DOCSLIB.ORG

{Download PDF} a Chorus Line the Complete Book of the Musical 1St

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
{Download PDF} a Chorus Line the Complete Book of the Musical 1St A CHORUS LINE THE COMPLETE BOOK OF THE MUSICAL 1ST EDITION PDF, EPUB, EBOOK James Kirkwood | 9781557833648 | | | | | A Chorus Line The Complete Book of the Musical 1st edition PDF Book Victoria Hamilton-Barritt. Fran Gertz rated it it was amazing Apr 16, Retrieved August 18, The promotions included television commercials featuring the musical and the right to say that tickets for the show could be charged only on Visa cards. Guide written by Becca Ballenger Sarah Sapperstein. Theatre Characters. The Scrubs episode " My Malpractical Decision " features a parody of "One", accompanying an imaginary sequence in which Neena Broderick repeatedly assaults a barrage of unfortunate bystanders in the genitals. Thanks for telling us about the problem. New York, NY. As Kelly Bishop, who played Sheila in the original Broadway cast, later noted, "it was appalling when director Richard Attenborough went on a talk show and said 'this is a story about kids trying to break into show business. Some of the stories and quotes are either repeated verbatim, or else the original cast tend to ramble and repeat themselves and their editors didn't notice. Original Title. The scatterbrained Kristine is tone-deaf , and her lament that she could never sing is interrupted by her husband Al finishing her phrases in tune "Sing". I've always been intrigued by the audition process, what it must be like to stand out there trying to sell yourself. Paperback , pages. Namespaces Article Talk. As a result, I'm not sure whether to recommend this book to him or her. A little garbled, a little repetitive, but a fascinating read nonetheless. Michael Bennett and Ed Kleban are portrayed in the musical A Class Act , a partly fictionalized account of Kleban's life using some of the lyricist's unpublished songs. After the next round of cuts, 17 dancers remain. Best Musical. Best Lighting Design. This book has a copyright date and so this may not be as useful as it once was; much of what is mentioned can probably be found on YouTube or in other venues nowadays. James D. Open Preview See a Problem? Enlarge cover. You need a Pro account to access this feature. Welcome back. Retrieved September 29, Best Musical Tony Award for Best Book of a Musical. A Chorus Line The Complete Book of the Musical 1st edition Writer Jun 12, Tanja rated it liked it Shelves: musicals. Best Musical. He wants to learn more about them, and asks the dancers to introduce themselves. Sara Goldenberg rated it really liked it Dec 24, Reports surfaced in June that a second Broadway revival is planned for , in honor of the show's 50th anniversary. As a result, I'm not sure whether to recommend this book to him or her. Retrieved April 2, After the first round of cuts, Zach, the director and choreographer, asks each dancer to speak about themselves. Show Guides Show Guides. Originally published in , the book has been updated to continue telling their stories over the past 16 years. Pulitzer Prize for Drama. Mike took her place one day when she refused to go to class—and he stayed. Goodreads helps you keep track of books you want to read. As Kelly Bishop, who played Sheila in the original Broadway cast, later noted, "it was appalling when director Richard Attenborough went on a talk show and said 'this is a story about kids trying to break into show business. Open Preview See a Problem? Every Little Step Sean Briggs rated it really liked it May 17, The musical was formed from several taped workshop sessions with Broadway dancers, known as "gypsies," including eight who eventually appeared in the original cast. Set on the bare stage of a Broadway theater, the musical is centered on seventeen Broadway dancers auditioning for spots on a chorus line. On September 29, , Bennett and A Chorus Line veterans gathered to celebrate the musical becoming the longest-running show in Broadway history. James Kirkwood , Nicholas Dante. La Repubblica. Want to Read saving…. Elaine Taylor rated it it was amazing Mar 20, Return to Book Page. Original Broadway windowcard. Michael Bennett ,. James D. The sessions were originally hosted by dancers Michon Peacock and Tony Stevens. Also in , much of the original cast reunited to perform selections from the musical as well as talk about it on the talk show Donahue. Original Title. Best New Musical. The first candidate, Mike, explains that he is the youngest of 12 children. Cheryl rated it liked it Jul 23, Friend Reviews. No trivia or quizzes yet. Opening up, she reveals that her mother married at a young age and her father neither cared about nor loved them. A Chorus Line The Complete Book of the Musical 1st edition Reviews His father, James Kirkwood, Sr. By Of Characters. Published June 1st by St. On the Line recounts the incredible contributions often uncredited and uncompe A must for theatre lovers or historians. Kat rated it really liked it Apr 13, Views Read Edit View history. Renee Baughman was the only original cast member who couldn't attend the show's taping because she had to care for her seriously ill father. Best Book of a Musical. Monologues from Plays. The film made its world premiere at the Toronto International Film Festival in September and was released as Broadway Broadway in Japan the following month. They have a history together: Zach had previously cast her in a featured part, and they had lived together for several years. Published August 1st by Limelight first published March We've had musical comedies, musical dramas, musical fantasies, even musical thrillers- but very few musical documentaries. The Simpsons episode " Treehouse of Horror V " closes with a parody of "One", which the Simpson family and Groundskeeper Willie sing with alternate lyrics after they are turned inside out by a mysterious fog. The revival closed August 17, , after performances and 18 previews. A Chorus Line provides a glimpse into the personalities of the performers and the choreographer, as they describe the events that have shaped their lives and their decisions to become dancers. If you've seen "Every Little Step" this is a must-read. A chorus line FAQ: all that's left to know about Broadway's singular sensation. The episode "Hell-O" from the show's first season was planned to feature a performance of "Hello Twelve, Hello Thirteen, Hello Love", although the performance was cut; in a later episode the song can be heard playing in the background. Retrieved Helpmann Award. Advance word had created such a demand for tickets that the entire run sold out immediately. A Chorus Line The Complete Book of the Musical 1st edition Read Online Don remembers his first job at a nightclub and Judy reflects on her problematic childhood while some of the auditioners talk about their opinion of their parents "Mother". Zach tells them he is looking for a strong dancing chorus of four boys and four girls. In fact, it would go on to become the longest running musical in Broadway history though that is no longer the case. Carol rated it liked it Jul 13, We've had musical comedies, musical dramas, musical fantasies, even musical thrillers- but very few musical documentaries. Also in , much of the original cast reunited to perform selections from the musical as well as talk about it on the talk show Donahue. New York, NY. Trivia About A Chorus Line and Sign up today to unlock amazing theatre resources and opportunities. No trivia or quizzes yet. You need a Pro account to access this feature. Elizabeth Seal was cast as Cassie but was replaced at the eleventh hour by her understudy Petra Siniawski who played the role for the entire British cast run. March 5, A chorus line FAQ: all that's left to know about Broadway's singular sensation. Orchestra Size. With reluctance, the dancers reveal their pasts. For instance, was it really necessary to spend half a chapter recapping the entire play? Other Editions 2. In fact, I'd love to hear what those who don't share my "addiction" think of it. Yes, I would Cheshire, CT. https://files8.webydo.com/9582943/UploadedFiles/2FC1F879-795B-DCA4-1A9A-2F06559D2752.pdf https://files8.webydo.com/9582925/UploadedFiles/C7A58397-3B07-289F-ACD0-CCB97AAA7C15.pdf https://cdn.starwebserver.se/shops/amerivarssonaf/files/first-victory-1914-986.pdf https://files8.webydo.com/9584415/UploadedFiles/1714016D-8F19-FAD6-0A08-D0C439666171.pdf https://files8.webydo.com/9583201/UploadedFiles/0728C592-C6A6-59FF-17F4-12FA3833FD7A.pdf https://files8.webydo.com/9584445/UploadedFiles/39D82E0C-A875-DDDC-A8B3-27721C024FC4.pdf https://files8.webydo.com/9582961/UploadedFiles/E87FA7EB-F92D-26D1-6AED-09DABDB477A2.pdf.
Load more

Recommended publications
  • “Kiss Today Goodbye, and Point Me Toward Tomorrow”
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Missouri: MOspace “KISS TODAY GOODBYE, AND POINT ME TOWARD TOMORROW”: REVIVING THE TIME-BOUND MUSICAL, 1968-1975 A Dissertation Presented to The Faculty of the Graduate School At the University of Missouri In Partial Fulfillment Of the Requirements for the Degree Doctor of Philosophy By BRYAN M. VANDEVENDER Dr. Cheryl Black, Dissertation Supervisor July 2014 © Copyright by Bryan M. Vandevender 2014 All Rights Reserved The undersigned, appointed by the dean of the Graduate School, have examined the dissertation entitled “KISS TODAY GOODBYE, AND POINT ME TOWARD TOMORROW”: REVIVING THE TIME-BOUND MUSICAL, 1968-1975 Presented by Bryan M. Vandevender A candidate for the degree of Doctor of Philosophy And hereby certify that, in their opinion, it is worthy of acceptance. Dr. Cheryl Black Dr. David Crespy Dr. Suzanne Burgoyne Dr. Judith Sebesta ACKNOWLEDGEMENTS I incurred several debts while working to complete my doctoral program and this dissertation. I would like to extend my heartfelt gratitude to several individuals who helped me along the way. In addition to serving as my dissertation advisor, Dr. Cheryl Black has been a selfless mentor to me for five years. I am deeply grateful to have been her student and collaborator. Dr. Judith Sebesta nurtured my interest in musical theatre scholarship in the early days of my doctoral program and continued to encourage my work from far away Texas. Her graduate course in American Musical Theatre History sparked the idea for this project, and our many conversations over the past six years helped it to take shape.
    [Show full text]
  • Grasso on Chervinsky
    Lindsay M. Chervinsky. The Cabinet: George Washington and the Creation of an American Institution. Cambridge: Belknap Press of Harvard University Press, 2020. 432 pp. $29.95, cloth, ISBN 978-0-674-98648-0. Reviewed by Joanne S. Grasso (New York Institute of Technology) Published on H-Early-America (July, 2021) Commissioned by Troy Bickham (Texas A&M University) As a grand epic but over a shorter period of jor author of the Federalist Papers. And Bradford history, Lindsay M. Chervinsky’s The Cabinet served in the Revolutionary War and then went chronicles George Washington and the creation of into law. The Virginia dynasty of presidents was in the first US presidential cabinet. In this expansive the making: Jefferson first served as secretary of account of how Washington oversaw, constructed, state, James Madison in the House of Representat‐ and ultimately organized his cabinet, the author ives, and James Monroe as an ambassador. segments her book from his pre-presidency days, In the introduction, the author begins her nar‐ when he developed relationships and strategies, in rative with the grandiose ceremony of the inaugur‐ the chapter “Forged in War,” to the initial stages of ation of Washington as the first president of the the development of his cabinet in “The Cabinet United States and then discusses many of his ad‐ Emerges,” and all the way through to problems in ministration’s initial tasks and strategies. Wash‐ “A Cabinet in Crisis.” ington used the “advice and consent” clause found As depicted, some of the brightest and time- in the United States Constitution with respect to tested minds from the Revolutionary War era were the US Senate, which states that the president cabinet members, including Henry Knox, Edmund “shall have Power, by and with the Advice and Randolph, Thomas Jefferson, Alexander Hamilton, Consent of the Senate, to make Treaties, provided and William Bradford.
    [Show full text]
  • Leonard Bernstein's MASS
    27 Season 2014-2015 Thursday, April 30, at 8:00 Friday, May 1, at 8:00 The Philadelphia Orchestra Saturday, May 2, at 8:00 Sunday, May 3, at 2:00 Leonard Bernstein’s MASS: A Theatre Piece for Singers, Players, and Dancers* Conducted by Yannick Nézet-Séguin Texts from the liturgy of the Roman Mass Additional texts by Stephen Schwartz and Leonard Bernstein For a list of performing and creative artists please turn to page 30. *First complete Philadelphia Orchestra performances This program runs approximately 1 hour, 50 minutes, and will be performed without an intermission. These performances are made possible in part by the generous support of the William Penn Foundation and the Andrew W. Mellon Foundation. Additional support has been provided by the Presser Foundation. 28 I. Devotions before Mass 1. Antiphon: Kyrie eleison 2. Hymn and Psalm: “A Simple Song” 3. Responsory: Alleluia II. First Introit (Rondo) 1. Prefatory Prayers 2. Thrice-Triple Canon: Dominus vobiscum III. Second Introit 1. In nomine Patris 2. Prayer for the Congregation (Chorale: “Almighty Father”) 3. Epiphany IV. Confession 1. Confiteor 2. Trope: “I Don’t Know” 3. Trope: “Easy” V. Meditation No. 1 VI. Gloria 1. Gloria tibi 2. Gloria in excelsis 3. Trope: “Half of the People” 4. Trope: “Thank You” VII. Mediation No. 2 VIII. Epistle: “The Word of the Lord” IX. Gospel-Sermon: “God Said” X. Credo 1. Credo in unum Deum 2. Trope: “Non Credo” 3. Trope: “Hurry” 4. Trope: “World without End” 5. Trope: “I Believe in God” XI. Meditation No. 3 (De profundis, part 1) XII.
    [Show full text]
  • 2. Why Is That Man Mad? ​He Cannot Pay the Debt He Has, Including His
    Binder Page_______ Name _________________________________________________ Period ________ Liberty’s Kids- “We the People” Date ____________ Worcester, Massachusetts,1786: 1. Who is James trying to interview in Massachusetts? Daniel Shays ​ 2. Why is that man mad? He cannot pay the debt he has, including his taxes. The ​ government of Massachusetts is taking over his farm and those of others like him. Mount Vernon, Virginia, February 1787: ​ 3. What is George Washington concerned about? There are many places close to having ​ rebellions happening. The national government cannot do anything to stop them. The nation is “close to collapse.” 4. “Our current system of government has turned us into the Dis-United States.” ​ ​ Philadelphia, Pennsylvania, May 1787: 5. Who are the two men talking? George Washington & Ben ​ ​ Franklin 6. What does Washington want to do? Use the convention to ​ build a strong central government and a new constitution 7. Who will be president of the convention? Washington ​ 8. What does Alexander Hamilton of New York believe in? A strong central government ​ 9. The delegates have many points of view. What are some of the problems that they mention here? Fix the Articles of Confederation or throw them out? ​ ● Large states vs. small states ● Slavery? 10. Why does James Madison say that the meetings are going to be closed to the newspapers? So that the delegates can change their minds. Compromise can be made. 11. What did Edmond Randolph of Virginia propose? He introduced a plan to scrap the ​ Articles of Confederation and start a whole new constitution. 12. How many branches would there be in his proposal? three ​ 13.
    [Show full text]
  • South-Pacific-Script.Pdf
    RODGERS AND HAMMERSTEIN'S SOUTH PACIFIC First Perfol'mance at the 1vlajestic Theatre, New York, A pril 7th, 1949 First Performance in London, Theatre Royal, Drury Lane, November 1st, 1951 THE CHARACTERS (in order of appearance) NGANA JEROME HENRY ENSIGN NELLIE FORBUSH EMILE de BECQUE BLOODY MARY BLOODY MARY'S ASSISTANT ABNER STEWPOT LUTHER BILLIS PROFESSOR LT. JOSEPH CABLE, U.S.M.C. CAPT. GEORGE BRACKETT, U.S.N. COMMDR. WILLIAM HARBISON, U.S.N. YEOMAN HERBERT QUALE SGT. KENNETH JOHNSON SEABEE RICHARD WEST SEABEE MORTON WISE SEAMAN TOM O'BRIEN RADIO OPERATOR, BOB McCAFFREY MARINE CPL. HAMILTON STEEVES STAFF-SGT. THOMAS HASSINGER PTE. VICTOR JEROME PTE. SVEN LARSEN SGT. JACK WATERS LT. GENEVIEVE MARSHALL ENSIGN LISA MANELLI ENSIGN CONNIE WALEWSKA ENSIGN JANET McGREGOR ENSIGN BESSIE NOONAN ENSIGN PAMELA WHITMORE ENSIGN RITA ADAMS ENSIGN SUE YAEGER ENSIGN BETTY PITT ENSIGN CORA MacRAE ENSIGN DINAH MURPHY LIAT MARCEL (Henry's Assistant) LT. BUZZ ADAMS Islanders, Sailors, Marines, Officers The action of the play takes place on two islands in the South Pacific durin~ the recent war. There is a week's lapse of time between the two Acts. " SCENE I SOUTH PACIFIC ACT I To op~n.o House Tabs down. No.1 Tabs closed. Blackout Cloth down. Ring 1st Bar Bell, and ring orchestra in five minutes before rise. B~ll Ring 2nd Bar three minutes before rise. HENRY. A Ring 3rd Bar Bell and MUSICAL DIRECTOR to go down om minute before rise. NGANA. N Cue (A) Verbal: At start of overt14re, Music No.1: House Lights check to half.
    [Show full text]
  • Fly Over View of Musical Theatre History
    Fly Over View of Musical Theatre History Rome Athens Modern drama can be traced Athens, Greece back to Greece in the 6th Century BC. It evolved from a religious Theatre of ceremony known as the Dionysus dithyramb, where 50 men Birthplace of dressed as satyrs would chant a theatre. choral song to the god Dionysus. • Only 1 to 3 actors performed 1st Actor • The chorus sang and danced but Thespis did not speak Rome We’re like the Greeks… only different! We like war and comedy! The Romans modeled their theatre after the Greeks. But rather than promoting moral values and philosophies, they stripped those things out. They kept the scandals and smut and left the religious messages out. They made fun of the middle class, and loved the gore and violence. Fly Over View of Musical Theatre History Medieval Times Rome Athens Medieval Europe Medieval Europe European Society was largely run by the Christian church. The Church did not like theatre. So they went in the complete opposite way from the Romans. • Almost all music was religious • Choirs used same Latin lyrics to different tunes • Street performers put on morality plays Performed in inn yards, pageant wagons, in the streets • Dance was evil – only of great cities, in the halls of knights, on top of hills or evil characters in play mountains. Stage production was temporary and could dance expected to be removed upon the completion of the performances. Fly Over View of Musical Theatre History Medieval Times Rome Italy- Opera Athens Medieval Europe Italy = Renaissance = Opera The Renaissance was a time of “rebirth” that started in Italy.
    [Show full text]
  • Docking at the Benedum Center August 5-14
    FOR IMMEDIATE RELEASE Contact: Aja Jones 412-281-3973 ext. 224 [email protected] Images: Press Room User: pressroom Pswd: pittstadium 10-TIME TONY AWARD®-WINNING MUSICAL THEATER MASTERPIECE DOCKING AT THE BENEDUM CENTER AUGUST 5-14 Pittsburgh, PA ∙ July 26, 2016 – Travel to Bali Ha’i with Billis and his crew in Rodgers & Hammerstein’s SOUTH PACIFIC, starring Broadway’s Ben Davis, James Snyder and Erika Henningsen August 5-14 at the Benedum Center. Tickets are now available and can be purchased online, by visiting the Theater Square Box Office or calling 412-456- 6666. Love transcends the harsh realities of war and prejudice in this sweeping Pulitzer Prize-winning tale centered around two unlikely love affairs. Set on a tropical island during World War II, this timeless Rodgers & Hammerstein classic features some of the most beautiful music ever composed woven into an inspiring story cherished the world over. The beloved score’s songs include “Some Enchanted Evening,” “I’m Gonna Wash That Man Right Outa My Hair,” and “There is Nothin’ Like a Dame” amidst big, Broadway performances and a chorus of American sailors and Navy nurses ready to take you to Bali Ha’i. ABOUT THE CAST Loretta Ables Sayre (Bloody Mary) had her NYC and Broadway debut as Bloody Mary in Lincoln Center Theater’s revival of South Pacific (Tony Award® nomination and Theatre World Award) and London debut at Barbican Theatre and U.K. tour. Other theatre credits include: Bloody Mary in South Pacific (The MUNY and Paper Mill Playhouse), Wrestling Ernest Hemingway (Hawaii Theatre), You Somebody (Diamond Head Theater), Dreamgirls (Hawaii Theatre), Song of the Navigator (Honolulu Theater for Youth - U.S.
    [Show full text]
  • A CHORUS LINE Teaching Resource.Pages
    2016-2017 SEASON 2016-2017 SEASON Teacher Resource Guide and Lesson Plan Activities Featuring general information about our production along with some creative activities to Tickets: thalian.org help you make connections to your classroom curriculum before and after the show. 910-251-1788 The production and accompanying activities address North Carolina Essential Standards in Theatre or Arts, Goal A.1: Analyze literary texts & performances. CAC box office 910-341-7860 Look for this symbol for other curriculum connections. A Chorus Line Book, Music & Lyrics by: Jim Jacobs and Warren Casey April 28th - May 7th 7:30 PM Friday - Saturday and 3:00 PM Sunday Hannah Block Historic USO / Community Arts Center Second Street Stage 120 South 2nd Street (Corner of Orange) About this Teaching Resource Resource This Teaching Resource is designed to help build new partnerships that employ theatre and the arts. A major theme that runs through A Chorus Line, is the importance of education and Summary: the influence of teachers in the performers’ lives. In the 2006 Broadway production of A Page 2 Chorus Line, it was stated that the cast had spent, all together, 472 years in dance training with Summary, 637 teachers! The gypsies in A Chorus Line, are judged and graded, just as students are About the Musical, every day. Students know what it’s like to be “on the line.” This study guide for A Chorus Line, explores the Pulitzer Prize winning show in an interdisciplinary curriculum that takes in Vocabulary English/Language Arts, History/Social Studies, Music, Theatre, and Dance. Learning about Page 3 how A Chorus Line, was created will make viewing the show a richer experience for young Gypsies, Writing Prompts, people.
    [Show full text]
  • Download Hamilton the Musical Movie Guide Student Version.Pdf
    Name___________________________________________Date_____________________________________Period__________ håmïltøñ müsïçål møvïë güïdë (2020) bëførë thë müsïçål 1. Why does representation matter in theatre, film, and media? Explain your answer below. dürïñg thë müsïçål 2. Name a family member Alexander Hamilton lost during his Childhood: 3. What is one pieCe of adviCe Aaron Burr gives Hamilton? 4. How is Hamilton “just like [his] country”? 5. Finish the LyriC: “Raise a glass to ___________________. Something they can never ____________ ______________.” 6. What are the names of the three SChuyler sisters? 7. King George III threatens to do this in order to remind people of his love. (Two possible answers. Name one of them.) 8. How many British troops are in New York Harbor? ______________________ 9. Who volunteers to be General Washington’s right-hand man? How did Washington respond? 10. ACCording to Burr, what did Martha Washington name after Hamilton? 11. Who does Hamilton marry? 12. What do you learn about AngeliCa during the song Satisfied? 13. Why is Burr’s love for Theodosia scandalous? 14. Finish the LyriC: “Life doesn’t discriminate between the _________________ and the ________________.” 15. Who does General Washington promote to seCond-in-Command? 16. What happens to the person in the previous question? 17. What does Hamilton realize when he sees Eliza? 18. Finish the Lyric: “Let me tell you what I wish I’d known. When I was young and dreamed of glory. You have no control. Who lives? Who dies? ____________ _____________ ____________ _______________?” 19. Which battle takes place in 1781? 20. What was Hercules Mulligan’s role during the Revolutionary War? 21.
    [Show full text]
  • Download Urinetown Theatre Program
    From the Director Welcome to the UAH campus and thank you for joining us tonight. Now that the cold dark days of winter are fading, we are here to celebrate the coming of spring with a fun Broad- way musical. This talented and devoted cast of players, artists, directors and technicians have been toiling through the winter months to prepare this wonderful piece of theatre to share with you, our humble audience. UAH Theatre is proud to be a part of this rich artistic community and privileged to offer this creative study to our students. Please enjoy the show and be sure to tell your friends that we are here producing live theatre at Huntsville’s own University. David Harwell - Director About the Musical Winner of three Tony awards and one of the most uproariously funny musicals in recent years, URINETOWN is a hilarious tale of greed, corruption, love, and revolution in a time when water is worth its weight in gold. In a Gotham-like city, a terrible water shortage, caused by a 20-year drought, has led to a government-enforced ban on private toilets. The citizens must use public amenities, regulated by a single malevolent company that profits by charging admission for one of humanity’s most basic needs. Amid the people, a hero decides he’s had enough, and plans a revolution to lead them all to freedom! Inspired by the works of Bertolt Brecht and Kurt Weill, URINETOWN is an irreverently humorous satire in which no one is safe from scrutiny. Greg Kotis had the idea for Urinetown while traveling in Europe.
    [Show full text]
  • South Pacific
    THE MUSICO-DRAMATIC EVOLUTION OF RODGERS AND HAMMERSTEIN’S SOUTH PACIFIC DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By James A. Lovensheimer, M.A. ***** The Ohio State University 2003 Dissertation Committee: Approved by Professor Arved Ashby, Adviser Professor Charles M. Atkinson ________________________ Adviser Professor Lois Rosow School of Music Graduate Program ABSTRACT Since its opening in 1949, Rodgers and Hammerstein’s Pulitzer Prize- winning musical South Pacific has been regarded as a masterpiece of the genre. Frequently revived, filmed for commercial release in 1958, and filmed again for television in 2000, it has reached audiences in the millions. It is based on selected stories from James A. Michener’s book, Tales of the South Pacific, also a Pulitzer Prize winner; the plots of these stories, and the musical, explore ethnic and cutural prejudice, a theme whose treatment underwent changes during the musical’s evolution. This study concerns the musico-dramatic evolution of South Pacific, a previously unexplored process revealing the collaborative interaction of two masters at the peak of their creative powers. It also demonstrates the authors’ gradual softening of the show’s social commentary. The structural changes, observable through sketches found in the papers of Rodgers and Hammerstein, show how the team developed their characterizations through musical styles, making changes that often indicate changes in characters’ psychological states; they also reveal changing approaches to the musicalization of the novel. Studying these changes provides intimate and, occasionally, unexpected insights into Rodgers and Hammerstein’s creative methods.
    [Show full text]
  • Hollywood Pantages Theatre Los Angeles, California
    ® HOLLYWOOD PANTAGES THEATRE LOS ANGELES, CALIFORNIA Hamilton 8/2 Final upload.indd 1 8/2/21 2:41 PM HOLLYWOOD PANTAGES THEATRE August 17-August 31, 2021 Jeffrey Seller Sander Jacobs Jill Furman AND The Public Theater PRESENT BOOK, MUSIC AND LYRICS BY Lin-Manuel Miranda INSPIRED BY THE BOOK ALEXANDER HAMILTON BY Ron Chernow WITH Rubén J. Carbajal Nicholas Christopher Joanna A. Jones Taylor Iman Jones Carvens Lissaint Simon Longnight Rory O’Malley Sabrina Sloan Wallace Smith Jamael Westman AND Sam Aberman Gerald Avery Remmie Bourgeois Amanda Braun Cameron Burke Yossi Chaikin Trey Curtis Karlee Ferreira John Michael Fiumara Tré Frazier Aaron Alexander Gordon Vincent Jamal Hooper Jared Howelton Sabrina Imamura Carina-Kay Louchiey Yvette Lu Taeko McCarroll Mallory Michaellann Candace Quarrels Antuan Magic Raimone Julian Ramos Jen Sese Willie Smith III Terrance Spencer Tommar Wilson Morgan Anita Wood SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN David Korins Paul Tazewell Howell Binkley Nevin Steinberg HAIR AND WIG DESIGN ARRANGEMENTS MUSIC COORDINATORS ASSOCIATE MUSIC SUPERVISOR Charles G. LaPointe Alex Lacamoire Michael Keller Matt Gallagher Lin-Manuel Miranda Michael Aarons EXECUTIVE PRODUCER PRODUCTION SUPERVISORS PRODUCTION STAGE MANAGER MUSIC DIRECTOR Maggie Brohn J. Philip Bassett Scott Rowen Andre Cerullo Amber White MARKETING & COMMUNICATIONS TECHNICAL SUPERVISION CASTING Laura Matalon Hudson Theatrical Associates The Telsey Office John Gilmour Bethany Knox, CSA ASSOCIATE & SUPERVISING DIRECTOR ASSOCIATE & SUPERVISING
    [Show full text]