The Life and Afterlife of Isabeau of Bavaria This Page Intentionally Left Blank Rethinking Theory Stephen G
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Introduction Deborah Mcgrady and Jennifer Bain Guillaume De
INTRODUCTION Deborah McGrady and Jennifer Bain Guillaume de Machaut, poet and composer, secretary to kings and canon at Reims, lived a life far different from the narrative commonly assigned late-medieval French writers. Born, most likely, at the turn of the four- teenth century to a non-noble family in the Machault region, he appears to have benefited from the rare opportunity to receive an education from a cathedral school, which, in turn, would have prepared him for subse- quent study at the university. Having achieved the status of a clerk, he was optimally trained to enter both ecclesiastic and secular service. Until his death in 1377, Machaut remained closely linked to these two worlds. It would appear that he began his professional career in the service of John of Luxembourg, king of Bohemia, progressively advancing in rank from almoner (1330) to notary (1332) and, ultimately, to secretary (1333).1 Machaut also acquired during this period, with the king’s intervention, numerous Church benefices, most notably a canonry and prebend at the Reims cathedral chapter beginning in 1338.2 As a member of the king’s entourage, Machaut most likely directly participated in several campaigns instigated by the king across Eastern Europe and into the Italian peninsula. In spite of his longstanding affiliation with the king and well before the famous death of the then blind John of Luxembourg on the battlefield of Crécy in August of 1346, Machaut addressed texts to other members of the nobility. His literary network that originated with the king of Bohemia appears to have progressively extended outward to embrace close affili- ations to the king, starting with his daughter Bonne of Luxembourg, the future mother of Charles V of France. -
Program Notes FY20C1
Piffaro’s Beginning Ah, Beginnings…they can be exciting, stimulating and even a little scary at times. They may mark a break with the preexistent in an attempt to chart some new course, or revive an older, lost tradition. So it was with a fledgling group of reed players from the Collegium Musicum at the University of Pennsylvania in 1980, when they decided to launch their own ensemble, calling it simply and graphically, the Renaissance Wind Band. Their intent was to pursue renaissance wind playing, especially the double-reed instruments, the shawms, dulcians, krumhorns and bagpipes, in a way that was lacking in the nascent early music revival in this country at the time, at least on a professional level. It was a courageous and daring leap into the unknown in many ways. And it was Piffaro’s beginning! On a somewhat ragtag collection of instruments, the best available at the time, the group formed a 5-part band and began collecting repertoire, teaching themselves the challenging techniques demanded by the horns, learned how to make successful reeds and figured out who played what, when and how. It was exciting and groundbreaking, something new and uncharted. As with many a nascent experiment in group formation, personnel changed over the first 4 years of ensemble building, but eventually settled into a coterie of like- minded individuals committed to creating an entity with roots that might support the growth of a vibrant and lasting ensemble. What’s a musical ensemble to do but perform, so by the winter of 1984 the group decided it was time to go public, to make the leap into that great unknown of audience response. -
Charlemagne Descent
Selected descendants of Charlemagne to the early 16th century (1 of 315) Charlemagne King of the Franks Hildegard of Vinzgau b: 742 d: 28 January 813/14 Irmengard of Hesbain Louis I "The Pious" Emperor of the West Judith of Bavaria Pepin of Italy b: 778 in Casseneuil, France d: 810 d: 20 June 840 Lothair I Holy Roman Emperor Irmengard Comtesse de Tours Louis II "The German" King of the East Emma von Bayern Gisela Eberhard Duke of Fruili Cont. p. 2 Cont. p. 3 d: 29 September 855 in Pruem, Franks b: 821 b: Abt. 815 Rheinland, Germany d: 28 August 876 d: 16 December 866 Ermengarde Princesse des Francs Giselbert II Graf von Maasgau Carloman König von Bayern Cont. p. 4 Anscar I Duke of Ivrea b: 825 b: 829 d: March 901/02 d: 14 June 877 d: 880 Reginar I Comte de Hainaut Herzog von Alberade von Kleve Adalbert I Duke of Ivrea Gisela of Fruili Lothringen d: Aft. 28 February 928/29 b: 850 d: 915 in Meerssen, The Netherlands Cont. p. 5 Cont. p. 6 Selected descendants of Charlemagne to the early 16th century (2 of 315) Louis I "The Pious" Emperor of the West b: 778 in Casseneuil, France Judith of Bavaria d: 20 June 840 Cont. p. 1 Charles II King of the West Franks Ermentrude of Orléans b: 13 June 823 b: 27 September 823 d: 6 October 877 d: 6 October 869 Judith (Princess) Baldwin I Count of Flanders Louis II King of the West Franks Adelaide de Paris b: 844 d: 858 b: 1 November 846 d: 870 d: 10 April 879 Baldwin II Count of Flanders Æfthryth Ermentrude of France Cont. -
King's Research Portal
King’s Research Portal DOI: 10.1093/em/cay014 Document Version Peer reviewed version Link to publication record in King's Research Portal Citation for published version (APA): Smilansky, U. (2018). Machaut and Prague: A Rare New Sighting? EARLY MUSIC, 46(2), 211–223. https://doi.org/10.1093/em/cay014 Citing this paper Please note that where the full-text provided on King's Research Portal is the Author Accepted Manuscript or Post-Print version this may differ from the final Published version. If citing, it is advised that you check and use the publisher's definitive version for pagination, volume/issue, and date of publication details. And where the final published version is provided on the Research Portal, if citing you are again advised to check the publisher's website for any subsequent corrections. General rights Copyright and moral rights for the publications made accessible in the Research Portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognize and abide by the legal requirements associated with these rights. •Users may download and print one copy of any publication from the Research Portal for the purpose of private study or research. •You may not further distribute the material or use it for any profit-making activity or commercial gain •You may freely distribute the URL identifying the publication in the Research Portal Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. -
Machaut and Prague SMILANSKY Accepted20march2018 GREEN
King’s Research Portal DOI: 10.1093/em/cay014 Document Version Peer reviewed version Link to publication record in King's Research Portal Citation for published version (APA): Smilansky, U. (2018). Machaut and Prague: A Rare New Sighting? EARLY MUSIC, 46(2), 211–223. https://doi.org/10.1093/em/cay014 Citing this paper Please note that where the full-text provided on King's Research Portal is the Author Accepted Manuscript or Post-Print version this may differ from the final Published version. If citing, it is advised that you check and use the publisher's definitive version for pagination, volume/issue, and date of publication details. And where the final published version is provided on the Research Portal, if citing you are again advised to check the publisher's website for any subsequent corrections. General rights Copyright and moral rights for the publications made accessible in the Research Portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognize and abide by the legal requirements associated with these rights. •Users may download and print one copy of any publication from the Research Portal for the purpose of private study or research. •You may not further distribute the material or use it for any profit-making activity or commercial gain •You may freely distribute the URL identifying the publication in the Research Portal Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. -
'The Three Living and the Three Dead
A Matter of Life and Death: Forms, Functions and Audiences for ‘The Three Living and the Three Dead’ in Late Medieval Manuscripts by Christine M. Kralik A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Department of Art University of Toronto © Copyright by Christine M. Kralik, 2013 “A Matter of Life of Death: Forms, Functions and Audiences for ‘The Three Living and the Three Dead’ in Late Medieval Manuscripts” Christine M. Kralik Doctor of Philosophy Department of Art University of Toronto 2013 Abstract This dissertation examines approaches to illustrating the Three Living and the Three Dead, a moralizing tale known across Europe in the late Middle Ages. Illustrated versions of the texts survive in a number of different manuscript contexts. While the earliest depictions show an apparently benign conversation occurring between living and dead, by the late fifteenth century other ways of illustrating the tale had emerged. The most striking of these was the aggressive chase after the living by the dead, which most often accompanied the prayers of the Office of the Dead in Books of Hours. While previous art historical investigations have concentrated on localization, chronology, as well as stylistic and formal analyses, my project engages with the larger questions of function, audience, and the relationship between text and image. The thesis begins by situating the Three Living and the Three Dead in the scholarship on the art of death of the late Middle Ages. The art of that period has long been perceived as a reflection of a time of decline. -
'The Three Living and the Three Dead' in Late Medieval Manuscripts
A Matter of Life and Death: Forms, Functions and Audiences for ‘The Three Living and the Three Dead’ in Late Medieval Manuscripts by Christine M. Kralik A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Department of Art University of Toronto © Copyright by Christine M. Kralik, 2013 “A Matter of Life of Death: Forms, Functions and Audiences for ‘The Three Living and the Three Dead’ in Late Medieval Manuscripts” Christine M. Kralik Doctor of Philosophy Department of Art University of Toronto 2013 Abstract This dissertation examines approaches to illustrating the Three Living and the Three Dead, a moralizing tale known across Europe in the late Middle Ages. Illustrated versions of the texts survive in a number of different manuscript contexts. While the earliest depictions show an apparently benign conversation occurring between living and dead, by the late fifteenth century other ways of illustrating the tale had emerged. The most striking of these was the aggressive chase after the living by the dead, which most often accompanied the prayers of the Office of the Dead in Books of Hours. While previous art historical investigations have concentrated on localization, chronology, as well as stylistic and formal analyses, my project engages with the larger questions of function, audience, and the relationship between text and image. The thesis begins by situating the Three Living and the Three Dead in the scholarship on the art of death of the late Middle Ages. The art of that period has long been perceived as a reflection of a time of decline. -
Women's Books? Gendered Piety and Patronage in Late Medieval
Title Page Women’s Books? Gendered Piety and Patronage in Late Medieval Bohemian Illuminated Codices by Allison McCann Bachelor of Fine Arts, Kutztown University of Pennsylvania, 2013 Master of Arts, University of Pittsburgh, 2015 Submitted to the Graduate Faculty of the Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2019 COMMITTEE PAGE UNIVERSITY OF PITTSBURGH DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Allison McCann It was defended on December 3, 2019 and approved by Renate Blumenfeld-Kosinski, Distinguished Professor Emerita, French and Italian Katheryn Linduff, Professor Emerita, History of Art and Architecture Barbara McCloskey, Professor, History of Art and Architecture Christopher Nygren, Assistant Professor, History of Art and Architecture Dissertation Advisor: Shirin Fozi, Assistant Professor, History of Art and Architecture ii Copyright © by Allison McCann 2019 iii Abstract Women’s Books? Gendered Piety and Patronage in Late Medieval Bohemian Illuminated Codices Allison McCann, PhD University of Pittsburgh, 2019 The manuscripts forming the core of this dissertation’s four case studies are some of the most artistically ambitious and theologically rich books to emerge from fourteenth-century Bohemia—and the European Middle Ages broadly—but they have not yet been considered together as an art historical phenomenon. Made at a moment when aristocratic women were playing a new role as divine matriarchs, these complicated and dynamic manuscripts open new avenues of inquiry into the intersection of later medieval gender and patronage. The pictorial programs of these manuscripts visualize the agency of their patrons, owners, and subjects in challenging and expansive ways and enrich our understanding of late medieval devotional practice and art production in the broadest terms.