Interinstitutional Style Guide — Revised Part Four (22 April 2015)
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Author Guidelines
AUTHOR GUIDELINES PREPARING YOUR MANUSCRIPT for OXFORD HANDBOOKS ONLINE Copyright © 2016 by Oxford University Press 1 Contents Whom to Contact............ 4 Your Contract……… 4 Writing Your Article……. 4 Manuscript Submission Checklist………….5 Increasing Online Discovery of Your Work………… 6 Images, Audio‐Video Components, Text: Use and Permissions….. 7 Abstracts and Keywords …………..8 Notes, References, and Bibliography…….9 Style, Spelling, and Format……… 11 You’ve Submitted Your Article: Next Steps………..12 The Review Process……. 12 Copyediting……. 13 Print Publication…………. 13 Updating Your Article…. 13 Permission Request Form……….. 14 Appendix……….. 15 2 As an Oxford Handbooks author, you are joining a select group of scholars and scientists invited to contribute an original article on a topic you know well. Your article will provide a critical review of the current state of research and advance your own original argument about the future direction of the debate on the topic. In a culture of information overload, this unique form of research review is more crucial than ever and you should expect a broad scholarly and scientific readership for your work. These instructions will clarify your responsibilities as author. Please read and follow them carefully to ensure that the publication of your manuscript is rapid and efficient. Sincerely, Damon Zucca Publisher, Scholarly Reference Oxford University Press 3 Whom to Contact If you have been commissioned to write a chapter for an Oxford Handbook, the volume editor should be your main point of contact. The volume editor will be working directly with an OUP editor to establish style conventions for the volume and scope descriptions of each article, and will be the first point of contact with OUP’s copyeditors. -
Dictionaries Were, However, Better – and Were Relentlessly Promoted in Canada’S Middlebrow Media by Their Editor, the Jolly Mediævalist Katherine Barber
The right reason to write a book Anger. Or is that the wrong reason? Either way, it is what drove me to write Organizing Our Marvellous Neighbours. But let me start out with a bit of personal history. I was always a good speller. On the only occasion I lost a spelling bee in grade school, the word that did me in was beau, ironically enough. One year, we had a weekly writing lesson in which I sat at the front of the class spelling words on demand for my fellow students. Thirty years have passed, but I still notice spelling. I notice spelling mistakes. Those aren’t always important (perfect spelling in your chat window does not make your instant messages perfect), but spelling mistakes, punctuation errors, and the like will jump right out at me. They’re often the first thing I notice when I look at a page – a phenomenon that carried through to the publication of my first book, where I noticed the mistakes before anything else. But I’ve noticed other things beyond misspellings. I noticed across-the- board American spellings in Canadian publications – and, much more often, all- British spellings. I noticed those things, but that’s all I did. The year 2002 would be a turning point. I’d been watching TV captioning for 30 years, but it was in 2002 that CBC agreed to closed-caption 100% of its programming on two networks, CBC Television and Newsworld. That came about as the result of a human-rights complaint that CBC had lost. -
House Style Guidelines for Authors and Editors
Bloomsbury Publishing Plc Academic and Professional Division Bloomsbury Academic Bloomsbury Arden Shakespeare Bloomsbury Methuen Drama Bloomsbury T&T Clark Bloomsbury Visual Arts Fairchild Books House Style Guidelines for Authors and Editors Title History Version 0.1 (draft): December 2013 Version 0.2 (revised draft): February 2014 Version 0.3: April 2014 Version 1.0 (FINAL): December 2014 Version 1.1: January 2016 Version 1.2: September 2016 Contents General Guidelines for Authors and Editors HOW TO USE THIS DOCUMENT 1 MANUSCRIPT PREPARATION 1 Headings 1 Images 1 Language 2 Manuscript Structure 2 Non-Western Characters 2 Information for General Editors 3 Style Guidelines for Authors and Editors STYLE FOR COPY 4 Formatting 4 Figures 4 Lists 5 Paragraphs 5 Tables 5 Style for Prelims and Endmatter 6 Title Pages 6 Author Biographies 6 Lists of Abbreviations and Glossaries 6 Spelling and Punctuation 8 Abbreviations and Contractions 8 Capitalization 8 Italics 9 Foreign Languages 10 Numbers 10 Dates and Time 11 Measurements 12 Money 12 Punctuation 13 Quotations 15 NOTES AND REFERENCES 17 Notes 17 Use of ibid., op. cit. and loc. cit. 17 References 18 Author–date System 18 Short-title System 21 Special Reference Types 23 Biblical References 24 Classical Greek and Latin Works 24 English Classic Poems and Plays 25 BLOOMSBURY ACADEMIC STYLE SHEET 26 Appendices APPENDIX A: BIBLICAL ABBREVIATIONS A-3 Ancient Sources A-3 Dead Sea Scrolls A-3 Josephus A-10 Miscellaneous Early Jewish and Christian Literature A-10 Philo A-11 Pseudographica A-12 Biblical -
Council of Europe English Style Guide
COUNCIL OF EUROPE ENGLISH STYLE GUIDE Better English and style, in print and online 2017 COUNCIL OF EUROPE ENGLISH STYLE GUIDE 2017 Editorial Unit Documents and Publications Production Department (SPDP) Council of Europe French edition: Typomémo – Mémento typographique français 2017 The Council of Europe English style guide and the Typomémo – Mémento typographique français are available in electronic form (PDF) on the DGA intranet pages: – on the DGS portal, in the “Useful links” rubric; – on the Publications production page, in the “Theme Files” rubric. They are also available in the Administrative Handbook. A paper version can be printed using the in-house SCRIB printing system. For complete instruc- tions, please consult the guide “How to print the English style guide using SCRIB”, available in the Administrative handbook. Design and layout: Documents and Publications Production Department (SPDP) Cover photos: © Shutterstock © Council of Europe, November 2016 Printed at the Council of Europe Contents Alphabetical listing quick access links: A – B – C – D – E – F – G – H – I – J – K – L – M – N – O – P – Q – R – S – T – U – V – W – X – Y – Z Foreword .................................................................................................................................................................................................. 5 FAQs – Frequently asked questions .................................................................................................................................................. 7 1. Sources -
Manual of Style for International Publishing
Berkshire Manual of Style for InternatIonal PublishIng 宝库山国际出版文体手册 First Edition, 2012 Berkshire Publishing Great Barrington Part 1 > Copyeditor’s Manual snickers elicited from at least a few readers if we had left those phrases stand. (The rest of us, of course, know well that cleavage is a geological term referring most basically to how a rock breaks when you smash it. M-W 11 lists four specific usages before defining the last, and fifth: “the depression between a woman’s breasts.”) We often see non-native English-speaking authors cling to the use of a single mundane (but accurate) word. To add some nuance to a five-line paragraph about agricultural production we replaced six occurrences of the words increased and increase with: rose, advance, grow, output, upsurge, and rise. Sometimes authors use colloquial terms or phrases that don’t translate well (or at all) into English. Please be sure to query the author, being as clear and specific as possible, if you are confused or unable to determine the author’s meaning from the context. Many of our contributors from China write with some ambiguity about time because Chinese does not have true tenses the way the English language does. We ask our Chinese authors to make sure it’s clear whether something has happened in the past, is happening now, or has not yet happened. We ask that you be sensitive to this when editing articles by Chinese authors—and of course all authors, who may get stuck in the present and not write with “persistence” in mind (that is to say, they use words and phrases like recently and several years ago). -
Content Style Guide
CONTENT STYLE GUIDE Rev 07/16 CONTENTS Introduction 1 Letter Spacing 9 Numbers 10 Style 2 Plurals 10 3 Overview Possessives 10 3 Voice Quotation Marks 11 4 Tone References 11 Style/Usage Guidance 4 (First and Second References) Semicolons 11 Writing Style Guidelines 5 Telephone Numbers 11 Abbreviations and Acronyms 6 Titles 12 (Composition and Periodical Titles) Academic Degrees 6 Web and Internet References 12 Addresses 7 Words Commonly Misused 12-14 Capitalization 7 Words Commonly Misspelled 14 Colons 7 (American Versus British English) Commas 8 Dashes 8 Formatting Guidelines 15 (Hyphens, Em Dashes, and En Dashes) Bullets and Lists 16 Dates and Times 8-9 Captions 16 Gender 9 Headlines and Subheads 16 Hyphenation 9 INTRODUCTION In writing and editing communication materials for digital, web, or print publication, Integrated Marketing & Communications relies on a combination of Associated Press and American Psychological Association styles. The Auraria Higher Education Center Content Style Guide provides direction and support for writing and formatting with the goal of producing consistent and accurate materials. 1 Style VOICE AND TONE Overview Friendly...but not chummy The Auraria Higher Education Center (AHEC) “voice” is the personality “Thanks for letting us know” instead of of our services; “tone” is the way our voice speaks. The voice doesn’t “Awesome, you rock for telling us!” change, but the tone varies depending on context (e.g., a welcome message vs. responding to a customer service issue). Helpful...but not bossy “The ACPD is on their way. Next time, please try their text-a-tip Voice line or call them directly” instead of “You should contact the ACPD directly by calling them or by using their text-a-tip line” AHEC’s voice is human and conversational. -
AOA Style Guide Prepared by the Communications and Marketing Group
AOA Style Guide Prepared by the Communications and Marketing Group This style guide is designed for use by staff who issue and/or proof written communications, including advertisements, brochures, letters, memos, newsletters, e-newsletters, pamphlets, reports, social media and other correspondence. Its purpose is to achieve a uniform style for AOA written correspondence, materials and publications. AOA style also strives to conform as much as possible to styles commonly used by publications and organizations outside the AOA. This style manual takes precedence over all other style guides and dictionaries in the association. Writers who have questions about general style should first consult this guide. If the answer is not found in this manual, the Associated Press Stylebook should be consulted next, unless otherwise noted. The main publication of the American Optometric Association, AOA Focus, follows a magazine format style. AOA Focus uses the Associated Press Stylebook as its style reference. If a question is not covered there, consult a current dictionary. For style questions regarding clinical/scientific literature, writers should refer to the American Medical Association Manual of Style: A Guide for Authors and Editors (AMA), Dictionary of Visual Science and Related Clinical Terms, Dorland's Illustrated Medical Dictionary and the Chicago Manual of Style. If the style usage in the AOA Style Guide conflicts with the usage in another style guide, follow the style in the AOA guide. (revised January 2016) Page I 1 AOA Style Guide Prepared by the Communications and Marketing Group A abbreviations/acronyms/initialisms Avoid abbreviations and acronyms the reader won't easily recognize. Use the organization's full name on first reference, followed by the acronym in parentheses: The American Optometric Student Association (AOSA) issued the statement. -
VYPR Style & Layout Guidelines
Style & Layout Guidelines This document provides a detailed overview of the style and layout required for the final manuscript. It follows the established structure of articles as they appear in the Vienna Yearbook of Population Research (VYPR). First submissions do not have to adhere to our guidelines on the final manuscript layout. Please consult the Guidelines for Authors for requirements on the structure of first submissions (cover page and anonymized manuscript). 1 Language, style and content • Explain all acronyms and abbreviations when they first appear in your text, such as “TFR (period total fertility rate)” • Briefly define or explain all technical terms • Italicise foreign-language phrases (but not “et al.”) • Write in a concise, straightforward style • Use footnotes that appear on the bottom of a given page • We encourage active writing (“We found that…”) whenever appropriate 1.1 UK English spelling Texts for the VYPR should be in UK English, implying British spelling conventions such as labour, behaviour, per cent, modelling, levelled, enrolment, centred, ageing, child care Use the Cambridge (not Oxford) spelling for verbs ending in “-ise” and their derivations: urbanise, analyse, industrialisation, summarised 2 VYPR Style & Layout Guidelines 1.2 Capitalisation In headings and subheadings, and also in legends of tables and figures, only the first word is capitalised (and of course proper nouns), even when colons or dashes are used for separation. Example: A message for VYPR authors: the shift key is hardly necessary. In tables, capitalise the first word of the descriptive field for columns and rows. Example: LE difference Contribution of age group Period SAW – total population 60-69 70-79 80+ East Germany 1980-1989 3.4 (0.3, 6.7) 0.6 (-1.8, 2.5) 1.7 (0.2, 2.9) 1.1 (0.3, 2.7) Terms such as “table, figure, section, chapter etc.” are capitalised when followed by a number. -
The English Department Guide to Essay-Writing
The English Department Guide to Essay-Writing Faculty of Arts University of Lausanne The first edition of EDGE (2003) was prepared by G. Peter Winnington. It was freely adapted from the third edition of A Writer’s Guide to the Critical Essay (2000), by Misha Kavka and Bernard Schweizer, by kind permission of the English Department at the University of Zurich. Subsequent editions were prepared by G. Peter Winnington (until the sixth edition, 2008), Antoine Bianchi (since the seventh edition, 2010) and Roxane Hughes (sine the 11th edition, 2014). Each edition has seen EDGE move further away from the Writer’s Guide to incorporate suggestions from staff members at Lausanne. Martine Hennard Dutheil de la Rochère provided the list of verbs for critical writing and Marie Emilie Walz contributed the commented essay sample both printed as appendices. From its first to its sixth edition, EDGE also contained a chapter on the linguistics paper, prepared by Jürg Schwyter. All suggestions for improving EDGE should be addressed to Roxane Hughes. The latest edition of EDGE is always available, in electronic form, on the website of the English Department (<http://www.unil.ch/angl>), under “Resources.” Proceeds from the sale of EDGE serve to fund prizes for students as well as student activities in the English Department. This edition was created with Microsoft Word; with the body text in Garamond, and the display in Verdana. Eleventh edition © 2003–2014 by the English Department, Faculty of Arts, University of Lausanne 1 Basics 1 The Critical Essay 1 -
APA Style Checklist Legal, Ethical, and Professional Standards William F
APA Style Checklist Legal, Ethical, and Professional Standards William F. Doverspike, PhD, ABPP Drwilliamdoverspike.com 770-913-0506 (Revised 09-01-2019) This checklist contains some common stylistic rules of the American Psychological Association (APA), but is not an exhaustive list of all stylistic requirements. When you are unsure of any requirement, consult the Publication Manual of the American Psychological Association (APA, 2010), hereinafter referred to as the Publication Manual. This manual is the authoritative source of style guidelines. In this checklist, most items contain the page on which the style requirement can be found in the Publication Manual. For a review of some of the most common APA errors, see Onwuegbuzie, Combs, Slate, and Frels (2010). When you are unsure about grammar or punctuation requirements that are not addressed in the Publication Manual, consult the Chicago Manual of Style (2017). When you are unsure of the most acceptable spelling of a word, consult Merriam-Webster’s Collegiate Dictionary (2005). When you are unsure about when or how to cite or quote, read pages 169-174 (Crediting Sources), pages 174-175 (Citing references in Text), and Page 170 (Section 6.02: Plagiarism) in the Publication Manual. Be aware of Ethical Standard 8.11 (Plagiarism) of the APA (2017) Code of Ethics: “Psychologists do not present portions of another’s work or data as their own, even if the other work or data source is cited occasionally” (p. 12). Strategies to Improve Writing Style In the APA Publication Manual (2010, p. 70), three strategies are recommended for achieving professional and effective communication: writing from an outline putting aside the first draft, then rereading it later asking a colleague to review and critique the draft for you Title page 1. -
Library Catalogue
G.R. Sampson: library catalogue This listing has been made for insurance purposes and to make the academic section of the collection more useful. Bibliographic details are kept to a practical minimum: long titles, or subtitles, are shown only so far as needed to identify a book and its topic. (In some cases where titles give inadequate indications of topic, a clearer phrase is inserted in square brackets to facilitate lookup.) Hard v. paperback binding is relevant to replacement cost and is stated, but edition dates are ignored. No place of publication is included in the case of well-known publishers, or publishers based in London. The codes H, S, and BAP mean “hardback”, “softback”, and “bound after publication”. Entries preceded by solidus are for books stored at the back of the shelves to save space. Where duplicate copies are listed, some may be at the back without being indicated by solidus. Entries preceded by equals signs are books to be retained in case of downsizing; before a heading, equals sign applies to all items under that heading. Last updated 12 Jul 2019 STUDY =Desk and sideboard Fowler, H W Modern English Usage OUP H Geddie, W R, ed. Chambers’s Twentieth Century Dictionary W & R Chambers (Edinburgh) H Hanks, P, ed. The Oxford English Reference Dictionary OUP H – New Oxford Dictionary for Writers and Editors OUP H Waite, M, ed. New Oxford Spelling Dictionary OUP H – New Hart’s Rules OUP H – Hart’s Rules OUP H – Titles and Forms of Address (11th edn) A & C Black H – Roget’s International Thesaurus Collins H Austin, T, ed. -
Oxford Spelling
Oxford spelling Oxford spelling (also Oxford English Dictionary spelling, Oxford style, or Oxford English spelling)[1] is the spelling standard used by the Oxford University Press (OUP) for British publications, including its Oxford English Dictionary (OED) and its influential British style guide Hart's Rules, and by other publishers who are "etymology conscious", according to Merriam-Webster.[2] Oxford spelling is best known for its preference for the suffix -ize in words like organize and recognize, versus the -ise endings that are also commonly used in current British English usage.[3] The spelling affects about 200 verbs and is favoured because -ize corresponds more closely to the Greek root, -izo (-ιζω), of most -ize verbs.[4] In addition to the OUP's "Oxford"-branded dictionaries, other British dictionary publishers that list -ize suffixes first include Cassell, Collins and Longman.[5] Oxford spelling is used by many British academic/science journals (for example, Nature) and many international organizations (for example, the United Nations and its agencies[6][7]). It is common for academic, formal, and technical writing for an international readership (see Usage). In digital documents, Oxford spelling may be indicated by the IETF language tag en-GB-oxendict (or historically by en-GB-oed).[8] Contents Defining features Usage Language tag comparison See also Notes Bibliography Further reading Defining features Oxford spelling can be recognized by its use of the suffix ‑ize instead of -ise: organization, privatize and recognizable, instead of organisation, privatise and recognisable. The spelling affects about 200 verbs, and is favoured on etymological grounds, in that -ize corresponds more closely to the Greek root, -izo, of most -ize verbs.[4] The suffix -ize has been in use in the UK since the 15th century,[9] and is the spelling variation used in American English.