DOCSLIB.ORG

Laura Donnelly CDG Casting Director

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Laura Donnelly CDG Casting Director Laura Donnelly CDG Casting Director Agents Jess Alford Associate Agent [email protected] Ellie Blackford [email protected] 020 3214 0800 Credits Theatre Production Company Notes A SECOND CHANCE (In Waterson Music Casting Director Development) 2020 MRS PUNTILA AND HER MAN Royal Lyceum Theatre/ DOT Theatre Casting Director MATTI Istanbul 2020 THE PANOPTICON NTS at The Traverse Theatre Casting Director 2019 SOLARIS Royal Lyceum Theatre, Malthouse Casting Director 2019 Melbourne, Lyric Hammersmith, 2019 RED DUST ROAD NTS/HOME Manchester Casting Director 2019 TOTAL IMMEDIATE COLLECTIVE NTS/Royal Court/ EIF - UK and Casting Director IMMINENT TERRESTRIAL International tour, 2019 SALVATION 2019 MY LEFT RIGHT FOOT NTS and Birds of Paradise - UK/Japan Casting Director 2019 United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes THE CHEVIOT NTS and Live Theatre, UK Tour Casting Director 2019 ANYTHING THAT GIVES OFF The TEAM, New York Casting Director LIGHT 2019 WENDY AND PETER Royal Lyceum Theatre Casting Director 2018 MIDSUMMER NTS | Edinburgh International Casting Director 2018 Festival THE 306: DUSK NTS | Perth Theatre | 1418 Now Casting Director 2018 CYRANO DE BERGERAC NTS | Citizens Theatre | Lyceum Casting Director 2018 Theatre ADAM NTS | UK Tour | US Tour Casting Director 2018 EDDIE AND THE SLUMBER NTS | Catherine Wheels Casting Director SISTERS 2018 MY LEFT RIGHT FOOT Birds of Paradise | NTS Casting Director 2018 TWELFTH NIGHT The Royal Lyceum | Bristol Old Vic Casting Director 2018 Theatre DRS OF PHILOSOPHY The Usher Hall | Edinburgh Book Casting Director 2018 Festival | Royal Lyceum OUR LADIES OF PERPETUAL NTS | West End Transfer (Duke of Casting Director SUCCOUR York's Theatre) 2017 THE STRANGE UNDOING OF NTS | New York Transfer (The Casting Director PRUDENCIA HART McKittrick Hotel) 2017 ROCKET POST NTS Casting Director 2017 ADAM NTS | The Traverse Theatre Casting Director 2017 HOW TO ACT NTS | Summerhall at the Edinburgh Casting Director 2017 Fringe THE 306: DAY NTS | Stellar Quines | Perth Theatre Casting Director 2017 LAMPEDUSA Citizens Theatre | Wonderfools Casting Director 2017 THE ARABIAN NIGHTS The Royal Lyceum Edinburgh Casting Director 2017 United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes COCKPIT The Royal Lyceum Theatre Edinburgh Casting Director 2017 RHINOCEROS The Royal Lyceum | DoT Theatre Casting Director 2017 Istanbul GLORY ON EARTH The Royal Lyceum Theatre Edinburgh Casting Director 2017 THE WINTER'S TALE The Royal Lyceum Theatre Edinburgh Casting Director 2017 HAYFEVER The Citizens Theatre | Royal Lyceum Casting Director 2017 OUR LADIES OF PERPETUAL NTS | Live Theatre Newcastle | UK Casting Director SUCCOUR Tour 2016 GRANITE NTS Casting Director 2016 I AM THOMAS NTS | Told By An Idiot (UK Tour) Casting Director 2016 GLASGOW GIRLS NTS | Pomegranate Productions Casting Director 2016 ANYTHING THAT GIVES OFF NTS | The Team for The Edinburgh Casting Director LIGHT International Festival 2016 THE 306: DAWN NTS | The Red Note Ensemble | 1418 Casting Director 2016 THIS RESTLESS HOUSE TRILOGY NTS | The Citizens Theatre Casting Director 2016 THE STRANGE NDOING OF NTS | US Tour | UK Tour Casting Director PRUNDENCIA HART 2016 THE JAMES PLAYS NTS | Edinburgh International Casting Director 2016 Festival ALICE's ADVENTURES IN The Royal Lyceum Theatre Edinburgh Casting Director WONDERLAND 2016 JUMPY The Royal Lyceum Theatre Edinburgh Casting Director 2016 INTERIORS Vanishing Point for The Edinburgh Casting Director 2016 International Festival TOMORROW Vanishing Point China Tour Casting Director 2016 A CHRISTMAS CAROL NTS | Ann Arbor | Michigan Casting Director 2015 United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes OUR LADIES OF PERPETUAL NTS | Live Theatre Newcastle | UK Casting Director SUCCOUR Tour (Jointly Credited with 2015 Amy Ball) DRAGON NTS | Vox Motus | UK Tour Casting Director 2015 THE DRIVER'S SEAT NTS | The Tramway Glasgow | Royal Casting Director 2015 Lyceum Edinburgh YER GRANNY (LA NONNA) NTS | UK Tour Casting Director 2015 RITES NTS | Contact Theatre Manchester | Casting Director 2015 UK Tour DUNSINANE NTS | US Tour Casting Director 2015 LET THE RIGHT ONE IN NTS | St Ann's Warehouse New York Casting Director 2015 WHISKY GALORE NTS | Scottish Tour Casting Director 2015 KIDNAPPED The Scottish Storytelling Centre Casting Director 2015 THE JAMES PLAYS NTS | National Theatre | Edinburgh Casting Director 2014 International Festival (Jointly Credited with Charlotte Bevan) THE TIN FOREST NTS Casting Director 2014 IN TIME OF STRIFE TOUR NTS | Scottish Tour Casting Director 2014 DEAR SCOTLAND NTS Casting Director 2014 DUNSINANE INTERNATIONAL NTS | The Royal Shakespeare Casting Director TOUR Company 2014 BUTTERFLY Ramesh Meyappan Productions | Casting Director 2014 Imaginate Festival | Edinburgh Festival | Paris | New York WALLACE The Arches Glasgow Casting Director 2014 IN TIME OF STRIFE NTS Casting Associate 2013 LET THE RIGHT ONE IN NTS | Dundee Rep Theatre | The Casting Associate 2013 Royal Court A DOLL'S HOUSE NTS | The Lyceum Theatre Edinburgh Casting Associate 2013 United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes CONFESSIONS OF A JUSTIFIED NTS | Citizens theatre Glasgow Casting Associate SINNER 2013 DUNSINANE NTS | Royal Shakespeare Company | Casting Associate 2013 UK Tour DONALD ROBERTSON IS NOT A NTS | The Arches Glasgow Casting Director STAND UP COMEDIAN 2013 THE DAY I SWAPPED MY DAD NTS | UK Tour Casting Director FOR TWO GOLDFISH 2013 CALUM'S ROAD NTS | Scottish Tour Casting Associate 2013 THE STATIC International Tour Casting Associate 2013 BLACK WATCH International Tours (2012-2013) Casting Associate 2012 GLASGOW GIRLS NTS | The Citizens Theatre | Theatre Casting Associate 2012 Royal Stratford East THE STRANGE UNDOING OF NTS | International Tours Casting Associate PRUDENCIA HART 2012 BEAUTIFUL BURNOUT Frantic Assembly | NTS Casting Associate 2012 MY SHRINKING LIFE NTS | UK Tour Casting Associate 2012 ENQUIRER NTS | UK Tour Casting Associate 2012 LIFEGUARD NTS | Arches Casting Associate 2012 GHOST PATROL Scottish Opera Casting Advisor 2012 INSIDEOUT PRODUCTIONS Cottiers Theatre | Eastwood Park Casting Director PANTOMIMES Theatre | Websters Theatre 2012 COMPANY Cottiers Theatre Casting Director 2012 THE FIFTH BEATLE National Tour | Legend 20 Casting Director 2012 Entertainment Ltd. ELEGIES The Tron Theatre Casting Director 2011 United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes AFTER THE END The Citizens Theatre Studio Casting Director 2011 FIENDISH PLOT THEATRE CCA Glasgow Casting Director 2009 OTHERWISE ENGAGED Theatre for the Edinburgh Festival Casting Director 2008 Television Production Company Notes PRAMFACE BBC 3 | Little Comet Casting Director (Scottish) 2012 THE CREWS Foghorn Films Casting Advisor 2009 HIGHLAND: AIR SPLAOID Ink Animations Voice Casting Director 2007 THE 3 MUSKETEERS Ink Animations Voice Casting Director 2006 Film Production Company Notes TETRIS Unigram/Marv Studios Casting Associate 2021 ADAM ON SCREEN NTS/BBC Arts Casting Director 2021 RAPUNZEL NTS Casting Director 2020 SCENES FOR SURVIVAL National Theatre of Scotland Casting Director 2020 GHOST LIGHT National Theatre of Scotland Casting Director 2020 / Edinburgh International Festival EXCHANGE AND MART Hopscotch Films | Digitcult Casting Director 2014 Productions PULSE The Royal Philharmonic Casting Director 2014 Society SAIL AWAY (Short) Ecole Superieure Des Voice Casting Director 2013 Metiers Artistique UP THERE BBC Films Casting Director 2012 United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes PERFECT SENSE BBC Films Casting Coordinator 2011 DAY OF THE FLOWERS Rogue Elephant Pictures Scottish Casting Director 2011 SENSE AND SENSE Glasgow Science Centre and Casting Director ABILITY the RSAMD 2011 MOTHER (Short) Casting Director 2011 RCS (RSAMD) DFTV Casting Director/Industry Advisor for FILMS digital film students at The Royal 2010 - 2013 Conservatoire of Scotland THE RIVERSIDE 55 Degrees Casting Director MUSEUM FILMS 2011 THE RIVERSIDE 55 Degrees Casting Director MUSEUM STORYBOOKS 2011 WIPED (Short) Casting Director 2010 LIFT SHARE SHORTS White Space Solutions Casting Director 2010 THE DEAD BALL (Short) Scottish Television Casting Director 2010 LOVE CAKE (Short) Casting Director 2010 NARROW GAUGE (Short) Hopscotch Films Casting Director 2009 TORMOD Documentary Casting Director 2009 PARTY IN A MATCHBOX Casting Director (Short) 2009 LITTLE RED HOODIE Casting Director (Short) 2009 VALHALLA RISING Blind Eye Productions | La Crowd Casting Coordinator 2010 Belle Allee Productions | BBC Films STUDIVZ (Short Film Czar Belgium Casting Director Series) 2008 United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes CHAIN (Short) Napier University Casting Director 2007 CONFETTI (Short) Napier University Casting Director 2007 33:66 33:66 Films Casting Advisor 2007 RAW CUTS FILMS (Short Tbster
Load more

Recommended publications
  • No. 122 November 2012
    No. 122 November 2012 THE RED HACKLE RAF A4 JULY 2012_Layout 1 01/08/2012 10:06 Page 1 their future starts here Boarding Boys & Girls aged 9 to 18 Scholarship Dates: Sixth Form Saturday 17th November 2012 Junior (P5-S1) Saturday 26th January 2013 Senior (Year 9/S2) Monday 25th – Wednesday 27th February 2013 Forces Discount and Bursaries Available For more information or to register please contact Felicity Legge T: 01738 812546 E: [email protected] www.strathallan.co.uk Forgandenny Perthshire PH2 9EG Strathallan is a Scottish Charity dedicated to education. Charity number SC008903 No. 122 42nd 73rd November 2012 THE RED HACKLE The Chronicle of The Black Watch (Royal Highland Regiment), its successor The Black Watch, 3rd Battalion The Royal Regiment of Scotland, The Affiliated Regiments and The Black Watch Association The Old Colours of the 1st Battalion The Black Watch and 1st Battalion 51st Highland Volunteers were Laid Up in Perth on 23 June 2012. This was the final military act in the life of both Regiments. NOVEMBER 2012 THE RED HACKLE 1 Contents Editorial ..................................................................................................... 3 Regimental and Battalion News .............................................................. 4 Perth and Kinross The Black Watch Heritage Appeal, The Regimental Museum and Friends of the Black Watch ...................................................................... 8 is proud to be Correspondence .....................................................................................
    [Show full text]
  • The Black Watch Museum and Home Headquarters
    No. 102 November 2010 THE RED HACKLE Perth and Kinross is proud to be home to the Black Watch Museum and Home Headquarters Delivering Quality to the Heart of Scotland don’t lOSE YOUR VOICE - REGISTER TO VOTE In order to vote you must be registered as an elector. If you are not on the register your views and opinions will count for nothing at election time. You can and should register to vote if you are not already registered. If you have changed your name, please let us know. Members of HM Forces and their spouses or civil partners can register either by means of a service declaration or choose to be registered as an ordinary elector instead. Remember, 16 and 17 year olds who register are entitled to vote as soon as they turn 18. P.S. Did you know that registering to vote can do more than protect your democratic rights? It can also help you open a bank account or get a mortgage, loan or mobile phone. For information on registering to vote: Phone the Freefone Helpline on 0800 393783 e-mail: [email protected] or write to the Electoral Registration Officer, Moray House, 16-18 Bank Street, Inverness IV1 1QY HAVE YOUR SAY No. 102 42nd 73rd November 2010 THE RED HACKLE The Chronicle of The Black Watch (Royal Highland Regiment), its successor The Black Watch, 3rd Battalion The Royal Regiment of Scotland, The Affiliated Regiments and The Black Watch Association Private Sam Morgan receives his Afghanistan campaign medal during the visit or the Royal Colonel to Balhousie Castle on 1 June 2010.
    [Show full text]
  • The Black Watch
    m rT-^ LIBRA RY OF THE U N IVER5ITY or ILLINOIS P58b v.l ^//h^ypf^^^/f /.>.///. y?/uf/r//fy/r y)fTi/ <: yfrcA,f^^r/ff ,'7ffttr/f the Return this book on or before Latest Date stamped below. University of Illinois Library Mr^' „^o uv 5-a Li6i_H4l Digitized by the Internet Archive in 2009 with funding from University of Illinois Urbana-Chary|aign http://www.archive.org/details/blackwatch01pick tf THE BLACK WATCH. BY THE AUTHOR OF THE DOMINIE'S LEGACY IMy heart's in the Highlands wherever I go. Scots Song. IN THREE VOLUMES. VOL. I. LONDON, RICHARD BENTLEY, NEW BURLINGTON STREET. (successor to henry colburn.) 1834. LONDON: IE0T8OM ANT) PALMER, PRINTIRS, SAVOy STV.FF.T, !^ I nANIL ?^3 Pss-^•f. TO SIR CHARLES FORBES, BART. &c. &c. &c. Sir; It was the intention of my late father to dedicate to you the following Tale, illustrative of the martial character of the Highlands of Scotland. But death has withheld him from indulging in this wish. May, I therefore, his son, presume to fulfil the design which my father entertained, and inscribe with your name this, his last, Work ? <k I have the honour to be, Sir, With great respect, ^ Your most obedient Servant, JOHN COXON PICKEN. : ! THE BLACK WATCH, CHAPTEH I. To Nature and to Holy Writ Alone did God the boy commit Where flash'd and roar'd the torrent^ oft His soul found wings^ and soar'd aloft Coleridge. The first peep of daylight was just beginning to streak the sky on the seaward side of the old town of Inverness, in the north of Scotland, when a t^l Highland youth, dressed in bonnet and trews, stole cautiously forth from the straggling outskirts, and with his face turned southerly, set hastily forward on some boyish VOL.
    [Show full text]
  • Annual Newsletter, 2013
    1 The 42nd Royal Highlanders America’s premier band of pipes, fifes, and drums Annual Newsletter 2013 XLII Greetings from the 42nd! -This year’s newsletter will focus on the band’s recently-completed Tour of Scot- land from June 19-27. This was truly a trip of a lifetime and we hope to tell all about the lead-in to the trip and what all the band accomplished during the tour. Yours Aye, Preston Smith President Tour of Scotland For decades, while performing all around the United States, the 42nd band has dreamed of traveling to and performing in Scotland. In the years leading up to and following the release of “No Matter What the Season”, the band’s marching and musicianship had improved to the point where, in 2011 - following the sale of the Griffin House and creation of the Griffin Endowment - the men of the 42nd set a goal to finally reach Scotland in 2013. Scotland Tour Group, Edinburgh Castle Since setting our sights on Scotland, the band has redoubled its efforts in many areas: maintaining and improving uniforms, acquiring matched chanters to improve the sound of the pipes, repaint- ing drums, upgrading the Regimental Colors (thanks to fifer Josh Rose for the painting of the regimental device!), Arranging new sets of music, working on marching, drill, and deportment, and developing a fundraising plan to make it all possible - primarily centered around playing for the public as much as possible. In the year before leaving for Scotland, the band traveled from the Straits of Mackinaw to the Gulf Coast, and put on nearly 30 perfor- mances.
    [Show full text]
  • The Scottish Highland Regiments in the French and Indian
    Eastern Illinois University The Keep Masters Theses Student Theses & Publications 1968 The cottS ish Highland Regiments in the French and Indian War Nelson Orion Westphal Eastern Illinois University This research is a product of the graduate program in History at Eastern Illinois University. Find out more about the program. Recommended Citation Westphal, Nelson Orion, "The cS ottish Highland Regiments in the French and Indian War" (1968). Masters Theses. 4157. https://thekeep.eiu.edu/theses/4157 This is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in Masters Theses by an authorized administrator of The Keep. For more information, please contact [email protected]. PAPER CERTIFICATE #3 To: Graduate Degree Candidates who have written formal theses. Subject: Permission to reproduce theses. The University Library is rece1v1ng a number of requests from other institutions asking permission to reproduce dissertations for inclusion in their library holdings. Although no copyright laws are involved, we feel that professional courtesy demands that permission be obtained from the author before we allow theses to be copied. Please sign one of the following statements. Booth Library of Eastern Illinois University has my permission to lend my thesis to a reputable college or university for the purpose of copying it for inclusion in that institution's library or research holdings. I respectfully request Booth Library of Eastern Illinois University not allow my thesis be reproduced
    [Show full text]
  • Dramatising the Political in Contemporary Scottish Theatre & Performance
    Dramatising the Political in Contemporary Scottish Theatre & Performance with Dr Rania Karoula The session will start at 12:00 BST. Dramatising the Political in Contemporary Scottish Theatre and Performance Dr Rania Karoula Teaching Fellow in Literature and Theatre [email protected] Images: 1. Leaflet for the original production of Europe, Traverse Theatre, Edinburgh 1994. 2. Poster for the play The Cheviot, the stag and the black black oil at the Lyceum Theatre, Edinburgh, 1973. 3. Black Watch, photo by Manuel Harlan (NTS). 4. Alison Peebles as Queen Elizabeth I. Photo by Sean Hudson. 5. Production photo of The Suppliant Women, Royal Lyceum, 2016. Defining the ‘political’ in theatre • ‘Political theatre is intellectual theatre. Political meaning is “read” by the spectator’. (Michael Kirby) • ‘The political realm rises directly out of acting together, the “sharing of words and deeds”. The theatre is the political art par excellence; only there is the political sphere transposed into art. By the same token, it is the only art whose sole subject is man in his relationship to others’. (Hannah Arendt) • ‘The theatre can never “cause” a social change. It can articulate pressure towards one, help people celebrate their strengths and maybe build self- confidence…Above all, it can be the way people find their voice, their solidarity and their collective determination’. (John McGrath) • ‘The history of political theatre is also a history of how to use spaces other than the proscenium arch’. (Olga Taxidou) What is contemporary drama? • Theatre
    [Show full text]
  • Shakespeare Theatre Company Begins January 26
    Candide SHAKESPEARE THEATRE COMPANY BEGINS JANUARY 26 presents The National Theatre of Scotland’s production of BLACK WATCH by Gregory Burke directed by John Tiffany “It’s essential that you January 26–February 6, 2011 see Black Watch.” Sidney Harman Hall New York Observer Hurtling from a pool room in Scotland to an armored wagon in Iraq, Black Watch is based on interviews conducted by Gregory Burke with former soldiers who served in Iraq. Viewed through the eyes of those on the ground, Black Watch reveals what it means to be part of the legendary Scottish regiment, what it means to be part of the war on terror and what it means to make the journey home again. John Tiffany’s production from the National Theatre of Scotland makes powerful and inventive use of movement and music to create a visceral, complex and urgent piece of theatre. This production of Black Watch launches its U.S. tour at the Shakespeare Theatre Company, having played to universal acclaim in Australia, New Zealand, London, Toronto, Los Angeles, New York, Edinburgh and more. Runtime is 1 hour 50 minutes long with no intermission. Black Watch contains very strong language, loud explosions and strobe lighting. Recommended for audiences 13 years and older. Special notice for stage seating: Due to the highly physical nature of the performance, there will be absolutely no late seating for these seat locations. If you need to leave during the show you must be escorted by an usher and will not be allowed to re-enter the show. Tickets on sale now! Call 202.547.1122 or visit ShakespeareTheatre.org today! Media Partners: Groups of 10+, call 202.547.1122, option 6 Photos: Cameron Barnes as Macca; Chris Starkie as Stewarty, Keith Fleming as Sergeant and Scott Fletcher as Kenzie34 in the National Theatre of Scotland’s production of Black Watch.
    [Show full text]
  • This Thesis Has Been Submitted in Fulfilment of the Requirements for a Postgraduate Degree (E.G
    This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: • This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. • A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. • This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. • The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. • When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. The Unlisted Character: On the Representation of War and Conflict on the Contemporary Stage Julia Boll PhD University of Edinburgh 2011 Abstract The focus of this dissertation is the theatrical representation of both the individual and war in a time of disintegrating national states and the dramatisation of destruction versus survival as the driving forces on stage. In a study on the future of empire it has been observed that instead of progressing into a peaceful future, the 21 st century has slipped back in time into the nightmare of perpetual and indeterminate state of warfare: ceasing to be the exceptional state, war has become 'the primary organising principle of society', thus echoing Giorgio Agamben's declaration that the state of exception has become the status quo.
    [Show full text]
  • 'We're Just Big Bullies …' Gregory Burke's Black Watch
    ‘We’re just big bullies …’ Gregory Burke’s Black Watch By David Archibald It seems almost disloyal, traitorous even, to voice critique of the National Theatre of Scotland’s There are moments when the soldiers do flagship production,Black Watch. Based partly undercut the monumentalising narrative: on interviews with former members of the eponymous Highland regiment who recently Writer: Is that why your granddad joined? served in Iraq, it was the undisputed hit of the Cammy: I dinnay ken. 2006 Edinburgh International Festival Fringe Rossco: He was probably just a fucking idiot picking up a rake of five-star reviews and theatre tay? awards on both sides of the border. The Scottish Granty: He’s fay a long line ay idiots. (p. 25) press reported its successful 2007 US tour in terms usually reserved for national sporting But the general thrust is one that is at ease with champions: Black Watch appears to be firm the official Golden Thread mythology. In one favourite in the ‘most successful Scottish play of the theatrical highlights of the piece, Cammy of all time’ competition. Praised highly by Alex stands, centre stage, a strip of red carpet placed Salmond, the new SNP Government mounted beneath his feet. In a process reminiscent of a two Gala productions to mark the opening of catwalk fashion parade, he is then dressed in the the new Scottish changing uniform parliamentary of the regiment session. going back three Consequently, Black centuries, from past Watch now bears to present. While its own burden this takes place, of representation: Cammy narrates a it is not simply history of the Black a Scottish play Watch that starts about Iraq; it is the in 1715 in Scotland Scottish play about and encompasses Iraq.
    [Show full text]
  • Robbie Gordon Theatre-Maker and Playwright
    ROBBIE GORDON THEATRE-MAKER AND PLAYWRIGHT Email: [email protected] Mobile: 07891173246 Website: www.robbiegordon.org TRAINING 2012-2016 Royal Conservatoire of Scotland – BA (Hons) Contemporary Performance Practice CREDITS o Movement Director Lost Elves (Citizens Theatre and the Royal Conservatoire of Scotland) 13th – 29th December (Tramway). o Associate Director Square Go by Gary McNair and Kieran Hurley directed by Finn Den Hertog (Francesca Moody Productions) UK Tour: 9th September – 13th October 2019 o Writer/Movement Director 549: Scots of the Spanish Civil War directed by Jack Nurse (Wonder Fools) in association with the Citizens Theatre and Brunton Theatre: 21st May – 23rd June 2019 (Scottish Tour) o Writer/Director YOUNG BLOOD (Ayr Gaiety Young Theatre Company in collaboration with Royal Conservatoire of Scotland Young Company): 17th of November (Traverse Theatre as part of Chrysalis Emergence); 30th March 2019 (Royal Conservatoire of Scotland); 2nd April 2019 (Ayr Gaiety Theatre); 5th July 2019 (National Festival of Youth Theatre) o Director – WFxS presents: TWO ((Wonder Fools x SHOOSHT) 5th December 2018 o Workshop Leader/Sand Facilitator Pages of the Sea (Danny Boyle; National Theatre of Scotland; 1418 NOW): 11th November 2018 o Writer/Director The Madness of Crowds (The Royal Conservatoire of Scotland Young Theatre Company): 28th June (Royal Conservatoire of Scotland) o Writer A Man’s A Man For A’ Whit? (Wonder Fools in association with Summerhall and Burns Unbroke): 3rd March (Summerhall) o Writer/Movement Director 549:
    [Show full text]
  • Download a Program
    Headlong Theatre, Birmingham Repertory Theatre, Liverpool Everyman and Playhouse, Lyric Hammersmith and West Yorkshire Playhouse present by Simon Schama Adapted for the stage by Caryl Phillips First performed on 14 September 2007 at Birmingham Repertory Theatre. Headlong Theatre, Birmingham Repertory Theatre, Liverpool Everyman and Playhouse, Lyric Hammersmith and West Yorkshire Playhouse present ROUGH CROSSINGS by Simon Schama Adapted for the stage by Caryl Phillips Isaac Peter Bankole Eliza Sharp Miranda Colchester David George Peter De Jersey Johnson / Sergeant Davy / American Officer Ian Drysdale Henry De Mane Dave Fishley Thomas Clarkson Andy Frame William Sharp / Redcoat / Lieutenant Rob Hastie Phyllis George Dawn Hope John Clarkson Ed Hughes Captain / Cornwallis / Falconbridge Mark Jax Ship’s Boy / Anna Maria Falconbridge Jessica Lloyd Granville Sharp Michael Matus Sally Peters Wunmi Mosaku James Somerset Ben Okafor Thomas Peters Patrick Robinson Buck Slave / Sierra Leone Settler Daniel Williams All other parts played by members of the company. Director Rupert Goold Designer Laura Hopkins Lighting Designer Paul Pyant Composer & Sound Designer Adam Cork Video & Projection Design Lorna Heavey Movement Director Liz Ranken Casting Consultant Kirsty Kinnear Assistant Director Vik Sivalingam Assistant Designer Simon Kenny Production Manager Spencer New Company Stage Manager Julia Reid Deputy Stage Manager Lucy McMahon Assistant Stage Manager Sarah Jane Davies Costume Supervisor Hilary Lewis Re-Lighter & Production Electrician Tom Snell
    [Show full text]
  • Press Release Monday 12 June 2017 Royal Court Theatre
    PRESS RELEASE MONDAY 12 JUNE 2017 ROYAL COURT THEATRE ANNOUNCES CAST FOR ROAD, WRITTEN BY JIM CARTWRIGHT, DIRECTED BY JOHN TIFFANY. Cast in alpahabetical order Michelle Fairley, Mark Hadfield, Faye Marsay, Mike Noble, Dan Parr, Lemn Sissay, June Watson, Liz White and Shane Zaza have been cast in Jim Cartwright’s game-changing play Road which opened at the Royal Court in 1986. It is directed in a new production by Royal Court Associate Director John Tiffany. Road runs in the Royal Court Jerwood Theatre Downstairs 21 July 2017 – 9 September 2017 with press night on Friday 28 July at 7pm. With design by Chloe Lamford, lighting by Lee Curran, sound by Gareth Fry and movement by Jonathan Watkins. “I feel like England’s forcing the brain out me head.” A Road, a wild night, a drunken tour guide, a journey to the gutter and the stars and back. “Why’s the world so tough? It’s like walking through meat in high heels.” Jim Cartwright’s seminal play gives expression to the inhabitants of an unnamed northern road in Eighties Britain. “Road is coming round us.” Full listings and biography information below. Ends:- For more information or images please contact Anoushka Warden on 0207 565 5063 / [email protected] Notes to Editors: Press night Road Jerwood Theatre Downstairs 7pm, Friday 28 July 2017 Biographies: Jim Cartwright (Writer) For the Royal Court: Hard Fruit, I Licked A Slag’s Deodorant (& West End), Road (& UK tour). Other theatre includes: Raz (West End/UK Tour/Edinburgh Festival Fringe); Two (Young Vic); Eight Miles High (& Theatre Royal, Bristol), The Ancient Secret of Youth, The Five Tibetans, Two 2 (Bolton Octagon); Mobile Phone Show, Bed (National); A Christmas Fair (Milton Rooms); Prize Night (Royal Exchange, Manchester); The Rise & Fall of Little Voice (National/West End/Broadway).
    [Show full text]