Pell Correspondence (1985-1992) Humanities, Subject Files II (1962-1996)

Total Page:16

File Type:pdf, Size:1020Kb

Pell Correspondence (1985-1992) Humanities, Subject Files II (1962-1996) University of Rhode Island DigitalCommons@URI Education: National Endowment for the Arts and Pell Correspondence (1985-1992) Humanities, Subject Files II (1962-1996) 1976 Pell Correspondence (1985-1992): Book 01 Follow this and additional works at: http://digitalcommons.uri.edu/pell_neh_II_63 Recommended Citation "Pell Correspondence (1985-1992): Book 01" (1976). Pell Correspondence (1985-1992). Paper 16. http://digitalcommons.uri.edu/pell_neh_II_63/16http://digitalcommons.uri.edu/pell_neh_II_63/16 This Book is brought to you for free and open access by the Education: National Endowment for the Arts and Humanities, Subject Files II (1962-1996) at DigitalCommons@URI. It has been accepted for inclusion in Pell Correspondence (1985-1992) by an authorized administrator of DigitalCommons@URI. For more information, please contact [email protected]. FATHER OF THE AMERICAN CAVALRY PULA.SKf • High Mass of Dedication Unveiling Ceremonies Ball Festivities of the GENERAL CASIMIR PULASKI Memorial Monument Erected on Pulaski Plaza Hartford, Conn. Saturday, July 3, 1976 PRICE $1.00 TABLE OF CONTENTS Page Foreword 1 Message from President Gerald R. Ford . 2 Message from Vice-President Nelson Rockefeller . 3 Message from General Chairman Walter Przech . 4 Messages from Two Honorary Chairmen . 5 Message from Honorable Ella Grasso, Governor of Conn. 6 Message from Senator Weicker and Mayor Atheson . 7 Photo of Model of Monument with Granville Carter . 8 Biography of Granville Carter, Sculptor . 9 Life of Pulaski .................................................. 10 Life of Pulaski .................................................. 11 Peter lwanczenko - In Memoriam ................................ 12 Photos of Committees ........................................ 13-23 Dedication Invitation ............................................ 24 Dedication Ball Invitation ........................................ 25 The Evolution of the Site ...................................... 26-28 Pulaski Monument Dedication Parade .............................. 29 Description of the Monument . 30 Photo of Monument on the Pedestal . 31 Donors . 32-46 Inscription on General Pulaski Monument . 47 Unveiling Ceremony ............................................. 48 Holy High Mass of Dedication at SS Cyril & Methodius R. C. Church .... 48 Credits- Outer cover designed by John B. Kozlowski. Inside pages - compiled and designed by Edward J. Kozlowski. Printed by Columbia Printing & Acme Press C/0 POLISH NATIONAL HOME - 60 CHARTER OAK AVENUE PULASKI PLAZA - HARTFORD. CONNECTICUT 06106 GENERAL CHAIRMAN HONORARY CHAIRMEN PRZECH. WALTER J. BOMBOLISKI. REVEREND ANTHONY J. CO-CHAIRMEN KOZLOWSKI. COMMISSIONER EDWARD J GODLEWSKI. DR. RICHARD J. WISNIEWSKI. STANLEY J. BERNAT. JANE J. NARKIEWICZ. ATTY. JOHN J. ZARNOWSKI. ALEXANDER F SECRETARY LENIART. JULIA K. TREASURER DABROS. HENRY J. RECORDING SECRETARY CHLEBICA, FRANCES R. PUBLICITY KOSTEK, EDWARD J. SPECIAL EVENTS CHAIRMAN JAGIELSKI, EDWARD J. DEDICATION COMMITTEE FOREWORD ARNISTA ANTHONY BACI EWSKI. JACK BARYS. FRANK Over thirty years ago, an idea was born in the city of Hartford, Con­ BAYCZYNISKI STANLEY BIS. ANNA necticut. A committee was formed to foster the construction of a monu­ BLASCHINSKI. EDWARD BLAZEJOWSKI. TADDEUS ment honoring General Casimir Pulaski. For various reasons the attempt BOREK. WILLIAM BORKOWSKI. STANLEY was unsuccessful. BRONISZ. MATTHEW BRZOZWY. ROBERT Later, a second committee, well on its way in the planning for the CARDIN. THOMAS CIENAVA. DANIEL project was frustrated in its efforts when the State of Connecticut had DEMERSKI. JOHN DEPTULA. COL. RAYMOND DOLECKI. WALTER designed a major highway which would pass through Pulaski Circle when OOMASZEWSKI. STANLEY DOMBEK. JOHN the monument was to have been constructed. DRAGON. CHESTER OYNO. JOHN Finally, in 1972, with the added impetus of the approaching bi-cen­ EVERETT. WILLIAM FONFARA. WALTER tennial year, a third committee was formed for the purpose of erecting GANSZINIEC. ERNEST GODLEWSKI. JOAN a bronze equestrian statue of General Casimir Pulaski commemorating his GOLEMO. STANLEY GRODZKI. JULIAN contributions to the cause of freedom having served in the Revolutionary GUZEK. THADDEUS HESLIN. COMMISSIONER MARY War under the command of George Washington. !DENT. RICHARD IWANCZENKO, PETER With redevelopment proceeding in Hartford, negotiations were taking JACHIMCZYK. ATTY. ALPHONSE JAGIELSKI, IRENE place with Mayor Athanson, the Common Council, and the Redevelop­ JAi KEY FRANCIS KACZMAREK. FRANCES ment Agency to name the area adjacent to the Federal Building, Pulaski KAPLAN£. STELLA KARVOSKI. MARY KARWAT. IRENE Plaza and the entire block, Pulaski Square. Permission was granted to KEJNA. VINCENT KLOCEK. JOSEPH erect the statue between the Federal Building and the Historic McCook KNIGHT. FRANK KOKOSKA. STANLEY House adjacent to Main Street KOPKO EDWARD KOPROSKI. ALEXANDER. JR A sub-committee, The Sculptor Selection Committee devoted countless KOSTEK. ANN KOWALSKI THEODORE hours in interviewing thirty sculptors from all over the world for the KOZIL. JOSEPH KUTA. MATHEW project. Granville W. Carter N.A. of Baldwin, L.I., was commissioned to LAWRENCE. JOHN LEBIZ TEKLA design and execute the monument to its completion at a cost of $124,000. LEONKA. MILDRED LICHWALA. ROGER The contract was signed in the spring of 1973 with a specification that LISZKA. EDMUND MACIULEWSKI. WALTER completion of the project was to coincide with the bi-centennial cele­ MAGUDER. STANLEY MALISZEWSKI. ATTY. TED bration on July 4, 1976. MARKOW. JOHN MAZNJCKI. WALTER McGEE. HELEN Three stages were involved in the culmination of this goal. In 1973 a MENKO JOHN MEYERS. VICTOR sketch of the model was approved. One and a half years later in 1975 MIKOLAJCIK. ROY 1 MOCARSKI HENRY RAY approval was given for a /J life size model of the statue. Early in 1976, MUCHA. STANLEY 1 NAROG. JOSEPH the third stage, a 1 /J life size clay model was given approval, clearing the NOWAKOWSKI ROMAN OKON. ANN way for casting the bronze in the foundry. OLENDER. WALTER OLSZEWSKI. !RENE The 12 foot high pedestal for the monument constructed of Indiana OZIMEK. STANLEY PAC. COMMISSIONER STANLEY limestone and Maine granite was designed by architect Edwin Fletcher PEARL. RAY PILLAR. RICHARD AIA of New York City. With 10 foot equestrian portion of the bronze POWAJBA. SOPHIE PRIBYSON. JANICE statue, the overall monument rises majestically 22 feet above ground PRYJMANCZUK. STEVE PRYTKO. JOHN PRZASNYSKI. STANLEY level. ROSSIWAL. CHESTER RUDEWICZ. DR. ALEX Funds for the project were raised through the diligence and enthusiasm SAMOLYK. WALTER SCHUBERT. JEAN of the many committees shown in this booklet with the help of thousands SEREMET. EDWARD SHECKLEY. NELL of Americans of Polish descent and their friends who supported the SIMPKINS. GEORGE SLOWIKOWSKI. CHRISTINE numerous fund raising activities throughout the State of Connecticut. SMOLEN. JOHN. JR. SMULSKI. MARION This project was, indeed, an exciting and once in a lifetime opportunity SOKOLOWSKI, JOHN SOLEK. WALTER for every one involved to bring to completion a tremendous undertaking SWIATEK. EMILY SZPAK. JOHN accomplished entirely through private funds. SZTABA. MIKE SZUBERLA. ANDREW URBANIK. SUE WINALSKI. HELEN WODECKI. ANN WOJCIAK. STANLEY Edward J. Kozlowski YANIZHEWSKY. SOPHIA ZAVASKI. EDWARD ZDUNCZYK. JOSEPH ZELEZNICKY. FELIX 1 ZEWINSKI, DONALD ZOLKEWICZ. EDWARD THE WHITE HOUSE WASHINGTON June 16, 1976 We now mark the beginning of our 3rd Century as an independent Nation as well as the 20oth Anniversary of the .American Revolution. For two centuries our Nation has grown, changed and flourished. A diverse people, drawn from all corners of the earth, have joined together to f'ulfill the promise of democracy. America's Bicentennial is rich in history and in the promise and potential of the years that lie ahead. It is about the events of our past, our achievements, our traditions, our diversity, our freedoms, our form of government, to a better life for all Americans. The Bicentennial offers each of us the opportunity to join with our fellow citizens in honoring the past and preparing for the f'uture in connnunities across the Nation. Thus, in joining together as races, national­ ities, and individuals, we also retain and strengthen our traditions, background and personal freedom. As we lay the cornerstone of America's 3rd Century, I commend the three Chairmen, Walter J. Przech, Reverend Anthony J. Bomboliski and Edward J. Kozlowski, the entire Memorial Committee, the Polish American Community, the Mayor of Hartford, the Common Council, the Redevelopment Agency, the citizens of Connecticut and other State~, on the unveiling of the General Casimir Pulaski equestrian monument. Efforts such as this are helping to make our great national celebration a memorable and meaningf'ul one for all. 2 COPYRIGHT BY GRANVILLE W. LOWELL P. WElCKER, .JR. 1llnmll ~tntr& ~ennte Jihshingtnn, ID. Ql. July 3, 19'76 General Pulaski Memorial Committee of Connecticut 60 Charter Oak Avenue Hartford, Connecticut 06106 Dear Friends: The two hundred years of American History are filled with countless liberty-loving men and women who have believed in freedom and equality. Their efforts to prevent discrimination, to overthrow tyranny, and to right injustice have served to insure that life, liberty, and the pursuit of happiness remain the undeniable rights of all Americans. General Pulaski was one of these Soldiers of Freedom. His contri­ bution to the American Revolutionary War effort was
Recommended publications
  • Exhibitions Photographs Collection
    Exhibitions Photographs Collection This finding aid was produced using the Archivists' Toolkit November 24, 2015 Describing Archives: A Content Standard Generously supported with funding from the National Historical Publications and Records Commission (NHPRC) Archives and Manuscripts Collections, The Baltimore Museum of Art 10 Art Museum Drive Baltimore, MD, 21032 (443) 573-1778 [email protected] Exhibitions Photographs Collection Table of Contents Summary Information ................................................................................................................................. 3 Scope and Contents....................................................................................................................................... 4 Arrangement...................................................................................................................................................4 Administrative Information .........................................................................................................................5 Controlled Access Headings..........................................................................................................................5 Collection Inventory...................................................................................................................................... 7 Exhibitions............................................................................................................................................... 7 Museum shop catalog.........................................................................................................................
    [Show full text]
  • The Museum of Modern
    38418 - 17 THE MUSEUM OF MODERN ART F0R 14 WEST 49TH STREET, NEW YORK IMMEDIATE RELEASE TELEPHONE: CIRCLE 7-MKE TO EDITORS OUTSIDE NEW YORK CITY: Artists and lenders of paintings and sculptures here listed are natives or residents in various cities and towns throughout the country. Localities are given in every instance. Today, April 20, the large Exhibition of American Art 1609-1938, which the Museum of Modern Art has assembled for Paris,, will leave New York for France on the S.S. Lafayette. More than one thousand items are included in the exhibition which will be held at the Jeu de Paume, Paris, from May 24 to July 13. For more than a year, at the invitation of the French Government, the Museum has been assembling the exhibition. The largest section includes approximately 200 oils and watercolors, 40 sculptures, and 80 prints, the work of artists in all parts of the United States during the past three centuries. The exhibits shown in this section have been selected by Mr. A. Conger Goodyear, President of the Museum, assisted by Mr. Alfred H. Barr, Jr., Director, and Miss Dorothy C. Miller, Assistant Curator of Painting and Sculpture. Mr. Barr is sailing this week to supervise the in­ stallation of the exhibition in Paris. The following pieces of sculpture and contemporary paintings will be shown in the exhibition: CONTEMPORARY PAINTINGS: GIFFORD BEAL, b. 1879, New York. Lives in New York. "Horse Tent" (1937) Lent by the Artist GEORGE WESLEY BELLOWS, b. 1882, Columbus, Ohio; d. 1925 "Stag at Sharkey's" (1909) Lent by the Cleveland Museum of Art, Cleveland, Ohio .
    [Show full text]
  • Robert Lehman Papers
    Robert Lehman papers Finding aid prepared by Larry Weimer The Robert Lehman Collection Archival Project was generously funded by the Robert Lehman Foundation, Inc. This finding aid was generated using Archivists' Toolkit on September 24, 2014 Robert Lehman Collection The Metropolitan Museum of Art 1000 Fifth Avenue New York, NY, 10028 [email protected] Robert Lehman papers Table of Contents Summary Information .......................................................................................................3 Biographical/Historical note................................................................................................4 Scope and Contents note...................................................................................................34 Arrangement note.............................................................................................................. 36 Administrative Information ............................................................................................ 37 Related Materials ............................................................................................................ 39 Controlled Access Headings............................................................................................. 41 Bibliography...................................................................................................................... 40 Collection Inventory..........................................................................................................43 Series I. General
    [Show full text]
  • EXHIBITION of AMERICAN ART LEAVES for PARIS April
    38418 - 17 THE MUSEUM OF MODERN ART F0R 14 WEST 49TH STREET, NEW YORK IMMEDIATE RELEASE TELEPHONE: CIRCLE 7-MKE TO EDITORS OUTSIDE NEW YORK CITY: Artists and lenders of paintings and sculptures here listed are natives or residents in various cities and towns throughout the country. Localities are given in every instance. Today, April 20, the large Exhibition of American Art 1609-1938, which the Museum of Modern Art has assembled for Paris,, will leave New York for France on the S.S. Lafayette. More than one thousand items are included in the exhibition which will be held at the Jeu de Paume, Paris, from May 24 to July 13. For more than a year, at the invitation of the French Government, the Museum has been assembling the exhibition. The largest section includes approximately 200 oils and watercolors, 40 sculptures, and 80 prints, the work of artists in all parts of the United States during the past three centuries. The exhibits shown in this section have been selected by Mr. A. Conger Goodyear, President of the Museum, assisted by Mr. Alfred H. Barr, Jr., Director, and Miss Dorothy C. Miller, Assistant Curator of Painting and Sculpture. Mr. Barr is sailing this week to supervise the in­ stallation of the exhibition in Paris. The following pieces of sculpture and contemporary paintings will be shown in the exhibition: CONTEMPORARY PAINTINGS: GIFFORD BEAL, b. 1879, New York. Lives in New York. "Horse Tent" (1937) Lent by the Artist GEORGE WESLEY BELLOWS, b. 1882, Columbus, Ohio; d. 1925 "Stag at Sharkey's" (1909) Lent by the Cleveland Museum of Art, Cleveland, Ohio .
    [Show full text]
  • THE DODO, EXTINCT SINCE the YEAR 1681, IS RESTORED in LIFE-SIZE MODEL RUDYERD BOULTON by of the Seventeenth Century
    News Published Monthly by Field Miiseum of Natural History, Chicago Vol. 10 JANUARY, 1939 No. 1 THE DODO, EXTINCT SINCE THE YEAR 1681, IS RESTORED IN LIFE-SIZE MODEL RUDYERD BOULTON By of the seventeenth century. In order to one of the living specimens that was brought Curator of Birda judge the accuracy of this information, it to Europe during his life time. The com- Perhaps no bird is so universally known, is profitable to examine the life and career positions in his paintings are fanciful, as by name at least, as the dodo, symbol to of the artist, Roelant Savery, who painted may be judged from the titles of some of the modern world of obsolescence and the dodo several times. He was born in them: "Orpheus charming the beasts," grotesqueness. Few people, however, realize Courtrai (now in Belgium), in 1576, of an "Fable of the stags and cattle," "Slaughter that the dodo is anything but fictitious, and artistic family, his father and brother having of the Turks," "The Garden of Eden," fewer still know that there were two species also been painters. The two boys were and "Noah's Ark." of dodos, and also a dodo-like bird, the pupils of Hans Bol, genre painter, con- The figures of the birds and animals, solitaire, which flourished in a limited way temporary and colleague of Pieter Brueghel, however, are far from fanciful. They are in the seventeenth century. definitely literal, executed A restoration of the Mau- with the finesse and atten- ritius dodo has been com- tion to detail that is so char- pleted by the writer and acteristic of the Flemish recently was installed in Hall school.
    [Show full text]