Paperback Hero Music Credits

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Paperback Hero Music Credits Music composed by Burkhard Dallwitz Music Composed and Produced by Burkhard Dallwitz Featured Electric Guitar David Herzog Music Recorded at Music and Effects Alan Eaton Studio Sound Around (Melbourne) Music Recorded by Michael Letho Robin Gray Music Mixed by Michael Letho Fairlight MFX 3 Operator Keith Thomas Orchestrated & Conducted by Daryl McKenzie Performed by The Victorian Philharmonic Orchestra Orchestra Leader Rudolph Osadnik Orchestra Contractor Ron Layton Percussion Geoffrey Hales Violin Matthew Arnold 'Crying' Written by Roy Orbison/Joe Melson Published by Acuff-Rose Inc. USA, Administered by MCA Music Australia Pty Ltd Performed by Roy Orbison, also performed by Hugh Jackman & Claudia Karvan © Roy Orbison Music Company/Barbara Orbison Music Company Used by permission Rondor Music (Australia) Pty Ltd 'Oh Pretty Woman' Written by Roy Orbison/Bill Dees Published by Acuff-Rose Inc. USA, Administered by MCA Music Australia Pty Ltd © Roy Orbison Music Company/Barbara Orbison Music Company Used by permission Rondor Music (Australia) Pty Ltd 'Only the Lonely' Written by Roy Orbison/Joe Melson Published by Acuff-Rose Inc. USA, Administered by MCA Music Australia Pty Ltd Performed by Roy Orbison © Roy Orbison Music Company/Barbara Orbison Music Company Used by kind permission Rondor Music (Australia) Pty Ltd 'JD Blues' Written by Scott Kingman (Mushroom Music) Performed by Scott Kingman Courtesy Russell J White Management 'Proud Man' Written by Jon Stevens/Barbara Griffin Courtesy of Sony/ATV Music Publishing Australia Performed by Jon Stevens Courtesy Circle Records by arrangement Sony Music Entertainment Australia 'Mairi's Wedding' Traditional Bagpipe March Performed & Arranged by Scott Nugent 'Paper Tiger' Written by John D Loudermilk Published by Acuff-Rose Inc. USA, Administered by MCA Music Australia Pty Ltd Performed by Sue Thompson, Courtesy of Hickory Records Inc. 'Strangers in the Night' Written by Kaempfert/Singleton/Synder MCA Music Australia Pty Ltd 'I Remember You' Written by John H Mercer/Victor Schertzinger With permission of Paramount Music Corp. Performed by Frank Ifield (P) 1962 Original Sound Recording by EMI Records Ltd Licensed Courtesy of EMI Music Australia 'Suddenly' Written by Soraya Published by Songs of PolyGram International Inc./Yami Music Publishing Inc. Performed by Soraya, Courtesy of Island Records Under license from PolyGram Pty Limited 'High' Written by P. Tucker/E. Baiyewu, Published by PolyGram Music Publishing Ltd Licensed by PolyGram Music Publishing Australia Pty Limited Performed by Lighthouse Family Courtesy of Polydor Records, Under licence from PolyGram Pty Limited 'I Drove All Night' Written by Tom Kelly/Billy Steinberg Courtesy of Sony/ATV Music Publishing Performed by Roy Orbison Used by permission Rondor Music (Australia) Pty Ltd 'She's Taken My Words' (Theme from Paperback Hero) Written by Andrew Tierney/Michael Tierney © Rondor Music (Australia) Pty Ltd Used by kind permission Rondor Music (Australia) Pty Ltd Performed by Human Nature Courtesy Columbia By Arrangement Sony Music Entertainment Australia Soundtrack available now through Polydor Records Lyrics: Head credits: Over the head credits, with shots of a aerials of a road carving through the desert and then Jack’s big road train rig rolling across it , Roy Orbison’s song I Drove All Night is heard … Lyrics as heard on the soundtrack: I had to escape, the city was sticky and cruel Maybe I should have called you first But I was dying to get to you I was dreaming while I drove The long straight road ahead Uh-huh, yeah Could taste your sweet kisses, your arms open wide This fever for you was just burning me up inside I drove all night to get to you Is that all right? I drove all night, crept in your room Woke you from your sleep to make love to you Is that all right? I drove all night... What in this world keeps us from falling apart? No matter where I go I hear the beating of our one heart I think about you when the night is cold and dark Uh-huh, yeah No one can move me the way that you do Nothing erases this feeling between me and you … ooh ... I drove all night to get to you … (the song fades out a little earlier than in the recorded version on this line) … Tail credits: Crane off Jack and Ruby kissing, to up above where Mack and Jack in the signwriting plane have carved a sign saying “I love you” in the sky. Crane back down on to the couple, as they drive off in their open top jeep and Jack asks “Right, where are we going?” Ruby asks “Am I in your next book?” “Ah no”, says Jack, and Ruby says “Yes I am” as the jeep disappears down the dirt road. “No, you’re not, ask Lance,” he replies. “Lance?” she asks, and the dog barks. “See!?” Ruby says. Jack: “Yeah, but one bark is a no…” Ruby: “Bullshit! Lance?” The dog barks once. Jack, chuckling: “See?” Ruby: “He said yes …” Jack: “No, no, he said no. I told you, one bark is a no!” Ruby: “Is that right, Lance?” The dog barks twice. Ruby, laughing: “Ha, ha, I was right!” Jack: “Yes, Ruby, you always are.” While this banter has been going on, a line from the end credits song has crept in … This is ‘She’s Taken My Words’ (The Theme from Paperback Hero), performed by Human Nature: The opening line is hidden under the banter, but sounds like … I’m rolling ahead and ride forever …(?) After Jack’s last line about Ruby always being right, the song kicks into full gear over black, as end credits roll: ...The dusty red can clear away your mind There’s no need for better Now she’s there when all of my thoughts have gone The scent of her hair Can carry me along There’s no need for better Now paperback fairytales Are nothing compared to falling for her How can I stand and watch her walk away? When she’s taken my heart She’s taken my soul And without my noticing She’s taken my words Oh, oh … Road goes on And time teaches everyone Once love’s gone It tears a piece inside … So how can I leave her? Oh, paperback fairytales Are nothing compared to falling for her I’ll never turn and let her walk away She’s taken everything Yeah, she’s taken my heart She’s taken my soul And without my noticing She’s taken my words She’s taken my time She’s touched me deep inside And without my noticing She’s taken my words I cherish the moment I look in her eyes Time on my hands seems to pass like the skies I know her heart isn’t mine ‘Cause she’s taken over Oooh oooh … aaah aaah She … she’s taken my heart She’s taken my soul She’s taken my words She’s taken everything ... She’s taken my heart She’s taken my soul And without my noticing … She’s taken my words She’s taken my time She’s touched me deep inside … Without my noticing … (song begins slow fade out) Oh yeah yeah, she’s oh, taken my soul She’s taken my soul ... CD: A CD of the soundtrack was released: Universal Music Australia 5643892 1999 Original Music Score composed and produced by Burkhard Dallwitz (Tracks 2,4,6,8 & 14) Soundtrack executive producer/music supervisor: Lance W. Reynolds Music Co-ordinator: Sylvia Walker-Wilson Universal soundtrack co-ordinator: Kym-Louise Barton 01: I Drove All Night Roy Orbison 02: Ruby's Theme Burkhard Dallwitz 03: Crying Roy Orbison 04: Opening Burkhard Dallwitz 05: I Remember You Frank Ifield 06: Rain Burkhard Dallwitz 07: Proud Man Jon Stevens 08: On Your Own Burkhard Dallwitz 09: Suddenly Soraya 10: High Lighthouse Family 11: Oh, Pretty Woman Roy Orbison 12: Crying Hugh Jackman, Claudia Karvan. 13: Only the Lonely Roy Orbison 14: Love Theme Burkhard Dallwitz 15: She's Taken My Words Human Nature Music in the film: Bagpipes bob up at the buck’s night do involving Hamish - though the player can only be seen in the dark on the back of a flatbed - so the most notable appearance of music in the film occurs when Jack and Ruby get up on stage to appear in a sing-a-long competition, the previous competitor having proven to be terrible, and Jack having started nervously, until Ruby joins him and they begin to really swing. See this site’s photo galleries for more images: Composer Burkhard Dallwitz: Composer Dallwitz was then running hot thanks to his score for Peter Weir’s The Truman Show, and so his appointment to do the score attracted snippets of press attention. This in the Sunday Age, 26th April 1998: This in the Sunday Age, 12th July 1998: Dallwitz was interviewed by Rob Walker for Australian Musician, Issue 17, autumn 1999, about the time of this period in his career. The original site is no longer active, but the interview could be found at the WM here: Walker: Melbourne based composer, Burkhard Dallwitz, was recently awarded a prestigious Golden Globe Award in Hollywood for his music score to Australian director Peter Weir's film 'The Truman Show'. He got the nod over Hollywood luminaries like Hans Zimmer, Randy Newman, John Williams and Jerry Goldsmith. Bemoaning the fact that a little known composer from Australia had been plucked from obscurity, Randy Newman was heard to be asking How do we put him back there! Burkhard kindly found some time to speak to Australian Musician's Rob Walker soon after his triumphant return home. Dallwitz arrived in Australia from Germany 20 years ago with the intention of taking an extended working holiday, he never left.
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