Schirmer's Library of Musical
Classics
Vols. 1104-1105
ALBUM OF SCANDINAVIAN PIANO MUSIC
FORTY-ONE PIECES
SELECTED. EDITED AND FINGERED BY LOUIS OESTERLE WITH BIOGRAPHICAL NOTES
IN TWO VOLUMES
1 104. Vol. I, Twenty-Five Pieces
1 105. Vol. II, Sixteen Pieces
NEW YORK : G. SCHIRMER
BOSTON : THE BOSTON MUSIC CO.
Copyright,[.Ml, 1902,17U^, by( 1 G.vj. SchirmerOLnicvivir.lv . . . os9o? BACKER-GRONDAHL, AGATHE, composer and pianist, was born at Ilolmestrand, Norway, December I, 1847; studied successively under Lindemann and Kjerulf, Kullak, von BUlow, and Liszt; and in 1875 married the singing-teacher, O. A. Griindahl, of Christiania. She has published op. II, 6 Etudes de concert; op. 15, 3 Morceaux; op. 19, 4 Sketches; op. 20, Piano Suite in five movements; and numerous other pieces for piano, and songs. BECHGAARD, JULIUS, a Danish composer, born at Copenhagen, December 19, 1843, studied witli Gade and in the Leipzig Conservatory, and settled in his native town. His works Include two operas, Frode and Frau Inge, both given at Prague in 1894; an orchestral concert-overture, songs and part songs, and piano-pieces. ENNA, AUGUST, a well-known opera-composer, was born of poor parents at Nakskov, Denmark, May 13, i860. Chiefly self-taught, he rose step by step through sheer native ability, and won the Ancker scholarship in 1888 with a symphony; enabled thus to study for a year in Germany, he com- posed an opera, The Witch, which was warmly received at Copenhagen in 1893. Since then he has brought out several other dramatic works, and has published many minor pieces, among them several for piano. GRIEG, EDVARD HAGERUP, foremost of living Scandinavian composers, and a fine pianist, was born at Bergen, Norway, June 15, 1843. After a four-year course (1868-72) in the Leipzig Conserva- tory, he became a pupil of Gade, but instead of following in his footsteps, began a crusade (with R. Nordraak) "against the effeminate Mendelssohn-Gade Scandinavianism," founding the present " Northern School " of composition, strongly imbued with Scandinavian tonality. His shorter piano- pieces are among the most charming of their kind; many of his songs are equally popular. He has published over seventy compositions, comprising many ambitious works for orchestra, chorus and orchestra, etc. When not on tour, Bergen has been his home since 1880; latterly he has conducted the Philharmonic concerts at Christiania. KJERULF, HALFDAN, born September 17, 1818; died at Christiania, August II, 1868. He renounced the study of theology for music, and settled in Christiania as a music-teacher. His songs obtained great vogue through Jenny Lind, Nilsson, and Sontag; he also published much beautiful piano-music of a strongly Scandinavian cast. His compatriots honored his memory by the erection of a monument at Christiania in 1874. NEUPERT, EDMUND, the son of a German music-teacher, was born at Christiania, April I, 1842, and died in New York, June 22, 1888. A pupil of, and later a teacher at, Kullak's Berlin Conservatory, he became piano-instructor at the Copenhagen Conservatory, and succeeded N. Rubinstein as first teacher of piano at the Moscow Conservatory in 1881. Two years later he settled in New York as a piano-teacher, and speedily won an enviable reputation. A noteworthy pianist, he published excellent instructive pieces and fine 6tudes, besides smaller works, NORDRAAK, RIKARD, born at Christiania, June 12, 1842, was a pupil of Kiel and Kullak at Berlin, and, on his return to Copenhagen, became the bosom-friend of the youthful Grieg. His music to Bjrirnson's " Maria Stuart in Scotland," and "Sigurd Slembe," awakened great hopes for his future as a composer, which were cut short by his premature decease at Berlin on March 20, 1866. OLSEN, OLE, a Norwegian composer, was born at Hammerfest, July 5, 1850, and settled in Christiania. He has written numerous works for orchestra and for piano, generally in ultra-modern style; some piano-compositions are favorably known outside of Norway. SCHYTTE [pronounce shiit'-lc], LUDVIG THEODOR, concert-pianist, composer and teacher, was born at Aarhus, Jutland, Denmark, April 28, 1850. A pupil successively, of Ree, Neupert, Gebauer, Gade, Taubert, and Liszt, he settled in Vienna. He is a thoroughly modern and very prolific com- poser, chiefly for piano, and his works have attained wide popularity. He has published over one hundred numbers. SINDING, CHRISTIAN, born at Kongberg, Norway, January 11, 1856, studied with Reinecke in the Leipzig Conservatory; finished at Dresden, Munich, and Berlin, and settled in Christiania as an organist and teacher. Gifted writer of orchestral and chamber-music, including piano-quintets and -quartets, a piano-concerto, etc. His minor pieces are very popular. SJOGREN, (JOHAN GUSTAV) EMIL, was born at Stockholm, June 15, 1853; studied in the conserva- tory there, and thereafter with Kiel and Haupt at Berlin. Since 1890 he has been organist at the Johankirke, Stockholm. His published works for piano comprise some thirty opera, and belong to the modern Scandinavian school. WINDING, AUGUST (HENDR1K), since 1891 director of the Copenhagen Conservatory, was born at Taaro, on the island of Laaland, March 24, 1S35. A pupil of Reinecke, Gade, Ree, Holm, and Dreyschock, he was called by the last-named " the most excellent of my scholars till now." He is n refined pianist, and a prolific and highly-esteemed composer of piano-pieces, some forty in all. . .. CONTENTS VOL. ! PAGE ANDERSSON, R., Op. 14, No. 5 A la Gavotte 42 Back, Knut, Op. 7, No. 14 Like a Folk-song 21 Backer-Grondahl, A., Op. 36, No. 3 Waltz 48 Op. 45, No. 3 Chant d' EM 14 BIRKEDAL-BARFOD, L., from Op. 7 Album-leaf 26 ENNA, A. Barcarole 11 Grieg, E., Op. 17, No. 5 Dance from JSIster 22 Op. 17, No. 18 Humoristic Dance 54 Op. 66, No. 15 Cradle-song 40 Kjerulf, H. Berceuse in D\r 24 Langgaard, S. Love-song 59 Lasson, B. Serenade 16 Lasson, Per Crescendo 56 Neupert, E. Fantasiestuck No. 2 37 OLSEN, OLE Berceuse 46 Fanitull 28 Legend 44 Mazurka 6 Serenade 32 Valse-Caprice 8 PHILIPPSON, M., Op. 13, No. 5 Pensee 18 SCHYTTE, L., Op. 12, No. 3 Le Soir 4 Op. 18, No. 1 Impromptu 34 Op. 35, No. 1 Scandinavian Dance 2 SlNDING, O, Op. 24, No. 4 Characteristic Piece 5' VOL. II AULIN, T., Op. 5, No. 2 Album-leaf 26 Back, Knut, Op. 7, No. 7 Novellette 2 Backer-Grondahl, A., Op. 15, No. 1 Serenade 28 Bechgaard, J. Sonnet 39 Elling, O, Op. 50, No. 2 Melody 37 ENNA, A., Op. 4, No. 1 Impromptu 48 Op. 4, No. 3 Humoreske 3' Grieg, E., Op. 66, No. 18 "Thoughtfully I wander" 22 Cradle-song in Kjerulf, H. F# 5 Nordraak, R. Valse-Caprice '9 SCHYTTE, L., Op. 34, No. 7 Fltude melodique 13 SlNDING, C., Op. 44, No. 5 Caprice 60 Sjogren, E. Eroticon 42 Winding, a., Op. 18, No. 1 £tude 5 2 Op. 34, No. 2 Notturno 56 WINGE, P. Novellette 8 _ — 4 Scandinavian Dance LUDVIG SCHYTTE. Op. 35, N? 1. Allegro moderate 4 4 A 4^— , 4 i i m £ f3^f f^=* ////> */ * £ ^> a? a wm 5^ %a. * s g 3 P^* *S ^*. I J3^E| (9 f* a&t 9g% rs- 9- <%&. i i $ j*** I*** r* F^f P *—Pi rnr / gg? *9 -P 9 9~ S 'to. * 5 3 5 4, \ ;j4 I 1,1, « iq^ tt ii 3^ 3P * to £ iS s i PI iV £ V 'to. *£©. * "to. A 4^ 4 5, 'i fe=M 4— r« s5 Si ?F± £ 3^ & i 2> fi A. »/2 ^It 5a- C 5^ i^ i3 s ~a S V »* •to. * 23731 Copyright, 1H(>2, by G.Schirmer. «a. * r a lie tit. -i P tl« T>p£ P* f# P^=f T*" RRP S-fy ±sb± ±=p M 4 Le Soir. / (Eventide.) Allegretto moderato e cantabile. LUDVIG SCHYTTE. Op. 12, N9 3 r « 5___» 4 5 4 5 _ 5 J~3 .T3 1 ^ as CT S3 r f 'to. %>. iam_corda v=i i £ ^^ ^ $ I& irfUiS dffiy^y m f r r %a. 4 r, ifes m b*jjS -r r r %8. fr» eorde, _-_ 45 45 ^ ^ fe 3 rw •*. OTH £ in? w^ %s. * %s. * pooo rit. . a tempo 4T, •> — 45 J.^. J J- ^— • g e gg irw sa sp p %a. %J>. %D. %S. * %2>. 4 :U-— .{•j i m m S^ Jt S^i ' E^y Jy m? ^-^ sr m^ «"> mm pooo a pooo . rit. _ \ .a tempo A A A j^S A I h&3 V t|J"3 J~~J ^ J=i m yp ^^ -^ j rt& «— 331 x? a 'to. %B. 5_ r J~3 ' -s: rf LL .ri u S V .|" r" i J ^3 12222222r j r T- r r r 'to. sempre dimin. * 'to. 'to. 'to. fiSSS^=^ r 'to. Bill 'to. '&»• _^i ; fe - " - SSsXBSZ' P~ — f" If * 23731 » Mazurka. OLE OLSEN. Allegretto. 3 4~ rr * i 4 St 1 I a :j t^Taxi ^-r ia l> HE 9— :t_n £ £ £ # f 'to. * %z>. * 5 #• 3 3 A .? A 1 £ #- ff P P I / / A A a -6h U 9- ~0~ ^ ^ ^ 4 5 L 2. A A A A A ^^ A A ^ ? HI m A A AAA ^ PPP 35: 35: 'to. 23731 » , FT. ir 2. i ± y^ 1 * ^ W 3 3 m p W^m p £— ±& ~m w- W %a. * a * .* p i fe§ »rrrtifp g p ifTfP a S= * ,y *** * * ^ ^ £ £ £ <£eO. * IT irs: a 3 ^± £ m ^ ^j^ V »— it £ £ £ f £ <&a. * '&e. * 5 a 5 * i — A 3 A v 1 • <^ aa 1*3 ^m * jfe ,y - 2> / A 2 <5^- a h*-4fe -9+ 5^ £1 t*:* 5 %». •Ka. * 23731 8 Valse -Caprice. OLE OLSEN. E=e ,1 I i £ ^¥ ^ //// m. m. r& 0- A tl *&• * ^^ £ 5 i i=» Bl*± %a. * %s. * >>.- • d m w « # P JVTj tt ^^i 4 j •£». *fco. * ft i *=* fcfc|: m ? S~» i f 11 4j £ •H' l> t -0-» s \ %a. * %a. «a. %a. >— <5- F ?= 8 * m -6-#- 7 i • • a> S J <&S. %S. %>. A 5 '4 *+ ^7—9^- -&- ^^^^ X J %h m V ff r > p„* 7# * ji 3 t> -0- b 0-X 0- %B. %s. 23731 ~ * 9 4 1^ m ra i ^ rr^tr rw rTKr # * # 0- # i» 9- — s • p* J »i I %». %a. %». ^r rcf 1 ftr t^kt T^ / f jit » *=* £ 5 5 IT nr 2. 4 1 F^ #p. i#- "V3 ? r- ij 9— s#e» gj£ i itIPBt ^ ^ 2? rit. f 2 « *_* fct: ft '- 11 i=* *=* -a Yi P I i— £ f- £ ^ 3 * %S. lu»_ , h,PA ^P I gP ^ i^^^mm molto rit. m P »• * it '»^ o PS: W: 23731 10 a tempo •4 km i a ^M =F P in'/ A M A JL ^i t = ^m 2 3= t=fc ^ 1=1: <£a. * %a. * I z 7f> V 3 i • d~m ^ m *£ ^r # ?•#. /^u 4£ ±± fe^ i %S. * %>. * %>. * # tempo rst £3 ^ zz EK $ f w ^ ^ A it *l| _c •_ ^ 4i :e=e S 1WZZWL *&». * %s. <£«>. «a %s. %>. 5, £B £te-£S 2 i S3 n i * ft %s. %B. %S. %a. %s. %a. 'Ka. zwo/A? andante . l. „ _2 3 ft* <3i«). * 23731 11 Barcarole Edited and fingered by Louis Oesterle. August Enna 2 4 5 4 Andantino. J? 1 & J) A i jj&i 4^ 7 S I m : w J y^'p rw ? ? 9P p F -y—7- SI -t-t i -t-t- -t-t- %B. %a. * %8. * %fc BfeJ) B^ fe i SI 4 i P^P fPI V • Jul Pips f 2> J) tir r r jg jg lTP3 ^f=j: "7—7- I £ ±± %>. « u 4 P %i>. tf&s. <&?>. b WSs J m % % JSi *&* i Si & ^ 7 ^ % f Tj P <>f p n 5 X -«•* 3 ^7- -7-7- %a. « •Ka. «£a. %o. i i> »"«. JS i«s TE5 US rt r Iff^i €! ^ *=fi P^P * ^ a V I ^ CSPi; -7—7- -7-7- "7— 9 ti«- -r <£©. I 7 ?^T ^ i * %». "Sffl. 33 d * 1=3^ i 7 B Nj 11 f P P= 4 If p S -7—7- i -7—7- -7—7- I -7—7- - Copyright, 1.902, by G.Schirmer. ; 12 K 23 4 i It .-, ki> i £ i pp ./ ilrr^ in.>f =^:E=rtH * 3 £ i\ ~: 'to. i a * V e=M :i P 7: ± P T)t f ^ ,/^fe»-{ :^:J " 3 7 P£ §s £-\4 JJj fi 'to. ^T=^ 'to. »3 «B. fc= dim B lento "/, s 5A,3 / 4-#- <¥ . ,, MK/Wfei ^ i^^ i> zf^fe ^ ^ SB pm) 23731 a tempo * 'to. / J> .b ja Aa £ *«' 0^M 1 ^##5 ¥ P£ r 2 s- p 4 '>«-] .! ,j^v'* ^^ ±3z -y-r ±i 'to. 'to. * 'to. 3 2 d W I ^s xr? w ite 3§ f 7 ti 4^^PI y t i ^pp^ P ** "ITTT n m iI ^ / HP • p • IK~fe gsf -*-*- * • >- T ' ' W 4 g» ' • u ^ [ 'to. "to. 'to. * %&. 23731 14 Summer- Song Edited'andfingered by Sommervise Louis Oesterle Ag-athe Backer- Grondahl. Op.45 , N9 3 Andantino semplice ( J> = ne) 8 4 5 . b h: p £ Piig i LJ- =g= r^T-^ ^ ^ PP f W/> rftf/tftfm T F i :£ 3- i mm -4 ^Og 4 -a—3- FF^ <&». £ %>. 5 8 » ^5 S3 * m~j >,t 8 **- \ tf-tftf tf gflfc . Copyright, 1902, by G. Schirmer 23731 Copyright, 1915, by 0. Schirmer 15 Ufc l« 1 ^ *f £E&e *=* £ 1 r ¥ i $ 7*2?. ^? « tempo • i* !t_l S =*«3 1=^^ £ -3 * T "T f F St 3 4^ 84 j'J^lj i f VP Wj fn # I s ^ pi 9 I %&. F'5 %fc * 4 * 4 %a. 23731 . — . * 16 S erenade, BREDO LASSON. (1885) Adagio. leggiadro 4, i to ifc^ /< i ^45 JZ. 3 3E * ^ 53 a tempo ^ r Off /zYtf /? A* ^i ** g«fc£ ^a r^ s %s. %fc %&. %&. •fca. V^ Allegretto 45 <- A A 35 5 A A Si, =gg fcr g £3 i 1 %#H a f=f^ f ^ f'H f p tlf d^J J> TJ ^ijL J asz rv m ^^i^ cr p. Ja. IS :<5 5 "/r A A / #*"*• fc=J: B i=i -« i ' 7 T MPH g# 'J\>± P f 7 « tempo/j P f ? T7 3 i^NJ- h -?—ill ^^ *-£ is f- %s. r=^4 p* %s. 23731 . — 17 moltu ritard. 4 J3] J~3 90- fci '$ I ^m ? ;r"f tF^i ' *j^ fc= %». Ka. Tempo I j^jj/a melodia ben pronunziata ft *-T-b lip ^s # tempo 2 * '• iS MI>2= ' r -r ? %a. a 4 ,^ 34 ^ i»* ^3* # &£ ^7 i i £7^ tcitticnej-B^ 2 ? p#. K * rajrn ; T raj^n^ i * aa izirt -— i. ———— 1 rr tt r P W 5 %B. « %B. * '&s. «fi'.z 45 :{ i 3E ±* \e S* bof' f ¥ tSR /wo/^o ritard. sin' al fine PP pprzten, i« w ^rsjTOJ- 22= # a t^M 1 114 T .... • f %s. # i' v^ %&. 23731 18 Pensee. Allegretto gj-azioso M. PHILIPPSON. Op.13, N9 5. eantubile ire corde %>. 83731 19 %z>. *^ 'to. 731 so a eautabite.*rf° una corda %>. <£a. *£«>.* 23731 21 I folkviseton. (Like a Folk-song-.) KNTJT BACK. Op. 7, N9 14. 54 . Con moto. (J=88) ±rfd aS wi 7 K =* *=•: ^ ZJL %s. 23731 y 22 Tanz aus Jolster. (Dance from Jolster.) EDVARD GRIEG. Op. 17, N9 5. Allegro con fuoco. ^ 8- Moderato e marcato. -F-#-fi-* ^^ jff «/* g V fo , , ^ /* S^^j=j l=* • w' i— 1 J /O • d j i J) h ^^ ££ =« : m ^g : ^ 3sempre piu pesante fe JT\ « jK. te5 feii § £E3 j "* 5 m i %Bi *'S- %X 23731 * * Coda. ^ 3 4 3 23731 I • 24 Berceuse. (Lullaby.) Edited and fingered by Louis Oesterle. H.KJERULF. Andante. £?mri•—m-0 as m 1 M I BT f Uf rr Ff Piano. dolee semplice. ^m c— to>"to. 'to. ^. %>. *&&• 'to. ^ 'to. tz Si H a m f"r ? 1? t ^ inf p li m *=£ F a>. • * cto 'to <&>. g V 4 454 t*E| l=! £ w w S5 rf ~9 W f *-»- . — m § i — —p-rT^ t W~ a • * 4- r 'to. < &dl 'to. 23731 Copyright, ISH7, by G. Schirmer. 25 %>. * 3 5 "4 1 bdrf ±fc ^a Pi ^m I V, m Txsr 2> P.V- 3 i • * I lit 3 3 c3to.=. cto. %.'&>• c %& &d. 13731 26 Album-leaf. L.BIRKEDAL BARFOD.fr. Op.7. 5 Andante doloroso h 5 J) 1 * K h LL±A b ^XyL-A 23731 5 27 4 agitato kteM Miff I if it ±dZ »-r-»-»-r SSSJ tt *=r=*=r m {g-rffftt m A"T — 2 tt, "I j-^P sg F ^ f J : : J>, -:V^ ^ i* , 7^ , 7>jy^ 23731 28 Fanitull. The Fanitull, according to an old Norwegian legend, is a wild, mad dance once played by the devil, which became the heritage of the village musicians. When the tune of this dance resounded at peasant weddings, its effect was such, that desperate brawls ensued, in which it not seldom happened that some bold fighter lost his life. OLE OLSEN. AllegTo vivace A A r ? r ? f £ F t <£&. 33731 t i 3 A A 1--, * 3^- A A r2 =r-|»—•— -Cp pV -^jTTTTp^ He— -— 'i r p r _^_ & 1 :3 — — ' fj /a a P ~*1 1 • fl I -i-l— _. ^ _r^ V -J- 4 83731 • 30 5-* d • * iltJ • * " i 3 J $ ^* mm J J r r r f / ' ^==s t* 5 4 5 II. A A A A a 13 ^m ei a 00 * J ^ il 2* 1 s^ m A / A A 1 / A *=» S ^ V ^ ttffi!| «Ka. %a. %D. t 5 A i m iF=* 5 # p El F i w A ft. g « 3 ^ M — £- -0- %S. 'KtS. 23731 31 A A i/ zzl — -m m- £!T^TO f />/./ £ \k l ^ g fe ii 33«TO 2 3 £ i ft 3*f ^ jffitfJT? ^g^ jgg*gg ^*gg A A A A A ' * i S!ht-«Mf-s y marcato A A A A A A 3 5 5 S A A AAA A A A A L -£*- # S=£ -A A- I r^ JEEJ V ^f ii -V-fc-V* v »"%*. ;•#. A A AAA A A A A A i r\ A 0-0-0 • 0- —0- -J- =» t £ ^=^ W^WVWI 5 32 Serenade Edited andfingered by Louis Oesterle Ole Olsen Andante i pi i=£ m £ E 1> 5S| I %&. %s. 2 A *=» a S=P £=£ ±E=5 * 5 # tm # w/ i?P Si i i i "Ka. <£«&. %&. %»• «a %!>. %&. %». Ssn Cofyrighf, t902, by G.Schirmer 28781 t 33 <£& *3i«3. « 3 **= i ^j s IS £ f i=i i* # fei m i *»- f <&!>. %&. <5Ua. %s. %&. %a. 3 4 »L * l , 5l tfi^£ i ff *m tr 1 p 1= m j— «6 %&. %a. %&. «£a>. %s>. %». it ^B 3 s s I f W rtT m PP ppp a * ^—"~p~ si S m p t .^ tf e 38 * fe£ rs i fs^f * -4f «/ : « »'~0 -jp- i-5- O: l r» ;^z m =£ fczi 32 = 2 %&. <&!>. 7 # 28781 34 Impromptu Tempo di miuuetto LUDVIG SCHYTTE.0 P .1S,X?1. • * • B=i= : d: it^t f=f=> >*=£ ^^ i & S3 f 5> *3- espressivo * # * Si E 2: 1 I f ^ 57^<&s. W %a. » J: s s ~9 «: *K 1 ' T * fc i =3= 83731 . 1 i ' — i i poco lento. "5 phi 35 -a.= * * =1^ w ? W > V* 54 A •/«?<£?#.?. M- SL SL rft—i: m^ « —•- V ««« corda =si i * F * Jzi p I t A 1 Jtt * « &g #- ~i p * * -* •i i 1 :;•- # *- -fi 33 ^^ 1 • S -•> 5* V * V * Tempo I ' r"-1 1 r "1 i — *i i —*i —m — —— r — J"^= T*j i -* • —•—« r C 1 J 3 i j itj h3-3 * Lr 1 i j v i V **->- J ^ :z^-» 1 f ' _J _gj 1 — s ' —H si *l I pip £ *=* _V ^ 3? « ~\ -A A a 3" -9^ 2375 trT\tt\t % i 4 n it «= * uA tg >4 IS. g n *4 £ i a 31 i %s. %& *5iu). «a «a «a. 77 77- v 28781 marcato\ V V V V 2 37 Valse Caprice Fantasiestuck No. EDMUND NEUPKRT Allegretto 3 TCT^ i'f l * C * j ^3Z * 3 —Hr I J7JV t^ " ^^ p sempre legato i* g i j r j 5 .» i Jr 3 . U^h t I i P i " ' Z dim. \t m 3=* =EE* 3=^ g J *-*T* 23731 Copyright, 1S8:i,bji 0. Sckirmrr — 38 5 '< 5 k Jr -XI f S ¥ crese. Sr 4. m f r *fj^f m # i * 1* ^ ?< ^P w : J^Tl mj *- 31 •* v -v- ^ 5-* ., "' « m^m & £P fH iHHf go 77° ^ 5 # F- #f: Mi 3 * S -#*- ^ IF ^ 33731 r 39 a tempo. w 1$ m jtoeo a j)oco rit. *m- * 1 7 * IeeS titj tfJ y $ 1 jv. i qff 4, gg Jte Jff ± g=§i J? jezSk p=;:^¥S=^ 3S £ t-Jt ft S £E* ii^^^^^ s=fMK \t * S * J* -1 ;3r ES *=k f f '' CJCJ * ggEJE 2 * H?r>f 23731 40 Badnlat. (Cradle- song".) EDVARD GRIEG. Op. 66,N?15 Andante molto tranquillo. ^^? m JJJJ^Uh i :i a i 84 * r H\ J f , - n t ap ie * V. Pss -4*- »4- S3 -*—*9 333;t «*, p^n H •—# mmJ IW ?w % S? .TTT1 I a -**- Si ea S -**- «- -H<*- f -H r ^N « gj 3l feg # • # m -# • 3 ?S I f^s 7W a rr f¥?^ mi 21 « 5 bJ J I if b i • 1 & »- -i I I r r r= % Allegro. ^ J=i i J=i m ±=i ? 15 ^s p* 5 ^^ y er j j 3=2 «L ! E ^tt^t § ^f *to # %». » %». ?P t; PP P? %&*%&. * CS ^= ^^ F*fT ^ S^ f^ Vi 1^ 'to. p 1W 'to. * l l ft to. ft *to. 23731 to. * — £ -0- # U* * - at * £«¥ §E* ^E»g *< • «- ^ r r r r ritardando * s^- i r f leg-ato,f 5 JRP : ^=t^=^ £=3 #^» ? 1 g ''TTS i i^ r f^ r iff f %». 23781 42 A la Gavotte. Allegro vivace. RICHARD ANDERSS0N.0p.l4,N?5. t £_ 23731 * . mm f\ i j^cf& mlySIV^'-ffi j :f{SJy^ jj I Allegro da capo e pot la coda 'to\ Coda, tranquilly 2 J "O TV TV 331 O m res: JE ^m 2> ? ////// ritard. s— & ^ £ &*=* Irre- !Z2^ 7 2~5^ : up ""toT^S eft to. * ' 'to. <*>. VIVO &fi. i/a c\ P^e £#£€ # » f 351 *7 ^ £ _Q dim. «- * n\ to: S^gil ^^ f « 'to. * 23731 'to.-* 44 Sagn. (Leg-end.) OLE OLSEN. Molto andante. ^ fPP t f pf 9 w 3 32 mpE 37 i %S. * £ 8- £ IS sfcpi ^£ 3 1 * E ft* S %s. « %!>. * «£*>.* tS^ ~ — u-j r i i P £ "'ulj g Cj^J p P| «i ii —-JgM B mm il %a.« 33731 * 45 £§£!pBf^ »m m U? ttf F 2•9- J si ^ ?»: «£&. $fi>. « 11 gg ffl mm i» 2 J y# J^ i § 8 I ^Ji^^^^JFEF <&!>. *& * A % t fcjl PiU Si flfff f 1 IP n p rr / £ § M i ,H m Si * 1 1 iT9 i pg %»• 'to. <£«». . r\ 5 »^-4 4 ^5 fj ffi £; PP SI T ^P^f Ff r r. * =: VP •^v 3 -*1— r I ' ft[ p l ^^j flPi! tt' r 23731 46 Berceuse Edited and fingered by 1 Louis Oesterle •Cradle -song ) OLE OLSEN Allegretto Vj i a 23731 Copyright, 1902, by O. Schirmer # 47 a tempo^ 5 ' 35 4 iS l>< ^ £fe i mm ! ^—_. =3* #—=-#- g 1 I ^ TTlf ? pgg f^,, jg ^fe P W J ; 5^3 f *FPF V 23731 48 Vals. (Waltz. AGATHE BACKER -GROXDAHL. Op. 30, X?3. Grazioso. (J. =63) a i!» ^5 fesf^f 4 :» :rT^ ? /;/ IS 2 —(+ I 2 <&>. %b. i y 5* 2 Si "3" # ? ^2 C f %>. &D. c <<&>. c * to. * &0. * cto. $ 23731 49 5 2. 3 a- 5 \L 4, «- - i^E| £ SS * # mm ! * r r f g / 8/^ i * i 9 ' » ^ 22 * ftfc » Aft * 5 5 5 4, i. i^ !i£=*i « ^f m ie^ ? b#. r a » I S ag i ¥ £ p » %a. * %>. * ^ 5 5 5 a 4_ 4^ 5 4, 1 fif & i rTiP a* i fc=Z £ £< i ^1 NM^ ^ * cre.sc. -!>t * ^i 4 4? S -+*- 4 ft ^ * L&D. r.h. o r.h 'Z 4 «» « 1 1_ =M=* d 9 i ^=w m I ^3 2 / /./*. 3| ^^ 5 1 4 ft *.* i S * J -#g> § IH ft j 3^ * 4 i l« tffi sost. *R^r 23731 50 a tempo <&a. ft m. $ °&o. * %-d. * Phi mosso. ^j4M c cftc.* to.# '&). * 2 a. *-. > 1. ^ 1 1 it m ioc P # ^^m sost. T r> m •I C * C &D. * &C.* %0. * c 23731 &*>. * 51 Characteristic Piece Edited and fingered by Louis Oesterle. CHRISTIAN SINDING. 0p.24,N?4. Allegretto. ' 5 ^- . «_,^ 3 5 ^\ J J % J J ]> m r T P s =£ 3 3 3 %S. * %,. %&. ^ %8. %S. %S. * %a. «Ra. 3 4 <£a. 'to. <&?. # Copyright, 1903, by G.Schirmer. 23731 <%a>. 83731 53 -#—P 9 i i7?tif ?* J^^*fe* "Ft* ^y. ii i>. jte & :«^: ^ f %>. # %s. *£». Iff 23731 54 Stabbe-Laaten. (Humoristic Dance.) EDVARI) GRIEG. Op. 17, W18. 4 8 2 I *??3! i S3 ffl TO ffl•• r t J r t A cre.sc. P #• 2 / J J K fe^ m : . - ^^ 21 F «-* P E as z 1> f* f «/^ «^5 /= /- ^ ^ fs * f=5E : 1 ?~~ I 5 <&,* 7 s«- 23731 %a %>. * *3731 *&<>• 56 Crescendo. Revised and fingered by PER LASSON. W™ Scharfenberg. Allegretto. i a" 4 34 I 4 E?v ff? Piano. w ram? p n i,r~j ! ;* » ^m t r ? n 1$ Ls L* k* ^ 1 s %x tf an a pqco3 Lri/yLr UUUU 3B^ ^. * 83731 Copyright, lH.9:i, by G. Schirmer. 23731 58 acceler. A 23731 . 59 Liebeslied, (Love -song*.) Andantino affettuoso. molto espressivo e con motu SIEGFRIED LANGGAARD. ten. 5 4 ten. 9 £- WF=g * I ^ =•= con passione cresc M sempre con sentimento piu con moto 23731 animato 23731 BLIC LIBRARY NT