Working Papers in Phonetics
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Part 1: Introduction to The
PREVIEW OF THE IPA HANDBOOK Handbook of the International Phonetic Association: A guide to the use of the International Phonetic Alphabet PARTI Introduction to the IPA 1. What is the International Phonetic Alphabet? The aim of the International Phonetic Association is to promote the scientific study of phonetics and the various practical applications of that science. For both these it is necessary to have a consistent way of representing the sounds of language in written form. From its foundation in 1886 the Association has been concerned to develop a system of notation which would be convenient to use, but comprehensive enough to cope with the wide variety of sounds found in the languages of the world; and to encourage the use of thjs notation as widely as possible among those concerned with language. The system is generally known as the International Phonetic Alphabet. Both the Association and its Alphabet are widely referred to by the abbreviation IPA, but here 'IPA' will be used only for the Alphabet. The IPA is based on the Roman alphabet, which has the advantage of being widely familiar, but also includes letters and additional symbols from a variety of other sources. These additions are necessary because the variety of sounds in languages is much greater than the number of letters in the Roman alphabet. The use of sequences of phonetic symbols to represent speech is known as transcription. The IPA can be used for many different purposes. For instance, it can be used as a way to show pronunciation in a dictionary, to record a language in linguistic fieldwork, to form the basis of a writing system for a language, or to annotate acoustic and other displays in the analysis of speech. -
Aspirated and Unaspirated Voiceless Consonants in Old Tibetan*
LANGUAGE AND LINGUISTICS 8.2:471-493, 2007 2007-0-008-002-000248-1 Aspirated and Unaspirated Voiceless Consonants * in Old Tibetan Nathan W. Hill Harvard University Although Tibetan orthography distinguishes aspirated and unaspirated voiceless consonants, various authors have viewed this distinction as not phonemic. An examination of the unaspirated voiceless initials in the Old Tibetan Inscriptions, together with unaspirated voiceless consonants in several Tibetan dialects confirms that aspiration was either not phonemic in Old Tibetan, or only just emerging as a distinction due to loan words. The data examined also affords evidence for the nature of the phonetic word in Old Tibetan. Key words: Tibetan orthography, aspiration, Old Tibetan 1. Introduction The distribution between voiceless aspirated and voiceless unaspirated stops in Written Tibetan is nearly complementary. This fact has been marshalled in support of the reconstruction of only two stop series (voiced and voiceless) in Proto-Tibeto- Burman. However, in order for Tibetan data to support a two-way manner distinction in Proto-Tibeto-Burman it is necessary to demonstrate that the three-way distinction of voiced, voiceless aspirated, and voiceless unaspirated in Written Tibetan is derivable from an earlier two-way voicing distinction. Those environments in which voiceless aspirated and unaspirated stops are not complimentary must be thoroughly explained. The Tibetan script distinguishes the unaspirated consonant series k, c, t, p, ts from the aspirated consonant series kh, ch, th, ph, tsh. The combination of letters hr and lh are not to be regarded as representing aspiration but rather the voiceless counterparts to r and l respectively (Hahn 1973:434). -
Preaspiration in Modern and Old Mongolian
Jan-Olof Svantesson & Anastasia Karlsson Lund University Preaspiration in Modern and Old Mongolian Background The problem of how to analyse the two contrasting manners of articulation for Mongolian stops and affricates has been debated since Mongolian phonetics first came to be studied. To date, there remains no consensus about the phonetic correlates of the two manners of articulation found in the literature. In phone- mic transcriptions, the two series have often been rendered with symbols for voiceless and voiced consonants. The Cyrillic Mongolian script also treats them in this way. Most Mongolists have used terms such as fortis ~ lenis, strong ~ weak, or tense ~ lax; see the review in our book, The Phonology of Mongolian (Svantesson et al. 2005: 220–221). In that book, we presented data showing that the difference is one of the presence vs. the absence of aspiration. Aspirated consonants are preaspirated in all positions except utterance-initially, while they are postaspirated word-in- itially. Here we will present more data to support this analysis. (An analysis of this kind was already proposed by the Finland-Swedish scholar John Ramstedt in his pioneering 1902 description of Halh Mongolian phonetics.) The stop and affricate phonemes are shown in (1). Minimal pairs show- ing that they contrast are given in Svantesson et al. (2005: 26–27). In phonemic transcription, we write aspirated stops and affricates as /pʰ/, /tʰ/, etc.; although the aspiration sign is written after the consonant, it is intended as a symbol for (pre- or post-) aspiration in general. In close phonetic transcription, we differen- tiate between pre- and postaspiration [ʰt, tʰ]. -
How Does Phonetics Interact with Phonology During Tone Sandhi?
How does phonetics interact with phonology during tone sandhi? Bijun Ling Tongji University [email protected] ABSTRACT whether the phonological system affects the phonetic interaction of consonant and f0. This paper investigated the phonetics and phonology Shanghai Wu, a northern Wu dialect of Chinese, of consonant–f0 interaction in Shanghai Wu. Bi- offers a good study case for this research question. syllabic compound nouns, which form tone sandhi Shanghai Wu has five lexical tones, which can be domain, were elicited within template sentences with described by three features [27]: F0 contour: falling two factors controlled: lexical tones (T1[HM], (T1) and rising (T2-T5); Tonal register: high (T1, T2, T3[LM], T5[LMq]) and consonant types (obstruents T4) and low (T3, T5); and Duration: long (T1-T3) and & nasals). Results showed that although the base tone short (T4, T5). They exhibit interesting co-occurrence contrast of the second syllable is neutralized by patterns with both the onset and coda of the tone- phonological tone sandhi rules, the onset f0 of the bearing syllable. Syllables with voiceless onsets only second syllable with low tones (T3) is significantly allow tones that start in the high register, i.e. T1, T2 lower than that with high tone (T1). Furthermore, and T4; while voiced onsets co-occur with tones that such difference cannot be just attributed to the start in the low register, i.e. T3 and T5. Interestingly, consonant perturbation, because it also exists when the sonorant consonants could occur with both high the consonant (i.e. /m/) is the same for all three tones. -
Breathy Nasals and /Nh/ Clusters in Bengali, Hindi, and Marathi Christina M
Breathy Nasals and /Nh/ Clusters in Bengali, Hindi, and Marathi Christina M. Esposito, Sameer ud Dowla Khan, Alex Hurst [email protected] [email protected] [email protected] Abstract Previous work on breathiness in Indic languages has focused primarily on the acoustic properties of breathy (also known as aspirated) oral stops in languages like Hindi ([ baːːːl] ‘hair’ vs. [ bʱʱʱaːːːl] ‘forehead’) or Bengali ([ bati] ‘bowl’ vs. [ bʱʱʱati] ‘kiln’). However, breathiness in some Indic languages also extends to nasals, as in Marathi ([ maːːːr] ‘beat’ vs. [ m̤̤̤a̤ ːːːr] ‘a caste’). It is not clear if languages such as Hindi and Bengali have breathy nasals in addition to breathy oral stops. This study addresses the following question: in Bengali and Hindi, are /N/ + /h/ sequences single breathy nasals ([N ̤̤̤]),̤ or are they clusters ([Nh])? To answer this question, simultaneous audio, aerodynamic, and electroglottographic recordings were made of Hindi, Bengali, and Marathi speakers. Within- and cross-language comparisons were made, and phonological evidence was examined. While some within-language comparisons gave inconclusive results for Hindi and Bengali, other comparisons with Marathi and within-language phonological evidence pointed to the lack of breathy nasals in Hindi and an uncertain status for breathy nasals in Bengali. 1 Introduction 1 The Indic languages are typologically unusual, possessing a four-way oral stop contrast that includes both voiceless and voiced aspirates. 2 This is exemplified in Table 1, with data from two Indic languages, Bengali and Hindi. Bengali Hindi Voiceless unaspirated pati ‘mat’ paːːːl ‘take care of’ Voiceless aspirated phati ‘I burst’ phaːːːl ‘knife blade’ Voiced unaspirated bati ‘bowl’ baːːːl ‘hair’ Voiced aspirated bʱʱʱati ‘kiln’ bʱʱʱaːːːl ‘forehead’ Table 1: Examples of the four-way oral stop contrast in Bengali and Hindi. -
An Introduction to Indic Scripts
An Introduction to Indic Scripts Richard Ishida W3C [email protected] HTML version: http://www.w3.org/2002/Talks/09-ri-indic/indic-paper.html PDF version: http://www.w3.org/2002/Talks/09-ri-indic/indic-paper.pdf Introduction This paper provides an introduction to the major Indic scripts used on the Indian mainland. Those addressed in this paper include specifically Bengali, Devanagari, Gujarati, Gurmukhi, Kannada, Malayalam, Oriya, Tamil, and Telugu. I have used XHTML encoded in UTF-8 for the base version of this paper. Most of the XHTML file can be viewed if you are running Windows XP with all associated Indic font and rendering support, and the Arial Unicode MS font. For examples that require complex rendering in scripts not yet supported by this configuration, such as Bengali, Oriya, and Malayalam, I have used non- Unicode fonts supplied with Gamma's Unitype. To view all fonts as intended without the above you can view the PDF file whose URL is given above. Although the Indic scripts are often described as similar, there is a large amount of variation at the detailed implementation level. To provide a detailed account of how each Indic script implements particular features on a letter by letter basis would require too much time and space for the task at hand. Nevertheless, despite the detail variations, the basic mechanisms are to a large extent the same, and at the general level there is a great deal of similarity between these scripts. It is certainly possible to structure a discussion of the relevant features along the same lines for each of the scripts in the set. -
ABC+Q: Contour Segments and Tones in (Sub)Segmental Agreement by Correspondence
Inkelas & Shih 25 May 2013 ABC+Q: Contour segments and tones in (sub)segmental Agreement by Correspondence Sharon Inkelas (UC Berkeley) & Stephanie S Shih (Stanford/UC Berkeley) [email protected], [email protected] 0 INTRODUCTION Phonological theory has long been challenged by the behavior of contour segments and contour tones in harmony patterns. (1) Contour segments: segments with distinct gestures sequenced in time (Sagey 1986; et seq.) a. pre- and post-nasalized segments (e.g., nd, dn) b. affricates (e.g., ʧ) c. pre- or post-laryngealized segments (e.g., kʰ, ʰk) d. contour tones (e.g., ǎ, â, ǎ` ) e. diphthongs (e.g., aɪ) f. on- and off-glides (e.g., ju, kʷ) (a), (c), see Steriade 1993; 1994; (b), see Lombardi 1990; see also Banner-Inouye 1989 on flaps (2) Not covered in this talk: complex segments involving distinct gestures which overlap in time a. labiovelars, /l/ b. partially laryngealized vowels c. clicks, implosives, ejectives (3) Conflicting behavior by contour segments in harmony patterns: participate in phonology as whole units their subsegmental parts act independently (4) This talk: ABC+Q Propose new subdivided, quantized segmental representations, which allow for a better characterization of the behavior of contour and simplex segments. Quantized segmental subdivisions are grounded in phonetic reality and tuned to typological phonological generalizations incorporated in Agreement by Correspondence (ABC) theory (Hansson 2001, Rose & Walker 2004). ABC+Q marries the representational strength of previous approaches, including Autosegmental Theory, Aperture Theory, and Articulatory Phonology, with the locality and similarity design features of ABC, to capture the unity and internal complexity of segments. -
Middle Indo-Aryan “Aspirate” Clusters Revisited1
MIDDLE INDO-ARYAN “ASPIRATE” CLUSTERS REVISITED1 Hans Henrich Hock The issue of the fate of Sanskrit clusters with sibilant + stop (whether oral or nasal) and with [h] + sonorant has been revived through a paper by Palaschke & Dressler (1999). Focusing on the developments of Sanskrit sibilant + stop clusters (see e.g. (1)), they propose a two-step process through which these become Middle Indo-Aryan geminated stops with postaspiration. (1) Skt. asti > MIAr. atthi ‘is’ The first step in the development (see (2) below), which they consider a “natural process”, namely a lenition, backgrounding, or weakening, could have resulted in preaspirated stops. However, preaspiration is “prevented […] in terms of system adequacy” by a “paradigmatic prelexical process, within the framework of Natural Phonology [… which] fits the universal scale of naturalness presented inter alia in Hurch (1988: 61–63)”. See example (3). (2) s ≤ h (3) Ch > hC ‘Postaspirated consonants are more likely to be expected than preaspirated ones.’ In support of their account they refer to Hurch (1986: 62) who cites examples of a supposedly similar process in the Spanish of Seville, where coda s becomes h; see (4). According to Palaschke & Dressler (62–63), Hurch assumes that a process of metathesis converts preaspiration to postaspiration. In this context, it is important to emphasize that this process is 1 *Revised version of a paper read at the 2003 South Asian Languages Analysis (SALA) Roundtable at Austin, TX. I am grateful for comments by participants in the Roundtable, especially Elena Bashir and Robert King. Part of the paper was also presented, in revised form, at the 2004 Annual Meeting of the American Oriental Society. -
Consonant Types and F0 in Kiowa
UC Berkeley Phonology Lab Annual Report (2011) CONSONANT TYPES AND F0 IN KIOWA ANNA JURGENSEN UNIVERSITY OF CALIFONRIA, BERKELEY 62 UC Berkeley Phonology Lab Annual Report (2011) Abstract Since the work of House and Fairbanks (1953) and Lehiste and Peterson (1961) it has been established that the prevocalic voiced stops produce downward perturbations and prevocalic voiceless stops produce upward perturbations on the fundamental frequency (F0) of the following vowel. The effects of stops with other laryngeal settings, such as aspirated and ejective, are not as clear (Hombert 1978). Additionally, the effects on F0 in tonal languages may differ from those in nontonal languages, both in the magnitude of the effect on vowels of different tone and in the duration of the effect in general (Gandour 1974). Using pre-recorded elicitations in Kiowa, a tonal, Kiowa-Tanoan language of southwestern Oklahoma, the effects of prevocalic voiced, voiceless unaspirated, voiceless aspirated, and ejective stops on the F0 of the following vowel were measured and analyzed. Using WaveSurfer, the F0 of the vowel was measured every 20 ms for a duration of 100 ms. The measurements were categorically averaged for comparison between types of stop and tone level. The analysis shows that voiced and voiceless stops in Kiowa produce the predicted downward and upward perturbations, and provides evidence that aspirated stops produce a higher perturbation on vowels than do voiceless unaspirated, and that ejective stops produce a downward perturbation on F0 instead of a neutral effect, as has been previously assumed (Hombert 1978). 63 UC Berkeley Phonology Lab Annual Report (2011) It has been well established that the laryngeal setting of a prevocalic stop has an intrinsic effect on the fundamental frequency (F0) of the vowel that follows. -
On Basque Affricates
On Basque Affricates JOSE IGNACIO HUALDE University of Southern California 1. Introduction * The representation of affricates and other non-steady-state segments posed se rious problems to linear phonological theories. Hierarchical models such as the one introduced in elements (1985) offer the possibility of representations that capture the behavior of these segments in a much more conspicuous way than in earlier models. Working within a hierarchical theory of phonological representations, Sagey (1986) proposes that affricate segments differ from simple segments in that they contain two ordered features [-cont] [+ cant]. Given this representation, Sagey makes the prediction that affricates will behave as stops for rules involving their left edge, but as fricatives for rules sensitive to their right edge. Sagey pre sents data from a number of languages which offer support for this prediction. In this paper, I will argue, basing myself on Basque data, that, whereas a representation of affricates as segments containing two ordered features [-cont] [+ cont] is essentially correct, it does not necessarily follow--· from that represen tation that these segments-'wilI always show edge effects'. As I will show, affricates in Basque are treate~ as stops with respect to a deletion rule involving their right side, but sensitive to -the feature [~cont]. I will argUe for a representation of affricates as segments fontaining two 'ordered supralaryngeal nodes. 2. Basque Stop Deleti()n In Basque, sequences of two [-cont] segments are not allowed if the first of the two adjacent segments also has the feature [-son]. There is a rule which simplifies these sequences, affecting the first of the two stops. -
The Effects of Duration and Sonority on Contour Tone Distribution— Typological Survey and Formal Analysis
The Effects of Duration and Sonority on Contour Tone Distribution— Typological Survey and Formal Analysis Jie Zhang For my family Table of Contents Acknowledgments xi 1 Background 3 1.1 Two Examples of Contour Tone Distribution 3 1.1.1 Contour Tones on Long Vowels Only 3 1.1.2 Contour Tones on Stressed Syllables Only 8 1.2 Questions Raised by the Examples 9 1.3 How This Work Evaluates The Different Predictions 11 1.3.1 A Survey of Contour Tone Distribution 11 1.3.2 Instrumental Case Studies 11 1.4 Putting Contour Tone Distribution in a Bigger Picture 13 1.4.1 Phonetically-Driven Phonology 13 1.4.2 Positional Prominence 14 1.4.3 Competing Approaches to Positional Prominence 16 1.5 Outline 20 2 The Phonetics of Contour Tones 23 2.1 Overview 23 2.2 The Importance of Sonority for Contour Tone Bearing 23 2.3 The Importance of Duration for Contour Tone Bearing 24 2.4 The Irrelevance of Onsets to Contour Tone Bearing 26 2.5 Local Conclusion 27 3 Empirical Predictions of Different Approaches 29 3.1 Overview 29 3.2 Defining CCONTOUR and Tonal Complexity 29 3.3 Phonological Factors That Influence Duration and Sonority of the Rime 32 3.4 Predictions of Contour Tone Distribution by Different Approaches 34 3.4.1 The Direct Approach 34 3.4.2 Contrast-Specific Positional Markedness 38 3.4.3 General-Purpose Positional Markedness 41 vii viii Table of Contents 3.4.4 The Moraic Approach 42 3.5 Local Conclusion 43 4 The Role of Contrast-Specific Phonetics in Contour Tone Distribution: A Survey 45 4.1 Overview of the Survey 45 4.2 Segmental Composition 48 -
Looking Into Segments Sharon Inkelas and Stephanie S Shih University of California, Berkeley & University of California, Merced
Looking into Segments Sharon Inkelas and Stephanie S Shih University of California, Berkeley & University of California, Merced 1 Introduction It is well-known that the phonological ‘segment’ (consonant, vowel) is internally dynamic. Complex segments, such as affricates or prenasalized stops, have sequenced internal phases; coarticulation induces change over time even within apparently uniform segments. Autosegmental Phonology (e.g., Goldsmith 1976, Sagey 1986) captured the internal phasing of complex segments using feature values ordered sequentially on a given tier and ‘linked’ to the same timing unit. Articulatory Phonology (e.g., Browman & Goldstein 1992, Gafos 2002, Goldstein et al. 2009) captures internal phases through the use of coordinated gestures, which overlap in time with one another but are aligned to temporal landmarks. Segments can be internally dynamic in a contrastive way. Affricates differ from plain stops or plain fricatives in being sequentially complex; the same difference obtains between prenasalized vs. plain stops, between contour and level tones, and so forth. Segments can also be dynamic in a noncontrastive way, due to coarticulation with surrounding segments. To the extent that phonological patterns are sensitive to contrastive or noncontrastive segment-internal phasing, the phasing needs to be represented in a manner that is legible to phonological grammar. However, contemporary phonological analysis couched in Optimality Theory, Harmonic Grammar and similar approaches is very highly segment-oriented. For example, Agreement by Correspondence theory, or ABC (Hansson 2001, 2010; Rose & Walker 2004; Bennett 2013; inter alia) and other surface correspondence theories of harmony and disharmony are theories of segmental correspondence. The constraints in these theories refer to segments as featurally uniform units, and do not have a way of referencing their internal phases.