2011/2012 Annual Report

Total Page:16

File Type:pdf, Size:1020Kb

2011/2012 Annual Report an agency of the Department of Arts and Culture REGISTERED OFFICE ARTSCAPE Theatre Centre, DF Malan Street, Cape Town 8001 RP275/2012 ISBN: 978-0-621-41236-9 P.O.BOX 4107 CAPE TOWN 8000 Artscape Switchboard 021 410 9800 Fax 021 421 5448 Email [email protected] Website www.artscape.co.za 2011 | 2012 an agency of the ANNUAL REPORT Department of Arts and Culture an agency of the Department of Arts and Culture VISION To be a vehicle for growth and transformation through the performing arts. MISSION To facilitate, produce and promote the arts in ways that advance nation building and to establish business partnerships involving all stakeholders. VALUES • Professionalism • Urgency • Client-centredness • Innovation LEGISLATIVE MANDATE Artscape was declared a cultural institution in terms of Section 3 of the Cultural Institutions Act, 1998 (Act No. 119 of 1998) on 1 April 2003. Effective from this date, Artscape became subject to the Public Finance Management Act, 1999 (Act No. 1 of 1999). Artscape is listed as a Schedule 3A (national entity) under the Public Finance Management Act, 1999 (Act No. 1 of 1999). contents SUBMISSION TO THE EXECUTIVE AUTHORITY 2 CEO’S REPORT 4 MANAGEMENT 5 ARTISTIC AND OPERATIONAL OVERVIEW 6 PRODUCTIONS AND EVENTS 7 STRATEGIC PLAN REVIEW 11 HUMAN RESOURCES MANAGEMENT 19 OVERVIEW OF FINANCIAL STATEMENTS 21 REPORT OF THE AUDIT AND RISK COMMITTEE 23 REPORT OF THE AUDITOR-GENERAL TO PARLIAMENT 24 ANNUAL FINANCIAL STATEMENTS 26 ACKNOWLEDGEMENTS 45 Somebody to Love Submission to the Executive Authority Minister, it is with great pleasure that I submit the 2012 Annual Report on behalf of Artscape, refl ecting on its activities in accordance with the provisions of the Public Finance Management Act, 1999 (Act No. 1 of 1999) (PFMA). CORPORATE GOVERNANCE The Artscape Council and Management remain The Human Resources Committee tirelessly committed to the principles of good corporate monitored employee-related policies and governance as prescribed by the King III practices. Over the past year the staff vacancy Report. The Artscape team strives to uphold the rate was reduced by 2%. Artscape achieved highest standards of professionalism, integrity further progress with its set targets for staff and ethics. We are satisfi ed that the institution demographics. Three employees completed has applied adequate corporate practices of the University of Stellenbosch Management transparency, integrity and accountability for Development Programme, two of whom plan the year. to undergo further training. A total of 23 staff members attended various external courses. The Council continued its risk management oversight through the Audit and Risk Committee. Council met four times during the review period The Disaster Management Plan was tested by and implemented systems for internal control, means of a comprehensive fi re drill at Artscape risk management, budgets and strategic plans and an evacuation drill at the Epping workshop. to maximise effi ciencies in fulfi lling its statutory mandate. Urgent matters were dealt with by the Executive Committee and ratifi ed by full Council. COUNCIL MEMBERS’ ATTENDANCE OF MEETINGS – April 2011 to March 2012 Human Number of Executive Audit and Risk Member Council Resources Meetings Committee Committee Committee 4 Meetings 2 Meetings 3 Meetings 2 Meetings *Basson, N 1 of 1 1 of 1 N/A N/A N/A Benjamin-Swales, R 9 of 9 4 of 4 2 of 2 3 of 3 N/A **Biko, B 0 of 2 0 of 2 N/A N/A N/A Cloete-Hopkins, D 5 of 5 4 of 4 1 of 1 N/A N/A *Figaji, B 3 of 3 1 of 1 N/A 2 of 2 N/A **Fikeni, S (Chairperson) 4 of 6 3 of 4 1 of 2 N/A N/A **Horne, A 2 of 4 2 of 4 N/A N/A N/A *Khan, B 1 of 3 1 of 1 N/A 0 of 2 N/A **Losper, B 3 of 5 2 of 4 N/A 1 of 1 N/A **Lucouw, M 2 of 4 2 of 4 N/A N/A N/A Mazwi-Tanga, L 4 of 6 2 of 4 N/A N/A 2 of 2 Mtetwa, N (Deputy Chairperson) 5 of 6 3 of 4 2 of 2 N/A N/A **Muyanga, N 3 of 5 2 of 4 N/A N/A 1 of 1 *Ngaba, S 0 of 2 0 of 4 N/A N/A N/A Tsukudu, T 6 of 8 2 of 4 2 of 2 N/A 2 of 2 *Until 31 July 2011 **From 1 August 2011 2 ARTSCAPE ANNUAL REPORT 2011 • 2012 High Schools Drama Fesstival !AÏA “From cave to sky” Orchestra Ensemble National Youth Music Competition 2011 STATEMENT OF RESPONSIBILITY The PFMA requires Artscape to keep full and In the opinion of Council, the annual fi nancial proper records of its fi nancial affairs. statements fairly present the fi nancial position and fi nancial performance of Artscape as at The fi nancial statements for the year ended 31 March 2012, and the Code of Corporate 31 March 2012 as set out on pages 28 to 42 Practices and Conduct has been adhered to. were submitted for auditing on 31 May 2012. Human Number of Executive Audit and Risk Artscape, has, once again received an The new Council, which assumed its position on Member Council Resources Meetings Committee Committee unqualifi ed audit report from the Auditor-General. 1 August 2011, is grateful for the well-managed Committee entity that it inherited from the previous Council. 4 Meetings 2 Meetings 3 Meetings 2 Meetings Sound management and good corporate By building on this solid foundation, the new *Basson, N 1 of 1 1 of 1 N/A N/A N/A governance ensured optimal cost effi ciency and Council was able to devise clear strategies on Benjamin-Swales, R 9 of 9 4 of 4 2 of 2 3 of 3 N/A productivity, enabling Artscape to report a surplus how to steer this successful ship for further **Biko, B 0 of 2 0 of 2 N/A N/A N/A of R55 million for the 2011/12 fi nancial year. growth and development to the advantage of the Cloete-Hopkins, D 5 of 5 4 of 4 1 of 1 N/A N/A entire country. *Figaji, B 3 of 3 1 of 1 N/A 2 of 2 N/A In view of its current sound fi nancial position, **Fikeni, S (Chairperson) 4 of 6 3 of 4 1 of 2 N/A N/A Council has every reason to believe that I would like to record my deep gratitude **Horne, A 2 of 4 2 of 4 N/A N/A N/A Artscape will be a going concern in the year and appreciation to all Council members, *Khan, B 1 of 3 1 of 1 N/A 0 of 2 N/A ahead. It has thus continued to adopt the management and staff for their continued ‘going concern’ basis in preparing the fi nancial dedication and hard work to build Artscape into a **Losper, B 3 of 5 2 of 4 N/A 1 of 1 N/A statements. crown jewel of arts and culture in Africa. **Lucouw, M 2 of 4 2 of 4 N/A N/A N/A Mazwi-Tanga, L 4 of 6 2 of 4 N/A N/A 2 of 2 Dr Somadoda Fikeni Mtetwa, N (Deputy Chairperson) 5 of 6 3 of 4 2 of 2 N/A N/A CHAIRPERSON **Muyanga, N 3 of 5 2 of 4 N/A N/A 1 of 1 *Ngaba, S 0 of 2 0 of 4 N/A N/A N/A Tsukudu, T 6 of 8 2 of 4 2 of 2 N/A 2 of 2 ARTSCAPE ANNUAL REPORT 2011 •3 2012 3 Brotherhood Seashells Youth Jazz Festival CEO’S REPORT As the oldest State-owned theatre complex in the country, the Artscape Theatre Centre strives to remain at the forefront of responding to the challenges facing South Africa’s blossoming democracy. As such, it is constantly adapting its business My management team and I wish to strategies to address the national imperatives to express our warm appreciation to the build a robust economy, create job opportunities, Artscape Council, the National Department promote social cohesion and transfer skills for of Arts and Culture, the Western Cape Provincial sustainable growth, especially in the arts and Government, our dedicated staff, and our culture sector. generous sponsors in helping Artscape achieve its goal of becoming a leading performing arts During 2011/12, Artscape presented 750 centre on the African continent. performances and events, employed 515 staff and provided facilities and support for a further 816 jobs in the performing arts and culture sector. Its total direct and indirect contribution to the national Gross Domestic Product (GDP) is estimated at about R541 million. Michael Maas CEO Over the past year, over 317 000 people visited the theatre centre to attend a multitude of events, such as stage productions, community gatherings and other culturally enriching activities. As part of its ongoing skills transfer and training programmes, fi ve trainees took part in the one-year University of Stellenbosch accredited technical training programme. The students who have graduated from the programme have all managed to fi nd full-time employment as theatre practitioners across South Africa. The wardrobe, which renders a specialised service to stage productions, this year, took in three interns and two trainees. Job shadowing opportunities were also offered to several learners and students. Four MBA students from Belgium based their practical research on Artscape.
Recommended publications
  • Trends Edition Südafrika Herausgeber GATE-Germany Konsortium Für Internationales Hochschulmarketing
    Länderprofile Analysen – Erfahrungen – Trends Edition Südafrika Herausgeber GATE-Germany Konsortium für Internationales Hochschulmarketing www.gate-germany.de Geschäftsstelle von GATE-Germany: Kennedyallee 50, 53175 Bonn www.daad.de Projektleitung Ursula Egyptien Gad Projektkoordination Cornelia Hauswald Fachliche Beratung Ralf Hermann, Andreas Hettiger, Roland Weiß Konzeption und Redaktion Kristin Mosch, Lemmens Medien GmbH, Bonn Verlegerische Betreuung Lemmens Medien GmbH, Bonn Bildnachweis Frank van den Bergh/iStockphoto.com (Titel), dpa (S. 3, 10 oben Mitte, 24, 29, 30), dpa-Report (S. 2, 3, 10 oben links, 10 unten links, 19, 25, 26, 28, 31), picture-alliance/ David Reed/Impact Photos (S. 3, 20), picture-alliance/africamediaonline (S. 2, 23), Westermann- Verlag (S. 4), DAAD (S. 5, 7 unten), privat (S. 6, 7, 17, 21, 22), HESA (S. 6 unten), Deutsche Industrie- und Handelskammer für das Südliche Afrika (S. 7 oben), wikimedia (S. 8, 15 unten), University of Cape Town (S. 14 oben, Drittes von oben, 15 oben), University of Pretoria (S. 14 Zweites von oben, 15 Zweites von unten), University of KwaZulu-Natal (S. 10 oben rechts, 10 unten rechts, 15 Drittes von unten), Nelson Mandela Metropolitan University (S. 14 unten, S. 18), University of the Western Cape (S. 14 Zweites von unten), Istock (S. 14 Drittes von unten), University of the Witwatersrand (S. 2, 10 unten Mitte, 12, 15 Zweites und Drittes von oben), Maria Winkler/DAAD (S. 16). For pictures used on pages 10 (above right, below second and third from left), 12, 14, 15 and 18 we thank the International Education Association of South Africa for permission to reproduce photographs contained in editions of its annual publication, Study South Africa – The Guide to South African Higher Education.
    [Show full text]
  • Annexure 22 Transfers and Grants to External Organisations
    ANNEXURE 22 TRANSFERS AND GRANTS TO EXTERNAL ORGANISATIONS 2021/22 Budget (May 2021) City of Cape Town - 2021/22 Budget (May 2021) Annexure 22 – Transfers and grants to external organisations 2021/22 Medium Term Revenue & Description 2017/18 2018/19 2019/20 Current Year 2020/21 Expenditure Framework Audited Audited Audited Original Adjusted Full Year Budget Year Budget Year Budget Year R thousand Outcome Outcome Outcome Budget Budget Forecast 2021/22 +1 2022/23 +2 2023/24 Cash Transfers to other municipalities Not applicable Total Cash Transfers To Municipalities: – – – – – – – – – Cash Transfers to Entities/Other External Mechanisms Cape town Stadium Entity 24 167 55 152 59 454 65 718 65 718 65 718 60 484 26 410 24 707 Total Cash Transfers To Entities/Ems' 24 167 55 152 59 454 65 718 65 718 65 718 60 484 26 410 24 707 Cash Transfers to other Organs of State Peoples Housing Process 244 017 139 509 139 509 150 518 150 518 150 518 65 000 61 436 58 626 Total Cash Transfers To Other Organs Of State: 244 017 139 509 139 509 150 518 150 518 150 518 65 000 61 436 58 626 Cash Transfers to Organisations 10th Anniversary Carnival 49 – – – – – – – – 2017 Lipton Cup Challenge 100 – – – – – – – – 2nd Annual Golf Festival – 150 – – – – – – – 2nd Encounters SA International 100 – – – – – – – – 3rd Africa Women Innovation & Enterprise 150 – – – – – – – – 3rd Unlocking African Markets Conference 150 – – – – – – – – A Choired Taste - Agri Mega NPC 100 – – – – – – – – ABSA Cape Epic - Cape Epic (Pty) Ltd 1 500 1 700 1 794 1 893 1 893 1 893 1 900 2 127 2
    [Show full text]
  • Yesterday • Today • Tomorrow
    YESTERDAY • TODAY • TOMORROW ARTSCAPE THEATRE CENTRE | 1 OUR THEME: YESTERDAY, TODAY & TOMORROW “… in order to celebrate the achievements over the past 50 years, we need to be mindful of how it came about, build on the work of those that came before us, and lead the way to a future that is even more inclusive, more equitable and more just – a constant strife.” – Marlene le Roux Yesterday, Today and Tomorrow Rajesh Jock CHAIRPERSON Artscape Theatre Centre Artscape Theatre Centre (formally the Nico Malan Theatre) has made major advances since its inception in 1971. Relying on a strong commitment from the National Department of Sport, Arts and Culture, the theatre now celebrates its Golden Anniversary! Entertainment, arts and culture contributes to the vibrancy, heritage and activation of the Cape Town Metropolitan City as well as the Western Cape Province, and plays an important role in tourism and economic growth. Since being renamed circa 1999, Artscape has provided a modern, contemporary and world-class regional venue supporting arts and culture, and especially local talent. Artscape represents a very special organisation, comprising committed professionals, who are dedicated to the advancement of many different local and international productions in the City of Cape Town and many other parts of the Western Cape Province. Combined with the passion and commitment of major stakeholders both nationally and provincially, Artscape has become a home for all in the arts and will continue to embrace the diverse communities of the Western Cape through performers and patrons. I thank and congratulate everyone who has, over many years, dedicated their expertise, time, effort and passion to continually building this wonderful organisation and making it what it is today.
    [Show full text]
  • (August 2021) Annexure 4: Transfers and Grants Made by the City
    City of Cape Town - 2021/22 Adjustments budget (August 2021) Annexure 4: Transfers and grants made by the City Budget Year Budget Year Budget Year 2021/22 +1 2022/23 +2 2023/24 Description Original Prior Accum. Multi-year Unfore. Nat. or Prov. Adjusted Adjusted Adjusted Other Adjusts. Total Adjusts. Budget Adjusted Funds capital Unavoid. Govt Budget Budget Budget R thousands Cash transfers to other municipalities Not applicable – – – – – – – – – – – TOTAL ALLOCATIONS TO MUNICIPALITIES: – – – – – – – – – – – Cash transfers to Entities/Other External Mechanisms Cape Town Stadium Entity 60 484 – – – – – – – 60 484 26 410 24 707 TOTAL ALLOCATIONS TO ENTITIES/EMs' 60 484 – – – – – – – 60 484 26 410 24 707 Cash transfers to other Organs of State Peoples Housing Process 65 000 – – – – – – – 65 000 61 436 58 626 TOTAL ALLOCATIONS TO OTHER ORGANS OF STATE: 65 000 – – – – – – – 65 000 61 436 58 626 Cash transfers to Organisations ABSA Cape Epic - Cape Epic PTY (LTD) 1 900 – – – – – – – 1 900 2 127 2 255 African Nations Cup - South African Masters Hockey Association 1 000 – – – – – – – 1 000 – – African Travel Week - Reed Venue Management (Pty) Ltd 4 200 – – – – – – – 4 200 – – AllFashion Sourcing Cape Town - Messe Frankfurt South Africa 110 – – – – – – – 110 – – Annual Cultural Choral Competitions - Cape Malay Choir Board 300 – – – – – – – 300 – – Annual Minstrel Competition - Kaapse Klopse Karnaval Association 422 – – – – – – – 422 – – Artscape 2 000 – – – – – – – 2 000 – – Ballet Competition (South African International) - South African International
    [Show full text]
  • Part 2 Performance
    PROGRAMME PART 2 PERFORMANCE The services rendered by the Cultural Commission are aligned with the duties and powers of the Commission as set out in the Western Cape Cultural Commission and Cultural Councils Act, 1998 (Act 14 of 1998). G o a l K ey Perf orm an ce Ta rg e t Perf o rman c e Re s ul ts Rea s on f or Va r i a n c e I n d i c a t o r Letting cultural facili- Optimal use of Facilities in use for at least Facilities used for appro x i- N o n e ties placed under the facilities by org a n i- 45 000 people-days mately 67 479 people-days supervision of the sations for the Commission by the p reservation, pro- Minister for the motion and devel- p res erv a tio n , p ro m o- opment of culture tion and develop- in t h e We s t e r n ment of culture in the C a p e We s t e r n C ape I n c re as ed u se of A ff o rdable facilities Accessibility to seven cul- 7,3% increase in number N o n e f ac i lit ies b y g ro u p s for all communities tural facilities of groups and 2,7% f rom previously dis- in t h e We s t e r n i n c rease in number of peo- advantaged commu- C a p e ple making use of facilities nities.
    [Show full text]
  • Western Cape Division, Cape Town) ----- Cape Town: Monday, the 8Th Day of October 2018
    IN THE HIGH COURT OF SOUTH AFRICA (WESTERN CAPE DIVISION, CAPE TOWN) ----- CAPE TOWN: MONDAY, THE 8TH DAY OF OCTOBER 2018 ---- THIRD DIVISION: COURT NO. 16 at 10H00 am BEFORE THE HONOURABLE MR JUSTICE PARKER RULES NISI 1 2 C P FerreIrA vs D R Opperman & 1 Other – Sequestration 13063/18 3 Ellis Furnishers CC vs C Bouwer – Sequestration 12791/18 4 De BAA Asset MAnAgement (Pty) Ltd vs The RegIstrAr Of Deeds & 5 Others - 13349/18 DeclAratory Order PROVISIONAL SENTENCE 5 FFS Debt MAnAgement (Pty) Ltd vs S NAkuphI – Monies Owing 16691/18 DEFAULT JUDGMENTS 6 Changing Tides 17 (Pty) Ltd N.O vs J D Lewis & 1 other – Bond 12223/18 7 J Esterhuysen N.O & 1 other vs J De Koker – Agreement 1843/17 8 FIrstrAnd BAnk LImited t/A WesbAnk vs FAstlIft Cranes And Services (Pty) Ltd & 3773B/18 1 other – Agreement 9 GMSA FInAncIAl ServIces A PrOduct Of WesbAnk A DIvIsIOn Of FIrstrAnd BAnk 12067/18 LImited vs F E PIetersen – Agreement 10 GWM FInAncIAl, A DIvIsIOn Of WesbAnk A DIvIsIOn Of FIrstrAnd BAnk Ltd vs 12012/18 N N Pedro – Agreement 11 LIquId VehIcle FInAnce, A DIvIsIOn Of WesbAnk A DIvIsIOn Of FIrstrAnd BAnk 13058/18 Ltd vs Devine Décor Design (Pty) Ltd t/A Devine Décor Design (Pty) Ltd – Agreement 12 StAndArd BAnk Of SOuth AfrIcA LImited vs E S Vilakazi & 1 other – Bond 294/18 13 The StAndArd BAnk Of SOuth AfrIcA LImited vs N R MAnnOe & 1 Other – Bond 15173/18 14 The StAndArd BAnk Of SOuth AfrIcA LImited vs A LAtegAn – Bond 11868/16 15 WesbAnk, A DIvIsIOn Of FIrstrAnd BAnk Ltd vs The DOOrstep Chef CC – Agreement 11416/18 16 WesbAnk, A DIvIsIOn Of FIrstrAnd
    [Show full text]
  • Places to Enjoy, Please Visit Capetownccid.Org Play Be Entertained 24/7
    capeBEST OF town 2018 e copy re r f You 300pla ces to enjoy n i o u r Cen tral City visit shop eat play stay Must-see museums, From luxury All the best Plan your Hotels, galleries, cultural boutiques & restaurants & social calendar guesthouses and attractions & speciality shops to night time the quick & backpackers to suit historic spaces trndy flaarts dining spots easy way every traveller + Over 900 more places on our website. Visit capetownccid.org @CapeTownCCID CapeTownCCID 05 VISIT Galleries, museums, city sights and public spaces 17 SHOP Fashion, gifts, décor and books FROM THE 29 EAT Cafés, bakeries, EDITOR restaurants and markets Through this guide, brought to you by the Cape Town Central 45 PLAY Theatres, pubs City Improvement District and clubs (CCID), South Africa’s Mother City continues to welcome 53 STAY enthusiastic visitors in ever- Hotels and backpackers growing numbers – up to some 1,2-million in 2017. The 67 ESSENTIALS inner Central City of Cape Useful info Town is an especially vibrant and resources draw card, presenting a BEST OF cape town 2018 copy ICONS TO NOTE ee dizzying range of options for fr r You shopping, gallery-hopping 300place WALLET- A SPECIAL s to en joy in o u r Ce FRIENDLY TREAT OCCASION ntral and stopping for the night! City visit shop eat play stay Must-see museums, From luxury All the best Plan your Hotels, galleries, cultural boutiques & restaurants & social calendar guesthouses and attractions & speciality shops to night time the quick & backpackers to suit WHEELCHAIR- CHILD- CLOSEST PARKING historic spaces trndy fl aarts dining spots easy way every traveller Its entertainment offerings + P Over more places on our website visit capetownccid.org FRIENDLY 900 FRIENDLY (SEE PAGE 70) @CapeTownCCID CapeTownCCID – from cabaret and classical concerts to theatres, clubs To obtain a copy of this magazine, contact Aziza Patandin and pubs – are the rival of any at the CCID on 021 286 0830 or [email protected] international CBD.
    [Show full text]
  • Anglo American Chairman's Fund
    01 02 CONTENTS INTRODUCTION Anglo American - a partner of choice Anglo American seeks to make a positive and sustainable driven by the company’s 02 Introduction: Anglo American - a partner of choice - Kuseni Dlamini contribution to the people and communities in which we operate broad imperatives, and is and beyond. This includes creating an enduring positive legacy managed by Tshikululu in terms of the environment, as well as the economic and Social Investments. 03 Mission and Trustees social well-being of the people, communities and countries in The Fund’s two largest which we operate. contributions are in the 04 Foreword: Saluting South Africa’s champions - Clem Sunter sectors of education and To achieve our objective of becoming the leading global HIV/Aids, arguably the mining company, we are focusing on entrenching the ‘One two biggest areas of 05 Financial and governance report Anglo’ culture across all our operations. It is our aim to challenge and opportunity bring all our people and operations together as ‘One Anglo’ for improvement in South 06 Anglo American Chairman’s Fund – at a glance with a strong, performance-oriented culture. Our corporate Africa. culture of ‘people making a difference in a company making a difference’ is driven by the imperative of achieving excellence It takes sustained FOCUS AREAS in everything we do, and on the understanding that as ‘one’ intervention over an we are greater than the sum of the parts. extended period of time 09 - Education to create an environment in which ordinary people are able to Similarly, in overcoming South Africa’s developmental assume greater control of their lives.
    [Show full text]
  • 2014/2015 Annual Report
    an agency of the Department of Arts and Culture 2014-2015 ANNUAL REPORT an agency of the Department of Arts and Culture CONTENTS PART A: GENERAL INFORMATION 4 PART B: PERFORMANCE INFORMATION 12 PART C: GOVERNANCE 37 PART D: HUMAN RESOURCE MANAGEMENT 45 PART E: FINANCIAL INFORMATION 49 ANNUAL FINANCIAL STATEMENTS 56 Core Values Professionalism Client-centredness Multi-cultural Consciousness Innovation Effective Communication Vision To be the leading vehicle for growth and transformation through high quality multicultural performing arts. Mission To facilitate, produce, promote and preserve multicultural performing arts that advance nation building through business sustainability founded on artistic excellence. ANNUAL FINANCIAL STATEMENTS ANNUAL GENERAL PART A INFORMATION General Information ..............................................................5 Strategic overview .................................................................5 Alignment to government outcomes ......................................7 Legislative and other mandates .............................................8 Organisational structure ........................................................9 Foreword by the Chairperson ...............................................10 Chief Executive Of cer’s overview ........................................11 Thumbelina 4 | ARTSCAPE ANNUAL REPORT 2014-152014/15 ARTSCAPE ANNUAL REPORT 2014-15 | 5 GENERAL INFORMATION FINANCIAL STATEMENTS ANNUAL REGISTERED NAME ARTSCAPE BUSINESS ADDRESS POSTAL ADDRESS ARTSCAPE Theatre Centre P O
    [Show full text]
  • Sounding the Cape, Music, Identity and Politics in South Africa Denis-Constant Martin
    Sounding the Cape, Music, Identity and Politics in South Africa Denis-Constant Martin To cite this version: Denis-Constant Martin. Sounding the Cape, Music, Identity and Politics in South Africa. African Minds, Somerset West, pp.472, 2013, 9781920489823. halshs-00875502 HAL Id: halshs-00875502 https://halshs.archives-ouvertes.fr/halshs-00875502 Submitted on 25 May 2021 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Sounding the Cape Music, Identity and Politics in South Africa Denis-Constant Martin AFRICAN MINDS Published by African Minds 4 Eccleston Place, Somerset West, 7130, South Africa [email protected] www.africanminds.co.za 2013 African Minds ISBN: 978-1-920489-82-3 The text publication is available as a PDF on www.africanminds.co.za and other websites under a Creative Commons licence that allows copying and distributing the publication, as long as it is attributed to African Minds and used for noncommercial, educational or public policy purposes. The illustrations are subject to copyright as indicated below. Photograph page iv © Denis-Constant
    [Show full text]
  • September 2013 Blue Train
    contents Hanlie Kotze 09 Letter from the Executive Manager 20 News 10 Keeping You Informed 16 From The Mailbag Passenger Letters and Comments 11 EVENTS Dates To Diarise 12 BITS Need To Know 14 AN EVEN BETTER BLUE TRAIN 16 South Africa’s Favourite Luxury Train Gets a Facelift 32 GOING BUSH Heading Off the Beaten Track 20 CHAMPIONS AMONG TREES South Africa Protects its Natural Heritage 24 A BUSH OASIS Bongani Mountain Lodge 28 AN AFRICAN AVIAN ADVENTURE 32 Bird Watching in South Africa 24 8 | The Blue Train IN THE HEART OF PRETORIA The Manhattan Hotel 37 RHINO CARE ON WHEELS 38 Helping in the Fight Against Poaching 48 50 RIVER ROYALTY The Zambezi Queen 40 A FISHY TALE Old Fourlegs 44 YESTERDAY, TODAY & TOMORROW Sabi Sabi Private Game Reserve 48 TAKE A HIKE 50 See South Africa on Foot 38 PROMOTING INDIA TO AFRICA 54 India Tourism 58 ONE PLATE AT A TIME Chef Marthinus Ferreira 56 BATTLE OF THE BABY BUNDU BASHERS Ford Kuga vs Toyota RAV4 58 IN THE TRACKS OF A LEGEND The History of The Blue Train 62 SUITE LAYOUT Coach Info 64 40 September 2013 | 9 Letter from the Executive Manager Hanlie Kotze *UHHWLQJVWR\RXDOOGXULQJWKLV6SULQJÀOOHG+HULWDJH0RQWK South Africa, the “Rainbow Nation”, is a heterogeneous country with so many different inhabitants of different backgrounds, cultures, and histories. Each of these people is proud of who they are and where they come from. But it is through accepting and embracing each other that this diversity becomes a national treasure and asset. 2XUKHULWDJHGHÀQHVZKRZHDUHZKDWZHKDYHDQGKRZZHGRWKLQJVDVDQDWLRQ,WLVGXULQJ´+HULWDJH0RQWKµLQ September that we are reminded to embrace our diversity, the unique country we live in and the great potential we KDYH+HULWDJH0RQWKDOVRJLYHVXVDQRSSRUWXQLW\WRUHÁHFWRQRXUSDVWRXUSUHVHQWDQGRQKRZZHDVSLUHWRVKDSH the future for ourselves and future generations, so that we may never repeat the shameful mistakes of years gone by.
    [Show full text]
  • A Man of Good Hope
    2017 Winter/Spring Season #AManOfGoodHope Brooklyn Academy of Music Adam E. Max, Chairman of the Board William I. Campbell, Vice Chairman of the Board Katy Clark, President Joseph V. Melillo, Executive Producer A Man of Good Hope BAM Howard Gilman Opera House Feb 15—18 at 7:30pm; Feb 19 at 3pm Running time: approx. two hours & 5 minutes, including intermission Based on the book by Jonny Steinberg Isango Ensemble / Young Vic Directed by Mark Dornford-May Music composed by Mandisi Dyantyis with the Ensemble Movement by Lungelo Ngamlana Lighting by Mannie Manim Produced by Young Vic and Isango Ensemble. Co-produced by Royal Opera, Répons Foundation, Season Sponsor: BAM and Les Théâtres de la Ville de Luxembourg Support for the Signature Artist Series provided by Howard Gilman Foundation. Support provided by The Shubert Foundation, Inc. A Man of Good Hope CAST Conductor/Jonny Mandisi Dyantyis Wedding dancer Nontsusa Louw Asad as a man Ayanda Tikolo Wedding dancer Siyanda Ncobo Asad as a boy/Musharaf Siphosethu Juta, Foosiya Busisiwe Ngejane Phielo Makitle Zena Luvo Rasemeni Asad’s mother Zanele Mbatha KaafiSonwabo Ntshata Yindy/Sadicya Pauline Malefane Zulfa Cikizwa Ndamase Asad as a youth Zoleka Mpotsha Madoda Sifiso Lupuzi Yindy’s mother Sindiswa Sityata Abdi Thobile Dyasi Yindy’s father Ayanda Eleki English teacher Noluthando Boqwana Tube Khanya Sakube Assistant shopkeeper Masakane Sotayisi Rooda Zamile Gantana Television announcer Tshepo Skosana Orange seller Thandokazi Fumba Death Zebulon K Mmusi Asad as a young man Luvo Tamba Music direction by Mandisi Dyantyis and Pauline Malefane International producer Claire Béjanin Speech & dialogue Lesley Nott Manim Production manager John Page Company stage manager Maris Sharp Technical stage manager Sandile Gary Mgugunyeka Assistant stage manager Valencia Mgugunyeka Chaperones Doreen Nondibano Hintsho & Ntabiseng Makitle American stage manager: R.
    [Show full text]