ultimate reality. Ultimate reality is synonymous with the quintessential Buddhist term emptiness (śūnyatā), which describes the insubstantiality of all things—the underlying groundlessness, spaciousness, and indeterminacy that imbues all of our experiences of the subjective and objective world. In the Kagyü tradition of Tibetan Buddhism, the word mahāmudrā is also used to refer to the nature of the mind. The nature of the mind is a pivotal concept in this tradition. The essential quality of the mind is emptiness, but it is described as a luminous emptiness, for the mind has the inherent capacity to know, or to cognize. When spiritual fulfillment is attained, this lumi- nous emptiness is experienced as pervasively and profoundly blissful, and enlightenment is characterized as luminous bliss. The Tibetan term for Mahāmudrā is chag gya chen po. The word chag denotes wisdom; gya implies that this wisdom transcends mental defilement; and chen po verifies that together they express a sense of unity. At a more profound level of interpretation, chag gya suggests that <4> our natural state of being has no origin, because we cannot posit a particular time when it came into being, nor can we say what caused it to conic into existence or what it is dependent upon. Our natural state of being is self-sustaining, self- existing, and not dependent upon anything. -
An Exhibition of Rare Thankas By
An Exhibition of Rare Thankas by Central Institute of Buddhist Studies 2nd Feb. 2001 - 14th Feb. 2001 Matighar, IGNCA Contents Message of His Holiness the Dalai Lama Foreword Preface Introduction Bodh Kala: Udhbhav aur Vikas (Hindi) Catalogue and Plates Thanka No. 01: Lord Sakyamuni Buddha Thanka No. 02: Arya Manjusri Thanka No. 03: Arya Maitreya Thanka No. 04: Padmasambhava Thanka No. 05: Atisa Thanka No. 06: Guhyasamaja Thanka No. 07: Cakrasamvara Thanka No. 08: Vajrabhairava Thanka No. 09: Mandala Thanka No. 10: Sarahapa Thanka No. 11: Luipa Thanka No. 12: Naropa Thanka No. 13: Melerepa Thanka No. 14: Sachen Kung sNyingpo Thanka No. 15: Klong chen rab byam pa Thanka No. 16: Tsongkhapa The Details of the Thankas Credits Message of His Holiness the Dalai Lama The Dalai Lama MESSAGE When so much of the Tibetan cultural heritage has been destroyed in its own land, related works of art are being preserved and created anew elsewhere in the Himalayan region. These Buddhist paintings are an expression of an ancient civilization. I am therefore very happy to know that the Central Institute of Buddhist Studies, Leh, Ladakh is organizing a series of Thanka exhibitions in New Delhi, Samath (U.P.) and Hyderabad (A.P.). We Buddhists of the Himalayan region regard most of these artifacts as sacred. They represent various aspects of Buddhas and Bodhisattvas. All of them are a source of inspiration. Appreciation of this kind of art has long been the preserve of experts. However, I trust that people visiting these series of exhibitions and reading the catalogues will come to a better understanding of the Buddhism of the Himalayas and a greater appreciation of its timeless values.