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Reader's Companion to John Cowper Powys's a Glastonbury Romance
John Cowper Powys’s A Glastonbury Romance: A Reader’s Companion Updated and Expanded Edition W. J. Keith December 2010 . “Reader’s Companions” by Prof. W.J. Keith to other Powys works are available at: https://www.powys-society.org/Articles.html Preface The aim of this list is to provide background information that will enrich a reading of Powys’s novel/ romance. It glosses biblical, literary and other allusions, identifies quotations, explains geographical and historical references, and offers any commentary that may throw light on the more complex aspects of the text. Biblical citations are from the Authorized (King James) Version. (When any quotation is involved, the passage is listed under the first word even if it is “a” or “the”.) References are to the first edition of A Glastonbury Romance, but I follow G. Wilson Knight’s admirable example in including the equivalent page-numbers of the 1955 Macdonald edition (which are also those of the 1975 Picador edition), here in square brackets. Cuts were made in the latter edition, mainly in the “Wookey Hole” chapter as a result of the libel action of 1934. References to JCP’s works published in his lifetime are not listed in “Works Cited” but are also to first editions (see the Powys Society’s Checklist) or to reprints reproducing the original pagination, with the following exceptions: Wolf Solent (London: Macdonald, 1961), Weymouth Sands (London: Macdonald, 1963), Maiden Castle (ed. Ian Hughes. Cardiff: University of Wales Press, 1990), Psychoanalysis and Morality (London: Village Press, 1975), The Owl, the Duck and – Miss Rowe! Miss Rowe! (London: Village Press, 1975), and A Philosophy of Solitude, in which the first English edition is used. -
Creating Great Ebooks Using Jutoh
CREATING GREAT EBOOKS USING JUTOH A complete guide to making ebooks for Kindle, iPad, Nook, Kobo and more, from new project to publication by Julian Smart Published by Anthemion © Julian Smart 2011 Edition 2.22 All rights reserved. You are welcome to redistribute this book in its original form. The author acknowledges the trademarked status and trademark owners of various products referenced in this work. This book was created using Jutoh. The author acknowledges the trademarked status and trademark owners of various products referenced in this work, which have been used without permission. The publication/use of these trademarks is not authorized, associated with, or sponsored by the trademark owners. Table of Contents From the Horse’s Mouth........................................................................................................................xi Preface...................................................................................................................................................xiii Bring on the revolution.....................................................................................................................xiii About the author..........................................................................................................................xiv How this book is structured...............................................................................................................xiv Conventions and terms used in this book..........................................................................................xvi -
In Translation
May 2010 In Translation It is surely not too early in the year to start predicting the crime writing Oscars for 2010, by which of course I mean my Shots of the Year awards (which come with no trophy, no prize-money, very little publicity and minimal prestige). I raise the matter now because I have just finished the best ensemble police crime novel I have read this year, and it is eligible for both Crime Shot of the Year and the Shot in Translation titles. Translated from Afrikaans, Deon Meyer’s Thirteen Hours (Hodder) is simply brilliant and puts the South African author up there with Michael Connelly and Ian Rankin – yes, it’s that good. Meyer has created a great cast of policemen and women with the alcoholic Inspector Benny Griessel taking the lead and, in Thirteen Hours, acting as a mentor to junior officers working two seemingly unconnected cold- blooded murders, wrapping them both up in thirteen breathless hours of one chaotic Cape Town day, complete with horrendous traffic jams, power cuts and casual violence. The twin strands of the plot dig into a resurgent South African music scene and a particularly unsavoury form of human trafficking which is almost as sleazy and corrupt. And readers of a delicate persuasion should be warned there is one particularly gruesome (though not gratuitous) piece of violence. Benny Griessel as an alcoholic cop with marital problems hardly sounds a unique creation, but unusually for crime fiction he manages his guilt humanely and without resorting to preachiness. But it is the ensemble cast of cops under Griessel’s reluctant command which really impress – whether white, black or ‘coloured’ - especially the overweight Zulu woman detective Mbali Kaleni. -
Issue 15 Summer 2010
BULLETIN Issue 15 Summer 2010 1 CONTENTS Section Page Message from the President 3 The Bulletin: Editor’s Welcome 4 Recent Events 5 Visits 14 Arts Report 19 Theatre 19 Concert 23 Opera 28 Art Exhibitions 30 Forthcoming Society Events 49 Forthcoming Events (non-society) 51 Book Review 53 Non-fiction books 53 Fiction books 63 Summer Quiz 65 Answers to Summer Quiz 66 Society Personnel and Contacts 67 2 MESSAGE FROM THE PRESIDENT Dear Early Modernists, Welcome to the fifteenth edition of our Bulletin. It is now June and we have just one more lecture to look forward to this academic year with Professor Julian Swann reflecting upon despotism, public opinion and the crisis of the Absolute Monarchy. We then have our Student Conference in July which I hope you will be able to attend. In addition to this we have trips to the Globe Theatre and a guided walk to look forward to. Details will be sent out shortly. The committee are working on securing some top-class speakers for next year’s programme and we have already managed to book Dr John Ashdown-Hill for October, Dr Andy Hopper for November, Dr David Starkey for December, Dr Frances Harris in January and Dr Helen Pierce for February. Please don’t forget that the committee is always happy to hear suggestions from members, be they connected to a speaker that you would like us to book, or another type of event such as a trip to the theatre or a gallery etc. Suggestions can be e-mailed to our secretary Anne Byrne at [email protected] With best wishes, Stephen Brogan President, Birkbeck Early Modern Society http://www.bbk.ac.uk/hca/current/societies/#earlymodern http://www.emintelligencer.org.uk/ 3 THE BULLETIN: EDITOR’S WELCOME Welcome to Issue Fifteen of the Birkbeck Early Modern Society Bulletin. -
Atlantic Books July–December
Atlantic Books Atlantic July–December 2012 Atlantic Books Atlantic Books Ormond House, 26-27 Boswell Street July – December 2012 London, WC1N 3JZ, United Kingdom Tel +44 (0)207 269 1610 Fax +44 (0)207 430 0916 isbn 978-0-85789-781-7 Contents Christopher Hitchens 2 Atlantic Books Non-Fiction 5 Atlantic Books Fiction 28 Corvus Fiction 37 Paperback Non-Fiction 50 Paperback Fiction 59 Allen & Unwin 75 Grove Press 80 Stocklist 81 Sales, Publicity and Rights 98 ‘Goodbye, Christopher Hitchens. You were envied, feared, adored, reviled and loved. Never ignored. Never bested. A great and marvellous man.’ Stephen Fry ‘Christopher Hitchens, finest orator of our time, fellow horseman, valiant fighter against all tyrants including God.’ Richard Dawkins ‘Goodbye, my beloved friend. A great voice falls silent. A great heart stops.’ Salman Rushdie 13 April 1949 – 15 December 2011 2 Atlantic Books Non-Fiction Mortality Christopher Hitchens Christopher Hitchens confronts his own death in his last and most unforgettable book. During the American book tour for Hitch-22, Christopher Hitchens collapsed with excruciating pain in his chest and thorax. As he would later write, he was being deported ‘from the country of the well across the stark frontier that marks off the land of malady’. Mortality is the most meditative piece of writing Hitchens ever produced; he returns a human face to a disease that has become a contemporary cipher of suffering. Mortality is Christopher Hitchens (1949–2011) an extraordinary coda to a singular career and was a contributing editor to Vanity a singular life. Fair and a columnist for Slate. -
Uncle Hugo's Science Fiction Bookstore Uncle Edgar's Mystery Bookstore 2864 Chicago Ave
Uncle Hugo's Science Fiction Bookstore Uncle Edgar's Mystery Bookstore 2864 Chicago Ave. S., Minneapolis, MN 55407 Newsletter #94 June — August, 2011 Hours: M-F 10 am to 8 pm RECENTLY RECEIVED AND FORTHCOMING SCIENCE FICTION Sat. 10 am to 6 pm; Sun. Noon to 5 pm ALREADY RECEIVED Uncle Hugo's 612-824-6347 Uncle Edgar's 612-824-9984 Doctor Who Insider #1 (US version of the long-running Doctor Who Magazine. Fax 612-827-6394 Matt Smith on his latest foe, the Silence; the Sontarans; more). $6.99 E-mail: [email protected] Doctor Who Magazine #431 (Controversial Dalek redesign; writer Mark Gatiss Website: www.UncleHugo.com reveals some clues about his new episode; Janet Fielding uncovered; more).. $8.99 Doctor Who Magazine #432 (New series secrets; Matt Smith Karen Gillan, and Award News Arthur Darvill star in a special mini-adventure for Comic Relief; David Tennant tells us what he's doing for Red Nose Day; more). $8.99 Doctor Who Magazine #433 (Exclusive interview with Steven Moffat; Marked The nominees for Hugo Awards for Death? Amy Pond, The Doctor, River Song, Rory Pond: one of them will die in the for Best Novel are Cryoburn by Lois season opener; more. Four separate collectors' covers, one featuring each character)$.8.99 McMaster Bujold ($25.00 signed), Feed Fantasy & Science Fiction May/June 2011 (New fiction, reviews, more).$7.50 by Mira Grant ($9.99), The Hundred Locus #603 April 2011 (Interviews with Shaun Tan and Dani & Eytan Kollin; Thousand Kingdoms by N. K. Jemisin industry news, reviews, more)......................................... -
The Legendary King: How the Figure of King Arthur Shaped a National Identity and the Field of Archaeology in Britain
The University of Maine DigitalCommons@UMaine Honors College Spring 5-2017 The Legendary King: How the Figure of King Arthur Shaped a National Identity and the Field of Archaeology in Britain Elizabeth Gaj Proctor University of Maine Follow this and additional works at: https://digitalcommons.library.umaine.edu/honors Part of the Anthropology Commons Recommended Citation Proctor, Elizabeth Gaj, "The Legendary King: How the Figure of King Arthur Shaped a National Identity and the Field of Archaeology in Britain" (2017). Honors College. 268. https://digitalcommons.library.umaine.edu/honors/268 This Honors Thesis is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Honors College by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. THE LEGENDARY KING: HOW THE FIGURE OF KING ARTHUR SHAPED A NATIONAL IDENTITY AND THE FIELD OF ARCHAEOLOGY IN BRITAIN by Elizabeth G. Proctor A Thesis Submitted in Partial Fulfillment of the Requirements for a Degree with Honors (Anthropology) The Honors College University of Maine May 2017 Advisory Committee: Dr. Sarah Harlan-Haughey, Assistant Professor of English and Honors Dr. Gregory Zaro, Associate Professor of Anthropology and Climate Change, Chair, Department of Anthropology Dr. Mimi Killinger, Associate Professor of Honors, Rezendes Preceptor for the Arts Dr. Daniel Sandweiss, Director, School of Policy and International Affairs, Professor of Anthropology and Quaternary and Climate Studies, Cooperating Professor of Earth and Climate Sciences and Global Policy Dr. Joel Anderson, Lecturer in History Abstract The legend of King Arthur has spread throughout Western Culture to such an extent that he is a world-wide symbol of courtly chivalry, justice, and rightful kingship. -
Powys Society Newsletter 96, March 2019
Saturday 30th March: Cambridge Meeting Editorial The Age of the Internet may have its drawbacks (the Powyses being happy antidotes to this), but its many huge advantages are not least in literary matters. Interesting new developments for the Society are reported by Paul Cheshire (JSTOR) and Kevin Taylor (Ebooks). Henry James (1843-1916), like JCP, photographed well, but while JCP appears different each time, HJ’s noble countenance is always impressive: as JCP says, potentially both cruel and tender. It dominated a recent cover of the TLS. Our and Montacute in 1872, also in notes taken from one of many lectures on him by JCP, who deeply admired him, and in a view of the two similar but different giants by Chris Thomas. Chris also introduces the painter Bror Nordfeldt whom JCP admired, associate of Maurice Browne in Chicago. A tribute from a neighbour to John Francis Powys (grandson of TFP) who died last May, is illustrated by the head of a fairground-horse given to him by Phyllis and JCP (who also owned one as a household god, named Falada as in the fairytale). Queries about Glastonbury inconsistencies are followed by notes by Susan Antiquarian Society on JCP’s place among the large numbers of novels set there. (continued over) Cambridge meeting 2 The Master-Wizard’s Wand 26 Committee nominations 3 The Meaning of Culture 31 An Essay on Culture (April 1930) 34 E-books 6 Michael Oakeshott: review of Conference 2019 draft programme 8 The Meaning of Culture (1929-30) 36 Conference speakers 10 JCP and B.J.O. -
The Guardian Hay Festival 2010 Programme Book Online At
The Guardian Hay Festival 2010 Programme book online at hayfestival.com The Guardian Hay Festival 2010 Programme book online at hayfestival.com box office 01497 822 629 box office 01497 822 629 Wednesday 26 May Climate are in conversation with Alok Jha of the Guardian. Sponsored by RRA Architects and Oakwrights [5] 1pm, Elmley Foundation Dream Stage, free but ticketed 10am–3pm, Festival Site, free but ticketed Hay Writers Circle Primary Schools Day New writing from the local creative writing group. Join writers Philip Ardagh, Leander Deeny, Jill Harvey, FE Higgins, Ceci Jenkinson and Kjartan Poskitt for a syllabus-led day of stories and play. For full details please download a [6] 2.30pm, Guardian Stage, £4 schools pack from www.hayfestival.com/schools Spencer Wells and Tristram Stuart talk to John Vidal Food for Thought 10am–5pm, Festival Site, £375 It is time for a change in attitudes towards food production and consumption, in the industry and The Faber Academy presents a three-day masterclass in our own homes. The author of Pandora’s Seed looks to a historical examination of our cultural Jill Dawson, Tobias Hill and Jasper Fforde inheritance for the solutions while the author of Waste spotlights the wastefulness of modern Writing Fiction: Getting Started at The Guardian Hay Festival societies. In conversation with the Guardian’s Environment Editor. For full course details please see information in print programme or visit www.faberacademy.co.uk [7] 4pm, Guardian Stage, £4 Annie Leonard talks to Jo Fox The Story of Stuff Thursday 27 May The journalist and film-maker tracks the life of the stuff we use every day, revealing the often hidden impacts of our production and consumption patterns. -
2018 Le Helloco D
Bangor University DOCTOR OF PHILOSOPHY Sense of place and the writing of early British history in medieval and early modern England Le Helloco, Daisy Award date: 2019 Awarding institution: Bangor University Link to publication General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal ? Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 28. Sep. 2021 SENSE OF PLACE AND THE WRITING OF EARLY BRITISH HISTORY IN MEDIEVAL AND EARLY MODERN ENGLAND Thesis submitted for the degree of Doctor of Philosophy at Bangor University by Daisy Le Helloco School of English Bangor University June 2018 Sense of Place and the Writing of Early British History in Medieval and Early Modern England Summary Sense of place, the human connection to and understanding of place, has been theorized and understood as integral to the perception of and recording of the past. This dissertation addresses the use of sense of place in English and Anglo-Latin historical texts from the twelfth to the seventeenth century, specifically where they deal with the history of the island before the Anglo-Saxon settlements of the fifth century. -
Good Stuff for Wise Men to Laugh at Or Honest Men to Take Pleasure At": the Arthurian Tradition During the Renaissance
University of Northern Iowa UNI ScholarWorks Dissertations and Theses @ UNI Student Work 2002 "Good stuff for wise men to laugh at or honest men to take pleasure at": The Arthurian tradition during the Renaissance Crystal Stallman University of Northern Iowa Let us know how access to this document benefits ouy Copyright ©2002 Crystal Stallman Follow this and additional works at: https://scholarworks.uni.edu/etd Part of the Literature in English, British Isles Commons Recommended Citation Stallman, Crystal, ""Good stuff for wise men to laugh at or honest men to take pleasure at": The Arthurian tradition during the Renaissance" (2002). Dissertations and Theses @ UNI. 594. https://scholarworks.uni.edu/etd/594 This Open Access Thesis is brought to you for free and open access by the Student Work at UNI ScholarWorks. It has been accepted for inclusion in Dissertations and Theses @ UNI by an authorized administrator of UNI ScholarWorks. For more information, please contact [email protected]. "GOOD STUFF FOR WISE MEN TO LAUGH AT OR HONEST MEN TO TAKE PLEASURE AT": THE ARTHURIAN TRADITION DURING THE RENAISSANCE An Abstract of a Thesis Submitted In Partial Fulfillment of the Requirements for the Degree Master of Arts Crystal Stallman University of Northern Iowa August 2002 "GOOD STUFF FOR WISE MEN TO LAUGH AT OR HONEST MEN TO TAKE PLEASURE AT": THE ARTHURIAN TRADITION DURING THE RENAISSANCE An Abstract of a Thesis Submitted In Partial Fulfillment of the Requirements for the Degree Master of Arts Crystal Stallman University of Northern Iowa August 2002 ABSTRACT Contrary to the commonly held view that the English Renaissance abandoned the realm of Arthuriana as an inspiration for literary and other cultural texts, I demonstrate in my thesis that Arthurian texts from this period took on new forms and shifted their focus. -
Nationalism, Literature, and Arthurian ‘Things’ in Medieval and Early Modern Britain
‘OF HIS BREAST NOBLE POETS SHALL EAT; OF HIS BLOOD SHALL MEN BE DRUNK’: NATIONALISM, LITERATURE, AND ARTHURIAN ‘THINGS’ IN MEDIEVAL AND EARLY MODERN BRITAIN BY AMY ROWAN SACH DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English in the Graduate College of the University of Illinois at Urbana-Champaign, 2015 Urbana, Illinois Doctoral Committee: Associate Professor Robert W. Barrett, Chair Professor Charles D. Wright Associate Professor Lori Humphrey Newcomb Professor Andrew Galloway, Cornell University ABSTRACT My dissertation examines the intersection of medieval and Early Modern Arthurian literature, English and British nationalism, and new materialism – specifically thing theory and object-oriented ontology. Arthur was not a true historical figure, yet throughout much of British history his cultural and propagandist value has been immeasurable both to the ruling class and those who would rebel against it. The end result is that Arthurian objects such as his alleged body, the Round Table, and seals and maps were constantly being produced. Because of the doubtful status of such objects, each new era had to come up with a new theoretical lens through which to discuss these ‘things’ in order to have them hold meaning or value in their current cultural climate. Through the course of this dissertation I follow this trend from the twelfth century to the sixteenth century, tracking these material signifiers as they change in dialogue with shifting cultural needs. While the focus on objects remains consistent throughout these eras, the meaning of the Arthurian objects is fluid and multitudinous, as are the types of lenses through which they are discussed.