09 Ot Dom� Important Work Know Thi the Mrs
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
MEREDITH MONK and ANN HAMILTON: Aaron Copland Fund for Music, Inc
The House Foundation for the Arts, Inc. | 260 West Broadway, Suite 2, New York, NY 10013 | Tel: 212.904.1330 Fax: 212.904.1305 | Email: [email protected] Web: www.meredithmonk.org Incorporated in 1971, The House Foundation for the Arts provides production and management services for Meredith Monk, Meredith Monk & Vocal Ensemble, and The House Company. Meredith Monk, Artistic Director • Olivia Georgia, Executive Director • Amanda Cooper, Company Manager • Melissa Sandor, Development Consultant • Jahna Balk, Development Associate • Peter Sciscioli, Assistant Manager • Jeremy Thal, Bookkeeper Press representative: Ellen Jacobs Associates | Tel: 212.245.5100 • Fax: 212.397.1102 Exclusive U.S. Tour Representation: Rena Shagan Associates, Inc. | Tel: 212.873.9700 • Fax: 212.873.1708 • www.shaganarts.com International Booking: Thérèse Barbanel, Artsceniques | [email protected] impermanence(recorded on ECM New Series) and other Meredith Monk & Vocal Ensemble albums are available at www.meredithmonk.org MEREDITH MONK/The House Foundation for the Arts Board of Trustees: Linda Golding, Chair and President • Meredith Monk, Artistic Director • Arbie R. Thalacker, Treasurer • Linda R. Safran • Haruno Arai, Secretary • Barbara G. Sahlman • Cathy Appel • Carol Schuster • Robert Grimm • Gail Sinai • Sali Ann Kriegsman • Frederieke Sanders Taylor • Micki Wesson, President Emerita MEREDITH MONK/The House Foundation for the Arts is made possible, in part, with public and private funds from: MEREDITH MONK AND ANN HAMILTON: Aaron Copland Fund for -
Denham Scholarly Essay.Pdf
IMPROVISATION AS A GENERATIVE TOOL FOR NEW OPERA: AN EXPLORATION OF METHODS AND PARAMETERS BY ELLEN LOUISE DENHAM SCHOLARLY ESSAY Submitted in partial fulfillment of the requirements for the degree of Doctoral of Musical Arts in Music with a concentration in Performance and Literature in the Graduate College of the University of Illinois at Urbana–Champaign, 2016 Urbana, Illinois Doctoral Committee: Professor Sylvia Stone, Chair Professor Erik Lund, Director of Research Associate Professor Katherine Syer Assistant Professor Michael Tilley ABSTRACT This scholarly essay explores the subject of improvisation in opera and vocal music, tracing its historical antecedents, providing examples of contemporary, classically-informed improvising singers and opera companies, and presenting an overview of possible methods and parameters. Chapter 1 examines the historical background of extemporaneous counterpoint in the fifteenth and sixteenth centuries, the flourishing of improvised ornaments and embellishments from the Baroque era to the bel canto style of the nineteenth century, and the eventual decline in the use of improvised ornaments and cadenzas in the late nineteenth century. Chapter 2 covers first the subject of contemporary improvisation, including experimental techniques from the 1950s and 1960s, with reference to the use of improvisatory elements in composed scores. The second area involves a discussion of singer-composers Cathy Berberian, Meredith Monk, Pamela Z, and Bobby McFerrin. The third area explores current opera creators and performers using improvisation, focusing on the improv-comedy-based groups Impropera and La Donna Improvvisata, and two “devised operas”: Ann Baltz’s OperaWorks production of The Discord Altar, and Ellen Lindquist’s dream seminar. Much of this newer material has yet to be the subject of much scholarship. -
BAM Presents Cellular Songs, a World Premiere by Iconoclastic Artist Meredith Monk, Mar 14—18
BAM presents Cellular Songs, a world premiere by iconoclastic artist Meredith Monk, Mar 14—18 The new work, exploring the interdependency of human beings and nature, is performed by Monk and the women of her acclaimed, multigenerational Vocal Ensemble Bloomberg Philanthropies is the Season Sponsor Cellular Songs Meredith Monk & Vocal Ensemble Music and direction by Meredith Monk Costume design and scenography by Yoshio Yabara Lighting design by Joe Levasseur Sound design by Eli Walker Video design by Katherine Freer BAM Harvey Theater (651 Fulton Street) Mar 14—17 at 7:30pm, Mar 18 at 3pm Tickets start at $25 Master class: Meredith Monk & Vocal Ensemble With Ellen Fisher and Katie Geissinger Co-presented by BAM and Mark Morris Dance Group Mar 7 at 10am Mark Morris Dance Center (3 Lafayette Ave) For dance, music, and theater practitioners Price: $25 “At once visceral and ethereal, raw and rapt, [Monk’s] works banish the spurious complexities of urban life and reveal a kind of underground civilization, one that sings, dances, and meditates on timeless forces.” — The New Yorker Jan 30, 2018/Brooklyn, NY—Meredith Monk, one of the most influential and original composers, singers, choreographers, and directors, unveils a brand-new work at BAM. Cellular Songs pairs voice with movement, instrumentation, and a site-specific video installation to explore the interconnected, ineffable relationship between human beings and the natural world. Following Monk’s celebrated On Behalf of Nature (2014 Next Wave), Cellular Songs contemplates the fundamental unit of life and its relation to the universe. Drawing inspiration from biological processes— layering, replication, division, and mutation—Monk looks to underlying systems in nature that can serve as a prototype for human behavior in our tumultuous world. -
On Behalf of Nature
BAM 2014 Next Wave Festival #OnBehalfofNature Brooklyn Academy of Music Alan H. Fishman, Chairman of the Board William I. Campbell, Vice Chairman of the Board Adam E. Max, Vice Chairman of the Board Karen Brooks Hopkins, President On Behalf Joseph V. Melillo, Executive Producer of Nature Meredith Monk & Vocal Ensemble BAM Harvey Theater Dec 3—6 at 7:30pm; Dec 7 at 3pm Running time: one hour and 15 minutes, no intermission Music and direction by Meredith Monk Lighting design by Elaine Buckholtz Sound design by Jody Elff Costumes and scenography by Yoshio Yabara With Sidney Chen, Ellen Fisher, Katie Geissinger, Meredith Monk, Bruce Rameker, Allison Sniffin voices Bohdan Hilash winds John Hollenbeck percussion Allison Sniffin keyboards, violin, French horn Production manager Philip Sandström Season Sponsor: Technical director Johnny Chanthavong Assistant technical director Jess Malcolm Sound engineer Dave Cook Time Warner is the BAM 2014 Score preparation/Music director Allison Sniffin Next Wave Festival Sponsor Video editing Meredith Monk and Michael Grenadier Viacom is the BAM 2014 Music Sponsor Production coordinator/Company manager Peter Sciscioli Leadership support for music at BAM provided by: Frances Bermanzohn & Alan Roseman Pablo J. Salame On Behalf of Nature As I began working on On Behalf of Nature, I asked myself the question: “how would one create an ecological art work that didn’t make more waste in the world?” Live performances leave no traces except, hopefully, in the minds of audience members. This ephemeral aspect is both poignant and exhilarating. Sometimes though, the desire for novelty and surface excitement leads to buying a lot of new things, spending a great deal of money for an experience that lasts only a few hours. -
Meredith Monk Vocal Ensemble 2008
Meredith Monk Vocal Ensemble País: EE.UU. Género: Vanguardia vocal / performance multidisciplinar Representación: España y Portugal Monk crea en la intersección de la música y el movimiento, la imagen y el objeto, la luz y el sonido, en un esfuerzo por descubrir y tejer nuevos modos de percepción “No conocemos este lenguaje, pero aun así entendemos su significado. No somos capaces de captar su música, pero aun así sentimos su eco en nuestros huesos” - Robert Sandla, Opera News Meredith Monk es una compositora, cantante, coreógrafa y autora de nueva ópera, directora de películas e instalaciones. Una pionera en lo qué ahora se llama “técnica vocal extendida” y “performance interdisciplinario”. Meredith Monk colabora con algunos de los intérpretes más brillantes y aventureros de la escena musical actual. El Vocal Ensemble ha actuado en los principales teatros y auditorios del mundo incluyendo el Carnegie Hall, Queen Elizabeth Hall y Cologne Philarmonie, entre otros. Los miembros del Vocal Ensemble representan diferentes culturas incluyendo Asia, Africa, Europa y América Latina. Ellos aportan a su vez tradiciones artísticas muy diversas incluyendo desde la opera China y occidental, hasta Broadway y el teatro musical, así como todo tipo de peformance multidisciplinar. Monk crea en la intersección de la música y el movimiento, la imagen y el objeto, la luz y el sonido en un esfuerzo por descubrir y tejer nuevos modos de percepción. Su exploración de la voz como instrumento, como lengua elocuente en sí misma, amplía los límites de la composición musical, creando paisajes sonoros que descubren sentimientos, energías, y memorias para las que no existen palabras. -
Other Minds in Association with the Djerassi Resident Artists Program Presents Other Minds Festival 21 March 4
O M OTHER MINDS IN ASSOCIATION WITH THE DJERASSI RESIDENT ARTISTS PROGRAM PRESENTS OTHER MINDS FESTIVAL 21 MARCH 4 - MARCH 6, 2016 SFJAZZ CENTER SAN FRANCISCO 2 1 WELCOME FESTIVAL TO OTHER MINDS 21 OF NEW MUSIC The 21st Other Minds Festival is present- 2 Message from the Artistic Director ed by Other Minds in association with the 4 Exhibition & Silent Auction Djerassi Resident Artists Program and SFJAZZ Center. 13 Concert 1 17 Concert 2 All festival concerts take place at Robert N. Miner Auditorium in the SFJAZZ Center. 19 Concert 3 20 Other Minds 21 Featured Artist 26 Other Minds 21 Performers 35 Other Minds 21 Staff Bios 35 About Other Minds 36 Festival Supporters: A Gathering Of Other Minds 40 About The Festival This booklet © 2016 Other Minds, All rights reserved O MESSAGE FROM THE ARTISTIC DIRECTOR WELCOME BACK TO OTHER MINDS Words, by Phil Kline, incorporating the recorded voice of American writer William Burroughs. More Mvoices follow as Flux also gives us Michael Gordon’s intense mini-masterpiece The Sad Park, a So many long-term plans are coming together for this year’s Other Minds Festival that I’m filled with even more anticipation than usual. Our list of guest composers and performers is brimming with view of the 9/11 disaster as told by young children in New York City. Also inspired by 9/11 is the music talent, and it’s our good fortune to present them all at once to you at OM 21. Here they are, fresh for solo violin and film (Bill Morrison) Light Is Calling, which will be performed by Kate Stenberg. -
Cellular Songs
2018 Winter/Spring Season Brooklyn Academy of Music Adam E. Max, Chairman of the Board William I. Campbell, Vice Chairman of the Board Katy Clark, President Joseph V. Melillo, Executive Producer Cellular Songs BAM Harvey Theater Mar 14—17 at 7:30pm; Mar 18 at 3pm Running time: approx. one hour & 15 mins, no intermission Meredith Monk & Vocal Ensemble Conceived, composed, and directed by Meredith Monk Costume design and scenography by Yoshio Yabara Lighting design by Joe Levasseur Sound design by Eli Walker Video scenarios by Meredith Monk Video design by Katherine Freer Cinematography by Ben Stechschulte Season Sponsor: Leadership support for dance at BAM provided by The Harkness Foundation for Dance. Leadership Support for the Winter/Spring Season provided by the Howard Gilman Foundation. Major support for dance at BAM provided by The SHS Foundation. This presentation of Cellular Songs is supported by the BAM Harvey Fund. Jo Stewart. Photo: Julieta Cervantes Cellular Songs Meredith Monk & Vocal Ensemble Ellen Fisher voice Katie Geissinger voice Meredith Monk voice, keyboard Allison Sniffin voice, piano, violin Jo Stewart voice with members of Young People’s Chorus of New York City Elizabeth Nuñez Associate Artistic Director Dea Elezaj, Naya Griles, Maddalena Honablue, Leda Kahn, Milena Manocchia, Isabel Medina, Jasmine Neal, Adedayo Perkovich, Thalia St. Hubert, Skye Tarshis, Kaia Yamaguchi Production/Stage manager Meredith Belis Company manager/Rehearsal assistant José Rivera, Jr. Score preparation Allison Sniffin Cellular Songs installation conceived by Meredith Monk Installation design by Meredith Monk, Yoshio Yabara Video design and editing by Katherine Freer Cinematography by Ben Stechschulte All music compositions © Meredith Monk (ASCAP) Meredith Monk would like to acknowledge and thank the performers and designers for their invaluable contributions in the development of Cellular Songs. -
Leihmaterial Boosey & Hawkes (Für Den Deutschsprachigen Raum)
Leihmaterial Boosey & Hawkes (für den deutschsprachigen Raum) - Stand: Dezember 2009 - Komponist / Titel Instrumentation Komp. / Dauer Adam, Adolph Charles 2 Giselle (David Garforth)B 2(II=picc).2(I,II=corA).2.2-4.2.2cornet.3.1-harp-timp.perc: Ballet-Pantomime en Deux Actes tgl/BD/cyms/SD/bells-strings Si j'etais Roi (AubreyB Winter) 1 - Overture 1.picc.2.2.2-4.0.2crt.31-timp.perc-harp-strings 8' Adams, John S Century Rolls B Solo pft-2.picc.2.corA.2.bcl.2-3.3.2.0-timp.perc(2): 1997 31' for piano and orchestra vib/xyl/wdbl/marimba/high bongo/glsp- harp-cel-strings 1 Chamber SymphonyB 1(=picc).1.2(I=Ebcl, II=bcl).2(II=dbn)-1.1.1.0-perc: 1992 23' trap set(cowbell/hi-hat cym/SD/pedal BD/ wdbl/2bongos/ 3tom-t/roto toms/tamb/timbale/claves/conga)-keyboard sampler (Yamaha SY-77/SY-99 or Kurzweil K2000/2500)- strings 1.0.1.1.1. For complete technical specifications go to: http://www.earbox.com/tech-guide/eq/ja-cs-eq.htm City Noir B 2009 30' for orchestra S The Death of KlinghofferB S,M,C,T,3Bar,B; chorus(min:24 singers); dancers 1990 140' Opera in two acts 2(I,II=picc).2(II=corA).2(II=bcl).2(II=dbn)-2.2.2.0-perc(1): KAT MIDI mallet controller/timp- 3keyboard samplers-strings(8.8.6.6.4) For complete technical requirements go to: http://www.earbox.com/tech-guide/eq/ja-kling-eq.htm p - Aria of the Falling Body picc.1.2.2.2-2.0.2.0-2 or 3keyboard samplers- 1990 7' for baritone and orchestra strings(8.8.6.6.4) For complete technical requirements go to: http://www.earbox.com/tech-guide/eq/ja-kling-eq.htm p - Bird Aria picc.1.2(II=corA).2(II=bcl).1.dbn-2.0.2.0-2 -
BAM Celebrates Meredith Monk's 50 Season with on Behalf of Nature
BAM celebrates Meredith Monk’s 50th season with On Behalf of Nature, Dec 3—7 “… a rapturous new work… some of the finest music Monk has yet written”—Los Angeles Times “… a 21st-century oratorio… exquisite”—The Scotsman Bloomberg Philanthropies is the 2014-2015 Season Sponsor Time Warner Inc. is the BAM 2014 Next Wave Festival Sponsor On Behalf of Nature Meredith Monk & Vocal Ensemble Music and direction by Meredith Monk Lighting design by Elaine Buckholtz Sound design by Jody Elff Costumes and scenography by Yoshio Yabara Commissioned by BAM for the 2014 Next Wave Festival BAM Harvey Theater (651 Fulton St) Dec 3—6 at 7:30pm; Dec 7 at 3pm Tickets start at $20 November 11, 2014/Brooklyn, NY—Building on her rich BAM legacy and presented as part of her 50th season, Meredith Monk offers the NY premiere of her newest music-theater work, On Behalf of Nature, a mesmerizing hymn to compassion. Inspired by the Buddhist conception of oneness and poet Gary Snyder’s idea of the artist as “spokesperson for non-human entities,” On Behalf of Nature reaffirms our indissoluble connection to the natural realm. On Behalf of Nature premiered to critical acclaim in January 2013 at UCLA. Moving collectively around a bare stage, eight performers intone a beguiling polyphony of sounds, suggesting a world in which the material, the spiritual, and the human coexist as a harmonious interdependent whole. In addition to Monk, performers include: Sidney Chen, Ellen Fisher, Katie Geissinger, Bruce Rameker, Allison Sniffin (voices); Bohdan Hilash (winds); John Hollenbeck (percussion), and Allison Sniffin (keyboards, violin, and French horn). -
Friday Evening, January 20, 2017 at 8:00 Power Center, Ann Arbor on BEHALF of NATURE Performed By
Friday Evening, January 20, 2017 at 8:00 Power Center, Ann Arbor ON BEHALF OF NATURE Performed by Meredith Monk & Vocal Ensemble A production of The House Foundation for the Arts 31st Performance of the 138th Annual Season International Theater Series This evening’s presenting sponsor is the Renegade Ventures Fund, established by Maxine and Stuart Frankel. This evening’s supporting sponsor is the Ilene H. Forsyth Theater Endowment Fund. This evening’s performance is funded in part by the Building Audiences for Sustainability initiative of The Wallace Foundation. Media partnership is provided by Ann Arbor’s 107one and Metro Times. Special thanks to Grace Lehman and the Ann Arbor Y, Chrisstina Hamilton and the U-M Penny Stamps Speaker Series, and Clare Croft for their participation in events surrounding this evening’s performance. Special thanks to Tiffany Ng, assistant professor of carillon and university carillonist, for coordinating the pre-concert music on the Charles Baird Carillon. On Behalf of Nature appears by arrangement with Rena Shagan Associates, Inc. In consideration of the artists and the audience, please refrain from the use of electronic devices during the performance. The photography, sound recording, or videotaping of this performance is prohibited. PROGRAM On Behalf of Nature This evening’s performance is approximately 75 minutes in duration and will be performed without intermission. PERFORMERS Meredith Monk & Vocal Ensemble Voices / Sidney Chen, Ellen Fisher, Katie Geissinger, Meredith Monk, Bruce Rameker, Allison Sniffin -
Dancing Voices Meredith Monk , Composer, Director, and Voice Young People’S Chorus of New York City Francisco J
Friday, October 20, 2017 at 7:30 pm Saturday, October 21, 2017 at 3:00 and 7:30 pm Dancing Voices Meredith Monk , Composer, Director, and Voice Young People’s Chorus of New York City Francisco J. Núñez , Artistic Director and Conductor Elizabeth Núñez , Associate Artistic Director and Conductor Katie Geissinger , Voice Allison Sniffin , Voice and Piano American Contemporary Music Ensemble Ben Russell , Violin Laura Lutzke , Violin Caleb Burhans , Viola Clarice Jensen , Cello David Cossin , Percussion Bohdan Hilash , Woodwinds Noele Stollmack , Lighting Design Lucas Indelicato , Sound Design Yoshio Yabara , Costume Design This program is approximately 75 minutes long and will be performed without intermission. Please join the artists for a White Light Lounge following the performance on Friday, October 20. (Program continued) This performance is made possible in part by the Josie Robertson Fund for Lincoln Center. Gerald W. Lynch Theater Please make certain all your electronic devices at John Jay College are switched off. WhiteLightFestival.org American Airlines is the Official Airline of Lincoln UPCOMING WHITE LIGHT FESTIVAL EVENTS: Center Thursday–Saturday, October 26–28 at 7:30 pm in Nespresso is the Official Coffee of Lincoln Center the Rose Theater NewYork-Presbyterian is the Official Hospital of Sunday, October 29 at 3:00 pm Lincoln Center Layla and Majnun (New York premiere) Artist Catering provided by Zabar’s and Zabars.com Mark Morris Dance Group Mark Morris , choreographer and director Silk Road Ensemble Alim Qasimov , Majnun Dancing Voices is produced by The House Fargana Qasimova , Layla Foundation for the Arts and Young People’s Chorus Howard Hodgkin , scenic and costume design of New York City, and is supported in part by the James F. -
Meredith Monk & VOCAL ENSEMBLE
THE ELIZABETH SPRAGUE COOLIDGE FOUNDATION IN THE LIBRARY OF CONGRESS fOUNDER'S DAY WEEKEND MEREDITH MONK & VOCAL ENSEMBLE THE SOUL'S MESSENGER Friday, October 30, 2015 ~ 8 pm Coolidge Auditorium Library of Congress, Thomas Jefferson Building In 1925 ELIZABETH SPRAGUE COOLIDGE established the foundation bearing her name in the Library of Congress for the promotion and advancement of chamber music through commissions, public concerts and festivals; to purchase music manuscripts; and to support music scholarship. With an additional gift, Mrs. Coolidge financed the construction of the Coolidge Auditorium, which has become world famous for its magnificent acoustics and for the caliber of artists and ensembles who have played there. ELIZABETH SPRAGUE COOLIDGE (1864-1953) The Library of Congress observes the date of her birth, October 30th, as Founder’s Day, and on that day regularly presents a concert in her honor. Please request ASL and ADA accommodations five days in advance of the concert at 202-707-6362 or [email protected]. Latecomers will be seated at a time determined by the artists for each concert. Children must be at least seven years old for admittance to the concerts. Other events are open to all ages. • Please take note: Unauthorized use of photographic and sound recording equipment is strictly prohibited. Patrons are requested to turn off their cellular phones, alarm watches, and any other noise-making devices that would disrupt the performance. Reserved tickets not claimed by five minutes before the beginning of the event will be distributed to stand-by patrons. Please recycle your programs at the conclusion of the concert.