Frankie Valli and the Four Seasons U.K.Discography
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The Beatles), 80, 165, 357, 358, 389
Index of Titles Abbey Road (The Beatles), 80, 165, 357, 358, 389 “Abraham, Martin and John” (Dion), 40, 75, 115, 194, 321 Absolutely Free (The Mothers of Invention), 156, 310, 375, 388 “Absolutely Sweet Marie” (Bob Dylan), 207 “The Acid Queen” (The Who), 71 “Across the Universe” (The Beatles), 222, 309, 374 “Action” (Freddy Cannon), 69 “Adagio Per Archi e Organo” (Brian Auger and the Trinity), 72 After Bathing at Baxter’s (Jefferson Airplane), 358, 388 “After the Lights Go Down Low” (Al Hibbler), 337 “Afterglow” (The Small Faces), 357 Aftermath (The Rolling Stones), 292 “Ahab the Arab” (Ray Stevens), 25, 95, 366 “Aiko Biaye” (Ginger Baker’s Air Force), 374 “Ain’t It Funky Now” (James Brown), 212 “Ain’t No Mountain High Enough” (Marvin Gaye and Tammi Terrell), 77, 111–112, 128 “Ain’t That a Shame” (Pat Boone), 314; (Fats Domino), 321 “Ain’t That Peculiar” (Marvin Gaye), 168 “Ain’t Too Proud to Beg” (The Temptations), 105, 124, 226, 319 “The Air That I Breathe” (The Hollies), 196 “Al Di Lá” (Emilio Pericoli), 114–115 “Alabama Song (Whisky Bar)” (The Doors), 115, 366 “Albatross” (Fleetwood Mac), 16, 377 “Albert’s Shuffle” (Mike Bloomfield / Al Kooper / Steve Stills), 62 “Alfie” (Dionne Warwick), 174, 199, 206, 279–280, 386 “Alice’s Restaurant Massacree” (Arlo Guthrie), 141, 203, 270, 327, 364, 379 “Alice’s Rock & Roll Restaurant” (Arlo Guthrie), 31, 327 “All Alone Am I” (Brenda Lee), 182 “All Along the Watchtower” (Bob Dylan), 172, 260 “The All-American Boy” (Bill Parsons), 175 “All Around the World” (Little Willie John), 139 “All Day and -
Chart Book Template
Real Chart Page 1 become a problem, since each track can sometimes be released as a separate download. CHART LOG - F However if it is known that a track is being released on 'hard copy' as a AA side, then the tracks will be grouped as one, or as soon as known. Symbol Explanations s j For the above reasons many remixed songs are listed as re-entries, however if the title is Top Ten Hit Number One hit. altered to reflect the remix it will be listed as would a new song by the act. This does not apply ± Indicates that the record probably sold more than 250K. Only used on unsorted charts. to records still in the chart and the sales of the mix would be added to the track in the chart. Unsorted chart hits will have no position, but if they are black in colour than the record made the Real Chart. Green coloured records might not This may push singles back up the chart or keep them around for longer, nevertheless the have made the Real Chart. The same applies to the red coulered hits, these are known to have made the USA charts, so could have been chart is a sales chart and NOT a popularity chart on people’s favourite songs or acts. Due to released in the UK, or imported here. encryption decoding errors some artists/titles may be spelt wrong, I apologise for any inconvenience this may cause. The chart statistics were compiled only from sales of SINGLES each week. Not only that but Date of Entry every single sale no matter where it occurred! Format rules, used by other charts, where unnecessary and therefore ignored, so you will see EP’s that charted and other strange The Charts were produced on a Sunday and the sales were from the previous seven days, with records selling more than other charts. -
Here Are Ladies
Here are Ladies By James Stephens THREE HEAVY HUSBANDS I He had a high nose. He looked at one over the collar, so to speak. His regard was very assured, and his speech was that short bundle of monosyllables which the subaltern throws at the orderly. He had never been questioned, and, the precedent being absent, he had never questioned himself. Why should he? We live by question and answer, but we do not know the reply to anything until a puzzled comrade bothers us and initiates that divine curiosity which both humbles and uplifts us. He wanted all things for himself. What he owned he wished to own completely. He would give anything away with the largest generosity, but he would share with no one— "Whatever is mine," said he, "must be entirely mine. If it is alive I claim its duty to the last respiration of its breath, and if it is dead I cannot permit a mortgage on it. Have you a claim on anything belonging to me? then you may have it entirely, I must have all of it or none." He was a stockbroker, and, by the methods peculiar to that mysterious profession, he had captured a sufficiency of money to enable him to regard the future with calmness and his fellow-creatures with condescension— perhaps the happiest state to which a certain humanity can attain. So far matters were in order. There remained nothing to round his life into the complete, harmonious circle except a wife; but as a stated income has the choice of a large supply, he shortly discovered a lady whose qualifications were such as would ornament any, however exalted, position—She was sound in wind and limb. -
Song Lyrics of the 1950S
Song Lyrics of the 1950s 1951 C’mon a my house by Rosemary Clooney Because of you by Tony Bennett Come on-a my house my house, I’m gonna give Because of you you candy Because of you, Come on-a my house, my house, I’m gonna give a There's a song in my heart. you Apple a plum and apricot-a too eh Because of you, Come on-a my house, my house a come on My romance had its start. Come on-a my house, my house a come on Come on-a my house, my house I’m gonna give a Because of you, you The sun will shine. Figs and dates and grapes and cakes eh The moon and stars will say you're Come on-a my house, my house a come on mine, Come on-a my house, my house a come on Come on-a my house, my house, I’m gonna give Forever and never to part. you candy Come on-a my house, my house, I’m gonna give I only live for your love and your kiss. you everything It's paradise to be near you like this. Because of you, (instrumental interlude) My life is now worthwhile, And I can smile, Come on-a my house my house, I’m gonna give you Christmas tree Because of you. Come on-a my house, my house, I’m gonna give you Because of you, Marriage ring and a pomegranate too ah There's a song in my heart. -
100 Years: a Century of Song 1970S
100 Years: A Century of Song 1970s Page 130 | 100 Years: A Century of song 1970 25 Or 6 To 4 Everything Is Beautiful Lady D’Arbanville Chicago Ray Stevens Cat Stevens Abraham, Martin And John Farewell Is A Lonely Sound Leavin’ On A Jet Plane Marvin Gaye Jimmy Ruffin Peter Paul & Mary Ain’t No Mountain Gimme Dat Ding Let It Be High Enough The Pipkins The Beatles Diana Ross Give Me Just A Let’s Work Together All I Have To Do Is Dream Little More Time Canned Heat Bobbie Gentry Chairmen Of The Board Lola & Glen Campbell Goodbye Sam Hello The Kinks All Kinds Of Everything Samantha Love Grows (Where Dana Cliff Richard My Rosemary Grows) All Right Now Groovin’ With Mr Bloe Edison Lighthouse Free Mr Bloe Love Is Life Back Home Honey Come Back Hot Chocolate England World Cup Squad Glen Campbell Love Like A Man Ball Of Confusion House Of The Rising Sun Ten Years After (That’s What The Frijid Pink Love Of The World Is Today) I Don’t Believe In If Anymore Common People The Temptations Roger Whittaker Nicky Thomas Band Of Gold I Hear You Knocking Make It With You Freda Payne Dave Edmunds Bread Big Yellow Taxi I Want You Back Mama Told Me Joni Mitchell The Jackson Five (Not To Come) Black Night Three Dog Night I’ll Say Forever My Love Deep Purple Jimmy Ruffin Me And My Life Bridge Over Troubled Water The Tremeloes In The Summertime Simon & Garfunkel Mungo Jerry Melting Pot Can’t Help Falling In Love Blue Mink Indian Reservation Andy Williams Don Fardon Montego Bay Close To You Bobby Bloom Instant Karma The Carpenters John Lennon & Yoko Ono With My -
Wooster, OH), 1954-04-30 Wooster Voice Editors
The College of Wooster Open Works The oV ice: 1951-1960 "The oV ice" Student Newspaper Collection 4-30-1954 The oW oster Voice (Wooster, OH), 1954-04-30 Wooster Voice Editors Follow this and additional works at: https://openworks.wooster.edu/voice1951-1960 Recommended Citation Editors, Wooster Voice, "The oosW ter Voice (Wooster, OH), 1954-04-30" (1954). The Voice: 1951-1960. 72. https://openworks.wooster.edu/voice1951-1960/72 This Book is brought to you for free and open access by the "The oV ice" Student Newspaper Collection at Open Works, a service of The oC llege of Wooster Libraries. It has been accepted for inclusion in The oV ice: 1951-1960 by an authorized administrator of Open Works. For more information, please contact [email protected]. Wooster Voice Published by the Students of the College of Wooster Volume LXVIII WOOSTER, OHIO, FRIDAY, APRIL 30, 1954 No.22 Eight Sections Sing For Top Honors In Annual MA Serenade Contest Tonight by Carol Cobb The MA is Dr. annual Serenade contest tonight at 8 p.m in the Faculty Reverses Bonthius Gains chapel. Eighth Section, having won the top award for three years in a row, now has permanent possession of the plaque. The members Previous Decision New Vassar Post are planning to uphold their reputation as the best singing section on campus while the other sections are going to vie for top honors !v also. - - i Dr. Howard Lowry, President of On Early Chuck Harper is Classes the College of Wooster, announces program chairman; Bob Hilty is publicity chairman, and Photo by Art Murray The April meeting of the fa- the resignation of Professor Robert Girls' Chorus Don Frankmann is in charge of tic- Under the direction of Dr. -
The Music Industry and the Fleecing of Consumer Culture
The Music Industry: Demarcating Rhyme from Reason and the Fleecing of Consumer Culture I. Introduction The recording industry has a long history rooted deep in technological achievement and social undercurrents. In place to support such an infrastructure, is a lengthy list of technological advancements, political connections, lobbying efforts, marketing campaigns, and lawsuits. Ever since the early 20th century, record labels have embarked on a perpetual campaign to strengthen their control over recording artists and those technologies and distribution channels that fuel the success of such artists. As evident through the current draconian recording contracts currently foisted on artists, this campaign has often resulted in success. However, the rise of MTV, peer-to-peer file sharing networks, and even radio itself also proves that the labels have suffered numerous defeats. Unfortunately, most music listeners in the world have remained oblivious to the business practices employed by the recording industry. As long as the appearance of artistic freedom exists, as reinforced through the media, most consumers have typically been content to let sleeping dogs lie. Such a relaxed viewpoint, however, has resulted in numerous policies that have boosted industry profits at the expense of consumer dollars. Only when blatant coercion has occurred, as evidenced through the payola scandals of the 1950s, does the general public react in opposition to such practices. Ironically though, such outbursts of conscience have only served to drive payola practices further underground—hidden behind co-operative advertising agreements and outside promotion consultants. The advent of the Internet in the last decade, however, has thrown the dynamics of the recording industry into a state of disarray. -
Smash Hits Volume 33
FORTNIGHTLY March 6-19 1980 i: fcMrstfjg i TH LYING LIZARDS .;! albums STS EDMUNDS )ur GRRk/£V£t/HlfLK HATES 7EEJM THAT TVf^ itav UGLYMONSTERS/ ^A \ / ^ / AAGHi. IF THERE'S ONE THING THATMAKES HULK REALLYAM6RY, IT'S PEOPLE WHO DON'T LOOK AFTER THEIRT€€TH! HULK GOES MAD UNLESS PEOPLE CLEAN THEIR TEETH THOROUGHLY EVERY DAY (ESPECIALLY LAST THING ATNIGHT). HE GOES SSRSfRK IFTHEY DON'T VISITTHE DENTIST REGULARLY! IF YOU D0N7 LOOKAFTER YOUR TEETH, SOMEBODY MAY COME BURSTING INTO YOUR HOUSE IN A TERRIBLE TEMPER AND IT WON'T BE THE MamAM...... 1 ! IF YOU WOULD LIKE A FREE COLOUR POSTER COPY OF THIS ADVERTISEMENT, FlU IN THE COUPON AND RETURN IT TO: HULK POSTER P.O BOX 1, SUDBURY, SUFFOLK COlO 6SL. tAeE(PUASETICKTHEAPPROPRIATEBOir)UNDERI3\Z\i3-l7\3lSANDOVER\JOFFERCLOSESONAPRIL30THmO.AUOW2SDAYSFORDELIVERY(sioaMPmisniA5l}l SH 1 uNAME ADDRESS X. i ^i J4 > March 6-19 1980 Vol 2 No. 5 Phew! Talk about moving ANIMATION mountains — we must have The Skids 4 shifted about six Everests' worth of paper this fortnight, what with ALABAMA SONG your voting forms and Walt David Bowie 4 Jabsco entries. With a bit of luck we'll have the poll results ready SPACE ODDITY forthe next issue but you'll find David Bowie 5 our Jabsco winners on page 26 of this issue. There's also an CUBA incredibly generous Ska Gibson Brothers 8 competition on page 24, not to mention our BIG NEWS! Turn to ALL NIGHT LONG the inside back page and find out Rainbow 14 what we mean . I'VE DONE EVERYTHING FOR YOU Sammy Hagar 14 Managing Editor HOT DOG Nick Logan Shakin' Stevens 17 Editor HOLDIN' -
The Hollyridge Strings
The Hollyridge Strings The Hollyridge Strings were an in-house act released by Capitol Records. Throughout the 1960's, they were perhaps best known for their instrumental versions of Beatles songs. In fact, so popular was their first album that an album exists by "The Mustangs" whose cover is a take- off of the cover to the first instrumental Beatles album by the Strings. Stu Phillips arranged and conducted the first three volumes, plus the album with solo songs on it. Perry Botkin, Jr. and Mort Garson did the honors on volume four, but Garson alone did the job on volume five. Botkin had previously conducted the Strings some years before. For the interested fanatic, here are the Hollyridge Strings' Beatles albums in all their glory: The Beatles Song Book Capitol (S)T-2116 Side One Side Two 1. From Me to You 1. Can't Buy Me Love 2. I Saw Her Standing There 2. All My Loving 3. Please Please Me 3. A Taste of Honey 4. P.S. I Love You 4. Do You Want to Know a Secret? 5. Love Me Do 5. She Loves You 6. I Want to Hold Your Hand Two songs from this LP are featured on the promotional album, Balanced for Broadcast, from June, 1964 (Capitol PRO-2634/5). The album was also reviewed in the June 6, 1964, issue of Billboard. This record surprised all critics by climbing to the #15 position in the Billboard album listings (August 22, 1964). As it continued to sell, the success of this album, the Strings' first, prompted Capitol to create a series of songbooks -- a series for which the band became known. -
Karaoke Book
10 YEARS 3 DOORS DOWN 3OH!3 Beautiful Be Like That Follow Me Down (Duet w. Neon Hitch) Wasteland Behind Those Eyes My First Kiss (Solo w. Ke$ha) 10,000 MANIACS Better Life StarStrukk (Solo & Duet w. Katy Perry) Because The Night Citizen Soldier 3RD STRIKE Candy Everybody Wants Dangerous Game No Light These Are Days Duck & Run Redemption Trouble Me Every Time You Go 3RD TYME OUT 100 PROOF AGED IN SOUL Going Down In Flames Raining In LA Somebody's Been Sleeping Here By Me 3T 10CC Here Without You Anything Donna It's Not My Time Tease Me Dreadlock Holiday Kryptonite Why (w. Michael Jackson) I'm Mandy Fly Me Landing In London (w. Bob Seger) 4 NON BLONDES I'm Not In Love Let Me Be Myself What's Up Rubber Bullets Let Me Go What's Up (Acoustative) Things We Do For Love Life Of My Own 4 PM Wall Street Shuffle Live For Today Sukiyaki 110 DEGREES IN THE SHADE Loser 4 RUNNER Is It Really Me Road I'm On Cain's Blood 112 Smack Ripples Come See Me So I Need You That Was Him Cupid Ticket To Heaven 42ND STREET Dance With Me Train 42nd Street 4HIM It's Over Now When I'm Gone Basics Of Life Only You (w. Puff Daddy, Ma$e, Notorious When You're Young B.I.G.) 3 OF HEARTS For Future Generations Peaches & Cream Arizona Rain Measure Of A Man U Already Know Love Is Enough Sacred Hideaway 12 GAUGE 30 SECONDS TO MARS Where There Is Faith Dunkie Butt Closer To The Edge Who You Are 12 STONES Kill 5 SECONDS OF SUMMER Crash Rescue Me Amnesia Far Away 311 Don't Stop Way I Feel All Mixed Up Easier 1910 FRUITGUM CO. -
Dance Chart, 1989-10
DANCE Mt SIC INTERNATIONAL CLUB PLAY AUSTRALIA OCT. 1989 NATIONAL TOP 40 DANCE TRAX • TM LM KEY TITLE/AR IST CO PAN 1 13 0 Dressed For Success - ROXETTE EMI 2 1 • Batdance -PRINCE WEA 3 - • Cherish - MADONNA WEA 4 4 * Funky Cold Medina - TONE LOC FEST. 5 14 • Baby Don't Forget My Number - MILLI VANILLI BMG 6 2 + Right Back Where We Started - SINITTA CBS 7 23 • Bat Attack - CRIME FIGHTERS INC. BMG 8 5 0 Baby I Don't Care - TRANSVISION VAMP WEA 9 9 + This Time I Know It's For Real - DONNA SUMMER WEA 10 3 ■ The Right Stuff - NEW KIDS ON THE BLOCK CBS 11 8 • Express Yourself - MADONNA WEA 12 6 * Bamboleo - GYPSY KINGS CBS 13 7 • The Look - ROXETTE EMI 14 12 • Forever Your Girl - PAULA ABDUL VIRGIN 15 10 711 Max Mix 8 - VARIOUS ARTISTS COL* 16 - 4. You'll Never Stop Me Lovin' You - SONIA EMI 17 19 III Girl You Know It's True - MILLIE VANILLI BMG 18 - • Miss You Much - JANET JACKSON FEST. 19 11 0 Say Goodbye - INDECENT OBSESSION CBS 20 35 • Keep On Moving - SOUL 11 SOUL VIRGIN 21 15 0 Ain't Nobody Better - INNER CITY VIRGIN 22 16 0 Good Life - INNER CITY VIRGIN 23 31 >41 Acid Mix - VARIOUS ARTISTS COL* 24 27 • Straight Up - PAULA ABDUL EMI 25 21 • Send Me An Angel '89 - REAL LIFE BMG 26 20 • Pop Musik '89 - M BMG 27 RE * We Want Some Pussy - 2 LIVE CREW COL* 28 RE • Come Home With Me Baby - DEAD OR ALIVE CBS 29 17 • My Perrogative - BOBBY BROWN WEA 30 - • Deep in Vogue - MALCOLM McCLAREN CBS 31 - • Grandpa's Party - MONIE LOVE EMI 32 24 • Strokin - CLARENCE CARTER COL 33 40 • What You Don't Know - EXPOSE BMG 34 18 + Oh What A Night - FOUR SEASONS COL * 35 36 4. -
Music Week £1.80 Us$2.75 Issn 0265-1548 Now! Who's Sold
MUSIC WEEK £1.80 U.S.$2.75 ISSN 0265-1548 NOW! WHO'S SOLD OVER |0 MILLION IN LESS THAN 4 YEARS ■ - call that-S THE BRAND LEADER 30 TOP CHART HITS RECORD 1SIDE1 RECORD 2 SIDE1 1. FREDDIEBARCELONA MERCURY & MONTSERRAT CABALLÉ 1. SWEETLITTLEMYSTERYWETWETWET 2. RENTPETSHOP BOYS 2. CURIOSITYMISFIT KILLED THE CAT 3. COMMUNARDSNEVER CAN SAY COODBYE 3. LABAMBALOSLOBOS 4. M/A/R/R/SPUMPUP THE VOLUME 4. WIPEOUTFAT BOYS AND BEACH BOYS 5. HUELABOUR AND CRY OF LOVE' 5. BANANARAMALOVE IN THE FIRST DECREE 6. THEJELLYBEAN REAL FEATURING THING STEVEN DANTE 6. CLIFFMY PRETTY RICHARD ONE 7. JOHNNYI DONT HATES WANT JAZZ TO BE A HERO 8. THEWAIMTED STYLE COUNCIL 8. JANCROCKEn'S HAMMER THEME RECORD 1SIDE 2 RECORD 2 SIDE 2 1. CHINAT'PAU IN YOURHAND 2. THECIRCUSERASURE 3. CRAZYKISS CRAZY NICHTS 4. IT'SOVERLEVEL42 5. HERE I GO AGAIN (USA REMIX) 5. ABCWHEN SMOKEY SINGS WHITESNAKE 6. HOURCLASS 6. THERAIN ALARM IN THE SUMMERTIME SQUEEZE 7. THEA FAIRY POCUES TALE WITH OF KIRSTY NEW MacCOLL YORK NOW THAT'S WHATICALL MUSIC! NATIONAL TV CAMPAICN STARTS NOV 24TH NATIONAL PRESS ADVERTISINC STUNNING IN-STORE DISPLAY MASSIVE CAPITOL RADIO CAMPAICN STARTS NOV 23RD 30 TOP CHART HITS Plus IWflNV MORE NDM0NTSERRATCflBfluE RELEASE DATE MON 23rcl NOVEMBER DOUBLE ALBUM NOW10 DOUBLE CASSETTE TC-NOW10 DOUBLE COMPACT DISC CD NOW10 SPECIAL VIDEO SELECTION MVNOWIO ORDER NOW FROM EMITELESALES 01-848-9811 N S i D E MUSIC WEEK h No^Name ««œ 4 S Celebra,eS; 6 h:theis?RS profits of 8 .^"js.isë gr-i Record reniai; ray of hope £1.80 U.S.$2.75 ISSN 0265-1548 M Boots kicks CD Px 9 the pfpe'r'" ' 30 ïe'Hoppies.do.sof41 prices to £3.99 hat'son..