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Staircase to the 60’s in the House of History = 2*11*7'.+"842058'8 8'2(+";<="H?"@AB"+C@DEFDGH?EDI")FJKB" FL")HK@FDI"6#-;#'$("&##$("&+.I"/)4#'h$ @S$&HRB;K"SBDKF?ET"UFJD?BI8$6")3"$ )4,+&0'$#;#&7(")4I$6#$'##$("&+.I"$ ("#$#7#'$+,$-$4)3#$e#6)'"$9+7$,&+0$ U&++J/748$3+44#3()4I$6)("$1#+1/#$-4*$ #;#4('$"#N'$#H1#&)#43#*$+4/7$("&+.I"$ 0#*)-8$6")/#$".4()4I$,+&$4#6$,.(.&#'[$$ Host “Mike” entering the House of History ZS$@AB"7HVBTH?B8$W)J#N'$/)4#-&$")'(+&78$ ,&-0#*$97$1+1./-&$0-''$0#*)-[$-4*$$ =S$W)J#N'$.4.'.-/$)FJKB"FL")HK@FDI$ )('#/,8$+33.1)#*$97$'.&1&)'#$I.#'(': &HRB9"-I#$Z=$RPd+.4I#&$W)J#QS8$3-9'$ (+$")'$.&9-4$(+64D"+.'#:$<4$("#$(-H)$ 0)&&+&$"#$#4;)')+4'8$6)("$0-)4$()(/#'8$$ 1-'($;)')+4'$+,$("#$,.(.&#: ]#$-&&);#'$-($")'$"+.'#8$9.($)4$("#$ ,+7#&8$W)J#8$'-0#$3/+("#'8$)'$'.**#4/7$ “Every house is a journey, Mike.” 0)**/#D-I#*$RP5/*#&$W)J#QSDD$"#N'$ We’d like home restoration expert Bob Vila to help us P2.01#*:Q$$]#N'$+;-()4I$")'$+/*$ renovate the House of History - his shows made home renovation an expression of the nostalgia "+.'#$6)("$WFX".HTE9$6"+$)4$@AF>$ movement first explored in Since ‘45 1�)#&#*$$"+0#$&#'(+&-()+4$6)("$MU_N$ 1+1./-&$6*"-&B5>&8+,-%8$'()//$-)&)4I: Q K11&-)')4I$("#$"+.'#8$U+9$)*#4()%#'$ 6+&0"+/#'$)4$#;#&7$*++&k$!+$W)J#$("#$ *++&'$$/++J$'+/)*:$U.($/++J)4I$("&+.I"$ ("#$1+&(-/8"5/*#&$W)J#$'##'"d+.4I#&$ W)J#$9#I)44)4I$")'$#H1/+&-()+4$("&+.I"$ ("#$/-(#$B>N'$-4*$#-&/7$C>N'$k$$5/*#&$W)J#$ *)'-11#-&'$,+&$-$6")/#: d+.4I#&$W)J#$)4;#'()I-(#'$("#$,-//$+,$$ e+'#1"$W3Y-&("7$6)("$1HZAEDG"1F[BDB[$ Younger Mike begins his journey Houseguest Michael Meeropol describes how mass ,#-&$+,$Y+00.4)'0$6)("$1FXBD@"/TBH?$ media affected the fate of his parents- the Rosenbergs -4*$j+'#49#&I$'+4$&HZAEBT"&BBDFSF/:$ <4$("#$C>N'8$"#$'"+6'$"+6$!i$9#I)4'$ (+$3/+'#$("#-(#&'8$&#'"-1)4I$("#$0#*)-$ /-4*'3-1#8$-4*$")'$#H1#&)#43#$+,$&#-/)(7:$ ]#$3/)09'$(+$-$4#6$*#3-*#8$-//)4I$ ("#$c#6$^&+4()#&$+,$("#$l>N'8$;)')()4I$ 3+/.04)'($*D@"WJZA\ETG8$6"+$&#;#-/'$("#$ 1&#''$#H1#&)#43#$*.&)4I$("#$m#44#*7$#&-: W)J#$;)')('$Y+4I&#''0-4$(AEDTBK"1E?]BT" (+$#H1/+&#$("#$0#*)-N'$&+/#$*.&)4I$$ '+.("#&4$&-3)-/$.4&#'(: Houseguest Robert Klein, performer, W)J#$&#I)'(#&'$("#$i)#(4-0$O-&$"#-()4I$ Houseguest Art Buchwald covers the press describes threats of the 50’s and 60’s. and the Kennedy White House .18$9.($"#N'$7+.4I8$*)'(&-3(#*$97$0#*)-: Y W)J#$3#/#9&-(#'$1+1./-&$!i$'"+6'$ "#$I$.1$6)("8$/)J#$6*%&:;#&C0+3& DE2FGH$-4*$6*%&!+,71&!;5%-&!*+I8$6)("$ _+.17N'$3+D1#&,+&0#&$_DE?R"2EK@EKH$ R6"+$1/-7#*$O")(#$^-4I$-4*$U/-3J$ !++("8$_+.17N'$1#($*+I'S:$$ O#$'##$"#-;)/7$0#*)-D0-''-I#*$/-(#$ l>N'$#;#4('$/)J#$("#$%&'($0-4$+4$("#$ 0++48$6)("$-$")/-&)+.'$')*#$'(+&7$ 97$2+.&4-/)'($,H?GE"+TTBDXBB[$3+/+&$ Houseguest Alan Canfora bitterly describes Mike’s official Man from UNCLE cigarette case- events leading to his shooting at Kent State gun-communercator 3+;#&-I#$+,$("#$i)#(4-0$6-&$6)("$ 4#6'$1&+*.3#&$1FXBD@"2FD@AKAHBTG$ -4*$3+00#4(-(+&$$PEVBK"/HTSE@DHZR[$$ '(.*#4($1&+(#'($-4*$;)+/#43#$-($m#4($ _(-(#$6)("$[HZ@HV"*TE?"(E?LFDE8$0#*)-$ ,##*9-3J$*#'3&)9#*$97$PEVBK"/J?B?:$ Y/)09)4I$")I"#&$)4(+$("#$E>N'8$d+.4I#&$ W)J#$%4*'$")0'#/,$$6)("*&-6)4I$ )4(+$("#$G.)#(.*#$+,$("#$4+'(-/I)-$ 0+;#0#4(:$!"#48$6)("$0+&#$"#/1$,&+0$ K&($U.3"6-/*$-4*$LMSaturday Night Live describes her early TV experiences U.($+.(')*#8$"-4*$'()//$+4$*++&J4+9\$ )(N'$5/*#&$W)J#k$K4+("#&$6+&0*++&$ 2.01:$]#N'$-*2.'()4I$(+$("#0:$ ]#$(-J#'$.1$("#$(+.&8$#H1/+&)4I$0+;)#$ #,,#3('$(#3"4+/+I7$6)("$%/00-J#&'8$ ,+&3#'$9#")4*$1+1./-&$0.')38$-4*$ ("#$9)&("$+,$("#$O+&/*$O)*#$O#9:$ K$07'(#&)+.'8$V)(()4I8$)4;)')9/#$,+&3#$ +33-')+4-//7$)4V.#43#'$")'$#H1/+&-()+4: ]#$3+44#3('$6)("$0)/#'(+4#$#;#4('$ -4*$0#*)-$;)#6'$+,$6+&/*$#;#4('$'.3"$ -'$("#$!)-4-40#4$_G.-&#$.1&)')4I$)4$ SNL Houseguests Larraine Newman, Tom Schiller Y")4-8$("#$,-//$+,$("#$U#&/)4$O-//8$("#$ Mike slams the door on the SNL writer’s room– and Michael O’Donohue accurately foresee his last appearance till show’s end; the portal a time when things won’t be so funny n./,$O-&8$K0#&)3-N'$Z>>>$#/#3()+4$ propels him into Older Mike 3+4(&+;#&'78$("#$Ao@@$-((-3J': ` O#$3-1(.&#$("#$'6##1$+,$3"-4I)4I$(#3"$ 1-&-*)I0'$'.3"$-'$V-('3&##4'8$9#((#&$ 3+01.(#&'8$3#//$-4*$'0-&(1"+4#'8$ -4*$/#''D#H1+'#*$#7#D+1#4)4I$ *#;#/+10#4('8$3+44#3()4I$6)("$1#+1/#$ 9#")4*$("#08$-4*$("#$,.(.&#'$-"#-*: O#N*$/)J#$(+$*&+1$)4$-($-BE?"/EVB?N'$ l>>>$'G:$,($1&+(+(71#$/-98$6)("$W)J#$-4*$ f#-4$3"-(()4I8$3&.)')4I$+4$$_#I6-7':$ O#$#4;)')+4$)4(#&&.1()4I$PHV",BADBDN'$ Mike researches the next 30 years and guides Chawla’s Eye: “Kalpana” in Hindi means “imagination.” us through more media-soaked American history – MU_$4#6'3-'($(+$3"-($-9+.($4#6$("&#-('$ At a shuttle viewport she noticed the reflection of her and as Wired tells it, the Future Gets Fun Again (+$!i$2+.&4-/)'0:$ eye; her retina was filled by the whole earth. Recreated in memory of the crew of Shuttle Mission ST-107 O#$"+1#$(+$)4;-*#$3+01.(#&$&#'#-&3"$ /-9'$-($L4);#&')(7$+,$O-'")4I(+48$W

Even while the TV is unplugged, Dr. Isaac Asimov re-appears, -4(#&++0$#4(&-43#:$^&+0$")'$6&)'($1-4#/$ A driver seeking a parking space is about to ruin with closing remarks accompanied by updated "#$3/+-J'$")0'#/,$-'$"#$#4(#&':$ Younger Mike’s carefully rehearsed exit. technology montage <4')*#8$d+.4I#&$W)J#$)'$*)''#09/)4I$-4$ +/*$.41/.II#*$!i$'#(8$#H-0)4)4I$1-&(': _.**#4/7$-Da"'KEEZ"*KHVF[$-11#-&'$ +4$("#$!i8$*#/);#&)4I$3/+')4I$("+.I"('$ D$-4$)//.')+4$1&+2#3(#*$97$3/+-J#*$ ^.(.&#W)J#N'$#09#**#*$6&)'($1&+2#3(+&: <(N'$-//$0-I)3$(+$d+.4I#&$W)J#8$6"+$ 0-J#'$")'$6-7$+.($+,$")'$'(&-4I#$-4*$ 6+4*#&,./$"+.'#8$6"#&#$"#$*#/);#&'$ -$0)/*/7$'J#1()3-/$3/+'#?$-4*$"-'$")'$ 3-&#,.//7$'(-I#*$#H)($*#'(&+7#*$97$-4$ Original Director of Photography John Hoover: -3(.-/$&-4*+0$#;#4(: “Don’t worry, Mike - we can take it again!” %% 510-6(7'02"-+8':2"_01"1849:";<"0=")*+":>)%2$%&0=2%3"?$-@+"$'"?0@)$%3 !"#$+&)I)4-/$1&)T#6)44)4I$%/0$-3('$-'$("#$1)/+(8$1&++,$+,$3+43#1(8$,+.4*-()+48$-4*$ %&'($(")&*$+,$(")'$2+.&4#78$6)("$&#'(+&-()+4$-4*$#4"-43#*$)0-I#&7:$$ !"#$'"+6$)'$/-7#&#*$6)("$*#')I4$6")3"$&#V#3('$0#*)-$+,$("#$1#&)+*:$$!"#$ @ABCD@AEF$!"#$%&'()$'(-&('$-'$-$9/-3J$-4*$6")(#$@l00$%/0$)4$3/-'')3$Bh=$-'1#3($ &-()+[$3"-4I#'$(+$3+/+&$6"#4$("#$()0#/)4#$3+0#'$(+$("#$0)*$l>'$6"#4$("#$0-2+&$ 4#(6+&J'$9#I-4$(+$9&+-*3-'($,.//$3+/+&[$-4*$#4*'$)4$Bh=$3+/+&:$ K/("+.I"$3+01/#(#/7$'"+($)4$")I"$*#%4)()+48$1849:"A;<"B$6)//$3+4()4.#$ '#-0/#''/7$)4$Bh=$6)("$')0./-(#*$@l00$%/0$/++J$-4*$I&-)4[$6)*#4$(+$@hll$-'1#3($ Mike’s wardrobe changes with every decade &-()+$,+&$("#$A>N'8$-4*$(+$@hEF$,.//$6)*#8$")I"#'($&#'+/.()+4$-'$6#$-11&+-3"$("#$ 0)//#44).0$6"#4$0+&#$+,$.'$#H1#&)#43#$@lhA$6)*#'3&##4$!i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k$ Some doors remain open when we !"#$1&+*.3()+4$)'$*#')I4#*$(+$9#$.1*-(#*$,&+0$()0#$(+$()0#$,+&$&#D&#/#-'#:$ leave a houseguest; these represent ongoing controversy or unresolved issues

%# &*88"&+-'*"705'(8 G#/%0/;"#3%#/&;#>&K#.+03;/"+# p$ i)*#+$n-0#'h$,&+0$M+4I$(+$("#$bDU+H$-4*$1"+(+$&#-/)'()3$3"-&-3(#&': p$ W.')3h$,&+0$`M'$(+$YfN'8$<1+*'8$)4(&+*.3()+4$+,$W.')3$i)*#+'8$*)($ *+64/+-*: p$ !#/#;)')+4h$,&+0$("&##$0-2+&$4#(6+&J'$(+$3-9/#8$'-(#//)(#8$-4*$+4$*#0-4*: p$ W+;)#$*#/);#&7h$,&+0$("#$6-7$(")4I'$6#&#$R'#3+4*$&.4$("#-(#&'8$*&);#D)4'8$ #(3:S$(+$i]_$0-3")4#'$(+$fif8$c#(V)H$-4*$("#$)4(#&4#(:$K/'+$*)'3.''#*8$]+0#$ Robert Northshield’s doorbell: no appointment necessary. !"#-(#&'8$("#$)4V.#43#$+,$1+&4+I&-1"7$)4$3-(-1./()4I$i]_$0-3")4#'$+;#&$ We visit accomplished, high proﬁle houseguests working in all media domains U#(-0-H8$-4*$"+6$(")'$1+&4+I&-1"7$)'$4+6$G.)3J/7$'##1)4I$)4(+$("#$4#6#'($ *#/);#&7$0#*).0h$("#$)4(#&4#(:$ p$ !"#$*#0)'#$+,$(-1#$0#*)-\#4(#&$V-'"3-&*$+&*)4I: p$ c#6'h$("#$)4(#&4#(8$'+3)-/$4#(6+&J'$'.3"$-'$^&)#4*'(#&8$^-3#U++J8$!6##()4I:$ <&-4)-4$1&+(#'(#&'$.')4I$3#//$1"+4#'$-4*$("#$4#($(+$I#($1&+(#'($'3#4#'$6#$ #H1#&)#43#$"#$-4*$#;#&7+4#$/++J)4I$,+&$("#)&$%,(##4$0)4.(#'$+,$,-0#$R+,(#4$ +4$&#-/)(7$'"+6'$?$-$".I#$0)'4+0#&S: 8"-/+01&"#&/*%&:%>"; p$ aH1/+&)4I$("#$)01-3($+,$0#*)-$3+;#&)4I$0-2+&$")'(+&)3-/$#;#4('$'.3"$-'h$6+&/*$ #;#4('$9&+.I"($"+0#$+4$!i8$/)J#$!)-4-40#4$_G.-&#:$$Y+;#&-I#$+,$("#$&)'-/$

Mike was there at the birth of computing for journalism- 6-&'$)4$<&-G$-4*$K,I"-4)'(-48$("#$1&+0)'#$+,$1#-3#$)4$("#$W)**/#$a-'(: a special Gannett news exihibit and a typical extension of the House of History p$ e+"4$`#44+4$-4*$j+4-/*$j#-I-4$'"++()4I': %M p$ j+4-/*$j#-I-4N'$*#1&#'')+4h$$"#$6-(3"#*$!]a$fKd$K^!aj$+4$)('$9&+-*3-'($ +,$c+;#09#&$Z>("8$@AF=8$-4*$6-'$*#;-'(-(#*$,+&$*-7'8$-33+&*)4I$(+$")'$ 1#&'+4-/$*)-&7:$K$;)')($6)("$-.("+&$f-;)*$]+,,0-4: p$ c+'(-/I)-$&+.4*$Zh$<4$)('$'#3+4*$'#-'+4$L#/"M,%-&N+;>-*+I&&-()4I'$-11&+-3"#*$ ("+'#$+,$1+1./-&$3+00#&3)-/$4#(6+&J'$&.44)4I$-3()+4D*#(#3();#$'"+6'8$ &#V#3()4I$;)3-&)+.'$I&##*$'.&&+.4*)4I$P3-'"$,+&$(&-'"8Q$-'$6#//$-'$".4I#&$,+&$ 4+'(-/I)-$-4*$3&-,(D/)J#$G.-/)(78$-$")'(+&)3-/$373/#$%&'($#H1/+&#*$)4$!"#$%&A():$$ K4$)4(#&;)#6$6)("$("#$m#4+$(6)4': p$ !"#$O+&/*$!&-*#$Y#4(#&$-4*$M#4(-I+4$-((-3J'$+,$Ao@@DD$0-47$,#/($("#$ 9&+-*3-'('$+,$Ao@@$6#&#$P2.'($/)J#$-$0+;)#8$/)J#$-$'3)#43#$%3()+4$0+;)#:Q$W)J#$ (-/J'$(+$-$4#6'$3-0#&-0-4$6"+$6-'$("#$#4*)4I$6)("$-$;)'.-/$(&)9.(#$(+$ %&'($&#'1+4*#&'$+4$("-($(#&&)9/#$*-7:$O#$0-7$-/'+$#H1/+&#$("#$*#/-7#*$Ao@@$ W#0+&)-/$1&+2#3(: p$ j#3#4($1+/)()3-/$*&-0-'$'.3"$-'$("#$9)&("$+,$4-()+4-/$"#-/("$3-$1/-7#*$+.($)4$ +11+')4I$0#*)-$3-01-)I4'[$("#$%&'($K,&)3-4DK0#&)3-4$1&#')*#4([$("#$O")(#$ ]+.'#$U##&$_.00)($6)("$]#4&7$`+.)'$n-(#'$-4*$5,%3#&$`-6+#$Y&+6/#7[$ )4(#&;)#6'$6)("$3+00#4(-(+&'$-4*$(")4J#&': p$ `-&I#$]-*&+4$Y+//)*#&h$!"#$/+4I$-6-)(#*$&#D)I4)()+4$+,$("#$`]Y$-($Yajc8$ 6"#&#$("#$6+&/*$6)*#$6#9$6-'$)4;#4(#*8$-4$)4(#&4-()+4-/$'3)#4()%3$ 9&#-J("&+.I"$)4$4.3/#-&$1"7')3'$9&+-*3-'($/);#$+;#&$("#$6#9$)4$0./()D/)4I.-/8$ 0./()D3-0#&-8$0./()D'3&##4$I/+&78$("#$./()0-(#$0#*)-1-/++T-:

1965 “Goldﬁnger” Aston Martin DB5 by Corgi Toys came with working passenger ejector seat %< caO$W5c5`5nLa_ aH-01/#'$+,$W)J#N'$1#&)+*)3$(-/J)4I$1+)4('8$6")3"$'1&)4I9+-&*$;)')('$6)("$4#6$ #H1#&('8$1#&'+4-/)()#'8$1)+4##&'8$;)')+4-&)#'h 2*;#O"#O&:%>";&6%$*#+5+O1&h$)(N'$"-11#4)4I$,-'(#&$-4*$&#'"-1#'$("#$#H1#&)#43#$ +,$#;#4('$-4*$("#$#;#4('$("#0'#/;#':$]-;#$6#$I-)4#*$6)'*+0X$]+6$)'$+.&$ 9#"-;)+&$-4*$"#-/("$3"-4I#*$97$3#//$1"+4#'8$3+01.(#&$0./()(-'J)4I8$("#$ *#0-4*'$+,$0-3")4#'$+4$+.&$9+*)#'X$O)//$(#3"4+/+I7$+;#&(-J#$.'8$+&$3-4$6#$ 3+4(&+/$-4*$.'#$)($6)'#/7X$ Mike provides new personal observations to expand the show, delivering topical monologues 6*0+I;I;1&!+$"%/1P$1#&'+4-/$3&-,('0-4'")1$)'$3+4')*#&#*$)4#,%3)#4(8$P+/*$'3"++/8Q$ with entertaining irony, gravitas, satire, anxiety -4*$1#+1/#$3+4')*#&$")'(+&7$(+$9#$6"-($("#7$"-*$,+&$9&#-J,-'(:$_+3)-/$0#*)-$)'$ /-3)4I$,-3#D(+D,-3#$)4(#&-3()+4:$O#$4##*$(+$$9-/-43#$("#'#$3"-4I#'$6)("$("#$ 4##*$(+$ŵ/#$-4*$.&1+'#$("#$+/*$(+$9.)/*$("#$4#6: 6*%&:;$*"#%&!/+7-h$$a:W:$^+&'(#&N'$*7'(+1)3$'"+&($'(+&7$+,$@A@A$1&#*)3(#*$0+*./-&$ "+.')4I8$4#(6+&J#*$3+00.4)()#'8$-4*$3+-3"$1+(-(+#': L-&Q%&:;1&6*"#@P&i-44-;-&$U.'"N'$'#0)4-/$*+3.0#4($1&#*)3()4I$1+&(-9/#$ 3+01.()4I8$n++I/#8$-4*$-&()%3)-/$)4(#//)I#43#:$

August, 2010: veteran screen actor Tom Skerritt (MASH, CONTACT) inaugurates the production of SINCE 45 X %= 8'2(+";<=")068+:6+878"b7)+2"*2-"70&0110c

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Contact: Michael Korolenko Korry Productions, Ltd [email protected] 206.940.2117 www.korrys.net #M