Journal of Ancient Egyptian Interconnections
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Temples and Tombs Treasures of Egyptian Art from the British Museum
Temples and Tombs Treasures of Egyptian Art from The British Museum Resource for Educators this is max size of image at 200 dpi; the sil is low res and for the comp only. if approved, needs to be redone carefully American Federation of Arts Temples and Tombs Treasures of Egyptian Art from The British Museum Resource for Educators American Federation of Arts © 2006 American Federation of Arts Temples and Tombs: Treasures of Egyptian Art from the British Museum is organized by the American Federation of Arts and The British Museum. All materials included in this resource may be reproduced for educational American Federation of Arts purposes. 212.988.7700 800.232.0270 The AFA is a nonprofit institution that organizes art exhibitions for presen- www.afaweb.org tation in museums around the world, publishes exhibition catalogues, and interim address: develops education programs. 122 East 42nd Street, Suite 1514 New York, NY 10168 after April 1, 2007: 305 East 47th Street New York, NY 10017 Please direct questions about this resource to: Suzanne Elder Burke Director of Education American Federation of Arts 212.988.7700 x26 [email protected] Exhibition Itinerary to Date Oklahoma City Museum of Art Oklahoma City, Oklahoma September 7–November 26, 2006 The Cummer Museum of Art and Gardens Jacksonville, Florida December 22, 2006–March 18, 2007 North Carolina Museum of Art Raleigh, North Carolina April 15–July 8, 2007 Albuquerque Museum of Art and History Albuquerque, New Mexico November 16, 2007–February 10, 2008 Fresno Metropolitan Museum of Art, History and Science Fresno, California March 7–June 1, 2008 Design/Production: Susan E. -
G:\Lists Periodicals\Periodical Lists B\BIFAO.Wpd
Bulletin de l’Institut Français d’Archéologie Orientale Past and present members of the staff of the Topographical Bibliography of Ancient Egyptian Hieroglyphic Texts, Statues, Stelae, Reliefs and Paintings, especially R. L. B. Moss and E. W. Burney, have taken part in the analysis of this periodical and the preparation of this list at the Griffith Institute, University of Oxford This pdf version (situation on 14 July 2010): Jaromir Malek (Editor), Diana Magee, Elizabeth Fleming and Alison Hobby (Assistants to the Editor) Clédat in BIFAO i (1901), 21-3 fig. 1 Meir. B.2. Ukh-hotep. iv.250(8)-(9) Top register, Beja herdsman. Clédat in BIFAO i (1901), 21-3 fig. 2 Meir. B.2. Ukh-hotep. iv.250(4)-(5) Lower part, Beja herdsman. Clédat in BIFAO i (1901), 21-3 fig. 3 Meir. B.2. Ukh-hotep. iv.250(8)-(9) III, Beja holding on to boat. Salmon in BIFAO i (1901), pl. opp. 72 El-Faiyûm. iv.96 Plan. Clédat in BIFAO i (1901), 88-9 Meir. Miscellaneous. Statues. iv.257 Fragment of statue of Ukh-hotep. Clédat in BIFAO i (1901), 89 [4] El-Qûs.îya. (Cusae) iv.258A Block of Djehutardais, probably Dyn. XXX. Clédat in BIFAO i (1901), 90 [top] Text El-Qûs.îya. Topographical Bibliography of Ancient Egyptian Hieroglyphic Texts, Statues, Stelae, Reliefs and Paintings Griffith Institute, Sackler Library, 1 St John Street, Oxford OX1 2LG, United Kingdom [email protected] 2 iv.258 Fragment of lintel. Clédat in BIFAO i (1901), 92-3 Cartouches and texts Gebel Abû Fôda. -
Seminary Studies
ANDREWS UNIVERSITY SEMINARY STUDIES VOLUME VI JANUARI 1968 NUMBER I CONTENTS Heimmerly-Dupuy, Daniel, Some Observations on the Assyro- Babylonian and Sumerian Flood Stories Hasel, Gerhard F., Sabbatarian Anabaptists of the Sixteenth Century: Part II 19 Horn, Siegfried H., Where and When was the Aramaic Saqqara Papyrus Written ? 29 Lewis, Richard B., Ignatius and the "Lord's Day" 46 Neuffer, Julia, The Accession of Artaxerxes I 6o Specht, Walter F., The Use of Italics in English Versions of the New Testament 88 Book Reviews iio ANDREWS UNIVERSITY BERRIEN SPRINGS, MICHIGAN 49104, USA ANDREWS UNIVERSITY SEMINARY STUDIES The Journal of the Seventh-day Adventist Theological Seminary of Andrews University, Berrien Springs, Michigan SIEGFRIED H. HORN Editor EARLE HILGERT KENNETH A. STRAND Associate Editors LEONA G. RUNNING Editorial Assistant SAKAE Kos() Book Review Editor ROY E. BRANSON Circulation Manager ANDREWS UNIVERSITY SEMINARY STUDIES publishes papers and short notes in English, French and German on the follow- ing subjects: Biblical linguistics and its cognates, textual criticism, exegesis, Biblical archaeology and geography, an- cient history, church history, theology, philosophy of religion, ethics and comparative religions. The opinions expressed in articles are those of the authors and do not necessarily represent the views of the editors. ANDREWS UNIVERSITY SEMINARY STUDIES is published in January and July of each year. The annual subscription rate is $4.00. Payments are to be made to Andrews University Seminary Studies, Berrien Springs, Michigan 49104, USA. Subscribers should give full name and postal address when paying their subscriptions and should send notice of change of address at least five weeks before it is to take effect; the old as well as the new address must be given. -
Shaushka, the Traveling Goddess Graciela GESTOSO SINGER
Shaushka, the Traveling Goddess Graciela GESTOSO SINGER Traveling gods and goddesses between courts was a well-known motif in the ancient Near East. Statues of gods and goddesses served as symbols of life, fertility, healing, prosperity, change, alliances and sometimes represented the “geographical” integration or the “ideological” legitimization of a territory. The Amarna Letters reveal the jour- ney of the goddess Shaushka to the Egyptian court of Amenhotep III. Akkadian, Hurrian, Hittite, and Ugaritic texts reveal the role played by this goddess in local pantheons, as well as in various foreign courts during the second millennium BCE. She was known as the goddess of war, fertility and healing and statues of the goddess were used in rituals performed before military actions, to heal diseases, to bless marriage alliances and assist births. This pa- per analyses the role of this traveling goddess in the Egyptian court of Amenhotep III. El viaje de estatuas de dioses y diosas entre cortes de grandes reyes fue un recurso conocido en el Cercano Oriente antiguo. En la Antigüedad, las estatuas de ciertos dioses y diosas fueron símbolos de vida, fertilidad, curación, prosperidad, cambio, alianzas y, en algunos casos, representaron la integración “geográfica” o la legiti- mación “ideológica” de un territorio. Las Cartas de El Amarna revelan el viaje de la estatua de la diosa Shaushka hacia la corte egipcia durante el reinado de Amenhotep III. Textos acadios, hurritas, hititas y ugaríticos indican el rol cumplido por esta diosa en panteones locales, así como en diversas cortes extranjeras durante el II milenio a.e. Fue reconocida como la diosa de la guerra, fertilidad y curación. -
X the Late Bronze Age Ceramic Traditions of the Syrian Jazirah
Originalveröffentlichung in: al-Maqdissī – Valérie Matoïan – Christophe Nicolle (Hg.), Céramique de l'âge du bronze en Syrie, II, L'Euphrate et la région de Jézireh (Bibliothèque archéologique et historique 180), Beyrouth 2007, S. 231-291 X The Late Bronze Age Ceramic Traditions of the Syrian Jazirah Peter Pfalzner THE PERIODIZATION SYSTEM AND THE QUESTION clearly circumscribed factors in the history and chronology OF CHRONOLOGICAL TERMINOLOGY of the Syrian Jazirah. Furthermore, through their specific political and economical organization they considerably The second half of the 2nd mill, BC in Syria has been influenced the material culture of the Syrian Jazirah. As chronologically labeled either in terms of the system of a consequence, both periods reveal a distinct ceramic "metal epochs" as the Late Bronze Age I and II or else repertoire. These two archaeological phases and ceramic labeled according to a culturally and geographically traditions can thus be labeled "Mittani" and "Middle oriented terminology as the "Middle-Syrian"' period Assyrian". (ca 1600/1530-1200/1100 BC). With regard to the strong In order to avoid misconceptions of these terms, it is geographical differentiation of material culture, especially important to note that the terms "Mittani" and "Middle pottery, within Syria to be observed in many periods, it is Assyrian ceramic period" do not imply an ethnic assignment advisable to introduce a chronological periodization on a of the pottery concerned. They have a purely political- regional scale. For the Syrian Jazirah, a region with very geographical significance. This is to say that any of the distinct ceramic repertoires through all phases from the Late Bronze Age Jazirah population groups - for example Early Bronze to the Iron Age, the "Jazirah chronological 3 Hurrians , Assyrians, Aramaeans, etc. -
Three Conquests of Canaan
ÅA Wars in the Middle East are almost an every day part of Eero Junkkaala:of Three Canaan Conquests our lives, and undeniably the history of war in this area is very long indeed. This study examines three such wars, all of which were directed against the Land of Canaan. Two campaigns were conducted by Egyptian Pharaohs and one by the Israelites. The question considered being Eero Junkkaala whether or not these wars really took place. This study gives one methodological viewpoint to answer this ques- tion. The author studies the archaeology of all the geo- Three Conquests of Canaan graphical sites mentioned in the lists of Thutmosis III and A Comparative Study of Two Egyptian Military Campaigns and Shishak and compares them with the cities mentioned in Joshua 10-12 in the Light of Recent Archaeological Evidence the Conquest stories in the Book of Joshua. Altogether 116 sites were studied, and the com- parison between the texts and the archaeological results offered a possibility of establishing whether the cities mentioned, in the sources in question, were inhabited, and, furthermore, might have been destroyed during the time of the Pharaohs and the biblical settlement pe- riod. Despite the nature of the two written sources being so very different it was possible to make a comparative study. This study gives a fresh view on the fierce discus- sion concerning the emergence of the Israelites. It also challenges both Egyptological and biblical studies to use the written texts and the archaeological material togeth- er so that they are not so separated from each other, as is often the case. -
Amarna Period Down to the Opening of Sety I's Reign
oi.uchicago.edu STUDIES IN ANCIENT ORIENTAL CIVILIZATION * NO.42 THE ORIENTAL INSTITUTE OF THE UNIVERSITY OF CHICAGO Thomas A. Holland * Editor with the assistance of Thomas G. Urban oi.uchicago.edu oi.uchicago.edu Internet publication of this work was made possible with the generous support of Misty and Lewis Gruber THE ROAD TO KADESH A HISTORICAL INTERPRETATION OF THE BATTLE RELIEFS OF KING SETY I AT KARNAK SECOND EDITION REVISED WILLIAM J. MURNANE THE ORIENTAL INSTITUTE OF THE UNIVERSITY OF CHICAGO STUDIES IN ANCIENT ORIENTAL CIVILIZATION . NO.42 CHICAGO * ILLINOIS oi.uchicago.edu Library of Congress Catalog Card Number: 90-63725 ISBN: 0-918986-67-2 ISSN: 0081-7554 The Oriental Institute, Chicago © 1985, 1990 by The University of Chicago. All rights reserved. Published 1990. Printed in the United States of America. oi.uchicago.edu TABLE OF CONTENTS List of M aps ................................ ................................. ................................. vi Preface to the Second Edition ................................................................................................. vii Preface to the First Edition ................................................................................................. ix List of Bibliographic Abbreviations ..................................... ....................... xi Chapter 1. Egypt's Relations with Hatti From the Amarna Period Down to the Opening of Sety I's Reign ...................................................................... ......................... 1 The Clash of Empires -
Abu Simbel Solar Alignment 1
Abu Simbel Solar Alignment 1 Abu Simbel was built by Pharaoh Rameses II between 1279 and 1213 B.C to celebrate his domination of Nubia, and his piety to the gods, principally Amun-Re, Ra- Horakhty and Ptah, as well as his own deification. It is located 250 kilometers southeast of the city of Aswan. The original temple was positioned on the bank of the Nile, but it was raised up 300 meters by an international relocation project supported by UNESDO. This mammoth engineering effort was undertaken between 1964 and 1968 to prevent the flooding of the temple by the rising waters of Lake Nasser caused by the new Aswan High Dam. The satellite photo above, and on the next page, shows the entrance walkway ramp, and the area on the face of the cliff where the four giant statues of Ramses II are positioned. The interior of the temple extends to the left of the statuary and is hidden beneath the huge man-made berm to the left of the photograph. The 'Visitor Center' buildings can be seen as the three squares near the left-hand edge of the photo. The horizontal line in the upper right corner represents a distance of 50 meters, and the circle indicates the major compass directions clockwise from the top (north) as east, south and west. The interior of the temple is inside the sandstone cliff in the form of a man- made cave cut out of the rock. It consists of a series of halls and rooms extending back a total of 56 meters (185 feet) from the entrance. -
The Secrets of Egypt & the Nile
the secrets of egypt & the nile 2021 - 2022 Dear Valued Guest, Egypt has captured the world’s imagination and continues to make an extraordinary impression on those who visit; and beginning in September 2021, we are delighted to take you there. While traveling along Egypt’s Nile River, you’ll be treated to a connoisseur’s discovery of this ancient civilization as only AmaWaterways can provide—with an unparalleled river cruise and land adventure that includes exquisite cuisine, beautiful accommodations, authentic excursions and extraordinary service. Your journey along the world’s longest river on board our spectacular, newly designed AmaDahlia will take you to some of Egypt’s most iconic sites. Discover ancient splendors such as the Great Hypostyle Hall of Karnak, the beguiling Temple of Luxor and the mystifying Valley of the Kings and Queens, along with exclusive access to the Tomb of Queen Nefertari. While in Cairo, you’ll stay at the 5-star Four Seasons at The First Residence, an oasis in the middle of the city, where each day, you’ll experience some of the world’s most astonishing antiquities. Come face to face with King Tut’s priceless discoveries at the Egyptian Museum, as well as the Great Sphinx and the three Pyramids of Giza, the last surviving of the Seven Wonders of the Ancient World; and gain private access to Cairo’s Abdeen Presidential Palace. This mesmerizing destination has entranced archaeologists and historians for generations and inspired its own field of study—Egyptology. Now it’s time for you to be entranced. We look forward to sharing Egypt with you. -
Public Weather and Media in Egypt
Public weather and media in Egypt Dr. Aly kotb The Egyptian Meteorological Authority Koubry El-Quobba /Cairo/Egypt Tel. (+002) 01005825753 E-mail: [email protected] The geographical location of Egypt makes affected by different phenomenon and air mass….. 1. 1 Geographical location Egypt is located in the sub-tropical climatic zone between latitudes 22°N and 32°N. It is surrounded by the Mediterranean Sea to the north, the red Sea to the east, the great African desert to the west and the tropical zone to the south in upper Egypt. Most of Egyptian Areas lands are flat except the North East (southern part of Sinai) and the areas adjacent to the Red Sea which are rather mountainous areas with peaks reaching approximately three kilometres. 1. 2 Main climatic characteristics Due to its location in the subtropical zone between the middle latitude climate zone to the north and the tropical climate zone to the south, Egypt is exposed to varying weather regimes. In the warm season (which extends from late spring to mid autumn) the tropical weather dominates. In the cold season (which extends from mid autumn to late spring) the middle latitudes weather prevails. El-Fandy (1946) and Zohdy (1971) show that during the cold season the northern part of Egypt is affected by the sporadic passage of upper westerly troughs associated with Mediterranean depression moving from west to east. Some of these depressions when reaching the east Mediterranean deepen and become stationary providing the northern part of Egypt with 1 cold winds and sometimes very heavy rain. -
Cyrus Cylinder : the Great Persian Edict from Babylon
I.B.Tauris – The Cyrus Cylinder Hardback – 160 pages – Trim size 246 x 189 mm – Spine 19 mm 4-colour is Assistant Keeper of Some historical artefacts are destined forever Ancient Mesopotamian Script, Languages and ’ to alter how the ancient world is perceived. The Cultures in the Department of the Middle East unearthing in today’s Iraq (in ) of a clay THE CYRUS CYLINDER at the British Museum. He is co-author (with ‘The Cyrus Cylinder is one of the most important records of antiquity, from cylinder-shaped decree from Cyrus the Great, M.J. Seymour) of Babylon: Myth and Reality the greatest of the near eastern empires: the Achaemenid Persian. The Cylinder founder of the Achaemenid dynasty of Persia, (), and editor of Ancient Board Games in is fascinating for the story of its discovery, its reconstruction and later history, stands in the same tradition of game-changing Perspective (). even its forgery on Chinese bone. This presentation of it by several experts, fully discoveries from antiquity as Hammurabi’s famous law code or the intact tomb of the illustrated and in colour, off ers a great deal for any reader engaged by how we boy-king Tutankhamun. For the Cyrus Cylinder reconstruct antiquity, as well as for dedicated scholars.’ CYRUS contains in microcosm the whole history of , , its period. Inscribed with an account of the , conquest of Babylon in by the Persian king, it records an event which launched one of the greatest imperial adventures in history. CYLINDER It describes Cyrus’ capture and deposition ‘The Cyrus Cylinder represents a very signifi cant addition to existing studies of ‘A very signifi cant addition to existing studies of this iconic object, of Nabonidus, last native Babylonian ruler this iconic object, which only seems to grow in stature with the passage of time. -
The Late Bronze–Early Iron Transition: Changes in Warriors and Warfare and the Earliest Recorded Naval Battles
The Late Bronze–Early Iron Transition: Changes in Warriors and Warfare and the Earliest Recorded Naval Battles The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Emanuel, Jeffrey P. 2015. "The Late Bronze–Early Iron Transition: Changes." In Warriors and Warfare and the Earliest Recorded Naval Battles. Ancient Warfare: Introducing Current Research, ed. by G. Lee, H. Whittaker, and G. Wrightson, 191-209. Newcastle: Cambridge Scholars Publishing. Published Version http://www.cambridgescholars.com/ancient-warfare Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:26770940 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Ancient Warfare Ancient Warfare: Introducing Current Research, Volume I Edited by Geoff Lee, Helene Whittaker and Graham Wrightson Ancient Warfare: Introducing Current Research, Volume I Edited by Geoff Lee, Helene Whittaker and Graham Wrightson This book first published 2015 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2015 by Geoff Lee, Helene Whittaker, Graham Wrightson and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner.