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TIM DONLEVY RESUME 2016 CONTACT DETAILS Cell: +1 310 922 6350 Email: Tim [email protected] 1104 Hope Street, South Pasadena, Calif

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TIM DONLEVY RESUME 2016 CONTACT DETAILS Cell: +1 310 922 6350 Email: Tim Donlevy@Mac.Com 1104 Hope Street, South Pasadena, Calif TIM DONLEVY RESUME 2016 CONTACT DETAILS Cell: +1 310 922 6350 email: [email protected] 1104 Hope Street, South Pasadena, California, 91030. 2016 SCANLINE VFX THE JUSTICE LEAGUE - ON-SET VFX TD & VFX PHOTOGRAPHER -Texture photography. 360 panoramas. Set Data. HDRI. Environment photography for set and location reconstruction, Photogrammetry. VFX Supervisors: ScanlineVFX Bryan Hirota, Warner Brothers- John 'DJ' Des Jardin, VFX Producer Josh Jaggars. POWER RANGERS- VFX PHOTOGRAPHER & ON-SET VFX TD. VFX Supervisors: Scanline VFX Bryan Grill FOX - MAZE RUNNER - THE DEATH CURE - VFX ON-SET DATA & VFX PHOTOGRAPHER. VFX Supervisors Blair Clark, VFX Producer Scott Puckett. MPC - ON-SET VFX SUPERVISION & MATCHMOVE/TRACKING SUPERVISOR 2015 MPC - ON-SET VFX SUPERVISION & MATCHMOVE/TRACKING SUPERVISOR A52 VFX - ON-SET VFX SUPERVISION, PLATE PHOTOGRAPHY & MATCHMOVE/TRACKING SUPERVISOR SCANLINE VFX THE HATEFUL EIGHT - ON-SET VFX SHOOT SUPERVISION - ELEMENTS SHOOT THE FIFTH WAVE - ON-SET VFX SHOOT SUPERVISION & VFX PHOTOGRAPHER - BANGKOK UNIT. Photogrammetry, 360 Panoramas, Textures, Environments. Supervise VFX Data Wrangling team - VFX Supervisor Sony - Scott Stokdyk BATMAN v SUPERMAN: DAWN OF JUSTICE - ON-SET VFX TD & VFX PHOTOGRAPHER -Texture photography. 360 panoramas. Set Data. HDRI. Environment photography for set and location reconstruction. Supervise and shoot elements, plates and green screen shoots with RED Epic for compositing team.VFX Supervisors: ScanlineVFX Bryan Hirota, Warner Brothers John 'DJ' Des Jardin, VFX Producer Josh Jaggars. SAN ANDREAS - ON-SET VFX TD & VFX PHOTOGRAPHER Environment photography for set and location reconstruction & Lidar. Shoot elements and green screen shots with RED Epic for compositing team. VFX Supervisor: Scanline Bryan Grill, Warner Brothers Collin Strause, VFX Producer Randy Starr. FAST AND FURIOUS 7 - ON-SET DATA ACQUISITION & VFX PHOTOGRAPHER VFX Supervisors: ScanlineVFX Boyd Shermis, Universal Studios Mike Wassel and VFX Producer Karen Murphy. 2013 A52 VFX - MATCHMOVE/TRACKING SUPERVISOR, ON-SET VFX SUPERVISION & PLATE PHOTOGRAPHY SCANLINE VFX - CAPTAIN AMERICA: WINTER SOLDIER - ON-SET DATA ACQUISITION Splinter Unit VFX Supervision. VFX Supervisors: Scanline VFX Bryan Grill, Marvel Dan Deleeuw and VFX Producer Jen Underdahl. ZOIC STUDIOS - MATCHMOVE TD WARNER BROTHERS STUDIOS - WINTERS TALE - ON-SET DATA MANAGER - VFX Supervisor Richard Hollander. 2012 RHYTHM AND HUES STUDIOS PERCY JACKSON AND THE SEA OF MONSTERS - ON-SET DATA MANAGER 1ST UNIT NEW ORLEANS Record all camera and shot data. HDRI’s. Survey - sets, green screens and locations. Shoot textures of object, environments and actors. Supervise lens grid shoot. Environment photography for set and location reconstruction. Create diagrams with camera position and measurements for VFX shot integration. Manage all Set Data - photography, video, notes and hand off to the Studio and VFX house. VFX Supervisor Dan Kaufman. RIPD - BOSTON PLATE UNIT AND 1ST UNIT RESHOOTS UNIVERSAL STUDIOS - ON-SET DATA MANAGER VFX Supervisors - R&H Derek Spears, Universal Studios Mike Wassel MATCHMOVE TD - RIPD, PERCY JACKSON & THE SEA OF MONSTERS, CATCHING FIRE & INTO THE STORM. 2011 FREELANCE - A52 VFX - ZOIC STUDIOS - MOTION THEORY - PROLOGUE FILMS - COLORMOVIE MATCHMOVE/TRACKING TD, ON-SET VFX SHOOT SUPERVISOR, CAMERAMAN & PREVIS. 2009 CAMERA CONTROL - LEAD MOTION CONTROL OPERATOR - AVATAR 2007 FREELANCE - MOTION CONTROL SUPERVISOR/OPERATOR KING KONG - New Zealand. VFX Supervisor Brian Van’t Hul SUPERMAN RETURNS - Australia. VFX Supervisor Mark Stetson VFX Producer Joyce Cox 2005 CARNIVAL FILMS - MOTION CONTROL SUPERVISOR Chronicles of Narnia - The Lion, the Witch and the Wardrobe - New Zealand. VFX Supervisor Dean Wright VFX Producer Randy Starr SUPERMAN RETURNS - Australia. VFX Supervisor Mark Stetson VFX Producer Joyce Cox SON of The MASK- Australia. VFX Supervisor Jamie Price VFX Producer Susan MacLeod 2003 FREELANCE - MOTION CONTROL CAMERAMAN & VFX SHOOT SUPERVISOR. THE MATRIX - RELOADED & REVELOUTIONS - Australia. VFX Supervisor John Gater, Dan Glass, John 'DJ' Des Jardin VFX Producer Terry Clautxio Set up and supervised the APU motion base/motion control Unit for the VFX department. Established data pipeline with ESC Animators, Pixel Liberation Front previs team and motion control crew. Supervised and solved technical and hardware requirements for motion base, motion control rig and interactive lighting system. VFX Supervisor and Operator of Milo Motion Control Rigs for companies in London, Paris, Milan, Singapore and the Philippines - RSA Films, BRW, ActionMovie, BBC, BSkyB, FilmMaster. 1999 SVC WHITE CITY STUDIO, LONDON - SENIOR MOTION CONTROL CAMERAMAN Clients - MPC, Partizan Midi Minuit, Tony Kay Films, Douglas & Jones, Lambi-Nairn Directors, @radical.media UK, Academy Commercials, BBC, Kylie Minogue, U2, UB40. 1994 ANIMAL LOGIC - FILM AND DIGITAL POST PRODUCTION TD 1987 ZAP PRODUCTIONS - MOTION CONTROL OPERATOR, CAMERA OPERATOR, VFX/SFX TD Assisted in developing and operated early Evans and Sutherland previs systems that produced data and layouts for motion control shots. Attained an excellent knowledge of visual and special effects techniques working on projects that utilized Motion Control, miniatures, CG, stop-motion, slit-scanning, streaks and live action. Gained thorough understanding of animation and visual effects production and post-production processes. Skills - rostrum camera, Motion Control film/video rostrum camera, cell animation, bi-pack matting, color separations and double exposure film effects, construction of models, miniatures, sets and model movers, live action camera assistant film and video shoots, Assistant to Film editor, Digital Quantel editing/VFX system, PROFESSIONAL REFERENCES Lisa Spence Digital Studio Manager ScanlineVFX Los Angeles [email protected] 310.827.1555 Lois Anderson Manager, Digital Production Rhythm & Hues Studios (now at Lucasfilm ILM) [email protected] 310-346-6967 Annie Zarcoff H U M A N Resources A52 VFX [email protected] 310.586-0600 x115 .
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