Anya Taylor-Joy

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Anya Taylor-Joy Anya's credits include playing lead roles in Robert Egger’s THE VVITCH, which won her rave reviews for her performance at the Sundance Film Festival and M. Night Shyamalan's critical and box office hit, SPLIT with James McAvoy. She was also the co-lead in Focus Features' critically acclaimed THOROUGHBREDS and won the Breakthrough Actor Award at The Gotham Award and Best Female Newcomer Award at The Empires for her performance in THE VVITCH and was nominated for 2017's EE BAFTA Rising Star Award. Agents Kat Gosling Associate Agent Tom Holcroft Roles Film Production Character Director Company UNTITLED DAVID O.RUSSELL David O'Russell Canterbury Classic THE NORTHMAN Robert Eggers New Regency Productions LAST NIGHT IN SOHO Edgar Wright Film4 EMMA Autumn de Wilde Working Title HERE ARE THE YOUNG MEN Jen Eoin Macken Hail Mary Pictures PLAYMOBIL: THE MOVIE Lino DiSalvo Lionsgate RADIOACTIVE Marjane Satrapi Studio Canal GLASS M. Night Shyamalan Universal THE NEW MUTANTS Josh Boone Fox MARROWBONE Sergio G. Sanchez Independent THOROUGHBRED Corey Findlay Focus Features United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Character Director Company BARRY Vikram Gandhi Netflix SPLIT M. Night Shyamalan Universal MORGAN Luke Scott Twentieth Century Fox *THE VVITCH Robert Eggers A24 VIKINGS QUEST Todor Chapkanov Independent VAMPIRE ACADEMY:BLOOD Mark Waters The Weinstein Company SISTERS Television Production Character Director Company THE QUEENS GAMBIT Beth Harmon Various Netflix THE DARK CRYSTAL: AGE OF Louis Leterrier Netflix RESISTANCE PEAKY BLINDERS V Various BBC/Netflix THE MINIATURIST Guillem Morales BBC ATLANTIS II Lawrence Gough BBC ENDEAVOUR II Guiseppe Capatondi ITV United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected].

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00:00:00 Music Transition “Crown Ones” Off the Album Stepfather by People Under the Stairs
00:00:00 Music Transition “Crown Ones” off the album Stepfather by People Under The Stairs 00:00:05 Oliver Wang Host Hello, I’m Oliver Wang. 00:00:07 Morgan Host And I’m Morgan Rhodes. You’re listening to Heat Rocks. Rhodes 00:00:09 Oliver Host Every episode we invite a guest to join us to talk about a heat rock, AKA an album that sizzles, but today we are going multimedia with a new series where we talk about music and movies. We’re calling it Music and Popcorn—shout-out to Morgan for coming up with that— and we’re kicking it off by taking a trip up north to the Santa Cruz boardwalk, and taking a creepy escalator down into Jordan Peele’s 2019 film, Us. 00:00:35 Music Music “I Got 5 On It (Tethered Mix)” off the album I Got 5 On It by Luniz. Slow, somewhat eerie instrumentals and vocalizations. 00:00:55 Oliver Host If someone in 2016 had asked for your opinion about Jordan Peele, you might be forgiven if you had first asked, “Wait, was he the tall guy or the short guy from Key and Peele?” [Morgan laughs.] Prior to his breakout debut film, Get Out, Peele was best known for his comedy skits, alongside partner Keegan Michael Key. But with Get Out, Peele showcased all manner of talents as a screenwriter and director by crafting one of the most lauded horror-slash-thriller films in recent years. In 2019, Peele was back with Us, a dark and at times darkly funny meditation on race, class, and equality, and the lethal shortcomings of voice-activated smart devices.
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Bridgewater State University Virtual Commons - Bridgewater State University Honors Program Theses and Projects Undergraduate Honors Program 5-8-2018 Vengeance is Ours: Safe Spaces and Critical Empathy in Horror Films David S. Hooker Follow this and additional works at: http://vc.bridgew.edu/honors_proj Part of the Film and Media Studies Commons Recommended Citation Hooker, David S.. (2018). Vengeance is Ours: Safe Spaces and Critical Empathy in Horror Films. In BSU Honors Program Theses and Projects. Item 282. Available at: http://vc.bridgew.edu/honors_proj/282 Copyright © 2018 David S. Hooker This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. Vengeance is Ours Safe Spaces and Critical Empathy in Horror Films David S. Hooker Submitted in Partial Completion of the Requirements for Departmental Honors in English Bridgewater State University May 8, 2018 Dr. John Mulrooney, Thesis Advisor Prof. Evan Dardano, Committee Member Prof. Nicole Williams, Committee Member Hooker 1 Abstract Many genres of film seek to bring viewers to heightened emotional states, perhaps this is most true of horror films. Although often displaying extreme violence, such films paradoxically provide openings for critically empathetic viewings which allow viewers with diverse backgrounds and experiences to identify with victims and survivors and transcend elements of subjective identity. This project analyzes the capacity of horror films, including those of William Friedkin, David Cronenberg, Brian DePalma and others, to offer viewers space in which to be critically empathetic. Regarding gender issues in the genre as outlined by such scholars as Carol J. Clover, and the emerging scholarship on critical empathy, such as that of Todd DeStigter, this project offers new ways of thinking about horror both on screen and off.
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Florida Atlantic University
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