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B R I a N K I N G M U S I C I N D U S T R Y P R O F E S S I O N a L M U S I C I a N - C O M P O S E R - P R O D U C E R
B R I A N K I N G M U S I C I N D U S T R Y P R O F E S S I O N A L M U S I C I A N - C O M P O S E R - P R O D U C E R Brian’s profile encompasses a wide range of experience in music education and the entertainment industry; in music, BLUE WALL STUDIO - BKM | 1986 -PRESENT film, television, theater and radio. More than 300 live & recorded performances Diverse range of Artists & Musical Styles UNIVERSITY OF SOUTHERN CALIFORNIA Music for Media in NYC, Atlanta, L.A. & Paris For more information; www.bluewallstudio.com • As an administrator, professor and collaborator with USC working with many award-winning faculty and artists, PRODUCTION CREDITS - PARTIAL LIST including Michael Patterson, animation and digital arts, Medeski, Martin and Wood National Medal of Arts recipient, composer, Morton Johnny O’Neil Trio Lauridsen, celebrated filmmaker, founder of Lucasfilm and the subdudes (w/Bonnie Raitt) ILM, George Lucas, and his team at the Skywalker Ranch. The B- 52s Jerry Marotta Joseph Arthur • In music education, composition and sound, with a strong The Indigo Girls focus on establishing relations with industry professionals, R.E.M. including 13-time Oscar nominee, Thomas Newman, and 5- Alan Broadbent time nominee, Dennis Sands - relationships leading to PS Jonah internships in L.A. and fundraising projects with ASCAP, Caroline Aiken BMI, the RMALA and the Musician’s Union local 47. Kristen Hall Michelle Malone & Drag The River Melissa Manchester • In a leadership role, as program director, recruitment Jimmy Webb outcomes aligned with career success for graduates Col. -
Notations Spring 2011
The ASCAP Foundation Making music grow since 1975 www.ascapfoundation.org Notations Spring 2011 Tony Bennett & Susan Benedetto Honored at ASCAP Foundation Awards The ASCAP Foundation held its 15th Annual Awards Ceremony at the Allen Room, Frederick P. Rose Hall, Home of Jazz at Lincoln Center, in New York City on December 8, 2010. Hosted by ASCAP Foundation President, Paul Williams, the event honored vocal legend Tony Bennett and his wife, Susan Benedetto, with The ASCAP Foundation Champion Award in recognition of their unique and significant efforts in arts education. ASCAP Foundation Champion Award recipients Susan Benedetto (l) & Tony Bennett with Mary Rodgers (2nd from left), Mary Ellin A wide variety of ASCAP Foundation Scholarship Barrett (2nd from right), and ASCAP Foundation President Paul and Award recipients were also honored at the Williams (r). event, which included special performances by some of the honorees. For more details and photos of the event, please see our website. Bart Howard provides a Musical Gift The ASCAP Foundation is pleased to announce that composer, lyricist, pianist and ASCAP member Bart Howard (1915-2004) named The ASCAP Foundation as a major beneficiary of all royalties and copyrights from his musical compositions. In line with this generous bequest, The ASCAP Foundation has established programs designed to ensure the preservation of Bart Howard’s name and legacy. These efforts include: Songwriters: The Next Generation, presented by The ASCAP Foundation and made possible by the Bart Howard Estate which showcases the work of emerging songwriters and composers who perform on the Kennedy Center’s Millennium Stage. The ASCAP Foundation Bart Howard Songwriting Scholarship at Berklee College recog- nizes talent, professionalism, musical ability and career potential in songwriting. -
Single Picks of the Week
record Dedicated To Servira The Needs O/ The Mruic & Retord Industry 0 CD >- 0 Vol. 22, No. 1073 December 30, 1967 u)JC JQ1 cl'SiG In the opinion of the Culturs, mis week the following records are the SINGLE PICKS OF THE WEEK etc ror WITHOUT LOVE (Thom Is Ronde OSCAR TONEY JR. aMs'm Ìl\ Spanky and Our Gang have Humorous, biting ditty Oscar Toney Jr. details the a cleverly - written (by about the superficial power deep meaning of love on Margo Guryan) jazz-rock of "Money" (Faithful Virtue, this new gospel - tinged song called "Sunday Morn - BMI) by John Sebastian will "Without Love (There is in' " (Blackwood, BMI) kids make bundles and pots of Nothing)" (Progressive -Suf- will love (Mercury 72765). the green stuff (Kama Sutra folk, BMI) (Bell 699). 241). The Cream could catch on Neil Diamond travels down Jean-Paul Vignon paints the way they deserve with to "New Orleans" (Rock pretty portrait of adoles- this beat, beat "Sunshine Masters, BMI) on this new cent girl on moody "Good - of Your Love" (Dratleaf, track and should cause bye, G o o d b y e, Colette" BMI). From their album, party -giving teens great re- (Bikini, ASCAP) for his im- "Disrael Gears" (Atco joicing (Bang 554). pressive Philips bow 6544). (40502). CALBUM PICKS OF THE WEEK "Al Hirt Plays Bert Kaemp- "Fowl Play," the new al- Kenny O'Dell, clicking with fert" delivers just what bum from Julius Wechter his "Beautiful People" 4,42 4e4tGrin 01,- the title promises-a col- and the Baja Marimba single, makes a likeable lection of sleekly played Band, will get lots of play. -
Michael Isaacson Collection
MICHAEL ISAACSON COLLECTION RUTH T. WATANABE SPECIAL COLLECTIONS SIBLEY MUSIC LIBRARY EASTMAN SCHOOL OF MUSIC UNIVERSITY OF ROCHESTER Processed by Gail E. Lowther, spring-summer 2018 1 Photograph of Michael Isaacson with Samuel Adler (ca. 1972). Photograph by Louis Ouzer, from Michael Isaacson Collection, Box 31, Folder 13 Photograph of Michael Isaacson conducting the Israel Pops Orchestra during recording session for the Museum of Jewish Heritage (1997). From Michael Isaacson Collection, Box 31, Folder 14. 2 TABLE OF CONTENTS Description of Collection . 5 Description of Series . 8 INVENTORY Series 1: Manuscripts and Sketches Sub-series A: Numbered Works . 14 Sub-series B: Orchestral Arrangements . 58 Sub-series C: Unnumbered Manuscripts . 62 Series 2: Papers Sub-series A: Correspondence. 95 Sub-series B: Composition Projects . 101 Sub-series C: Lectures and Pedagogical Materials . 119 Sub-series D: Writings . 124 Sub-series E: Professional Papers . 128 Sub-series F: Milken Papers . 159 Sub-series G: Milken Recording Project . 166 Sub-series H: Photographs and Images . 174 Series 3: Publicity and Press Materials Sub-series A: Scrapbooks . 179 Sub-series B: Concert Programs . 187 Sub-series C: Press Clippings . 190 Series 4: Library Sub-series A: Study Scores . 200 3 Sub-series B: Literature. 232 Series 5: Audio-Visual Materials Sub-series A: 5” Reel-to-Reel Audio Tapes . 233 Sub-series B: 7” Reel-to-Reel Audio Tapes. 233 Sub-series C: 10.5” Magnetic Tape. 236 Sub-series D: 12” LPs . 236 Sub-series E: 7” EPs . 237 Sub-series F: Cassette Tapes . 238 Sub-series G: Compact Discs (CDs) . 253 Sub-series H: Digital Audio Tapes (DATs) . -
Start Time Description Number-Cut Length User Defined 00:00:00 TOP
Start Time Description Number-Cut Length User defined 00:00:00 TOP OF HOUR 00:00:00 RUN MACRO-ON AIR 00:00:00-E (:00)LEGAL ID 00:00:00-E (:00)Skeleton Rag 0023415-001 01:23:8 Artist - Hoosier Hot Shots 00:01:24-E (:00)IT ISN'T A DREAM ANYMORE 0113924-001 03:13:2 Artist - ALVINO REY v ALYCE KING 00:04:37-E (:00)VILLAGE TAVERN POLKA 0143505-001 02:27:7 Artist - LAWRENCE WELK AND HIS ORCH 00:07:05-E (:00)POINCIANA 0146434-001 03:31:8 Artist - JERRY WALD AND HIS ORCH 00:10:37-E (:00)SLEEPY TIME GAL 0149709-001 04:21:7 Artist - Casa Loma Orchestra 00:14:59-E (:00)READY EDDY 0154124-001 03:10:6 Artist - BARNEY BIGARD AND HIS ORCH 00:18:09-E (:00)ANYTHING GOES 0156212-001 02:51:0 Artist - Ella Fitzgerald 00:21:00-E (:00)MY LOVIN' IMOGENE 0157408-001 03:38:5 Artist - THE FUNKY NEW ORLEANS JAZZ BAND v DICK OXTOT 00:24:39-E (:00)HONKY TONK 0165248-001 02:14:1 Artist - Si Zentner 00:26:53-E (:00)Don't You Ever Cry 1940 0058368-001 03:06:8 Artist - Sydney Lipton's Grosvenor Hse Dnce Orch v Chips Chippendall 00:30:00-E (:00)LUCKY LINDY 1927 0163049-001 02:21:2 Artist - NAT SHIKRETT AND THE VICTOR ORCH 00:32:21-E (:00)Crazy Rhythm Whispering 1928 0139921-001 03:05:2 Artist - Jack Smith 00:35:27-E (:00)Follow The Fleet medley 1936 0163425-001 02:54:7 Artist - Casani Club Orchestra v George Barclayh v Chips Chippendall 00:38:22-E (:00)HOUND DOG 0169156-001 02:37:1 Artist - JOHN HARTFORD-DAVID GRISMAN-MIKE SEEGER v Chips Chippendall 00:40:59-E (:00)IF I HAD YOU 0170520-001 03:01:1 Artist - RUDY VALLEE w CONNECTICUT YANKEESSEEGER v Chips Chippendall 00:44:00-E -
UC Riverside UC Riverside Electronic Theses and Dissertations
UC Riverside UC Riverside Electronic Theses and Dissertations Title Projections of Musical Jewishness: Composers of Hollywood's Golden Age Permalink https://escholarship.org/uc/item/2500c312 Author Fruchtman, Aaron Publication Date 2016 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE Projections of Musical Jewishness: Composers of Hollywood’s Golden Age A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Music by Aaron J. Fruchtman August 2016 Dissertation Committee: Dr. Byron Adams, Chairperson Dr. Walter Aaron Clark Dr. Michael Alexander Dr. Daniel Goldmark Copyright by Aaron J. Fruchtman 2016 The Dissertation of Aaron J. Fruchtman is approved: ______________________________________________ ______________________________________________ ______________________________________________ ______________________________________________ Committee Chairperson University of California, Riverside Acknowledgements Despite locking myself away from the world to write this dissertation, I was supported by many individuals and institutions. I am grateful to my committee chair, Dr. Byron Adams, who always believed in my scholarly vision and made me want to become a musicologist. I am also grateful to my committee members: Profs. Walter Clark, Michael Alexander, and Daniel Goldmark. Each of you has made yourselves available to me over this journey and I am profoundly thankful for your words of wisdom. Two archivists deserve special praise: I would like to thank James D’Arc at Brigham Young University who shares my passion for the music of Max Steiner and made my visit to Provo most productive. At the University of Southern California, Edward Comstock constantly fielded my questions and requests and had time for wonderful conversations about our favorite Golden Age film composers. -
MATRIX DON DAVIS WRAPS HIS EPIC TRILOGY DUMPED! GREAT MUSIC THAT DIDN’T MAKE the CUT the Gospel of JEFF MR
Volume 8, Number 9 Original Music Soundtracks for Movies and Television IN CONCERT PG. 8 The CONCLUSIONSMATRIX DON DAVIS WRAPS HIS EPIC TRILOGY DUMPED! GREAT MUSIC THAT DIDN’T MAKE THE CUT The Gospel of JEFF MR. DANNA SCORES THE PASSION Playing it COOLER MARK ISHAM IN LAS VEGAS 09> 7225274 93704 $4.95 U.S. • $5.95 Canada v8n9COV.id 1 11/15/03, 11:37:17 AM If you contribute in any way to the film music process, our January Film & TV Music special issue, the flagship of the 2004 series, provides a unique marketing opportunity for your talent, product or service throughout the year. It features our exclusive “Who’s Who in Composing” plus our Oscar® Watch focus on Best Score and Best Song. Book your ad. And be heard. Bonus Distribution at MIDEM & Sundance Space Deadline: December 5, 2003 Materials Deadline: December 12, 2003 JUDI PULVER 323.525.2026 www.HollywoodReporter.com JOHN KANIA +44.208.694.0104 Fuel for thought v8n9COV.id 2 11/15/03, 11:36:00 AM CONTENTS OCTOBER | NOVEMBER DEPARTMENTS COVER STORY 2 Editorial 16 The Matrix Conclusions I Wouldn’t Bet on That! Love it or hate it, you’ve got to admit that Don Davis’ work on the year’s huge Matrix films represents one of 4 News the most significant sci-fi series scores of all time. Goldenthal wins; By Doug Adams Disney Gala Opening. 5 Record Label 19 The Revolutions Will Not Be Minimized Round-up The final CD of the trilogy reviewed. What’s on the way. -
Bobby Womack by BOB BOWMAN
Bobby Womack BY BOB BOWMAN rom the early 1960s through the late 1980s, its first single, “Buffalo Bill,” for the deservedly obscure Bobby Womack was one of popular music’s Pennant label. Working the gospel highway alongside great triple threats, making stunning, if such groups as the Staple Singers, the Davis Sisters, and often underrecognized, contributions to the Pilgrim Travellers, Bobby developed as a guitarist the world of soul as a session musician, to the point that in 1957, a few months before his thir writer of hit songs for others, and as an artistteenth in his birthday, he was asked to go on the road as the own right. His often unorthodox but eminentlylead soulful guitarist with the Five Blind Boys of Mississippi. guitar playing animated recordings by Hall of FamersThe Womack Brothers’ big break came in 1961, Sam Cooke, Ray Charles, Aretha Franklin, Elviswhen Pres- Sam Cooke tapped them for his newly formed Fley, Dusty Springfield, Janis Joplin, and Sly and the SAR label. Cooke wanted the group to record secular Family Stone; his emotion-laden treatises on the vaga music. With Friendly looking over their shoulders, the ries of love provided hit material for the Rolling Stones, Womack Brothers insisted that they would sing only Wilson Pickett, the J. Geils Band, George Benson, and gospel. A compromise was reached: Their first single New Birth; and his own recordings, from 1971’s “That’s would be a gospel recording - if it was a hit, they would the Way I Feel About ’Cha” through 1985’s “I Wish He continue to record gospel music; if it flopped, Sam would Didn’t Trust Me So Much,” defined the essence of what cut them singing soul. -
Composers of Hollywood's Golden Age a Dissertation Submi
UNIVERSITY OF CALIFORNIA RIVERSIDE Projections of Musical Jewishness: Composers of Hollywood’s Golden Age A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Music by Aaron J. Fruchtman August 2016 Dissertation Committee: Dr. Byron Adams, Chairperson Dr. Walter Aaron Clark Dr. Michael Alexander Dr. Daniel Goldmark Copyright by Aaron J. Fruchtman 2016 The Dissertation of Aaron J. Fruchtman is approved: ______________________________________________ ______________________________________________ ______________________________________________ ______________________________________________ Committee Chairperson University of California, Riverside Acknowledgements Despite locking myself away from the world to write this dissertation, I was supported by many individuals and institutions. I am grateful to my committee chair, Dr. Byron Adams, who always believed in my scholarly vision and made me want to become a musicologist. I am also grateful to my committee members: Profs. Walter Clark, Michael Alexander, and Daniel Goldmark. Each of you has made yourselves available to me over this journey and I am profoundly thankful for your words of wisdom. Two archivists deserve special praise: I would like to thank James D’Arc at Brigham Young University who shares my passion for the music of Max Steiner and made my visit to Provo most productive. At the University of Southern California, Edward Comstock constantly fielded my questions and requests and had time for wonderful conversations about our favorite Golden Age film composers. Likewise, thank you to Sandra Garcia-Myers at USC’s Cinematic Archive and Brett Service at USC’s Warner Bros. Archives for locating the numerous items I requested. Additionally, I would like to thank the staff of the Margaret Herrick Library, Syracuse University Libraries, American Heritage Center at the University of Wyoming, and University of California, Los Angeles Performing Arts Special Collections. -
2013 Spring Newsletter.Indd
THE ASCAP FOUNDATION MAKING MUSIC GROW SINCE 1975 NotationsSPRING 2013 ISSUE JASON MRAZ HONORED AT ASCAP FOUNDATION AWARDS The ASCAP Foundation held its 17th Annual Awards Ceremony at the Allen Room, Frederick P. Rose Hall, Home of Jazz at Lincoln Center, in New York City on December 12, 2012. Hosted by ASCAP Foundation President, Paul Williams, the event honored Grammy Award-winning artist Jason Mraz with The ASCAP Foundation Champion Award for his longtime leadership in such social causes as human equality, envi- ronmental protection, arts education and assisting people with spinal cord injuries. A wide variety of ASCAP Foundation Scholarship and Award recipi- ents were also honored at the event, which included special perfor- mances by some of the honorees. For more details and photos of the event, please see our website, Facebook and Jason Mraz receives the Champion Award from Twitter page. • ASCAP Foundation President Paul Williams. ASCAP FOUNDATION POP WORKSHOP RENAMED FOR JERRY RAGOVOY AND NEW SONGWRITING AWARD ESTABLISHED TO HONOR THE LEGENDARY SONGWRITER The ASCAP Foundation East Coast Pop Songwriters Workshop has been renamed The ASCAP Foundation Jerry Ragovoy Song- writers Workshop, thanks to the generous support of Jerry’s widow, Bev Ragovoy, in memory of the great R&B, Rock and Pop song- writer. Mrs. Ragovoy has also created the new ASCAP Foundation Jerry Ragovoy Award, a cash prize for an outstanding Workshop participant. Longtime ASCAP member Jerry Ragovoy wrote or co-wrote such classic hits as “Piece of My Heart,” “Time Is on My Side,” “Cry Baby,” “Get It While You Can,” “Stay With Me,” and “Pata Pata.” Jerry Ragovoy (1930-2011) was born in Philadelphia. -
Download As an MP3 and Potent Character Drama
Volume 10, Number 5 Original Music Soundtracks for Movies and Television C3PO Conducts pg. 40 The Poet of Paranoia From Out of the Shadows Comes Michael Small Elliot Goldenthal Writing a Monster Opera Miami Vice Verses Song Scores That Work March of the Penguins The Emperors Strike Back Goblin Buyer’s Guide Meet the Proglodytes National Geographic The Trek to Find the Tracks $7.95 U.S. • $8.95 Canada ���������������������������������������� contents Sept./Oct. 2005 Film Score Magazine (ISSN 1077-4289) is published six times a year for $36.95 per year by Vineyard Haven LLC., 8503 Washington Blvd, Culver City, CA 90232. Periodicals postage paid at Culver City, CA and additional mailing offices. POSTMASTER: Send address changes to Film Score Magazine, 8503 Washington Blvd, Culver City, CA 90232 contents Sept./Oct.Sept./Oct. 2005 2005 DEPARTMENTS COVER STORY 30 The Poet of Paranoia 2 Editorial We’re proud to bring you an extensive profile on the life and The 1000 Club. times of one of film music’s most talented—and underappreci- ated—composers: the late Michael Small, the unrivaled master of 4 News paranoiac film music. Joe Harnell, Rick Victor, By Kyle Renick Clifford McCarty, et al. 5 Record Label Round-Up 35 Remembering Michael What’s on the way. Orchestrator Christopher Dedrick recalls working with his close friend. Now Playing 5 12 Welcome to birdland. Movies and CDs in FEATURES release. 6 Concerts 16 A Voyage of Discovery Film music performed Intrada’s releases of the music from those well-known National Geo- around the globe. graphic TV specials have been a boon for soundtrack buffs. -
LIST of MUSICAL WORKS USED on the NBC TELEVISION SERIES SANTA BARBARA in the PERIOD 1984-1993 (Latest Update: July 2021)
LIST OF MUSICAL WORKS USED ON THE NBC TELEVISION SERIES SANTA BARBARA IN THE PERIOD 1984-1993 (Latest update: July 2021) Title of composition Performer Composer Source/album Character/usage in Santa Barbara 03:36 Michael Licari Daydreaming (1990) Kelly & Quinn (Can This Be) Real Love Dan Hill Hill Real Love (1988) Mason & Julia, return from Palm Springs; Nikki & Michael (You) Satisfy My Love Wendy Fraser (?) Seeman/Fraser/Sealove (Listed on Roxanne Seeman's site) Nikki in bars; Ted, Lilly & Ray (You're) Having My Baby Paul Anka Gina's fantasy, ep.1392 00a387 tense Dominic Messinger Messinger (Bulk.resource.org copyright lists) 1985 10 WEST Brian Bromberg Bromberg Magic Rain (1989) Restaurant scenes 100 Metres Vangelis Chariots of Fire (1982) Horror/suspense, ep.116, 123, 124, 193 (Carnation killer, tunnel cave-in) 100 WAYS (Find 100 ways) Scheer Music K. Wright/K. Wakefield/T. Coleman (Class settlement composition list) Party music, ep.135 12 CYLINDERS Jerry Turner (Monique Music Library) MML 009 - The Sound of Action Action scenes, ep. 47, 78, 79, 89 (a.o. Mason saves Brandon, Mason calls Dr Ramirez) 1812 OVERTURE Lee Ashley (Capitol/OGM) Tchaikovsky Capitol Media Music (now OGM) 29 SOMETHING (Class settlement composition list) 3 M 4 (CAR CHASE) Matt Ender & Mark Governor Santa Barbara Cues (ASCAP records) 3+3 Vangelis Spiral (1977) Joe is alive, ep.56, 61 39 steps Rhodes/Greene Santa Barbara Cues (ASCAP records) 4:00 A.M. Richard Elliot Elliot/Hinds Take to the skies (1989) Restaurant scenes 40 YARDS BACK Rick Ruskin & Lewis Ross (Tedesco Tunes) On The Cheap (1981)/In the beginning 50s Cafe Jeff Bud Snyder & Brian Atkinson Atkinson Noir fantasies, 1986-1993 (Augusta's departure, search for Keith in 1998, Kelly & McCabe) jeffbudsnyder.com 50'S MEMORIES Christopher Norden (Capitol/OGM) PURPLE PRO 6 TIME ZONE / MMSE-15 Mason & Mary, ep.