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[*][url= http://imgur.com/a/HDlUf] Habe’s Sanitarium[/url] by ThreeLite [*] Alternate Habe’s by TalesfromtheTabletop (not sure of Paizo Username) [*] Habe's Sanitarium by Hero339 [*] Habe's 2nd Floor by Hero339 [*] Habe's 3rd Floor by Hero339 [*] Habe's Basement by Hero339. [bigger] Walking Scarecrows [/bigger] [bigger] Misgivings [/bigger] [bigger] Chasing the Skinsaw [/bigger] [bigger] The Seven’s Sawmill [/bigger] [bigger] Shadows of Time [/bigger] [spoiler=3. THE HOOK MOUNTAIN MASSACRE] Many of these links are from THIS thread. I have linked the super high resolution versions. You may need to resize them to make them work for you, or you can download the lower res versions in the thread above. [*][url="https://picload.org/image/papgdpp/paradise1.png"] Paradise Barge - The Deck[/url], [url="https://picload.org/image/papgdwg/paradise2.png"] First Floor [/url],[url="https://picload.org/image/powdowr/paradise3_b.png"] Second Floor [/url] by Hythlodeus. [bigger] In the Hooks Shaddow [/bigger] [bigger] Retaking Rannick [/bigger] [*]Alternative version of Fort Rannick: 1st floor, 2nd floor, 3rd floor, 4th floor, 5th floor by Peet. [bigger] Down Comes the Rain [/bigger] [bigger] The Haunted Heart [/bigger] [bigger] Harrowing the Hook [/bigger] [spoiler=4. FORTRESS OF THE STONE GIANTS] [bigger] Stones over Sandpoint [/bigger] [bigger] Journey to Jorgenfist [/bigger] [bigger] Into the Valley of the Black Tower [/bigger] [bigger] Under Jorgenfist [/bigger] [bigger] The Ancient Library [/bigger] [spoiler=5. SINS OF THE SAVIORS] [bigger] The Scribbler's Rhyme [/bigger] [bigger] Seeking Runeforge [/bigger] [bigger] Runeforge and the Abjurant Halls [/bigger] [spoiler=6. SPIRES OF XIN-SHALAST] [bigger] Whispers in the Wood [/bigger] [bigger] On the World's Roof [/bigger] [*]Giant Sentinels - 56x40 by threelite. [bigger] Xin-Shalast [/bigger] [bigger] The Pinnacle of Avarice [/bigger] [*]The Pinnacle of Avarice by Philly [*]The Pinnacle of Avarice - 92x98 by threelite. Spoliarium by Juan Luna. Spoliarium, which Wikipedia stated, is often misspelled to Spolarium (Guilty, I am afraid LOL ) is arguably the most famous Filipino painting of all time. Spoliarium was painted by the celebrated Juan Luna, a renowned Filipino painter, and patriot. It took him eight long months to paint it in a huge massive canvas; it depicts dying gladiators being dragged across the spoliarium, which was the basement of the Roman Coliseum, where gladiators were dumped unceremoniously after defeat. For pride and patriotism: Apparently, Juan Luna entered his masterpiece to the Exposición Nacional de Bellas Artes in 1884 in Madrid and won the gold medal award, thus showed Europeans and the rest of the world that little indios (what Filipinos used to be called, derogatorily) can paint like the best of them. Bravo. And it gave publicity for the Philippines to the wider world. The Spoliarium was then sold for 20,000 pesetas to Diputación Provincial de Barcelona but it now hangs in the main gallery on the ground floor of the National Museum of the Philippines. This was due to the generosity and goodwill from General Franco of Spain who donated the masterpiece to the Philippines. It made me gasp to know that to ship the painting to the Philippines, with its humongous size of 4.22 meters x 7.675 meters, (which makes it is the largest painting in the Philippines), it was crated in three separate pieces. Ouchhhh! It took the stalwart magical touches of Antonio Dumlao to perform the almost impossible task of relining and cleaning and Carlos da Silva of mounting, framing, and further architectural work to the painting. After a couple of years of intensive and extensive works, the painting was ready once again for public viewing. It was unveiled In December 1962 in the Hall of Flags of the Department of Foreign Affairs. Alas, the painting continued to be restored over the years as it suffered from an attack of the moulds at one point due to moisture from the air- conditioning system at the DFA. At its present location at the National Museum, the lines where the great painting was joined are also beginning to show. It is a long job to oversee its full restoration; expertise is required which it currently receives in small measure. Be that as it may, it is a treat to museum visiting public as the huge Spoliarium welcomes you upon entry to the National Museum. I hope this painting gets the full attention it requires from the experts as it is a national treasure that has a pride of place in our history. Whether true or not, allegedly Luna’s success with his Spoliarium was the thing that inspired Jose Rizal to create his Spoliarium through his own novels Noli Me Tangere and El Filibusterismo. 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However, when the senator, using his spanking new letterhead as Senate President, requested Inquirer.net to take down articles it published regarding the rape of Paloma, it piqued my curiosity. Almost as soon as I posted the statement of the National Union of Journalists of the Philippines that called out Inquirer.net for relenting to Sotto’s request, nay demand, friends and family kept burning my lines to ask what the articles were. Even my millennial friends are now curious because of Sotto’s request. In the interest of public service, a thing My Wit’s End has always been intended for, I have appended, in full, the controversial Paloma rape article that Sotto appeared to regard as some kind of a “smoking gun” of the almost four-decade cold case. Mind you, this article wasn’t lifted from Inquirer.net. This is, and will always be, posted on the Internet Archive. But before that, I would like to give a short background of the Internet Archive and what has happened on the Internet since Sotto’s Inquirer.net takedown request. On October 2001, Brewster Kahle and Bruce Gilliat launched the Wayback Machine on the Internet Archive. Its content is maintained by Alexa Internet. In its Wikipedia entry, it reads: “The service enables users to see archived versions of web pages across time, which the archive calls a ‘three-dimensional index.’ “Since 1996, the Wayback Machine has been archiving cached pages of websites onto its large cluster of Linux nodes. It revisits sites on occasion and archives a new version. Sites can also be captured on the fly by visitors who enter the site’s URL (universal regional locator) into a search box. The intent is to capture and archive content that otherwise would be lost whenever a site is changed or closed down. The overall vision of the machine’s creators is to archive the entire Internet.” But wait, there’s more. Just last week, a group of hackers who call themselves the “White Hat Hackers Group,” upped the ante by cataloging everything regarding the rape of Pepsi Paloma — from PDF files of news clippings to word documents. So, just key in the group’s name on Google search and voila! My hacker friends used to remind me, “Once uploaded to the worldwide web, it’ll be there forever.” So without further ado, here’s the full article Sotto tried to block from people’s memories. Read on: The rape of Pepsi Paloma (by Rodel Rodis for Inquirer.net) We were eating lunch at a Daly City home and watching “Eat Bulaga!”, the popular noontime variety show on GMA TV, when someone commented that he read on Facebook that two of the show’s hosts, Vic Sotto and Joey de Leon, were involved in the gang rape of a young Filipino American actress named Pepsi Paloma in 1982. Three young Filipino kids, all recent immigrants, joined in the conversation and said that they also heard of the Pepsi Paloma rape case. I expressed surprise because it occurred long before any of them were born. They explained that they learned of the rape from the song “Spolarium” composed and performed by the Eraserheads, their favorite Filipino rock band. When I Googled the lyrics of “Spolarium” by the Eraserheads, I found these words: at ngayon di pa rin alam. kung ba’t tayo nandito. pwede bang itigil muna. ang pagikot ng mundo. umiyak ang umaga. anong sinulat ni enteng at joey dyan. sa gintong salamin. “di ko na mabasa. pagkat merong nagbura ahhh… (And we still don’t know why we’re here, please stop the turning of the world, the morning cried, what did enteng and joey write in the golden mirror I couldn’t read because someone erased it). According to these diehard fans of the Eraserheads, “enteng” is Vic Sotto and “joey” is Joey de Leon and the something that was erased was their criminal record. The meaning of the lyrics of this song, the kids shared, has been a popular subject of discussion in Manila universities as well as in the social media. When I Googled “Pepsi Paloma”, I saw the link to the video that had been downloaded on Facebook by as many as 66,000 viewers The “Eat Bulaga – Pepsi Paloma story” reported the tragic tale of Delia Smith, the eldest daughter of Lydia Duenas, a native of Borac, Northern Samar, and Kenneth Smith, an American letter carrier who deserted his family when his four children were still young. When Delia was barely 13, her mother introduced her to talent manager Rey dela Cruz who changed her name to “Pepsi Paloma” to join his stable of other “soft drink” beauties which included Sarsi Emmanuel and Cola Nicolas. Dela Cruz secured Pepsi’s starring role in her first movie, a “bold” feature called Brown Emmanuelle in 1981. Less than a year later, according to her account, while promoting one of her movies, Pepsi met the three comedian hosts of Eat Bulaga – Vic Sotto, Joey de Leon and Richie D’Horsey (Richie Reyes). The three men took her out to a bar, drugged her, and then gangaped her in a hotel room. (Because she was only 14 at the time, these comedians were pedophile rapists.) To prosecute a crime in the Philippines, you cannot just rely on government prosecutors, you have to hire a private prosecutor otherwise the case will be dismissed for lack of prosecution. For this job, Pepsi sought the help of then-Defense Secretary Juan Ponce Enrile who referred her to the senior partner in the ACCRA law office, Atty. Rene Cayetano, the father of Sen. Pia Cayetano and Sen. Alan Peter Cayetano, who offered his pro bono services to Pepsi. If convicted of the rape charge, the three comedians faced the death penalty, a sentence that was meted out previously in 1967 to the four rapists of movie star Maggie dela Riva. Three of the men were executed in 1972 on live TV while the fourth escaped the electric chair by dying in prison. To prevent the same fate from befalling his younger brother, Sen. Tito Sotto quickly went to see Pepsi Paloma while she was still securing the services of Atty. Cayetano. According to her account of this visit, Sen. Sotto “coerced” her into signing an “Affidavit of Desistance” to drop the rape complaint against his brother and his cohorts. [But how could that affidavit be legal when she was only 14 when she signed it and she did so without the presence of her attorney? But this happened in 1982 during martial law and the Sottos were said to be favored by the Marcos dictatorship.] How was she coerced? In her November 3, 2012 column in the Philippine Daily Inquirer, Rina Jimenez David described this incident as follows: “Paloma eventually dropped the charges after she was allegedly visited by one of the trio who said he had only talked with her, but only after placing a pistol on the table in front of her.” As a result of Pepsi’s signed affidavit of desistance, no criminal charges were filed against the three comedian rapists even after they went down on their knees on their show “Eat Bulaga!” and asked forgiveness from Pepsi Paloma for raping her when she was only 14. Three years after her rape, on May 31, 1985, Pepsi was found dead in her apartment with a rope looped around her neck. The police concluded that it was a suicide caused by “monetary problems” and this was the official story that appeared in the headlines of the newspapers. But her manager, Babette Corcuerra, disputed the press account. “She was earning well and was fully booked for dancing performances. She just finished the Pepsi Paloma Show at the Bughaw and 10 other beerhouses,” Corcuerra said, and she had three film offers lined up, she added. It just did not add up, Corcuerra said. “She was looking forward to celebrating her 18th birthday next year. She made me promise to throw a big party for her at a hotel because it would be her debut,” Corcuerra told the Times Journal. Was she murdered? Before he passed away, in an interview on ABS-CBN that was not aired, self-confessed hitman Kit Mateo intimated as much. “Eat Bulaga!” is now entering its 35th year as the longestunning noontime variety on-air program in the history of television, making millionaires of its comedic stars. Sen. Tito Sotto is still in the Philippine Senate serving as the proud champion of the Holy Roman Catholic Church in his staunch opposition to the Reproductive Health Act and to all forms of contraception. Pepsi Paloma would have celebrated her 47th birthday this year. (Send comments to [email protected] or mail them to the Law Offices of Rodel Rodis at 2429 Ocean Avenue, San Francisco, CA 94127 or call 415.334.7800). [Source: https://web.archive.org/web/20180203143959/http://globalnation.inquirer.net/99861/theape-of-pepsi-paloma] Disclaimer. Mindanao Gold Star Daily holds the copyrights of all articles and photos in perpetuity. Any unauthorized reproduction in any platform, electronic and hardcopy, shall be liable for copyright infringement under the Intellectual Property Rights Law of the Philippines.