DOCSLIB.ORG

February 2015

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
February 2015 February 2015 Miloš Karadaglic´ INSIDE: Akademie für Alte Musik Berlin | Lisa Batiashvili & Paul Lewis Alina Ibragimova & Cédric Tiberghien | Birmingham Contemporary Music Group Early Opera Company | Imogen Cooper | Martin Fröst | Christiane Karg Steven Osborne | Maria João Pires | and many more Box Office 020 7935 2141 Online Booking www.wigmore-hall.org.uk How to Book Wigmore Hall Box Office 36 Wigmore Street, London W1U 2BP In Person 7 days a week: 10 am – 8.30 pm. Days without an evening concert 10 am – 5 pm. No advance booking in the half hour prior to a concert. By Telephone: 020 7935 2141 7 days a week: 10 am – 7 pm. Days without an evening concert 10 am – 5 pm. There is a non-refundable £3.00 administration fee for each transaction, which includes the return of your tickets by post if time permits. Online: www.wigmore-hall.org.uk 7 days a week; 24 hours a day. You can now select your own seat. There is a non-refundable £2.00 administration charge. Standby Tickets Standby tickets for students, senior citizens and the unemployed are available from one hour before the performance (subject to availability) with best available seats sold at the lowest price. NB standby tickets are not available for Lunchtime and Coffee Concerts. Group Discounts Discounts of 10% are available for groups of 12 or more, subject to availability. Latecomers Latecomers will only be admitted during a suitable pause in the performance. Facilities for Disabled People For full details please call 020 7258 8210 TICKETS A–D Unless otherwise stated, tickets are divided into four prices ranges: BALCONY T–X Stalls C – M Highest price Q–S Stalls A – B, N – P N–P 2nd highest price Balcony A – D STALLS 2nd highest price C–M Stalls BB, CC, Q – S A–B 3rd price CC CC BB BB PLATFORM Stalls AA, T – X AA AA Lowest price This brochure is available in alternative formats. Please contact the Box Office if this would be of assistance to you. Telephone: 020 7935 2141, or Email: [email protected]. The right is reserved to substitute artists and vary programmes if necessary. Wigmore Hall • John Gilhooly OBE Director The Wigmore Hall Trust • Registered Charity No.1024838 Cover: Miloš Karadaglic´ © Lars Borges/Mercury Classics Benjamin Ealovega 2 Sunday 1 February 11.30 am 1 Wigmore Hall Chamber Ensemble in Residence Nash Ensemble Keith Saunders Bea Levine-Humm Richard Hosford clarinet Marianne Thorsen violin Laura Samuel violin Lawrence Power viola Adrian Brendel cello Richard Hosford Marianne Thorsen Laura Samuel Haydn String Quartet in Bb Op. 76 No. 4 ‘Sunrise’ Clarinet Quintet in B minor Op. 115 Brahms Jack Liebeck Jack Liebeck The Nash Ensemble’s renowned string players present Haydn’s much-loved ‘Sunrise’ Quartet, so called because of its gently rising opening theme, a work infused with the bold gestures and effects he cultivated during his time in London. The ensemble is joined by its long-serving clarinettist Richard Hosford in Brahms’s autumnal chamber masterwork. Brahms created his Clarinet Quintet in B minor to suit the burnished playing of Richard Mühlfeld, who first introduced Lawrence Power Adrian Brendel the composition to London audiences in the 1890s. Returns only Sunday Morning Coffee Concert/Nash Ensemble 50th Anniversary Season Sunday 1 February 3.00 pm Royal Academy of Music Richard Lewis Song Circle SCHUBERT’S HIDDEN GEMS Schubert Am Flusse (D766); Am Flusse (D160); Das Lied vom Reifen; Der Fluss; Der Jüngling am Bache; Gondelfahrer; Des Mädchens Klage; Die Knabenzeit; Herbst; Herbstlied; Liane; Licht und Liebe; Nach einem Gewitter; Marie; Nur wer die Sehnsucht kennt; Rückweg; Vollendung; Winterlied; Die Erde; Heiss mich nicht reden When Max Friedlaender was preparing the final volume of his Schubert Lieder Edition for Peters, many songs (such as ‘Herbst’) were unknown to him. The Royal Academy of Music Song Circle presents twenty such gems that are not included in the seven Lieder volumes of the Peters Editions and are still too rarely performed. £15 concs £12.50 WIGMORE HALL EMERGING TA LE N T Supported by Mayfield Valley Arts Trust Royal Academy of Music Richard Lewis Song Circle Song Recital Series 3 Sunday 1 February 7.30 pm Robin Tritschler tenor Graham Johnson piano Clive Barda Garreth Wong Schumann Kernerlieder Op. 35 SONGS FROM THE (BARD’S) SHOWS Vaughan Williams Orpheus with his lute Leveridge Who is Silvia? Anon. (17th century) Jog on, jog on the footpath way Moeran The sweet o’ the year Eisler Horatios Monolog Castelnuovo-Tedesco The clown in the churchyard Finzi Songs of Hiems and Ver Castelnuovo-Tedesco Caliban Tippett Songs for Ariel Robin Tritschler Graham Johnson Gurney Under the greenwood tree Korngold Blow, blow thou winter wind Quilter It was a lover and his lass Castelnuovo-Tedesco The Fool Dale O Mistress Mine Finzi Come away, come away, death Korngold Adieu, Good Man Devil Robin Tritschler and Graham Johnson present a treat for song-lovers with their captivating programme. Schumann’s Kernerlieder, like so many of the songs he created in 1840, convey the strength of his fervent love for Clara Wieck. He completed his ‘song sequence’ soon after their marriage, a union contracted against her father’s wishes. For the second half, the duo performs settings of Shakespeare from a selection of his most celebrated plays. £35 £30 £25 £18 Free tickets for 8–25 year olds at selected concerts, supported by The Monument Trust and John Lyon’s Charity. To book this concert as part of Wigmore Hall’s young people’s programme, please contact the Box Office and quote ‘CHAMBER ZONE’. Song Recital Series Monday 2 February 1.00 pm 2 Steven Osborne piano Rachmaninov Études-tableaux (a selection) Musorgsky Pictures from an Exhibition Benjamin Ealovega Poetic pianism, richly conceived in tonal and expressive nuance, distinguishes Steven Osborne’s interpretations of the great works of the keyboard literature. His receptivity to the romantic depths of the Slavic soul invariably rises to the surface in his acclaimed interpretations of Russian music. ‘This may well be the most lucid and musicianly Pictures on record,’ observed Gramophone following the release of his recording of Musorgsky’s Pictures from an Exhibition. £13 concs £11 BBC Radio 3 Lunchtime Concert Steven Osborne Monday 2 February 7.30 pm Takács Quartet Lecture-Recital Lecture-Recital on Beethoven’s String Quartet in F Op. 59 No. 1 ‘Razumovsky’ Keith Saunders The Takács Quartet presents a rare opportunity to hear its highly developed thoughts about a seminal work of the string quartet repertoire. This lecture-recital opens with a discussion of the String Quartet in F Op. 59 No. 1 ‘Razumovsky’, illustrated with excerpts from the work. The evening’s second half contains a complete performance of Beethoven’s pioneering score. £30 £25 £20 £15 Takács Quartet Wigmore Hall Learning Event/Chamber Music Season/Takács Quartet: Associate Artists 4 Tuesday 3 February 1.00pm 3 YCAT Lunchtime Series 2014/15 Trio Isimsiz Kaupo Kikkas Takemitsu Between Tides Beethoven Piano Trio in Bb Op. 97 ‘Archduke’ Trio Isimsiz was formed in 2009 at the Guildhall School of Music & Drama, under the guidance of Louise Hopkins, Carole Presland and Alasdair Tait. Engagements this season include a residency in Aldeburgh and return visits to the Purcell Room and Colston Hall Bristol. £12.50 concs £10 Young Classical Artists Trust (Reg. Charity No. 326490) YCAT is grateful for support for this series from the Paul Woodhouse Fund, the Anthony Nesbitt Fund, the Goulding Murray Fund and the legacy of Richard Oake. Trio Isimsiz Tuesday 3 February 7.30pm EXAUDI James Weeks director Leonin Organum Scelsi Tre Canti Sacri Heinz Holliger nicht Ichts – nicht Nichts (excerpts) (UK première) Machaut La Messe de Nostre Dame (excerpts) Ciconia Le ray au soleyl Rodericus Angelorum psalat Michael Finnissy Kelir Worlds collide in this scintillating programme, devised by Wigmore Hall’s Composer in Residence Julian Anderson and EXAUDI’s director James Weeks: medieval and modern, sacred and profane, European and Eastern. Twelfth-century Parisian polyphony elides with the drone-rich imagination of Giacinto Scelsi; Heinz Holliger’s fascination with Machaut can be heard in the luminous Angelus Silesius settings of nicht Ichts – nicht Nichts; and the intricate rhythmic world of the Ars Subtilior finds a parallel in the ardent, tangled vocality of Finnissy’s dramatic Kelir. £30 £25 £20 £15 Supported by Cockayne – Grants for the Arts and The London Community Foundation Early Music and Baroque Series/Contemporary Music Series/Julian Anderson Composer in Residence Matthew Andrews EXAUDI 5 Wednesday 4 February 12.15 pm 4 Pre-Concert Talk An introduction to the lunchtime concert with Ben Comeau, the Winner of the Cambridge University Composers’ Workshop. Free to concert ticket holders (separate ticket required) Wigmore Hall Learning Event/Contemporary Music Series Wednesday 4 February 1.00 pm Britten Sinfonia Jacqueline Shave violin Harry Rankin Miranda Dale violin Clare Finnimore viola Catherine Musker viola Caroline Dearnley cello Beethoven String Quintet in C Op. 29 Ben Comeau New work* (world première) Vaughan Williams Phantasy String Quintet * Co-commissioned by Britten Sinfonia with support from donors to the Musically Gifted campaign, and by Wigmore Hall with the support of André Hoffmann, president of the Britten Sinfonia Fondation Hoffmann, a Swiss grant-making foundation Vaughan Williams’s Phantasy for string quintet was dedicated to William Wilson Cobbett, whose celebrated competition encouraged young composers to write new chamber
Load more

Recommended publications
  • Paul Lewis in Recital a Feast of Piano Masterpieces
    PAUL LEWIS IN RECITAL A FEAST OF PIANO MASTERPIECES SAT 14 SEP 2019 QUEENSLAND SYMPHONY ORCHESTRA STUDIO PROGRAM | PAUL LEWIS IN RECITAL I WELCOME Welcome to this evening’s recital. I have been honoured to join Queensland Symphony Orchestra this year as their Artist-in- Residence, and am delighted to perform for you tonight. This intimate studio is a perfect setting for a recital, and I very much hope you will enjoy it. The first work on the program is Haydn’s Piano Sonata in E minor. Haydn is well known for his string quartets but he also wrote a great number of piano sonatas, and this one is a particular gem. It showcases the composer’s skill of creating interesting variations of simple musical material. The Three Intermezzi Op.117 are some of Brahms’s saddest and most heartfelt piano pieces. The first Intermezzo was influenced by a Scottish lullaby,Lady Anne Bothwell’s Lament, and was described by Brahms as a ‘lullaby to my sorrows’. This is Brahms in his most introspective mood, with quietly anguished harmonies and dynamic markings that rarely rise above mezzo piano. Finally, tonight’s recital concludes with one of the great peaks of the piano repertoire. The 33 Variations in C on a Waltz by Diabelli is one of Beethoven’s most extreme and all- encompassing works – an unforgettable journey for the listener as much as the performer. Thank you for your attendance this evening and I hope you enjoy the performance. Paul Lewis 2019 Artist-in-Residence IN THIS CONCERT PROGRAM Piano Paul Lewis Haydn Piano Sonata in E minor, Hob XVI:34 Brahms Three Intermezzi, Op.117 INTERVAL Approx.
    [Show full text]
  • A Midsummer Night's Dream
    Monday 25, Wednesday 27 February, Friday 1, Monday 4 March, 7pm Silk Street Theatre A Midsummer Night’s Dream by Benjamin Britten Dominic Wheeler conductor Martin Lloyd-Evans director Ruari Murchison designer Mark Jonathan lighting designer Guildhall School of Music & Drama Guildhall School Movement Founded in 1880 by the Opera Course and Dance City of London Corporation Victoria Newlyn Head of Opera Caitlin Fretwell Chairman of the Board of Governors Studies Walsh Vivienne Littlechild Dominic Wheeler Combat Principal Resident Producer Jonathan Leverett Lynne Williams Martin Lloyd-Evans Language Coaches Vice-Principal and Director of Music Coaches Emma Abbate Jonathan Vaughan Lionel Friend Florence Daguerre Alex Ingram de Hureaux Anthony Legge Matteo Dalle Fratte Please visit our website at gsmd.ac.uk (guest) Aurelia Jonvaux Michael Lloyd Johanna Mayr Elizabeth Marcus Norbert Meyn Linnhe Robertson Emanuele Moris Peter Robinson Lada Valešova Stephen Rose Elizabeth Rowe Opera Department Susanna Stranders Manager Jonathan Papp (guest) Steven Gietzen Drama Guildhall School Martin Lloyd-Evans Vocal Studies Victoria Newlyn Department Simon Cole Head of Vocal Studies Armin Zanner Deputy Head of The Guildhall School Vocal Studies is part of Culture Mile: culturemile.london Samantha Malk The Guildhall School is provided by the City of London Corporation as part of its contribution to the cultural life of London and the nation A Midsummer Night’s Dream Music by Benjamin Britten Libretto adapted from Shakespeare by Benjamin Britten and Peter Pears
    [Show full text]
  • Media Release Wolfgang Rihm Is the LUCERNE
    Media Release Wolfgang Rihm Is the LUCERNE FESTIVAL ACADEMY’s New Artistic Director Matthias Pintscher Named Principal Conductor Lucerne, 04 September 2015 . Starting in the summer of 2016, the German composer Wolfgang Rihm will assume overall artistic directorship of the LUCERNE FESTIVAL ACADEMY. The conductor and composer Matthias Pintscher will support him as Principal Conductor and will be responsible each summer for a central Academy program; he will additionally focus on developing the Academy Orchestra. Both contracts are for a period of five years. The founder of the LUCERNE FESTIVAL ACADEMY, Pierre Boulez, will continue to remain in close dialogue with Wolfgang Rihm, Matthias Pintscher, and the Festival team as Honorary President of the Academy. For twelve years the LUCERNE FESTIVAL ACADEMY has been regarded as a unique international educational campus in the field of contemporary classical music of the 20th and 21st centuries. It offers continuing training not only for some 120 instrumentalists between 18 and 32 years of age but also for young directors and composers. “I am extremely delighted that in the person of Wolfgang Rihm a leading figure of contemporary music will be taking over artistic leadership of the LUCERNE FESTIVAL ACADEMY,” remarks Michael Haefliger, LUCERNE FESTIVAL’s Executive and Artistic Director. “On the strength of his experience and his knowledge in connection with the Academy, Wolfgang Rihm will be in a position to establish new directions for linking creativity with effective ways of working together for young instrumentalists, conductors, and composers. This summer Matthias Pintscher has returned for a third time as a teacher and conductor to help shape the Academy’s work in marvelous ways, as seen for example in the recent “Day for Pierre Boulez”.
    [Show full text]
  • Lisa Batiashvili, Violin and Paul Lewis, Piano Wednesday, March 25, 2015 – 8:00 PM Perelman Theater, Kimmel Center
    PREVIEW NOTES Lisa Batiashvili, violin and Paul Lewis, piano Wednesday, March 25, 2015 – 8:00 PM Perelman Theater, Kimmel Center Program Violin Sonata in A Major, D. 574, Grand Duo following year as Opus 70 it was given the title "Rondo Franz Schubert brillant" by the publisher. Born: January 31, 1797 in Vienna, Austria Died: November 19, 1828 in Vienna, Austria Violin Sonata in E Minor, BWV 1023 Composed: 1817 Johann Sebastian Bach Last PCMS performance: Jaime Laredo in 2005 Born: March 21, 1685 in Eisenach, Germany Duration: 17 minutes Died: July 28, 1750 in Leipzig, Germany Composed: 1714‐17 Not published until 1851, this work of Schubert's early Last PCMS performance: Jaime Laredo in 2005 maturity fully deserves the designation "duo" appended Duration: 10 minutes by the publisher; unlike Schubert's earlier works for violin and piano, this sonata makes the keyboard a full Most of Bach's accompanied violin sonatas pair the partner and displays the composer's increasing instrument with harpsichord alone, and cast the violin in confidence in writing for piano. The first of the four a supporting role. BWV 1023, however, puts the violin movements begins with a few bars of amiable piano front and center with support from a continuo. introduction that become the accompaniment to a low‐ key, songful violin theme. The second movement is a Violin Sonata in G Major, Op. 96 rollicking piece in which a little piano fanfare launches a Ludwig van Beethoven scurrying violin figure. The music lurches through some Born: December 16, 1770 in Bonn, Germany surprising key changes, often coming to a full stop Died: March 26, 1827 in Vienna, Austria before continuing with quite different material, and Composed: 1812 features highly chromatic writing for the violin.
    [Show full text]
  • Nasher Sculpture Center's Soundings Concert Honoring President John F. Kennedy with New Work by American Composer Steven Macke
    Nasher Sculpture Center’s Soundings Concert Honoring President John F. Kennedy with New Work by American Composer Steven Mackey to be Performed at City Performance Hall; Guaranteed Seating with Soundings Season Ticket Package Brentano String Quartet Performance of One Red Rose, co-commissioned by the Nasher with Carnegie Hall and Yellow Barn, moved to accommodate bigger audience. DALLAS, Texas (September 12, 2013) – The Nasher Sculpture Center is pleased to announce that the JFK commemorative Soundings concert will be performed at City Performance Hall. Season tickets to Soundings are now on sale with guaranteed seating to the special concert honoring President Kennedy on the 50th anniversary of his death with an important new work by internationally renowned composer Steven Mackey. One Red Rose is written for the Brentano String Quartet in commemoration of this anniversary, and is commissioned by the Nasher (Dallas, TX) with Carnegie Hall (New York, NY) and Yellow Barn (Putney, VT). The concert will be held on Saturday, November 23, 2013 at 7:30 pm at City Performance Hall with celebrated musicians; the Brentano String Quartet, clarinetist Charles Neidich and pianist Seth Knopp. Mr. Mackey’s One Red Rose will be performed along with seminal works by Olivier Messiaen and John Cage. An encore performance of One Red Rose, will take place Sunday, November 24, 2013 at 2 pm at the Sixth Floor Museum at Dealey Plaza. Both concerts will include a discussion with the audience. Season tickets are now available at NasherSculptureCenter.org and individual tickets for the November 23 concert will be available for purchase on October 8, 2013.
    [Show full text]
  • The Chamber Music Society of Lincoln Center
    Concerts from the Library of Congress 2013-2014 THE DINA KOSTON AND ROGER SHAPIRO fUND fOR nEW mUSIC THE CHAMBER MUSIC SOCIETY oF LINCOLN CENTER Thursday, April 10, 2014 ~ 8 pm Coolidge Auditorium Library of Congress, Thomas Jefferson Building THE DINA KOSTON AND ROGER SHAPIRO FUND FOR NEW MUSIC Endowed by the late composer and pianist Dina Koston (1929-2009) and her husband, prominent Washington psychiatrist Roger L. Shapiro (1927-2002), the DINA KOSTON AND ROGER SHAPIRO FUND FOR NEW MUSIC supports commissions and performances of contemporary music. Please request ASL and ADA accommodations five days in advance of the concert at 202-707-6362 or [email protected]. Latecomers will be seated at a time determined by the artists for each concert. Children must be at least seven years old for admittance to the concerts. Other events are open to all ages. Presented in association with: The Chamber Music Society’s touring program is made possible in part by the Lila Acheson and DeWitt Wallace Endowment Fund. Please take note: Unauthorized use of photographic and sound recording equipment is strictly prohibited. Patrons are requested to turn off their cellular phones, alarm watches, and any other noise-making devices that would disrupt the performance. Reserved tickets not claimed by five minutes before the beginning of the event will be distributed to stand-by patrons. Please recycle your programs at the conclusion of the concert. The Library of Congress Coolidge Auditorium Thursday, April 10, 2014 — 8 pm THE DINA KOSTON AND ROGER SHAPIRO fUND fOR nEW mUSIC THE CHAMBER MUSIC SOCIETY oF LINCOLN CENTER • Gilles Vonsattel, piano Nicolas Dautricourt, violin Nicolas Altstaedt, cello Amphion String Quartet Katie Hyun, violin David Southorn, violin Wei-Yang Andy Lin, viola Mihai Marica, cello Tara Helen O'Connor, flute Romie de Guise-Langlois, clarinet Jörg Widmann, clarinet Ian David Rosenbaum, percussion 1 Program PIERRE JALBERT (B.
    [Show full text]
  • Klsp2018iema Broschuere.Indd
    KLANGSPUREN SCHWAZ INTERNATIONAL ENSEMBLE MODERN ACADEMY IN TIROL. REBECCA SAUNDERS COMPOSER IN RESIDENCE. 15TH EDITION 29.08. – 09.09.2018 KLANGSPUREN INTERNATIONAL ENSEMBLE MODERN ACADEMY 2018 KLANGSPUREN SCHWAZ is celebrating its 25th anniversary in 2018. The annual Tyrolean festival of contemporary music provides a stage for performances, encounters, and for the exploration and exchange of new musical ideas. With a different thematic focus each year, KLANGSPUREN aims to present a survey of the fascinating, diverse panorama that the music of our time boasts. KLANGSPUREN values open discourse, participation, and partnership and actively seeks encounters with locals as well as visitors from abroad. The entire beautiful region of Tyrol unfolds as the festival’s playground, where the most cutting-edge and modern forms of music as well as many young composers and musicians are presented. On the occasion of its own milestone anniversary – among other anniversaries that KLANGSPUREN SCHWAZ 2018 will be celebrating this year – the 25th edition of the festival has chosen the motto „Festivities. Places.“ (in German: „Feste. Orte.“). The program emphasizes projects and works that focus on aspects of celebrations, festivities, rituals, and events and have a specific reference to place and situation. KLANGSPUREN INTERNATIONAL ENSEMBLE MODERN ACADEMY is celebrating its 15th anniversary. The Academy is an offshoot of the renowned International Ensemble Modern Academy (IEMA) in Frankfurt and was founded in the same year as IEMA, in 2003. The Academy is central to KLANGSPUREN and has developed into one of the most successful projects of the Tyrolean festival for new music. The high standards of the Academy are vouched for by prominent figures who have acted as Composers in Residence: György Kurtág, Helmut Lachenmann, Steve Reich, Benedict Mason, Michael Gielen, Wolfgang Rihm, Martin Matalon, Johannes Maria Staud, Heinz Holliger, George Benjamin, Unsuk Chin, Hans Zender, Hans Abrahamsen, Wolfgang Mitterer, Beat Furrer, Enno Poppe, and most recently in 2017, Sofia Gubaidulina.
    [Show full text]
  • Lionel Bringuier
    Lionel Bringuier Conductor French conductor Lionel Bringuier is one of the most engaging conductors of his generation, heralded for his artistic maturity, emotional insight, and insightful programming. He appears frequently with the world’s preeminent orchestras, and regularly collaborates with top solo artists both in concert and on critically lauded recordings. During the 2017/2018 season, Mr. Bringuier will make two appearances with the Orchestre National de Lyon, in November 2017 and May 2018. The season also includes engagements with the Leipzig Gewandhaus Orchestra, Chicago Symphony Orchestra, Orchestre Philharmonique de Radio France, Montreal Symphony Orchestra, Finnish & Swedish Radio Symphony Orchestras, Gothenburg Symphony Orchestra, Orquesta Sinfonica de Castilla y León, Gulbenkian Symphony Orchestra, and Malaysian Philharmonic, among others. Bringuier makes his seasonal return to the Los Angeles Philharmonic in March 2018, with a programme featuring Dvorak, Symphony No.8. Mr. Bringuier’s other programmes this season feature a vast range of repertoire; additional highlights include Dutilleux’ Symphony No. 1, Lutosławski’s Les espaces de sommeil, and Brett Dean’s Amphitheatre, alongside works by Shostakovich, Ravel, Salonen, Gruber, Varèse, Berlioz, and more. Bringuier has appeared as a guest conductor with the New York Philharmonic, Cleveland Orchestra, Munich Philharmonic, Simón Bolívar Symphony Orchestra of Venezuela, Philharmonia Orchestra, and Israel Philharmonic Orchestra. Named Chief Conductor and Music Director of the Tonhalle Orchestra Zurich in 2012, he now enters his seventh season working with the ensemble. Mr. Bringuier and the TOZ will embark on a multi- city tour throughout Europe in April 2018, with pianist Igor Levit as soloist. Following the landmark inauguration of the Creative Chair Initiative for the Tonhalle Orchestra Zurich in his first season, Lionel Bringuier will collaborate with the composer Brett Dean this year.
    [Show full text]
  • Piano; Trio for Violin, Horn & Piano) Eric Huebner (Piano); Yuki Numata Resnick (Violin); Adam Unsworth (Horn) New Focus Recordings, Fcr 269, 2020
    Désordre (Etudes pour Piano; Trio for violin, horn & piano) Eric Huebner (piano); Yuki Numata Resnick (violin); Adam Unsworth (horn) New focus Recordings, fcr 269, 2020 Kodály & Ligeti: Cello Works Hellen Weiß (Violin); Gabriel Schwabe (Violoncello) Naxos, NX 4202, 2020 Ligeti – Concertos (Concerto for piano and orchestra, Concerto for cello and orchestra, Chamber Concerto for 13 instrumentalists, Melodien) Joonas Ahonen (piano); Christian Poltéra (violoncello); BIT20 Ensemble; Baldur Brönnimann (conductor) BIS-2209 SACD, 2016 LIGETI – Les Siècles Live : Six Bagatelles, Kammerkonzert, Dix pièces pour quintette à vent Les Siècles; François-Xavier Roth (conductor) Musicales Actes Sud, 2016 musica viva vol. 22: Ligeti · Murail · Benjamin (Lontano) Pierre-Laurent Aimard (piano); Bavarian Radio Symphony Orchestra; George Benjamin, (conductor) NEOS, 11422, 2016 Shai Wosner: Haydn · Ligeti, Concertos & Capriccios (Capriccios Nos. 1 and 2) Shai Wosner (piano); Danish National Symphony Orchestra; Nicolas Collon (conductor) Onyx Classics, ONYX4174, 2016 Bartók | Ligeti, Concerto for piano and orchestra, Concerto for cello and orchestra, Concerto for violin and orchestra Hidéki Nagano (piano); Pierre Strauch (violoncello); Jeanne-Marie Conquer (violin); Ensemble intercontemporain; Matthias Pintscher (conductor) Alpha, 217, 2015 Chorwerk (Négy Lakodalmi Tánc; Nonsense Madrigals; Lux æterna) Noël Akchoté (electric guitar) Noël Akchoté Downloads, GLC-2, 2015 Rameau | Ligeti (Musica Ricercata) Cathy Krier (piano) Avi-Music – 8553308, 2014 Zürcher Bläserquintett:
    [Show full text]
  • New on Naxos | MAY 2012
    25years NEW ON The World’s Leading ClassicalNA MusicXO LabelS MAY 2012 This Month’s Other Highlights © 2012 Naxos Rights International Limited • Contact Us: [email protected] www.naxos.com • www.classicsonline.com • www.naxosmusiclibrary.com NEW ON NAXOS | MAY 2012 8.572823 Playing Time: 76:43 7 47313 28237 1 © Bruna Rausa Alessandro Marangoni Mario CASTELNUOVO-TEDESCO (1895-1968) Piano Concerto No 1 in G minor, Op 46 Piano Concerto No 2 in F major, Op 92 Four Dances from ‘Love’s Labour’s Lost’, Op 167* Alessandro Marangoni, piano Malmö Symphony Orchestra • Andrew Mogrelia * First Performance and Recording Mario Castelnuovo-Tedesco’s two Piano Concertos form a contrasting pair. Concerto No. 1, written in 1927, is a vivid and witty example of his romantic spirit, exquisite melodies and rich yet transparent orchestration. Concerto No. 2, composed a decade later, is a darker, more dramatic and virtuosic work. The deeply-felt and dreamlike slow movement and passionate finale are tinged with bleak moments of somber agitation, suggestive of unfolding tragic events with the imminent introduction of the Fascist Racial Laws that led Castelnuovo-Tedesco to seek exile in the USA in 1939. The Four Dances from ‘Love’s Labour’s Lost’, part of the composer’s recurring fascination for the art of Shakespeare, are atmospheric, richly characterised and hugely enjoyable. This is their first performance and recording. After winning national and international awards, Alessandro Marangoni has appeared throughout Europe and America, as a soloist and as a © Zu Zweit chamber musician, collaborating with some of Italy’s leading performers.
    [Show full text]
  • Past Commissions 2014/15
    Past Commissions 2014/2015 Season Page 1 of 5 * Denotes commissioned by Wigmore Hall with the support of André Hoffmann, president of the Fondation Hoffmann, a Swiss grant-making foundation September Day Composer Title Performer(s) Première Variations from the 14 Birtwistle, Sir Harrison Nicolas Hodges World* Golden Mountains Study No. 44A after Chopin 15 Godowsky, Leopold Marc-André Hamelin UK nouvelle étude No.1 October Day Composer Title Performer(s) Première gefährlich dünn — fragile pieces Petraškevičs, Jānis for double string quartet (co-commissioned by Ensemble Modern and Wigmore Hall) 10 Ensemble Modern World* Schöllhorn, sous-bois – Sextet (co-commissioned by Ensemble Modern Johannes and Wigmore Hall) November Day Composer Title Performer(s) Première Carnaval for clarinet, piano and cello 11 Mantovani, Bruno (co-commissioned by Ensemble intercontemporain, Ensemble intercontemporain World* Opéra national de Paris and Wigmore Hall) Montague, Stephen nun-mul World 16 Jenna Sung World Pritchard, Gwyn Tide December Day Composer Title Performer(s) Première Uncanny Vale Britten Sinfonia (co-commissioned by Britten Sinfonia with 3 Jones, Patrick John (Emer McDonough, Nicholas Daniel, London* support from donors to the Musically Gifted Joy Farrall, Sarah Burnett, Stephen Bell) campaign and Wigmore Hall) Turnage, Contusion 6 (co-commissioned by The Radcliffe Trust, Belcea Quartet World* Mark-Anthony NMC Recordings and Wigmore Hall) Past Commissions 2014/2015 Season Page 2 of 5 January Day Composer Title Performer(s) Première Light and Matter Britten Sinfonia (co-commissioned by Britten Sinfonia with 14 Saariaho, Kaija (Jacqueline Shave, Caroline Dearnley, London* support from donors to the Musically Gifted campaign Huw Watkins) and Wigmore Hall) 3rd Quartet Holt, Simon (co-commissioned by The Radcliffe Trust, World* NMC Recordings, Heidelberger Frühling, and 19 Wigmore Hall) JACK Quartet Haas, Georg Friedrich String Quartet No.
    [Show full text]
  • London Mozart Players Wind Trio When He Left to Focus on His Freelance Career
    Timothy Lines (Clarinet) Timothy studied at the Royal College of Music with Michael Collins and now enjoys a wide- ranging career as a clarinettist. He has played with all the major symphony orchestras in London as well as with chamber groups including London Sinfonietta and the Nash Ensemble. From 1999 to 2003 he was Principal Clarinet of the London Symphony Orchestra and was also chairman of the orchestra during his last year there. From September 2004 to January 2006 he was section leader clarinet of the City of Birmingham Symphony Orchestra, London Mozart Players Wind Trio when he left to focus on his freelance career. He plays on original instruments with the English Baroque Soloists, the Orchestre Revolutionnaire et Romantique and the Orchestra of Thursday 12th March 2020 at 7.30 pm the Age of Enlightenment and is also frequently engaged to record film music and pop music Cavendish Hall, Edensor tracks. Timothy is Professor of Clarinet at both the Royal College of Music and the Royal Academy of Music, and is the clarinet coach for the National Youth Orchestra of Great Britain. In March 2016 he was awarded a Fellowship of the Royal College of Music and was later that year invited to become Principal Clarinet of the London Mozart Players. Concert Champêtre H. TOMASI Gareth Hulse (Oboe) (1901-1971) After reading music at Cambridge, Gareth Hulse studied with Janet Craxton at the Royal Divertimento K439b W.A. MOZART Academy of Music, and with Heinz Holliger at the Freiburg Hochschule fur Musik. On his (1756-1791) return to England he was appointed Principal Oboe with the Northern Sinfonia, a position he has since held with English National Opera and the London Philharmonic.
    [Show full text]