VGA Component Video Audio HDMI Converter Ypbpr Digital Adapter
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Component Video W/Audio Distribution Amplifier AT-COMP18AD
Component Video W/Audio Distribution Amplifier AT-COMP18AD User Manual Toll free: 1-877-536-3976 Local: 1-408-962-0515 www.atlona.com TABLE OF CONTENTS 1. Introduction 2 2. Features 2 3. Package Contents 2 4. Specifications 3 5. Panel Description 3 5.1. Front Panel 3 5.2. Rear Panel 3 6. Connection and Installation 4 7. Safety Information 5 8. Warranty 6 9. Atlona Product Registration 7 Toll free: 1-877-536-3976 Local: 1-408-962-0515 1 www.atlona.com INTRODUCTION The 1x8 Component w/Audio Distribution Amplifier is the perfect solution for anyone who needs to send one source of high definition component video with Audio to multiple displays at the same time. It supports all component sources and displays. Supported resolutions: 480i, 480p, 576i, 576p, 720p, 1080i and 1080p. The AT-COMP18AD is capable to send signal from one source to all 8 displays at the same time without signal degradation. The 1x8 Splitter will support long cable runs up to100ft ( 30M ). FEATURES • Supports both SD (composite, YCbCr) and HDTV (YPbPr) input signal. • Audio can be analog stereo (L/R) or digital coxial (S/PDIF) • Accepts one component input and splits it to 8 identical and buffered outputs without any loss. • When input is composite video, it can connect up to 3 different video sources and output 8 identical and buffered signal for each input source. • High bandwidth performance 650MHz at -3dB. • Ideal for presentation and home theater applications. PACKAGE CONTENT • 1:8 Component w/audio Splitter • 1 x 6 foot Component cable • 1 x 6 foot Audio cable • -
Color Models
Color Models Jian Huang CS456 Main Color Spaces • CIE XYZ, xyY • RGB, CMYK • HSV (Munsell, HSL, IHS) • Lab, UVW, YUV, YCrCb, Luv, Differences in Color Spaces • What is the use? For display, editing, computation, compression, …? • Several key (very often conflicting) features may be sought after: – Additive (RGB) or subtractive (CMYK) – Separation of luminance and chromaticity – Equal distance between colors are equally perceivable CIE Standard • CIE: International Commission on Illumination (Comission Internationale de l’Eclairage). • Human perception based standard (1931), established with color matching experiment • Standard observer: a composite of a group of 15 to 20 people CIE Experiment CIE Experiment Result • Three pure light source: R = 700 nm, G = 546 nm, B = 436 nm. CIE Color Space • 3 hypothetical light sources, X, Y, and Z, which yield positive matching curves • Y: roughly corresponds to luminous efficiency characteristic of human eye CIE Color Space CIE xyY Space • Irregular 3D volume shape is difficult to understand • Chromaticity diagram (the same color of the varying intensity, Y, should all end up at the same point) Color Gamut • The range of color representation of a display device RGB (monitors) • The de facto standard The RGB Cube • RGB color space is perceptually non-linear • RGB space is a subset of the colors human can perceive • Con: what is ‘bloody red’ in RGB? CMY(K): printing • Cyan, Magenta, Yellow (Black) – CMY(K) • A subtractive color model dye color absorbs reflects cyan red blue and green magenta green blue and red yellow blue red and green black all none RGB and CMY • Converting between RGB and CMY RGB and CMY HSV • This color model is based on polar coordinates, not Cartesian coordinates. -
Component Video with 2 Channel Mono Audio Extender AT-COMP150SR
Component Video with 2 Channel Mono Audio Extender AT-COMP150SR User Manual Toll free: 1-877-536-3976 atlona.com Local: 1-408-962-0515 TABLE OF CONTENTS 1. Introduction 2 2. Features 2 3. Package Contents 2 4. Specifications 3 5. Panel Description 4 5.1. Sender Unit: AT-COMP150S 4 5.1.1. Input Panel 4 5.1.2. Output Panel 4 5.2. Receiver Unit: AT-COMP150R 5 5.2.1. Input Panel 5 5.2.2. Output Panel 5 6. Connection and Installation 6 7. Notice 7 8. Performance Guide 7 9. Safety Information 8 10. Warranty 9 11. Atlona Product Registration 10 1 Toll free: 1-877-536-3976 atlona.com Local: 1-408-962-0515 INTRODUCTION Atlona Technologies AT-COMP150SR can easily extend component (YPbPr) or composite (CVBS) video with 2ch mono audio over only one CAT5/6 cable. The AT-COMP150SR lets you extend signals to cover the distance up to 330m(1,000ft). The devices are composed of atransmitter and a receiver. The transmitter is installednear thevideo signal source, and the receiver is placed near the desired display, up to impressive 330m (1,000ft) away for composite (CVBS) video and analog 2ch mono audio.The AT-COMP150SR does nonteed external power supply which is easier for installation. FEATURES • Passive and no power required • Supports component (YPbPr) and composite (CVBS) video and 2 channel mono audio • Supports resolutions up to 720p/1080i (NTSC/PAL) • Transmission range up to 1,000 feet • Wall mountable Note: The length depends on the characteristics and quality of the cables. -
COLOR SPACE MODELS for VIDEO and CHROMA SUBSAMPLING
COLOR SPACE MODELS for VIDEO and CHROMA SUBSAMPLING Color space A color model is an abstract mathematical model describing the way colors can be represented as tuples of numbers, typically as three or four values or color components (e.g. RGB and CMYK are color models). However, a color model with no associated mapping function to an absolute color space is a more or less arbitrary color system with little connection to the requirements of any given application. Adding a certain mapping function between the color model and a certain reference color space results in a definite "footprint" within the reference color space. This "footprint" is known as a gamut, and, in combination with the color model, defines a new color space. For example, Adobe RGB and sRGB are two different absolute color spaces, both based on the RGB model. In the most generic sense of the definition above, color spaces can be defined without the use of a color model. These spaces, such as Pantone, are in effect a given set of names or numbers which are defined by the existence of a corresponding set of physical color swatches. This article focuses on the mathematical model concept. Understanding the concept Most people have heard that a wide range of colors can be created by the primary colors red, blue, and yellow, if working with paints. Those colors then define a color space. We can specify the amount of red color as the X axis, the amount of blue as the Y axis, and the amount of yellow as the Z axis, giving us a three-dimensional space, wherein every possible color has a unique position. -
Camera Raw Workflows
RAW WORKFLOWS: FROM CAMERA TO POST Copyright 2007, Jason Rodriguez, Silicon Imaging, Inc. Introduction What is a RAW file format, and what cameras shoot to these formats? How does working with RAW file-format cameras change the way I shoot? What changes are happening inside the camera I need to be aware of, and what happens when I go into post? What are the available post paths? Is there just one, or are there many ways to reach my end goals? What post tools support RAW file format workflows? How do RAW codecs like CineForm RAW enable me to work faster and with more efficiency? What is a RAW file? In simplest terms is the native digital data off the sensor's A/D converter with no further destructive DSP processing applied Derived from a photometrically linear data source, or can be reconstructed to produce data that directly correspond to the light that was captured by the sensor at the time of exposure (i.e., LOG->Lin reverse LUT) Photometrically Linear 1:1 Photons Digital Values Doubling of light means doubling of digitally encoded value What is a RAW file? In film-analogy would be termed a “digital negative” because it is a latent representation of the light that was captured by the sensor (up to the limit of the full-well capacity of the sensor) “RAW” cameras include Thomson Viper, Arri D-20, Dalsa Evolution 4K, Silicon Imaging SI-2K, Red One, Vision Research Phantom, noXHD, Reel-Stream “Quasi-RAW” cameras include the Panavision Genesis In-Camera Processing Most non-RAW cameras on the market record to 8-bit YUV formats -
42PF5421/10 Philips Widescreen Flat TV
Philips widescreen flat TV 107cm (42") LCD HD Ready 42PF5421 Turn up your viewing experience with Digital Crystal Clear Experience the superior picture quality of this excellent Flat TV with the latest LCD technology. It's packed into a stunning design that will complement your interior. Vivid, natural and razor sharp images • HD LCD WXGA display, with a 1366 x 768p resolution • HD Ready for the highest quality display of HD signals • Digital Crystal Clear provides vivid cinema-like images • Progressive Scan component video for optimized image quality • Active Control with Light Sensor optimizes picture quality Superb sound reproduction • Virtual Dolby Surround for a cinema-like audio experience Slim, stylish design to complement your interior • Matching stand with elegant design included For advanced performance • HDMI input for full digital HD connection in one cable Widescreen flat TV 42PF5421/10 107cm (42") LCD HD Ready Highlights LCD WXGA display, 1366 x 768p Digital Crystal Clear Virtual Dolby Surround This WXGA display with state-of-the-art LCD Digital Crystal Clear is a package of picture Virtual Dolby Surround is a processing screen technology gives you widescreen HD innovations that digitally adjusts and optimizes technology for enhancing surround sound resolution of 1366 x 768p pixels. It produces picture quality to optimal contrast, color and effects. It will create the sensation of Dolby brilliant flicker-free progressive scan pictures sharpness levels. It's like watching vivid cinema- Pro Logic without the necessity of additional with optimum brightness and superb colors. like images. rear speakers. You become totally immersed This vibrant and sharp image will provide you in your television experience. -
Creating 4K/UHD Content Poster
Creating 4K/UHD Content Colorimetry Image Format / SMPTE Standards Figure A2. Using a Table B1: SMPTE Standards The television color specification is based on standards defined by the CIE (Commission 100% color bar signal Square Division separates the image into quad links for distribution. to show conversion Internationale de L’Éclairage) in 1931. The CIE specified an idealized set of primary XYZ SMPTE Standards of RGB levels from UHDTV 1: 3840x2160 (4x1920x1080) tristimulus values. This set is a group of all-positive values converted from R’G’B’ where 700 mv (100%) to ST 125 SDTV Component Video Signal Coding for 4:4:4 and 4:2:2 for 13.5 MHz and 18 MHz Systems 0mv (0%) for each ST 240 Television – 1125-Line High-Definition Production Systems – Signal Parameters Y is proportional to the luminance of the additive mix. This specification is used as the color component with a color bar split ST 259 Television – SDTV Digital Signal/Data – Serial Digital Interface basis for color within 4K/UHDTV1 that supports both ITU-R BT.709 and BT2020. 2020 field BT.2020 and ST 272 Television – Formatting AES/EBU Audio and Auxiliary Data into Digital Video Ancillary Data Space BT.709 test signal. ST 274 Television – 1920 x 1080 Image Sample Structure, Digital Representation and Digital Timing Reference Sequences for The WFM8300 was Table A1: Illuminant (Ill.) Value Multiple Picture Rates 709 configured for Source X / Y BT.709 colorimetry ST 296 1280 x 720 Progressive Image 4:2:2 and 4:4:4 Sample Structure – Analog & Digital Representation & Analog Interface as shown in the video ST 299-0/1/2 24-Bit Digital Audio Format for SMPTE Bit-Serial Interfaces at 1.5 Gb/s and 3 Gb/s – Document Suite Illuminant A: Tungsten Filament Lamp, 2854°K x = 0.4476 y = 0.4075 session display. -
Ypbpr/YUV + Audio to HDMI Converter
YPbPr-HDMI Format Converter Model 1T-YPBPR-HDMI 1T-YPbPr-HDMI converts an analog component YPbP r or YUV signal to an HDMI compliant output allowing the viewing or switching of an analog component video signal on an HDMI display. A Toslink input connector is provided to allow integration of a digital audio signal into the HDMI digital output stream. Component video inputs are via three RCA connectors. This unit is a Format Converter only and no video scaling takes place. The output resolution is the same as the input. All common HDTV resolutions are Key Features of the 1T-YPBPR-HDMI automatically detected. The output is fully compliant with • Excellent HDMI Compliant Video Quality the HDMI 1.2 standard assuring proper decoding by an • Automatic Input Format Detection HDMI display. An AC Power Adapter is provided with • Toslink Audio Support locking DC connectors for security. • Operating Frequency to 165Mhz Specifications Input Mechanical YPbPr/YUV Video 1x via 3x RCA Connectors Size (H-W-D) 30x76x105mm (1.2”x3”x4.1”) Digital Audio 1x via Toslink Optical Connector Weight (Net) 200 g (0.43 lbs) Output Warranty HDMI 1x via HDMI Connector Limited Warranty 2 Years Parts and Labor Input Resolutions Environmental Interlaced (50&60Hz) 480i, 576i, 1080i Operating Temperature 0° to +50° C (+32° to +122° F) Progressive (50&60Hz) 480p, 576p, 720p, 1080p Operating Humidity 10% to 90%, Non-condensing Special (24 to 50Hz) 1080p@24, 1080p@25 Storage Temperature -10° to +60° C (+14° to +140° F) 1080p@30, 1080p@50 Storage Humidity 10% to 90%, Non-condensing Video Specifications Power Requirement Progressive Component YPbPr External Power Supply 5VDC@1A, Center Positive Interlaced Component YUV (Y,R-Y,B-Y) Regulatory Approvals Input Signal Levels Y= 1Vp-p. -
Game Capture Quick Start Guide
E C D Y r. P b P R L T OU VIDEO T N E N PO M CO T U O IO D AU COMPONENT VIDEO IN AUDIO IN Y Pb Pr. L R A B Game console component cables (NOT INCLUDED) Game Capture Quick Start Guide A B Power off Xbox® 360 or PlayStation® 3. Connect a console specific C Connect the color corresponding D Connect the color corresponding E Connect USB cable Component AV cable* to the A/V port of the console. For Component Video cables between RCA Audio cables between the between the output PlayStation 3, you can leave the HDMI cable plugged in if you the outputs of Roxio GameCAP device outputs of Roxio GameCAP device on the Roxio GameCAP would like. For Xbox 360 the HDMI may need to be removed to and the Component Video inputs at and the Component Video inputs device and the USB2.0 make room for the Component AV cable. Next, plug the color the back or side of your TV. at the back or side of your TV. port of your laptop or PC. corresponding Component Video and RCA Audio cables to the inputs on the Roxio GameCAP device. *Console specific Component AV cable(s) are NOT INCLUDED. PlayStation3 If you were using HDMI or Composite AV cables on your PlayStation 3 you will need to reset the video output for Component AV cables by following these steps: A Go to Display Settings B Select Display Settings/Video Output Settings C Switch to Component/D-Terminal option D Use your TVs remote to change input to Component E Select (X) Enter to confirm change and confirm the change Check ALL the supported resolutions that your TV supports (480p/720p/1080i etc.) F Select “Set Audio Output Settings” G Change Audio to Audio Input Connector/SCART/AV MULTI H Select (X) Enter to confirm change Xbox 360 Tips: Use the remote control for the TV • If you are not able to see the preview video in the Roxio Game Capture software, power off and then power to change the input to Compone• nt on the console. -
Yasser Syed & Chris Seeger Comcast/NBCU
Usage of Video Signaling Code Points for Automating UHD and HD Production-to-Distribution Workflows Yasser Syed & Chris Seeger Comcast/NBCU Comcast TPX 1 VIPER Architecture Simpler Times - Delivering to TVs 720 1920 601 HD 486 1080 1080i 709 • SD - HD Conversions • Resolution, Standard Dynamic Range and 601/709 Color Spaces • 4:3 - 16:9 Conversions • 4:2:0 - 8-bit YUV video Comcast TPX 2 VIPER Architecture What is UHD / 4K, HFR, HDR, WCG? HIGH WIDE HIGHER HIGHER DYNAMIC RESOLUTION COLOR FRAME RATE RANGE 4K 60p GAMUT Brighter and More Colorful Darker Pixels Pixels MORE FASTER BETTER PIXELS PIXELS PIXELS ENABLED BY DOLBYVISION Comcast TPX 3 VIPER Architecture Volume of Scripted Workflows is Growing Not considering: • Live Events (news/sports) • Localized events but with wider distributions • User-generated content Comcast TPX 4 VIPER Architecture More Formats to Distribute to More Devices Standard Definition Broadcast/Cable IPTV WiFi DVDs/Files • More display devices: TVs, Tablets, Mobile Phones, Laptops • More display formats: SD, HD, HDR, 4K, 8K, 10-bit, 8-bit, 4:2:2, 4:2:0 • More distribution paths: Broadcast/Cable, IPTV, WiFi, Laptops • Integration/Compositing at receiving device Comcast TPX 5 VIPER Architecture Signal Normalization AUTOMATED LOGIC FOR CONVERSION IN • Compositing, grading, editing SDR HLG PQ depends on proper signal BT.709 BT.2100 BT.2100 normalization of all source files (i.e. - Still Graphics & Titling, Bugs, Tickers, Requires Conversion Native Lower-Thirds, weather graphics, etc.) • ALL content must be moved into a single color volume space. Normalized Compositing • Transformation from different Timeline/Switcher/Transcoder - PQ-BT.2100 colourspaces (BT.601, BT.709, BT.2020) and transfer functions (Gamma 2.4, PQ, HLG) Convert Native • Correct signaling allows automation of conversion settings. -
Bvh-20™ Bvr-20™ Bvd-20™
ACTIVE-BALANCED SERIES ACTIVE-BALANCED SERIES Installation and Operation Manual ™ BVD-20 Component Video/Digital Audio Driver BVH-20™ Component Video/Digital Audio Hub Driver ™ BVR-20 Component Video/Digital Audio Receiver hank you for choosing an AudioControl Active- T Balanced product for your video and audio distribution needs. You are installing one of the most innovative custom installation products available. These units will allow you to transmit video and audio signals over standard Category 5 wiring by using the highest quality active circuitry. Please ® note that these products are primarily designed for installa- For Those Who Think Perfection Possible® tion by professional audio video companies so if any part of 22410 70th Avenue West this manual is not clear . STOP WHAT YOU ARE DO- Mountlake Terrace, WA 98043 ING! Contact your nearest audio video installation company Phone 425-775-8461 • Fax 425-778-3166 or call us and we will refer you to one. Plasma monitors and www.audiocontrol.com DVD players are too expensive to damage so don’t attempt anything you are unfamiliar with. ©2004 All Rights Reserved Now sit back, grab a cold beverage and take a moment to read through this manual before you charge off into the P/N 9130770 installation. 20 For Those Who Think Perfection Possible® ® ® ACTIVE-BALANCED SERIES ACTIVE-BALANCED SERIES Balanced Video Series Here are some of the cool features for your new balanced video and audio products: • Allows Simple Distribution of High-Quality Component Video and Audio signals up to 1000 feet (305 meters) • Uses Standard, Inexpensive, Twisted-Pair Cat-5 type Cabling • 300 MHz of video bandwidth - compatible with 480, 720, and 1080 formats • Will transmit High Definition (HD) signal up to 300’ via CAT-5 wiring • Can also transmit a digital audio or composite video signal • Standard EIA-568 RJ-45 Cat-5 Connection Jack • Adjustable Cable Compensation Circuit • Five Year Warranty The First Step In Your Installation Procedure FILL OUT AND SEND IN THE WARRANTY CARD! Also, save the invoice or sales slip as proof of purchase. -
Quick Start Guide Autopatch Component Video (BNC & RCA) DAD Modules
Quick Start Guide AutoPatch Component Video (BNC & RCA) DAD Modules Overview RGB Gain & Peaking** Specifications Component Video Distribution Amplifier Driver (DAD) Modules are available with BNC or RCA connectors. The modules have either one input and two outputs for Gain OFF Unity 1:2 distribution or one input and six outputs for 1:6 distribution of component video ON +0.85 dB signals. The single component video input is distributed to two or six outputs over standard cable runs of up to 500 ft. (152.4 m) for YPbPr and up to 250 ft. (76.20 m) for Peaking RGB with no additional equipment required. Each output can be independently OFF No peaking adjusted for gain and peaking to ensure the proper amount of compensation is ON 8 dB @ 150 MHz provided for each cable run. This guide contains complete information for this product. 8 dB @ 300 MHz Cable Length (max.) 250 ft. (76.20 m) YPbPr Gain & Peaking** Specifications Gain YPbPr (RCA) Model FG1052-19 RGB (BNC) Model FG1052-25 OFF Unity FIG. 1 Component Video DADs, 1:2 models ON +0.85 dB Peaking OFF No peaking ON 9 dB @ 37.5 MHz 9 dB @ 80 MHz Cable Length (max.) 500 ft. (152.4 m) ** Gain and Peaking are independent switches that allow the user to turn on or off the gain and peaking. G B R G B R G B R R G B R G B Installation RGB (BNC) Model FG1052-28 Mounting Options 1:2 Models Desktop – Attach the rubber feet (included) to the bottom of the module.