Budapest, Vienna and Prague May 15-24, 2015
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Danube River Cruise Flyer-KCTS9-MAURO V2.Indd
AlkiAlki ToursTours DanubeDanube RiverRiver CruiseCruise Join and Mauro & SAVE $800 Connie Golmarvi from Assaggio per couple Ristorante on an Exclusive Cruise aboard the Amadeus Queen October 15-26, 2018 3 Nights Prague & 7 Nights River Cruise from Passau to Budapest • Vienna • Linz • Melk • and More! PRAGUE CZECH REPUBLIC SLOVAKIA GERMANY Cruise Route Emmersdorf Passau Bratislava Motorcoach Route Linz Vienna Budapest Extension MUNICH Melk AUSTRIA HUNGARY 206.935.6848 • www.alkitours.com 6417-A Fauntleroy Way SW • Seattle, WA 98136 TOUR DATES: October *15-26, 2018 12 Days LAND ONLY PRICE: As low as $4249 per person/do if you book early! Sail right into the pages of a storybook along the legendary Danube, *Tour dates include a travel day to Prague. Call for special, through pages gilded with history, and past the turrets and towers of castles optional Oct 15th airfare pricing. steeped in legend. You’ll meander along the fabled “Blue Danube” to grand cities like Vienna and Budapest where kings and queens once waltzed, and to gingerbread towns that evoke tales of Hansel and Gretel and the Brothers Grimm. If you listen closely, you might hear the haunting melody of the Lorelei siren herself as you cruise past her infamous river cliff post! PEAK SEASON, Five-Star Escorted During this 12-day journey, encounter the grand cities and quaint villages along European Cruise & Tour the celebrated Danube River. Explore both sides of Hungary’s capital–traditional Vacation Includes: “Buda” and the more cosmopolitan “Pest”–and from Fishermen’s Bastion, see how the river divides this fascinating city. Experience Vienna’s imperial architec- • Welcome dinner ture and gracious culture, and tour riverside towns in Austria’s Wachau Valley. -
Belgrade - Budapest - Ljubljana - Zagreb Sample Prospect
NOVI SAD BEOGRAD Železnička 23a Kraljice Natalije 78 PRODAJA: PRODAJA: 021/422-324, 021/422-325 (fax) 011/3616-046 [email protected] [email protected] KOMERCIJALA: KOMERCIJALA 021/661-07-07 011/3616-047 [email protected] [email protected] FINANSIJE: [email protected] LICENCA: OTP 293/2010 od 17.02.2010. www.grandtours.rs BELGRADE - BUDAPEST - LJUBLJANA - ZAGREB SAMPLE PROSPECT 1st day – BELGRADE The group is landing in Serbia after which they get on the bus and head to the downtown Belgrade. Sightseeing of the Belgrade: National Theatre, House of National Assembly, Patriarchy of Serbian Orthodox Church etc. Upon request of the group, Tour of The Saint Sava Temple could be organized. The tour of Kalemegdan fortress, one of the biggest fortress that sits on the confluence of Danube and Sava rivers. Upon request of the group, Avala Tower visit could be organized, which offers a view of mountainous Serbia on one side and plain Serbia on the other. Departure for the hotel. Dinner. Overnight stay. 2nd day - BELGRADE - NOVI SAD – BELGRADE Breakfast. After the breakfast the group would travel to Novi Sad, consider by many as one of the most beautiful cities in Serbia. Touring the downtown's main streets (Zmaj Jovina & Danube street), Danube park, Petrovaradin Fortress. The trip would continue towards Sremski Karlovci, a beautiful historic place close to the city of Novi Sad. Great lunch/dinner option in Sremski Karlovci right next to the Danube river. After the dinner, the group would head back to the hotel in Belgrade. -
178 Chapter 6 the Closing of the Kroll: Weimar
Chapter 6 The Closing of the Kroll: Weimar Culture and the Depression The last chapter discussed the Kroll Opera's success, particularly in the 1930-31 season, in fulfilling its mission as a Volksoper. While the opera was consolidating its aesthetic identity, a dire economic situation dictated the closing of opera houses and theaters all over Germany. The perennial question of whether Berlin could afford to maintain three opera houses on a regular basis was again in the air. The Kroll fell victim to the state's desire to save money. While the closing was not a logical choice, it did have economic grounds. This chapter will explore the circumstances of the opera's demise and challenge the myth that it was a victim of the political right. The last chapter pointed out that the response of right-wing critics to the Kroll was multifaceted. Accusations of "cultural Bolshevism" often alternated with serious appraisal of the strengths and weaknesses of any given production. The right took issue with the Kroll's claim to represent the nation - hence, when the opera tackled works by Wagner and Beethoven, these efforts were more harshly criticized because they were perceived as irreverent. The scorn of the right for the Kroll's efforts was far less evident when it did not attempt to tackle works crucial to the German cultural heritage. Nonetheless, political opposition did exist, and it was sometimes expressed in extremely crude forms. The 1930 "Funeral Song of the Berlin Kroll Opera", printed in the Neue Zeitschrift für Musik, may serve as a case in point. -
TURANDOT Cast Biographies
TURANDOT Cast Biographies Soprano Martina Serafin (Turandot) made her San Francisco Opera debut as the Marshallin in Der Rosenkavalier in 2007. Born in Vienna, she studied at the Vienna Conservatory and between 1995 and 2000 she was a member of the ensemble at Graz Opera. Guest appearances soon led her to the world´s premier opera stages, including at the Vienna State Opera where she has been a regular performer since 2005. Serafin´s repertoire includes the role of Lisa in Pique Dame, Sieglinde in Die Walküre, Elisabeth in Tannhäuser, the title role of Manon Lescaut, Lady Macbeth in Macbeth, Maddalena in Andrea Chénier, and Donna Elvira in Don Giovanni. Upcoming engagements include Elsa von Brabant in Lohengrin at the Opéra National de Paris and Abigaille in Nabucco at Milan’s Teatro alla Scala. Dramatic soprano Nina Stemme (Turandot) made her San Francisco Opera debut in 2004 as Senta in Der Fliegende Holländer, and has since returned to the Company in acclaimed performances as Brünnhilde in 2010’s Die Walküre and in 2011’s Ring cycle. Since her 1989 professional debut as Cherubino in Cortona, Italy, Stemme’s repertoire has included Rosalinde in Die Fledermaus, Mimi in La Bohème, Cio-Cio-San in Madama Butterfly, the title role of Manon Lescaut, Tatiana in Eugene Onegin, the title role of Suor Angelica, Euridice in Orfeo ed Euridice, Katerina in Lady Macbeth of Mtsensk, the Countess in Le Nozze di Figaro, Marguerite in Faust, Agathe in Der Freischütz, Marie in Wozzeck, the title role of Jenůfa, Eva in Die Meistersinger von Nürnberg, Elsa in Lohengrin, Amelia in Un Ballo in Machera, Leonora in La Forza del Destino, and the title role of Aida. -
City Profile
City Profile Budapest City Profile Budapest Introduction Budapest is the capital city of Hungary and is located in the middle of the Carpathian Basin in the north–central region of Hungary. The river Danube divides the city, which covers an area of 525 km2 with a population of 1.7 million. As the largest city in Hungary, it is the country's political, cultural, commercial, industrial, and transportation centre. The city’s population peaked in 1989 with 2.1 million. During the last two decades, this number has constantly decreased due to the urban sprawl effect. The greater commuter belt is home to around three million inhabitants (80 townships). According to the Municipal Act, Budapest has had a two-level municipal governing system since 1990, meaning there are 23 districts plus the municipality of Budapest. BKK is the transport organising authority of Budapest, whose responsibilities cover transportation along with its environmental and energy consumption aspects. Budapest signed the Covenant of Mayors in 2008 and submitted its Sustainable Energy Action Plan (SEAP) in 2011. Thus, Budapest has committed itself to cutting CO2 emissions by 20% by 2020 as compared to the data from 2005. Energy-Efficient Buildings and Districts Service buildings (non-municipal) In the decade leading up to 2020, the target is to achieve a reduction in the specific energy consumption of service buildings (e.g. office and commercial buildings) in line with those of municipal buildings, meaning a total decrease of 25%. In the next ten years, a 3-4 % increase of the combined areas of commercial, service and office buildings is expected – which currently have an estimated area of 1,500 hectares. -
KING FM SEATTLE OPERA CHANNEL Featured Full-Length Operas
KING FM SEATTLE OPERA CHANNEL Featured Full-Length Operas GEORGES BIZET EMI 63633 Carmen Maria Stuarda Paris Opera National Theatre Orchestra; René Bologna Community Theater Orchestra and Duclos Chorus; Jean Pesneaud Childrens Chorus Chorus Georges Prêtre, conductor Richard Bonynge, conductor Maria Callas as Carmen (soprano) Joan Sutherland as Maria Stuarda (soprano) Nicolai Gedda as Don José (tenor) Luciano Pavarotti as Roberto the Earl of Andréa Guiot as Micaëla (soprano) Leicester (tenor) Robert Massard as Escamillo (baritone) Roger Soyer as Giorgio Tolbot (bass) James Morris as Guglielmo Cecil (baritone) EMI 54368 Margreta Elkins as Anna Kennedy (mezzo- GAETANO DONIZETTI soprano) Huguette Tourangeau as Queen Elizabeth Anna Bolena (soprano) London Symphony Orchestra; John Alldis Choir Julius Rudel, conductor DECCA 425 410 Beverly Sills as Anne Boleyn (soprano) Roberto Devereux Paul Plishka as Henry VIII (bass) Royal Philharmonic Orchestra and Ambrosian Shirley Verrett as Jane Seymour (mezzo- Opera Chorus soprano) Charles Mackerras, conductor Robert Lloyd as Lord Rochefort (bass) Beverly Sills as Queen Elizabeth (soprano) Stuart Burrows as Lord Percy (tenor) Robert Ilosfalvy as roberto Devereux, the Earl of Patricia Kern as Smeaton (contralto) Essex (tenor) Robert Tear as Harvey (tenor) Peter Glossop as the Duke of Nottingham BRILLIANT 93924 (baritone) Beverly Wolff as Sara, the Duchess of Lucia di Lammermoor Nottingham (mezzo-soprano) RIAS Symphony Orchestra and Chorus of La Scala Theater Milan DEUTSCHE GRAMMOPHON 465 964 Herbert von -
Constructing the Archive: an Annotated Catalogue of the Deon Van Der Walt
(De)constructing the archive: An annotated catalogue of the Deon van der Walt Collection in the NMMU Library Frederick Jacobus Buys January 2014 Submitted in partial fulfilment for the degree of Master of Music (Performing Arts) at the Nelson Mandela Metropolitan University Supervisor: Prof Zelda Potgieter TABLE OF CONTENTS Page DECLARATION i ABSTRACT ii OPSOMMING iii KEY WORDS iv ACKNOWLEDGEMENTS v CHAPTER 1 – INTRODUCTION TO THIS STUDY 1 1. Aim of the research 1 2. Context & Rationale 2 3. Outlay of Chapters 4 CHAPTER 2 - (DE)CONSTRUCTING THE ARCHIVE: A BRIEF LITERATURE REVIEW 5 CHAPTER 3 - DEON VAN DER WALT: A LIFE CUT SHORT 9 CHAPTER 4 - THE DEON VAN DER WALT COLLECTION: AN ANNOTATED CATALOGUE 12 CHAPTER 5 - CONCLUSION AND RECOMMENDATIONS 18 1. The current state of the Deon van der Walt Collection 18 2. Suggestions and recommendations for the future of the Deon van der Walt Collection 21 SOURCES 24 APPENDIX A PERFORMANCE AND RECORDING LIST 29 APPEDIX B ANNOTED CATALOGUE OF THE DEON VAN DER WALT COLLECTION 41 APPENDIX C NELSON MANDELA METROPOLITAN UNIVERSTITY LIBRARY AND INFORMATION SERVICES (NMMU LIS) - CIRCULATION OF THE DEON VAN DER WALT (DVW) COLLECTION (DONATION) 280 APPENDIX D PAPER DELIVERED BY ZELDA POTGIETER AT THE OFFICIAL OPENING OF THE DEON VAN DER WALT COLLECTION, SOUTH CAMPUS LIBRARY, NMMU, ON 20 SEPTEMBER 2007 282 i DECLARATION I, Frederick Jacobus Buys (student no. 211267325), hereby declare that this treatise, in partial fulfilment for the degree M.Mus (Performing Arts), is my own work and that it has not previously been submitted for assessment or completion of any postgraduate qualification to another University or for another qualification. -
The Bri in Europe and the Budapest-Belgrade Railway Link
Briefing Paper, 10/2019 THE BRI IN EUROPE AND THE BUDAPEST-BELGRADE RAILWAY LINK Flora Rencz Junior Researcher, EIAS October 2019 Abstract Increasing Chinese influence in Europe has been a growing source of anxiety in Brussels in recent years. This paper seeks to better understand these exacerbated fears through the case of the Budapest-Belgrade railway link refurbishment. The project is part of the 17+1 Cooperation and the Belt and Road Initiative (BRI). It had been announced in 2013 but was stalled on the Hungarian side until 2019 due to EU tender regulations. This paper provides an overview of the Budapest-Belgrade case’s timeline and details. It also analyses the challenges arising during the execution of the project, particularly focusing on political concerns from Brussels, feasibility issues, and the reception of the refurbishment by the Hungarian public. The paper also sheds light on how the project progressed differently on the Hungarian side as it did on the Serbian side as a non-EU member, due to the EU’s intervention. The railway link is a great case study to gain a better understanding of the BRI and the implications of China’s growing influence as a global actor for the EU and its neighbours. Briefing papers published by the European Institute for Asian Studies are summaries of facts which are related to a certain issue and often include a proposed course of action. This paper expresses the views of the author(s) and not of the European Institute for Asian Studies Introduction In November 2013, Chinese Premier Li Keqiang, Serbian Prime Minister Ivica Dačić, and Hungarian Prime Minister Viktor Orbán announced plans to modernise the railway link between Budapest and Belgrade.1 The project was retrospectively labelled part of China’s multilateral cooperation with the Central and Eastern European (CEE) countries, the so-called 17+1 Cooperation (since Greece joined in 2019),2 hence making it a Belt and Road Initiative (BRI) project. -
Budapest, Vienna, and Prague
BUDAPEST, VIENNA, AND PRAGUE OCTOBER 20-28, 2016 FROM $3,699 AIR & LAND 9 DAYS, 7 NIGHTS INCLUDING HOTELS, MEALS, DAY TRIPS AND AIRFARE FROM SAN ANTONIO, TX URRY, Hat this price the trip will kly. sell out quic Budapest For more details and reservations contact: Cynthia Rodriguez at the San Antonio Chamber of Commerce E-mail: [email protected] • Telephone: (210) 229-2107 Member of Reservations can also be made on our online booking enginewww.centralholidayswest.com/booking. The group booking code is: B002117 BUDAPEST, VIENNA, AND PRAGUE 9 Days from $3,699 air & land TOUR HIGHLIGHTS (3) BUDAPEST - (2) VIENNA – (2) PRAGUE Historic Budapest Danube River • Chain Bridge • Heroes Square • Hungarian Parliament Building • Baroque Castle BERLIN District • Visegrad - former Royal Hungarian Residence • Danube Bend • Esztergom - ecclesiastical center of Hungary • Szentendre - medieval artists’ town • Imperial Vienna • Hofburg - famous residence of Empress Elizabeth • Prague Castle • St. Vitus Cathedral • Brewing town of Pilsen – founded 2 PRAGUE by Czech King Wenceslas II in 1295 • Berlin • Checkpoint Charlie • Brandenburg Gate • Berlin Wall Memorial • Berlin’s history during period of Prussians, Imperialists, Nazis and Cold War and much, much more 2 VIENNA 3 BUDAPEST Day 1 Depart USA Depart the US for Budapest, Hungary. Meals and refreshments served on board. A Day 2 Arrive Budapest, Hungary Upon arrival in Budapest, proceed to baggage claim and after clearing customs you will be met by the Central Holidays West tour director and transfer to the hotel. Two TOUR FEATURES cities in one, Buda and Pest; are separated by the mighty Danube •ROUND TRIP AIR TRANSPORTATION - Air transportation from River. -
Budapest, Vienna, Prague
Budapest, Vienna, Prague 10 DAYS/9 NIGHTS – INDEPENDENT TRAVEL DEPARTS DAILY FROM B UDAPEST OR PRAGUE Sample the delights of three Central European cities that were once centers of great INCLUSIONS empires. Spending three nights in each city will allow you to leisurely enjoy breathtaking castles, palaces and churches. Visit the remarkable city of Budapest, where you can discover Private Arrival antique-filled flea markets, thermal spas, great bookstores and inviting cafes. Vienna Transfers combines all the comforts and luxuries of the modern world with the spirit of the past, and 3 nights Budapest Prague's fairytale-like, historic center is registered as a cultural and historical site by UNESCO. Pleasant train rides between the imperial cities affords the opportunity to view Budapest by Night rolling hills and quaint villages. Explore the heart of Europe and let its sights astound you. Budapest City Tour Szentendre DAY 1 ~ ARRIVE for a photo stop atop Gellért Hill (Citadel), Nostalgia Tour BUDAPEST the most spectacular viewpoint of 1st Class Rail Arrive in Budapest and Budapest. between cities collect your bags. As you DAY 2 ~ BUDAPEST exit customs you will be met by a 3 nights Vienna After breakfast you will be representative who will help you with your picked up at your hotel for Vienna by Night luggage and escort you to your hotel, a fantastic city tour. The where you will stay for three nights. Use City Tour and tour will feature Budapest’s impressive the afternoon to get settled or take a Schönbrunn Palace highlights and will gain you entrance to relaxing walk along the beautiful Danube many of this city’s most famous sights. -
BEST of CENTRAL EUROPE Budapest • Vienna • Prague • Warsaw • Zakopane • Krakow 14 Days/13 Nights 2021 TOUR DATES Prices Valid If Booked by Dec.17, 2020
BEST OF CENTRAL EUROPE Budapest • Vienna • Prague • Warsaw • Zakopane • Krakow 14 days/13 nights 2021 TOUR DATES Prices valid if booked by Dec.17, 2020 Starts in Budapest on Saturdays: May 01/Sat - May 14/Fri $2,830 May 22/Sat - Jun. 04/Fri $2,830 Sep. 11/Sat - Sep. 24/Fri $2,830 Sep. 25/Sat - Oct. 08/Fri $2,830 Single room supplement - on request 8 DAY TOUR TO BUDAPEST, VIENNA, PRAGUE TOUR PROGRAM Starts in Budapest on Saturdays: On Friday depart for Budapest, Hungary. saw where you'll be met and transferred to your May 01/Sat - May 08/Sat $1,599 1st Day/Sat - BUDAPEST. Upon arrival in Bu- hotel in city center. At 6:00 pm, meet your tour dapest an optional transfer to your hotel. In the guide and other tour members in the hotel lobby May 15/Sat - May 22/Sat $1,599 evening, meet your Tour Director and other tour and depart for a welcome dinner. (B, D) participants for a Welcome Dinner. (D) (With land only services flight is not included.) May 22/Sat - May 29/Sat $1,599 2nd DAY/Sun - BUDAPEST. Situated on the 9th Day/Sun - WARSAW. This morning, we intro- Jun. 12/Sat - Jun. 19/Sat $1,599 opposite banks of the Danube River, the former duce you to the highlights of Warsaw. A half-day cities of Buda and Pest are linked by a series of sightseeing tour includes Old Town, beautifully Jul. 17/Sat - Jul. 24/Sat $1,499 graceful bridges. Our morning sightseeing tour rebuilt after World War II with impressive Royal Castle, seat of last Polish kings. -
January 19, 2020 Luc De Wit 3:00–4:40 PM
ALBAN BERG wozzeck conductor Opera in three acts Yannick Nézet-Séguin Libretto by the composer, based on the production William Kentridge play Woyzeck by Georg Büchner co-director Sunday, January 19, 2020 Luc De Wit 3:00–4:40 PM projection designer Catherine Meyburgh New Production set designer Sabine Theunissen costume designer Greta Goiris The production of Wozzeck was made possible lighting designer Urs Schönebaum by a generous gift from Robert L. Turner A co-production of the Metropolitan Opera; Salzburg Festival; the Canadian Opera Company, Toronto; and Opera Australia general manager Peter Gelb jeanette lerman-neubauer music director Sunday matinee performances at the Met are Yannick Nézet-Séguin sponsored by the Neubauer Family Foundation 2019–20 SEASON The 75th Metropolitan Opera performance of ALBAN BERG’S wozzeck conductor Yannick Nézet-Séguin in order of vocal appearance the captain the fool Gerhard Siegel Brenton Ryan wozzeck a soldier Peter Mattei Daniel Clark Smith andres a townsman Andrew Staples Gregory Warren marie marie’s child Elza van den Heever Eliot Flowers margret Tamara Mumford* puppeteers Andrea Fabi the doctor Gwyneth E. Larsen Christian Van Horn ac tors the drum- major Frank Colardo Christopher Ventris Tina Mitchell apprentices Wozzeck is stage piano solo Richard Bernstein presented without Jonathan C. Kelly Miles Mykkanen intermission. Sunday, January 19, 2020, 3:00–4:40PM KEN HOWARD / MET OPERA A scene from Chorus Master Donald Palumbo Berg’s Wozzeck Video Control Kim Gunning Assistant Video Editor Snezana Marovic Musical Preparation Caren Levine*, Jonathan C. Kelly, Patrick Furrer, Bryan Wagorn*, and Zalman Kelber* Assistant Stage Directors Gregory Keller, Sarah Ina Meyers, and J.